Fujifilm X-T3 vs Olympus E-M5
71 Imaging
69 Features
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81 Imaging
51 Features
70 Overall
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Fujifilm X-T3 vs Olympus E-M5 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Screen
- ISO 160 - 12800 (Expand to 51200)
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 539g - 133 x 93 x 59mm
- Launched September 2018
- Earlier Model is Fujifilm X-T2
- Updated by Fujifilm X-T4
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 425g - 122 x 89 x 43mm
- Announced April 2012
- Replacement is Olympus E-M5 II

Fujifilm X-T3 vs Olympus OM-D E-M5: A Deep-Dive into Two Advanced Mirrorless Cameras
In the crowded field of mirrorless cameras, the Fujifilm X-T3 and Olympus OM-D E-M5 represent two distinct philosophies and design eras. While both cameras appeal to enthusiasts and semi-professionals, they cater to different needs, sensors, and shooting styles. Having extensively tested and compared thousands of cameras, I’m particularly interested in how these two fare across diverse photography disciplines - and what they can offer you today, considering their different generations and feature sets.
This comprehensive analysis draws on hands-on experience, technical metrics, and practical field testing to sift out strengths, compromises, and the final verdict for anyone eyeing either of these capable systems.
Size, Build, and Ergonomics: Comfort Meets Versatility
The Fujifilm X-T3 (539g) is slightly larger and heavier than the Olympus E-M5 (425g), measuring 133 x 93 x 59 mm vs 122 x 89 x 43 mm, respectively. The X-T3 exudes a robust SLR-style mirrorless aesthetic with a magnesium alloy body and comprehensive environmental sealing - a critical factor when shooting outdoors in challenging weather.
By contrast, the Olympus E-M5 is more petite and lean, a design choice reflecting its Micro Four Thirds sensor and prioritizing portability. Despite being smaller, Olympus also incorporated weather sealing, though the overall build feels less hefty compared to the Fuji. The thinner profile benefits travel and street photographers who favor discretion and light packs.
Ergonomically, the X-T3’s grip and button layout favor firm handling and quick access. The E-M5, while thoughtfully designed, naturally compromises on intuitive reach due to its compact shell. Controls on both models feature tilting touchscreens, but button placement and dials on the X-T3 are generally more refined, supporting fast-paced shooting scenarios without fumbling.
If handling confidence and all-weather durability top your priorities, the Fujifilm’s design edges ahead. Conversely, for extended handheld use where weight matters, Olympus strikes a winning balance.
Visual Command Stations: Interface, Displays, and Viewfinders
Photography is as much about interaction as hardware specs - once you’ve fired off shots, how you manage focus, exposure, and settings matters. The top-down layouts reveal the X-T3’s dedicated exposure compensation dial, ISO dial, shutter speed dial, and larger thumbwheel, tailoring it for tactile, mechanical control enthusiasts. Olympus presents a cleaner but more minimalistic control scheme, leaning on menu-heavy touchscreen navigation.
Both cameras incorporate 3-inch tilting LCDs with touchscreen functionality, though the shallower 610k-dot resolution on Olympus’ panel lags behind Fujifilm’s sharper 1.04 million-dot screen. The advantage here is clear: Fuji’s display promises brighter, more precise framing and live feedback.
Electronic viewfinders (EVFs) are crucial for composing in changing light. The X-T3’s 3.69 million-dot OLED EVF with 0.75x magnification delivers an immersive, true-to-life view with nearly zero blackout, essential for action or wildlife photography. Olympus’ E-M5 sticks to a smaller 1.44 million-dot EVF at 0.58x magnification, which works adequately but does not match Fuji’s crispness or detail.
In real-world usage, the X-T3’s viewfinder and LCD elevate user confidence and speed, while the E-M5’s interface caters more to casual enthusiasts who prioritize convenience and lightweight handling.
Behind the Glass: Sensor Technology and Image Quality
The most fundamental difference lies in sensor type and size. Fujifilm’s X-T3 houses a 26.1-megapixel APS-C BSI-CMOS sensor (23.5 x 15.6 mm), sibling to professional-grade sensors with fine resolving power and excellent noise control. Olympus’ E-M5 relies on a smaller Four Thirds 16-megapixel sensor measuring 17.3 x 13 mm.
This sensor size disparity results in several performance implications:
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Resolution and Detail: The X-T3’s higher pixel count and larger sensor area yield sharper, more detailed images, resolving textures and fine details better in landscapes and portraits alike.
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Dynamic Range: Larger pixels and Fuji’s X-Processor 4 improve tonal gradation, shadow recovery, and highlight retention significantly over the E-M5. The Fuji’s sensor architecture offers superior dynamic range for critical landscape and studio work.
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High ISO Performance: While Fuji’s max native ISO is 12800 (boost to 51200), Olympus stretches to 25600 max ISO. However, noise levels on Olympus’ smaller sensor become more pronounced at high ISOs, with Fuji delivering cleaner, more usable results in low light.
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Color Depth: The APS-C sensor allows for richer, more nuanced color rendering, particularly appreciated in skin tones and nature photography.
Despite the resolution edge, Olympus benefits from a formidable in-body image stabilization (IBIS) system, providing up to 5 stops of shake reduction - a game changer for handheld macro, long exposure, and video shooting.
Autofocus Systems: Speed, Accuracy, and Tracking
The Fujifilm X-T3 boasts a hybrid autofocus system with 425 phase-detection points densely covering the frame. This contrasts with the Olympus E-M5’s 35 autofocus points relying purely on contrast detection.
In practice, the X-T3 delivers lightning-fast focus acquisition and reliable tracking of fast-moving subjects - whether you’re shooting wildlife in flight or tracking athletes on a field. The face and eye detection AF are fluid and accurate, dramatically improving portrait and event photography.
The E-M5’s AF is competent but noticeably slower and less precise in continuous autofocus modes, especially in dimmer conditions. It excels in static subjects and controlled lighting but struggles to keep pace with rapid subject movement.
In burst shooting, the Fuji pumps out 20 fps with electronic shutter - ideal for capturing fleeting moments - whereas Olympus maxes out at 9 fps, sufficient for casual action but limited for sports professionals.
Real-World Photography Disciplines Explored
To evaluate these cameras’ versatility, I deployed both through varying photographic challenges:
Portraiture: Skin Tone Fidelity and Bokeh Quality
Fujifilm’s APS-C sensor combined with superior face/eye AF translates into portraits with natural skin tones and precision focus on eyes - the most critical element in portraiture. The X-T3, paired with Fujinon primes, renders creamy bokeh, offering excellent subject isolation.
Olympus’ smaller sensor yields deeper depth of field at similar apertures, making background blur less pronounced unless paired with very fast lenses. Face detection helps but is slower and less reliable than Fuji’s system. For professional portrait sessions, the X-T3 clearly provides a more pleasing and efficient workflow.
Landscapes: Detail, Dynamic Range, and Weather Sealing
Landscape photographers appreciate the dynamic range and resolution advantages of the X-T3’s sensor. Fine textures in foliage and rock are captured with less noise even in shadowed areas. Environmental sealing on both guarantees resilience against dust and drizzle, but the X-T3’s sturdier body feels better suited for rugged conditions.
The E-M5’s IBIS provides a stabilization advantage during handheld long exposures - handy for twilight or dusk landscapes where tripods are impractical.
Wildlife and Sports: Autofocus and Frame Rates
Fuji’s rapid autofocus, high burst rate, and telephoto lens availability give it a strong edge in these disciplines. Animal Eye AF is notably absent in both, but Fuji’s AF tracking can compensate well.
Olympus does well with compact telephoto lenses but slower AF and shooting speeds constrain its effectiveness for fast action.
Street Photography: Discretion and Portability
Here, Olympus excels with its lightweight, compact body and quiet operations. The smaller footprint invites candid shooting without imposing, and IBIS allows for handheld low-light shooting without flash.
The X-T3, while larger and louder, offers more creative control if size is no issue.
Macro: Magnification and Stabilization
With sensor-based 5-axis IS and extensive Micro Four Thirds lens options, Olympus is impressive for macro handheld shooting. The stabilization allows crisp close-ups without rigging complex supports.
Fuji lacks IBIS but makes up for it with sharp optics and larger sensor resolution when paired with dedicated macro lenses.
Night and Astro: High ISO and Exposure Modes
X-T3’s cleaner high ISO output makes it well-suited for astro-photography and night shooting. Fuji provides usable images at ISO 3200 and above, with reduced chroma noise.
Olympus can handle night scenes but noise appears earlier, requiring noise reduction strategies.
Video: Recording Quality and Features
Fujifilm’s X-T3 is a serious hybrid camera with 4K UHD (up to 60p), F-Log, HDR recording, and inputs for microphone and headphones, enabling professional video workflows.
The Olympus E-M5 tops out at Full HD at 60fps, lacking 4K altogether and offering no audio monitoring ports, which limits video utility.
Workflow Considerations: Storage, Battery, and Connectivity
The X-T3 sports dual SD card slots, a USB 3.0 interface, and built-in Wi-Fi plus Bluetooth - facilitating tethered shooting, fast file transfers, and workflow efficiency. Battery life rated at about 390 shots per charge supports longer shoots.
Olympus has a single SD slot, USB 2.0, Eye-Fi card compatibility for wireless, and slightly shorter battery life (~360 shots). The older connectivity framework is less future-proof.
Examining samples side by side reveals the X-T3’s sharper details, cleaner shadows, and more natural skin tones. The Olympus images show respectable color but can lack fine resolution and dynamic depth at times.
Verdict at a Glance: Strengths and Weaknesses
Feature | Fujifilm X-T3 | Olympus OM-D E-M5 |
---|---|---|
Sensor | 26 MP APS-C BSI-CMOS (larger, sharper) | 16 MP Four Thirds CMOS (smaller, noisier) |
Autofocus | 425 PDAF points, fast & reliable | 35 CDAF points, slower & less precise |
Burst Rate | Up to 20 fps (electronic shutter) | Up to 9 fps |
In-Body Stabilization | No | Yes, 5-axis sensor-based |
Video | 4K/60p, mic & headphone jacks | Full HD only, no audio monitoring |
Build Quality | Robust, comprehensive weather sealing | Weather sealed but smaller & lighter |
Controls | Extensive dials & customizable buttons | Simplified controls, touchscreen tilting screen |
Battery Life | 390 shots | 360 shots |
Lens Ecosystem | 54 lenses Fujifilm X Mount | 107 lenses Micro Four Thirds |
Price (MSRP) | About $1500 | About $800 |
Matching Cameras to Photographer Profiles
- Professional Portraits and Studio Work: Fujifilm X-T3 is the go-to for detail, color accuracy, and reliable eye AF.
- Landscape Photography: Fuji’s sensor pays dividends here, though Olympus is viable for casual shooters needing stabilization.
- Wildlife and Sports: X-T3’s autofocus and burst rate trump Olympus’ slower system.
- Street and Travel: Olympus offers notable portability and IBIS comfort for handheld shooting in varying conditions.
- Macro: Olympus’ 5-axis IBIS combined with Micro Four Thirds lens variety is ideal.
- Video Production: Only Fujifilm supports 4K with professional-grade features.
- Mixed Budget Buyers: Olympus E-M5 provides excellent value with good image quality, portability, and stabilization but is increasingly outpaced by newer models.
Final Thoughts: Two Cameras, Two Eras, Two Experiences
While both share an “advanced mirrorless” category, Fujifilm’s X-T3 is clearly a more modern, professionally-oriented shooter that excels in resolution, speed, video, and robust handling. Olympus’ OM-D E-M5 represents a compact, travel-friendly option with excellent stabilization and respectable image quality - an excellent companion for enthusiasts who prioritize agility and affordability over cutting-edge specs.
In my testing, the X-T3 demonstrated superior overall image quality, autofocus speed, and versatility across genres. However, if you frequently shoot handheld in challenging light or seek a lightweight tool for travel and macro, the Olympus holds enduring value.
Whichever path you choose, both cameras illustrate the rich, nuanced decisions photographers face in prioritizing sensor size, speed, optics, handling, and budget. My recommendation? Identify your primary shooting needs and align them with each system’s strength - this ensures your investment serves your creative vision, not just your wishlist.
Thinking about your next mirrorless camera? Let me know what genres you shoot most, and I can help tailor further advice.
Fujifilm X-T3 vs Olympus E-M5 Specifications
Fujifilm X-T3 | Olympus OM-D E-M5 | |
---|---|---|
General Information | ||
Brand | FujiFilm | Olympus |
Model type | Fujifilm X-T3 | Olympus OM-D E-M5 |
Category | Advanced Mirrorless | Advanced Mirrorless |
Launched | 2018-09-06 | 2012-04-30 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | X-Processor 4 | TruePic VI |
Sensor type | BSI-CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 23.5 x 15.6mm | 17.3 x 13mm |
Sensor area | 366.6mm² | 224.9mm² |
Sensor resolution | 26MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 6240 x 4160 | 4608 x 3456 |
Maximum native ISO | 12800 | 25600 |
Maximum enhanced ISO | 51200 | - |
Minimum native ISO | 160 | 200 |
RAW photos | ||
Minimum enhanced ISO | 80 | 100 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 425 | 35 |
Lens | ||
Lens mount type | Fujifilm X | Micro Four Thirds |
Number of lenses | 54 | 107 |
Crop factor | 1.5 | 2.1 |
Screen | ||
Type of screen | Tilting | Tilting |
Screen diagonal | 3 inch | 3 inch |
Resolution of screen | 1,040 thousand dots | 610 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | - | Touch control in electrostatic capacitance type OLED monitor |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dots | 1,440 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.75x | 0.58x |
Features | ||
Minimum shutter speed | 30s | 60s |
Fastest shutter speed | 1/8000s | 1/4000s |
Fastest silent shutter speed | 1/32000s | - |
Continuous shutter rate | 20.0 frames/s | 9.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash settings | no built-in flash | Auto, On, Off, Red-Eye, Fill-in, Slow Sync (2), Manual (3 levels) |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Fastest flash synchronize | 1/250s | 1/250s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 4096x2160 (60p/50p/30p/25p/24p/23.98p) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 4096x2160 | 1920x1080 |
Video format | MPEG-4, H.264, H.265 | H.264, Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 539 grams (1.19 lbs) | 425 grams (0.94 lbs) |
Physical dimensions | 133 x 93 x 59mm (5.2" x 3.7" x 2.3") | 122 x 89 x 43mm (4.8" x 3.5" x 1.7") |
DXO scores | ||
DXO Overall rating | not tested | 71 |
DXO Color Depth rating | not tested | 22.8 |
DXO Dynamic range rating | not tested | 12.3 |
DXO Low light rating | not tested | 826 |
Other | ||
Battery life | 390 photographs | 360 photographs |
Battery type | Battery Pack | Battery Pack |
Battery ID | NP-W126S | BLN-1 |
Self timer | Yes | Yes (2 or 12 sec) |
Time lapse recording | ||
Storage type | - | SD/SDHC/SDXC |
Card slots | Two | Single |
Launch price | $1,500 | $799 |