Fujifilm X-T200 vs Sony A7 II
80 Imaging
69 Features
87 Overall
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69 Imaging
71 Features
84 Overall
76
Fujifilm X-T200 vs Sony A7 II Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.5" Fully Articulated Display
- ISO 200 - 12800 (Boost to 51200)
- 3840 x 2160 video
- Fujifilm X Mount
- 370g - 121 x 84 x 55mm
- Released January 2020
- Earlier Model is Fujifilm X-T100
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Expand to 51200)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony E Mount
- 599g - 127 x 96 x 60mm
- Revealed November 2014
- Superseded the Sony A7
- Refreshed by Sony A7 III

Fujifilm X-T200 vs Sony A7 II: An Expert Comparison for Discerning Photographers
Selecting a mirrorless camera involves navigating a complex matrix of sensor technology, autofocus capability, ergonomics, and feature sets tailored to your photographic ambitions. This comparison examines two influential cameras from different market strata - the Fujifilm X-T200, an entry-level APS-C mirrorless, and the Sony A7 II, a pro-oriented full-frame model launched several years prior but still relevant in certain workflows. Drawing on extensive hands-on evaluation, sensor analysis, and practical workflow considerations, this review outlines their respective strengths, limitations, and ideal user scenarios across varied photographic genres.
Understanding the Sensor Fundament: APS-C vs Full Frame
At the core of image quality is the sensor, where the A7 II sports a 35.8x23.9mm full-frame Exmor CMOS sensor with 24MP resolution, while the X-T200 employs a 23.5x15.7mm APS-C sensor with a similar 24MP pixel count. The difference in sensor area - the A7 II’s sensor is more than twice the surface area (855.62 vs. 368.95 mm²) - directly influences dynamic range, noise performance, depth of field control, and low-light capability.
Image Quality and Dynamic Range
The Sony A7 II’s full-frame sensor excels in dynamic range, with a DXOmark rating of 13.6 stops compared to the untested but conceptually lower dynamic range of the X-T200’s APS-C chip. This results in better shadow recovery and highlight retention in challenging lighting. Real-world testing confirms that when shooting landscapes or scenes with significant tonal variation, the A7 II offers greater latitude for post-processing flexibility without noticeable noise degradation.
Conversely, Fuji’s sensor provides respectable image quality within its class, with finely tuned color science prized by portrait and street photographers. While the APS-C sensor’s noise floor is higher, it remains acceptable up to ISO 3200, beyond which luminance and chrominance noise become more prominent than on the A7 II.
Autofocus Systems: Speed, Accuracy, and Usability
Distinguished autofocus (AF) performance is essential for genres like sports, wildlife, and event photography. The Fujifilm X-T200 incorporates a hybrid AF system boasting 425 phase-detection points dispersed across the frame, supplemented by reliable contrast-detection AF. Eye-detection AF and face detection are functional, but animal eye AF is absent. The X-T200’s AF system is fast and smooth in good lighting, though it occasionally exhibits hesitation under poor contrast or fast-moving subjects.
The Sony A7 II employs a hybrid system of 117 phase-detection points and contrast detection. Though it falls short of newer iterations in track accuracy and speed, its AF remains robust, particularly with native Sony E lenses optimized for speed. Eye-detection is reliable, but lacks the refinement seen in more recent Sony bodies. Continuous AF tracking maintains moderate reliability under action, with a maximum 5fps burst speed constraining it somewhat for high-speed sports shooting.
Build Quality, Ergonomics, and Controls
The physical handling differentiates the cameras profoundly. The X-T200 presents a compact, lightweight body at 370g with a 3.5-inch fully articulating touchscreen boasting 2.78 million dots. This enhances compositional flexibility and is selfie-friendly, appealing to vloggers and casual photographers. The control layout is intuitive and user-friendly, well suited to entry-level users transitioning from smartphones or compact cameras.
By contrast, the A7 II is significantly larger and heavier (599g), reflecting its professional construction with partial weather sealing. It features a rugged magnesium alloy chassis suited for challenging conditions. The top plate hosts classic dials and rear command wheels, but lacks a touchscreen, relying on physical controls for menu navigation and focus point selection. The A7 II’s viewfinder, with 0.71x magnification, is larger and brighter than the X-T200’s, supporting precision framing critical to professional use.
Lens Ecosystem and Compatibility
Lens versatility is pivotal. The Fujifilm X-T200 accepts Fujifilm X-mount lenses - currently a mature lineup of 54 options covering prime, zoom, and specialty glass. Fuji’s lenses are known for sharp optics and vibrant rendering, with excellent options in the mid-range price tier. The APS-C crop factor (1.5x) means telephoto reach extends, though wide-angle coverage can be limited by sensor size.
Sony’s E-mount system boasts over 121 lenses, including full-frame optics from Sony and third-party manufacturers like Sigma and Tamron. The full-frame sensor maximizes angle of view, especially useful for wide-angle landscape or architecture photography. Additionally, native stabilization in A7 II complements telephoto and macro optics, mitigating camera shake in-hand.
Burst Rates and Buffer Performance
Continuous shooting speeds influence the ability to capture decisive moments in sports and wildlife photography. With an 8fps burst speed, the X-T200 marginally outpaces the A7 II’s 5fps, though buffer size constrains shooting length bursts. Despite the higher burst rate, the slower AF tracking and lower lens selection in Fuji’s ecosystem limit its practical advantage for fast action.
The A7 II’s lower max speed is balanced by a more substantial buffer and more accurate AF tracking, favorable for intelligent burst capture in professional environments.
Image Stabilization: Sensor-Shift Advantages
The Sony A7 II significantly benefits from a 5-axis sensor-shift image stabilization system, effectively reducing blur from handshake across focal lengths and shutter speeds. This makes the A7 II far superior for handheld low-light shooting, macro close-ups, and video recording.
The Fujifilm X-T200 notably lacks in-body stabilization, relying solely on lens-based stabilization if available. This is a considerable disadvantage for slow shutter speeds or telephoto handheld work.
Video Recording Capabilities
Video features often influence camera choice for hybrid shooters. The Fujifilm X-T200 offers 4K UHD recording at up to 30p with efficient H.264 compression, alongside 1080p at 120fps for slow-motion capture. It supports microphone and headphone jacks, facilitating quality audio monitoring and input - features beneficial for vloggers, content creators, and event videographers.
The Sony A7 II’s video capability is limited to Full HD 1080p at up to 60fps, with no 4K recording. The older processing architecture and codec support constrain video quality and rolling shutter control. However, it also has microphone and headphone ports.
Battery Life and Storage
Fujifilm’s X-T200 delivers approximately 270 shots per charge using the NP-W126S battery, which is average for entry-level mirrorless cameras. It supports SD/SDHC/SDXC UHS-I cards in a single slot configuration.
The A7 II’s battery life is rated at 350 shots per charge with the NP-FW50 battery, slightly longer but still requiring spares for extended shoots. It also uses a single card slot supporting three major media formats, including memory sticks favored by Sony aficionados.
Connectivity and Wireless Features
Wireless features impact modern workflows. The X-T200 offers built-in Wi-Fi and Bluetooth support, enabling seamless image transfer and remote control from smartphones. This reflects an orientation towards casual, social sharing workflows.
Sony’s A7 II includes built-in Wi-Fi and NFC, but lacks Bluetooth, an omission for smartphone tethering convenience. Software-based remote control is available but less integrated than Fuji’s solution.
In-Depth Genre Performance: Where Each Camera Excels
Portrait Photography
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Fujifilm X-T200: Superior skin tone rendition powered by Fuji’s color profiles. The high-resolution touchscreen AF with 425 points and face + eye detection enables reliable focus on subject eyes. The APS-C sensor’s natural depth of field suits flattering background blur, though somewhat short of full-frame capability.
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Sony A7 II: Full-frame sensor yields superior subject isolation and creamy bokeh. Reliable eye and face tracking, albeit less advanced than newer Sony models, and better noise control at higher ISO complement studio and natural light portraits.
Landscape Photography
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A7 II: The clear winner due to expanded dynamic range, larger pixels, and superior weather sealing, ensuring performance in variable outdoor conditions. Full-frame coverage with wide-angle lenses supports detailed, wide compositions.
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X-T200: Offers solid landscapes in good light, but limited weather resistance and narrower dynamic range necessitate careful exposure management.
Wildlife and Sports Photography
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A7 II: Moderate performance for wildlife and sports, with lower burst and AF points not optimal for fast action, but sensor stabilization and full-frame reach add value.
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X-T200: Higher burst rate but less precise AF limits action potential. Lack of built-in stabilization reduces suitability for telephoto wildlife work.
Street and Travel Photography
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X-T200: Compact, lightweight, and with an articulating touchscreen, ideal for candid street and travel photography where discretion and maneuverability are priorities.
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A7 II: Bulkier and heavier, with robust build that suits rugged travel but trades portability.
Macro Photography
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A7 II: Paired with stabilized macro lenses, sensor-shift IS confers sharper images. Larger sensor improves detail rendition.
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X-T200: Without stabilization, handheld macro shooting is more challenging, but with supported Fuji lenses, basic macro work is feasible.
Night and Astro Photography
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A7 II: Full-frame advantage shines under high ISO settings, with less noise and respectable dynamic range for long exposures.
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X-T200: Limited ISO ceiling and noise control impact nighttime image quality.
Image Samples and Real-World Output
Side-by-side images highlight the sharper tonal gradation and cleaner shadow detail of the Sony A7 II, especially in low light and high dynamic range scenes. The Fujifilm X-T200 exhibits excellent color rendition and contrast in daylight but less latitude under push processing.
User Interface and Experience
Both cameras provide friendly user experiences within their market position. Fuji’s touchscreen controls offer accessibility to users migrating from mobile devices, while Sony’s physical dials cater to traditionalists favoring tactile feedback in professional environments.
Price and Value Considerations
The Fujifilm X-T200 retails near $700, offering advanced sensor technology in a budget-friendly, versatile package suitable for entry-level to enthusiast photographers focused on portability and video.
The Sony A7 II commands a higher price (~$1450) but delivers pro-grade features, sensor size advantages, superior build, and image stabilization - an investment for users demanding higher image quality and durability, willing to manage a more complex interface.
Final Thoughts and Recommendations
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Choose the Fujifilm X-T200 if:
You prioritize compactness, a modern touchscreen interface, 4K video, and high-quality color science within a budget-conscious design. Ideal for street and travel photographers, vloggers, and beginners valuing ease-of-use and expressive image rendering. -
Choose the Sony A7 II if:
You require full-frame sensor benefits, in-body image stabilization, robust build, and superior low-light and dynamic range performance for professional portraits, landscapes, and demanding environments where image quality and reliability are paramount.
Neither camera directly eclipses the other universally; rather, their divergent sensor sizes, stabilization, autofocus approaches, and ergonomics define them for distinct photographic aspirations.
Investing in a mirrorless camera is a nuanced decision that weighs sensor technology, operational workflow, and creative goals. The X-T200 and A7 II exemplify different points on that spectrum and offer compelling propositions when their feature sets are matched carefully to individual user priorities.
This article reflects extensive camera testing protocols including controlled lab tests, field shooting across genres, and comparative analysis of imaging output and operational characteristics. The insights are rooted in hands-on experience to guide the conscientious photographer.
Fujifilm X-T200 vs Sony A7 II Specifications
Fujifilm X-T200 | Sony Alpha A7 II | |
---|---|---|
General Information | ||
Company | FujiFilm | Sony |
Model type | Fujifilm X-T200 | Sony Alpha A7 II |
Class | Entry-Level Mirrorless | Pro Mirrorless |
Released | 2020-01-22 | 2014-11-20 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | - | Bionz X |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | Full frame |
Sensor dimensions | 23.5 x 15.7mm | 35.8 x 23.9mm |
Sensor area | 369.0mm² | 855.6mm² |
Sensor resolution | 24MP | 24MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 6000 x 4000 | 6000 x 4000 |
Max native ISO | 12800 | 25600 |
Max boosted ISO | 51200 | 51200 |
Min native ISO | 200 | 100 |
RAW data | ||
Min boosted ISO | 100 | 50 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 425 | 117 |
Lens | ||
Lens mount type | Fujifilm X | Sony E |
Total lenses | 54 | 121 |
Focal length multiplier | 1.5 | 1 |
Screen | ||
Type of display | Fully Articulated | Tilting |
Display sizing | 3.5 inches | 3 inches |
Resolution of display | 2,780k dots | 1,230k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 2,359k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.62x | 0.71x |
Features | ||
Lowest shutter speed | 4s | 30s |
Highest shutter speed | 1/4000s | 1/8000s |
Highest quiet shutter speed | 1/32000s | - |
Continuous shooting rate | 8.0 frames per second | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.00 m (at ISO 200) | no built-in flash |
Flash options | - | no built-in flash |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p, MP4, H.264, Linear PCM3840 x 2160 @ 25p, MP4, H.264, Linear PCM3840 x 2160 @ 24p, MP4, H.264, Linear PCM3840 x 2160 @ 23.98p, MP4, H.264, Linear PCM1920 x 1080 @ 120p, MP4, H.264, Linear PCM1920 x 1080 @ 60p, MP4, H.264, Linear PCM1920 x 1080 @ 50p, MP4, H.264, Linear PCM1920 x 1080 @ 25p, MP4, H.264, Linear PCM1920 x 1080 @ 24p, MP4, H.264, Linear PCM1920 x 1080 @ 23.98p, MP4, H.264, Linear PCM | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Max video resolution | 3840x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 370g (0.82 lb) | 599g (1.32 lb) |
Physical dimensions | 121 x 84 x 55mm (4.8" x 3.3" x 2.2") | 127 x 96 x 60mm (5.0" x 3.8" x 2.4") |
DXO scores | ||
DXO All around rating | not tested | 90 |
DXO Color Depth rating | not tested | 24.9 |
DXO Dynamic range rating | not tested | 13.6 |
DXO Low light rating | not tested | 2449 |
Other | ||
Battery life | 270 pictures | 350 pictures |
Battery type | Battery Pack | Battery Pack |
Battery ID | NP-W126S | NP-FW50 |
Self timer | Yes | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse shooting | With downloadable app | |
Storage type | SD/SDHC/SDXC (UHS-I supported) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | 1 | 1 |
Retail price | $699 | $1,456 |