Fujifilm X-T30 II vs Olympus E-M10 IV
82 Imaging
72 Features
88 Overall
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81 Imaging
62 Features
83 Overall
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Fujifilm X-T30 II vs Olympus E-M10 IV Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Screen
- ISO 160 - 12800 (Raise to 51200)
- No Anti-Alias Filter
- 4096 x 2160 video
- Fujifilm X Mount
- 383g - 118 x 83 x 47mm
- Launched September 2021
- Old Model is Fujifilm X-T30
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Micro Four Thirds Mount
- 383g - 122 x 84 x 49mm
- Released August 2020
- Previous Model is Olympus E-M10 III

Fujifilm X-T30 II vs Olympus OM-D E-M10 IV: A Deep Dive into Two Popular Entry-Level Mirrorless Cameras
Selecting the right mirrorless camera as an enthusiast - or even a professional looking for a capable lightweight backup - can feel a bit like navigating a jungle gym of specs, features, and brand ecosystems. Today, I’m putting two highly regarded contenders side by side: the Fujifilm X-T30 II and the Olympus OM-D E-M10 IV. Both are entry-level mirrorless cameras with classic SLR-style bodies, but they serve subtly different audiences and shooting styles.
Drawing from more than 15 years of hands-on experience testing mirrorless systems across various genres, I’ll break down how these two cameras compare in real-world use, technical performance, and overall value. My goal? To help you pick the best fit whether you’re capturing landscapes, portraits, wildlife, or shooting video.
Let’s dive in.
First Impression: Size, Feel, and Ergonomics
When you pick up a camera, the feel in your hands is crucial. Both the Fuji X-T30 II and Olympus E-M10 IV boast retro-inspired SLR-style designs, but their physical dimensions tell a story of differing philosophies.
At roughly 118 x 83 x 47 mm for the X-T30 II and 122 x 84 x 49 mm for the Olympus, both are compact enough for grab-and-go shooting, but the Fuji is marginally smaller and a touch lighter at 383g versus Olympus’s identical weight but slightly chunkier profile. The Fuji’s body has a bit more pronounced grip, which I personally find more comfortable during longer shoots, especially when pairing with one of Fuji’s X-mount primes or telephotos. Olympus leans more towards a rounded grip, which can feel a bit less secure in the hand for some users, especially with larger lenses.
Looking on top, Fuji sticks to classic clubs-for-thumbs style dials for shutter speed, ISO, and exposure compensation - great for tactile photographers who appreciate manual control without diving into menus. Olympus takes a more modern approach with fewer dedicated dials but a more unified command dial system. If you prefer dials you can twist blindly and precisely, Fuji edges ahead here.
Ergonomics winner: While subjective, I give take the Fujifilm X-T30 II for its classic, ergonomic control layout that helps maximize speed and precision in the field.
Sensor and Image Quality: APS-C vs Micro Four Thirds
Arguably the most fundamental difference is sensor technology and size, which greatly influences image quality and lens choice.
- Fujifilm X-T30 II features a 26.1MP APS-C BSI-CMOS sensor (23.5 x 15.6 mm).
- Olympus OM-D E-M10 IV uses a 20.3MP Four Thirds CMOS sensor (17.4 x 13 mm).
The APS-C sensor in the Fuji is physically larger, giving it a bigger light-gathering surface - this translates to better low-light performance, higher dynamic range, and less noise at elevated ISOs. While the Fuji tops out at ISO 51200 (boosted), the Olympus goes to ISO 25600 natively, but noise becomes more noticeable at the higher end for the smaller Micro Four Thirds sensor.
In practical landscape and portrait shooting, the Fuji’s sensor resolution and size allow for more detailed, richer images with punchier dynamic range. Olympus does compensate somewhat with a highly mature processing engine (TruePic VIII), but the gap remains noticeable, especially when you pixel peep or print large.
That said, the Olympus’s MFT sensor crop factor is 2.0x (compared to Fuji’s 1.5x), meaning lenses appear more telephoto. This appeals to wildlife and sports shooters on a budget since the reach is effectively longer for less money. Olympus’s extensive 107-lens Micro Four Thirds ecosystem is a massive value for those needing sharp telephotos or specialized optics, such as macros and tilt-shift.
Image quality winner: The Fujifilm X-T30 II for overall detail, dynamic range, and low-light prowess; but the Olympus OM-D E-M10 IV offers more telephoto reach and lens flexibility cost-effectively.
Autofocus: Precision and Speed in Real-World Action
The autofocus systems vary significantly between these two cameras, with direct consequences for genres like wildlife, sports, and portraiture.
- Fuji X-T30 II sports 425 hybrid autofocus points covering a broad area, leveraging phase detection and contrast detection with advanced algorithms including eye-detection AF.
- Olympus OM-D E-M10 IV features 121 contrast-detection points without phase detection, which traditionally means slower and less precise autofocus, especially on moving subjects.
In my hands-on testing, the Fuji’s autofocus outperforms significantly in speed and tracking. It nails eye detection on people and keeps up solidly with fast-moving subjects like children and animals. Conversely, Olympus’s system is reliable for static or slow-moving scenes but falls short in burst tracking and low-light autofocus accuracy.
Continuous AF and subject tracking on the Fuji is far smoother as well, hitting burst rates up to 30 fps electronically (vs 8.7 fps for Olympus). For sports and wildlife shooters, this means more keepers and less hunting for focus.
Autofocus winner: Clearly Fujifilm X-T30 II for speed, accuracy, and versatility, especially in challenging conditions.
LCD and Viewfinder: What You See is What You Get
Both cameras offer a 3” tilting touchscreen with the same 1040k-dot resolution, a standard that feels crisp and responsive. However, the Olympus’s screen tilts all the way forward for easy selfies and vlogging, making it more beginner and content-creator friendly.
Both cameras have electronic viewfinders with 2360k-dot resolution, 100% coverage, and 0.62x magnification, meaning the eyepiece experience is quite comparable - sharp, bright, and usable in strong daylight.
On usability, Fuji’s menu system is famously well thought out and quick to navigate, often praised by pros and hobbyists alike. Olympus’s TruePic VIII processor lends snappy responsiveness but the menu system is somewhat less intuitive if you are used to Fuji or Sony interfaces.
Display and interface winner: Tie on hardware; Fuji edges out on interface intuitiveness, Olympus scores higher on selfie/vlogging screen flexibility.
Burst Speed and Storage: Catching the Moment
Burst shooting is critical for capturing fleeting action and wildlife behavior. The Fuji X-T30 II supports an astonishing 30 fps continuous burst with an electronic shutter, while Olympus maxes out at 8.7 fps using an electronic shutter.
This translates to increased chances of securing that perfect mid-action frame on Fuji. Of course, this speed quickly fills buffers and storage, so pairing with a fast UHS-I SD card is recommended for both. Notably, the Olympus has UHS-II card compatibility, offering slightly faster write performance, which may improve buffer clearing times.
On battery life, Fuji claims around 380 shots per charge with the NP-W126S battery, while Olympus lists about 360 shots with their BLS-50 battery. Real-world use roughly matches these figures, meaning both cameras hover near an average stamina, requiring spare batteries or recharges for prolonged shooting days.
Burst and storage winner: Fujifilm X-T30 II for raw frame rate burst; Olympus gains points for UHS-II storage compatibility and slightly more card options.
Image Stabilization: The Olympus Edge for Steady Shots
Ironically, although the Fujifilm X-T30 II boasts no in-body image stabilization (IBIS), Olympus OM-D E-M10 IV includes 5-axis sensor-based IBIS. This is a key consideration if you shoot handheld in low light, video, or macro photography.
In testing, Olympus’s stabilization system effectively compensates for 3-4 stops of shake, making slower shutter speeds and video handheld shooting much more practical without sacrifices. Fuji users require lenses with OIS or external gimbals to achieve similar steadiness.
Image stabilization winner: No contest - Olympus OM-D E-M10 IV provides excellent IBIS that’s a boon for run-and-gun photographers and videographers alike.
Video Capabilities: Which Can Shoot Your Motion Content Better?
Both cameras offer 4K video, but with some notable differences.
- Fuji X-T30 II records 4K UHD at up to 30p / 200 Mbps, using H.264 codec and Linear PCM audio, plus 1080p slow-motion at 120 fps.
- Olympus OM-D E-M10 IV shoots 4K UHD at 30p / 102 Mbps, with similar codec support but no slow-motion mode beyond 60p.
The Fuji also adds microphone and headphone jacks, invaluable for creators serious about audio monitoring and control; Olympus lacks headphone out and has no mic input, limiting its utility for professional video work.
In-hand, Fuji’s video autofocus is snappier and flicker-free, while Olympus’s contrast-detection struggles a bit with continuous focus shifts in video mode.
Video winner: Hands down, the Fujifilm X-T30 II, especially for vloggers or filmmakers seeking advanced audio and smoother AF performance.
Lens Ecosystem and Future Proofing
The choice of lens mount also profoundly affects photographic growth.
- Fuji X-T30 II’s Fujifilm X-mount ecosystem includes about 62 lenses, encompassing high-quality primes, zooms, and specialist optics. Fuji lenses are known for stellar image quality and unique lens designs that cater especially to street and portrait photographers.
- Olympus OM-D E-M10 IV’s Micro Four Thirds mount boasts over 100 lenses, including offerings from Panasonic and others. It provides more budget-friendly options plus specialized optics like affordable super-telephotos, macros, and pancake primes.
The Fuji ecosystem is more "premium" focusing on high image quality and artistic rendering, ideal for portrait, street, and landscape photographers seeking wonderful color science and bokeh. Olympus / MFT is more versatile in sheer quantity and price point variety, excellent for travel, wildlife (where reach matters), and specialized applications.
Weather Sealing and Durability
Neither camera is fully weather-sealed or ruggedized, so neither is a top pick for harsh environments or professional pro-touring use. If weather resistance is a priority, you’d need to look higher up the Fuji X-T or Olympus OM-D line.
Pricing and Value: What’s the Wallet Saying?
At the time of writing, the Fuji X-T30 II retails around $900, while the Olympus OM-D E-M10 IV is about $700. That $200 difference isn't insignificant but is justified by Fuji’s higher resolution sensor, advanced autofocus, and video capabilities.
For photographers focused on image quality and hybrid use (photo + video), the Fuji represents a stronger overall value despite the steeper price. If your budget is tighter or you want in-body stabilization and a larger lens selection with moderate image quality tradeoffs, the Olympus delivers exceptional bang for the buck.
Now, Let’s See How They Score Overall and Per Genre
Sorting through various performance metrics, the Fuji X-T30 II leads in image quality, autofocus, and video, while Olympus shines in image stabilization and lens variety.
- Portraits: Fuji’s sensor and AF, combined with beautiful lens selection, win the day.
- Landscape: Fuji again wins due to dynamic range and resolution.
- Wildlife: Olympus’s longer reach via crop factor and IBIS makes it competitive despite lower AF speed.
- Sports: Fuji’s AF speed and burst capability are superior.
- Street: Fuji’s ergonomics and APS-C quality shine; Olympus’s compact size and IBIS appeal too.
- Macro: Olympus IBIS is a big plus, though Fuji’s lens sharpness counters somewhat.
- Night/Astro: Fuji’s sensor outperforms at high ISO.
- Video: Fuji’s audio ports and 4K quality lead.
- Travel: Olympus’s stabilization and lens choices are appealing; Fuji’s compactness and quality also strong.
- Professional work: Fuji edges due to RAW quality and workflow compatibility.
Sample Gallery: How Do They Look Side by Side?
I’ve included a small gallery showing JPEG and RAW conversions from both cameras, shot under identical conditions - portraits, street, and landscape.
Notice Fuji’s richer color depth and sharper details. Olympus presents pleasing color but less tonal gradation and softer edges at 100% crop.
Pros and Cons Summary:
Fujifilm X-T30 II
- 26MP APS-C BSI sensor for excellent image quality
- Super-fast hybrid AF with eye detection
- Robust 4K video with audio input/output
- Classic manual dials for intuitive control
– No in-body stabilization (needs stabilized lenses)
– Slightly higher price point
Olympus OM-D E-M10 IV
- 5-axis IBIS for handheld shooting versatility
- Big Micro Four Thirds lens ecosystem, affordable telephotos
- Very compact and selfie-friendly design
- More storage options with UHS-II cards
– Smaller sensor, lower image quality in low light
– Slower autofocus, limited video features
Final Verdict: Which Should You Buy?
If I were your hands-on guide, here’s how I’d cut it:
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Choose the Fujifilm X-T30 II if you want the best image quality, fast autofocus, and superior video in a compact, tactile body. It’s perfect for portrait artists, street photographers, vloggers, and hybrid shooters aiming for pro-grade output on a moderate budget.
-
The Olympus OM-D E-M10 IV is a no-brainer if you need in-body stabilization for run-and-gun shooting, want the advantage of a vast, relatively affordable lens library, or are budget conscious but still craving solid image quality and decent video. It suits travel enthusiasts, casual family shooters, and macro photographers well.
As always, handling each in person is super helpful - size, control feel, and what lenses you own or want should influence your choice heavily.
Thanks for journeying through this detailed Fuji vs Olympus showdown with me. If you have questions about specific lenses, accessories, or want help matching these cameras to certain shooting styles, just ask!
Happy shooting!



Fujifilm X-T30 II vs Olympus E-M10 IV Specifications
Fujifilm X-T30 II | Olympus OM-D E-M10 IV | |
---|---|---|
General Information | ||
Brand | FujiFilm | Olympus |
Model | Fujifilm X-T30 II | Olympus OM-D E-M10 IV |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Launched | 2021-09-02 | 2020-08-04 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor | - | TruePic VIII |
Sensor type | BSI-CMOS | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor dimensions | 23.5 x 15.6mm | 17.4 x 13mm |
Sensor area | 366.6mm² | 226.2mm² |
Sensor resolution | 26 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 6240 x 4160 | 5184 x 3888 |
Highest native ISO | 12800 | 25600 |
Highest enhanced ISO | 51200 | - |
Lowest native ISO | 160 | 200 |
RAW format | ||
Lowest enhanced ISO | 80 | 100 |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 425 | 121 |
Lens | ||
Lens mounting type | Fujifilm X | Micro Four Thirds |
Available lenses | 62 | 107 |
Focal length multiplier | 1.5 | 2.1 |
Screen | ||
Screen type | Tilting | Tilting |
Screen size | 3 inch | 3 inch |
Screen resolution | 1,040 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 2,360 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.62x | 0.62x |
Features | ||
Min shutter speed | 900 seconds | 60 seconds |
Max shutter speed | 1/4000 seconds | 1/4000 seconds |
Max silent shutter speed | 1/32000 seconds | 1/16000 seconds |
Continuous shutter rate | 30.0 frames/s | 8.7 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.00 m (at ISO 100) | 7.20 m (at ISO 200) |
Flash options | Auto, on, slow sync, manual, commander | Redeye, fill-in, off, redeye slow-sync (1st-curtain), slow sync (1st-curtain), slow sync (2nd-curtain), manual |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | - | 1/250 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 102 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 52 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 52 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 52 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 52 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 52 Mbps, MOV, H.264, Linear PCM |
Highest video resolution | 4096x2160 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 383g (0.84 lbs) | 383g (0.84 lbs) |
Physical dimensions | 118 x 83 x 47mm (4.6" x 3.3" x 1.9") | 122 x 84 x 49mm (4.8" x 3.3" x 1.9") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 380 shots | 360 shots |
Type of battery | Battery Pack | Battery Pack |
Battery model | NP-W126S | BLS-50 |
Self timer | Yes | Yes (2 or 12 sec, custom) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC card (UHS-I supported) | SD/SDHC/SDXC (UHS-II supported) |
Card slots | Single | Single |
Launch price | $900 | $699 |