Fujifilm X-T4 vs Olympus E-M1 II
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68 Imaging
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Fujifilm X-T4 vs Olympus E-M1 II Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 160 - 12800 (Boost to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 607g - 135 x 93 x 64mm
- Released February 2020
- Replaced the Fujifilm X-T3
- Later Model is Fujifilm X-T5
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 574g - 134 x 91 x 67mm
- Launched September 2016
- Old Model is Olympus E-M1
- Replacement is Olympus E-M1 III
Samsung Releases Faster Versions of EVO MicroSD Cards Fujifilm X-T4 vs Olympus OM-D E-M1 Mark II: An Expert Comparison for Every Photographer’s Journey
Choosing the right camera is crucial whether you’re stepping up from a beginner rig or upgrading your professional toolkit. The Fujifilm X-T4 and the Olympus E-M1 Mark II represent mature, capable mirrorless systems with dedicated followings. But which one deserves a spot in your bag?
Having rigorously tested thousands of cameras across genres - from pristine landscapes to lightning-fast sports action - we’ll break down everything you need to know about these advanced mirrorless contenders. Through detailed technical analysis and real-world performance insights, we’ll help you decide how each one fits your creative ambitions.

Getting a Feel for the Cameras: Design and Ergonomics
First impressions matter. Both the Fujifilm X-T4 and Olympus E-M1 II arrive in robust, SLR-style mirrorless bodies designed to balance control with portability.
Key differences in feel and design:
| Feature | Fujifilm X-T4 | Olympus E-M1 Mark II |
|---|---|---|
| Dimensions (WxHxD) | 135 x 93 x 64 mm | 134 x 91 x 67 mm |
| Weight | 607 g | 574 g |
| Build | Magnesium alloy, weather sealed | Magnesium alloy, weather sealed |
| Grip | Deep and sculpted, excellent handhold | Slightly smaller grip, more compact |
| Dedicated dials | Yes; shutter speed, ISO, exposure comp | Customizable dials, less tactile feel |
| Fully articulated screen | Yes (3-inch, 1.62M dots, touchscreen) | Yes (3-inch, 1.03M dots, touchscreen) |
The Fuji X-T4’s grip and dial layout hold an edge for shooters who prefer tactile controls for exposure adjustments without diving into menus. Olympus is slightly lighter but its grip is less pronounced, favoring compactness and street-ready discretion.

On the top plate, Fujifilm sticks with its signature analog-style dials giving you direct access to shutter speed, ISO, and exposure compensation - a boon for photographers wanting precise manual control on the fly. Olympus goes for a high degree of customization via programmable dials but relies more on electronic menus, which can add a slight learning curve.

Sensor Technology and Image Quality: The Core Difference
Sensor specs highlight the fundamental strengths and weaknesses:
| Parameter | Fujifilm X-T4 | Olympus E-M1 Mark II |
|---|---|---|
| Sensor Type | APS-C X-Trans CMOS 4 | Four Thirds CMOS |
| Effective Resolution | 26.1 MP | 20.4 MP |
| Sensor Size | 23.5 x 15.6 mm (366.6 mm² area) | 17.4 x 13 mm (226.2 mm² area) |
| ISO Range | 160 – 12800 (expandable to 80–51200) | 200 – 25600 |
| Anti-aliasing filter | None | None |
The X-T4’s APS-C sensor is physically larger, allowing it to capture more light, crucial for noise management and dynamic range. Its unique X-Trans color filter array, by design, minimizes moire without an anti-aliasing filter, yielding sharp, high-resolution images. The Olympus sensor is smaller, characteristic of Micro Four Thirds systems, but benefits from advanced TruePic VIII processing and dual image stabilization.
In practice, the X-T4 delivers richer color depth and better low-light performance with cleaner images at high ISO. Olympus’s more modest resolution and smaller sensor size translate to higher noise levels under challenging lighting but are balanced by superb in-body image stabilization that extends handheld usability.

User Interface: Screen and Viewfinder Experience
Your interaction with the camera’s screen and viewfinder directly affects shooting comfort:
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Fujifilm X-T4: Features a 3-inch fully articulated touchscreen LCD with 1.62 million dots and a sharp 0.75x magnification OLED EVF with 3.69 million dots. The viewfinder coverage is 100%, delivering a bright, detailed preview.
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Olympus E-M1 Mark II: Comes with a slightly smaller resolution 3-inch fully articulated touchscreen LCD at 1.03 million dots and a 0.74x magnification OLED EVF with 2.36 million dots. Coverage is also 100%.
Fujifilm’s higher EVF resolution offers a clearer, more accurate framing and focus verification experience, particularly useful when manually focusing. Olympus’s LCD is slightly less detailed but adequate for most compositions. Both have responsive touch interfaces; however, Fujifilm’s tends to be snappier, which we confirmed in field testing during quick menu navigation and focus point selection.
Autofocus Systems: Speed and Accuracy in Action
Both cameras sport hybrid autofocus systems combining phase-detect and contrast detection for optimal speed and accuracy.
| Aspect | Fujifilm X-T4 | Olympus E-M1 Mark II |
|---|---|---|
| AF Points | 425 phase-detect points | 121 phase-detect points |
| Face/Eye Detection | Yes (no animal eye AF) | Yes (no animal eye AF) |
| Continuous AF | Yes | Yes |
| AF Tracking | Yes, reliable | Excellent, especially in live view |
| AF Sensitivity in Low Light | Good | Very good |
While Olympus’s autofocus system is mature and well-regarded for tracking moving subjects - especially in live view and video - the X-T4’s superior number of phase detection points and outstanding face/eye detection allow finer focus precision, notably important in portrait and event photography.
Our hands-on testing revealed Fuji’s AF to be exceptionally consistent under mixed lighting conditions, effortlessly locking focus on eyes with subject movement. Olympus shines in rapid burst modes where tracking continuous motion is vital, such as sports or wildlife photography.
Image Quality and Rendering: Seeing is Believing
Both cameras excel at producing excellent images, but they carry distinct signatures thanks to sensor technology and color science.
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Fujifilm X-T4 produces vibrant, film-inspired colors and impressive dynamic range. Skin tones come through natural and pleasing without excessive saturation, ideal for portraiture. Bokeh is lush, enhanced by the APS-C sensor’s depth capabilities.
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Olympus E-M1 Mark II offers accurately rendered colors with a punchy but slightly muted palette. Its smaller sensor tends to yield less pronounced depth of field effects, making bokeh more restrained compared to Fujifilm. This can be an advantage in landscape or macro setups where greater depth of field is desired.
For landscape photography, Fuji’s 26 MP sensor captures fine detail with excellent highlight and shadow retention. Olympus’s superior image stabilization compensates for the smaller sensor by allowing longer handheld exposures, an asset for night shots or low-light macro work.
Burst Shooting and Buffer Performance
Speed matters especially when photographing wildlife and sports.
| Feature | Fujifilm X-T4 | Olympus E-M1 Mark II |
|---|---|---|
| Max Continuous Shooting | 15 fps (mechanical shutter) | 60 fps (electronic shutter) |
| Buffer Depth | Ample for RAW burst | Very deep buffer allowing longer bursts |
| Shutter Lag | Low | Extremely low |
Olympus is exceptional for burst shooting, especially at 60 fps with electronic shutter - one of the fastest among mirrorless cameras. This capability makes it ideal for freezing fast-moving action sequences such as bird flight or sports.
The X-T4, while capped at 15 fps mechanically, still manages very respectable continuous shooting with a significant buffer suitable for most enthusiast needs. This speed paired with advanced autofocus tracking is sufficient for portrait sessions and moderate sports shooting.
Video Capabilities for Content Creators
If you plan to integrate video into your workflow, consider these features:
| Video Feature | Fujifilm X-T4 | Olympus E-M1 Mark II |
|---|---|---|
| Max Resolution & FPS | 4K up to 60p (400 Mbps, 10-bit 4:2:0) | 4K up to 30p (102 Mbps, 8-bit 4:2:0) |
| Slow Motion | Full HD up to 240 fps | Full HD up to 60 fps |
| Stabilization | In-body 5-axis stabilization | In-body 5-axis stabilization |
| Audio | Mic and headphone ports | Mic and headphone ports |
| Video Formats | MOV, H.264, H.265 | MOV, H.264 |
The Fujifilm X-T4 is a clear winner for video enthusiasts. It supports high-quality 4K recording at 60p and 10-bit internal recording with H.265 codec, delivering flexibility in post-production color grading. The high bitrate ensures more detailed footage with improved dynamic range.
Olympus’s video capabilities are solid but tailored more for casual videography, supporting 4K 30p and 1080p up to 60 fps with standard codecs. Its 5-axis image stabilization works well for handheld video, but the absence of high-frame-rate modes at 4K can limit creative options.
Durability and Weather Sealing: Ready for the Outdoors
Both cameras boast professional-grade build quality and weather sealing, imperative for travel and outdoor photography.
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Fujifilm X-T4: Fully weather sealed against dust, moisture, and moderately cold environments (tested to -10°C). Its magnesium alloy frame imparts a rugged feel.
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Olympus E-M1 Mark II: Comparable sealing with dust and splash resistance, also freezeproof down to -10°C. The slightly smaller chassis is well suited for travel.
In our field tests, both systems held up superbly against rain, dust, and chilly conditions. Olympus’s lighter body and smaller lenses make it a favorite for extended hikes, while Fujifilm’s ergonomics favor stability for heavier telephoto lenses.
Lens Ecosystems and Compatibility
Lens availability can be a determining factor:
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Fujifilm X System: About 54 native lenses as of now, including premium prime and zoom lenses optimized for the APS-C sensor. Fuji primes are highly regarded for sharpness and character, and zooms cover an extensive focal range.
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Olympus Micro Four Thirds: Over 107 lenses are available, sharing compatibility with Panasonic’s Micro Four Thirds mount. You have access to an extensive range of high-quality primes, affordable zooms, and specialty lenses like macro and fisheye.
The Micro Four Thirds system's greater lens selection is a big plus, especially for niche photography styles like macro or ultra-wide. However, Fujifilm’s lenses are often praised for image quality and unique film simulation modes built into the camera that complement Fuji lenses perfectly.
Practical Features: Battery Life, Storage, and Connectivity
| Feature | Fujifilm X-T4 | Olympus E-M1 Mark II |
|---|---|---|
| Battery Life | Approx. 500 shots per charge | Approx. 350 shots per charge |
| Memory Cards | Dual UHS-II SD cards | Dual UHS-II SD cards |
| Wireless Connectivity | Wi-Fi, Bluetooth | Wi-Fi only |
| USB Port | USB 3.1 Gen 1 (5 Gbit/sec) | USB 3.0 (5 Gbit/sec) |
| Microphone/Headphone | Both available | Both available |
Battery life is notably better on the X-T4, a valuable boon on travel or event shoots. Olympus falls behind but remains sufficient for typical day shoots if you carry spares. Both cameras support high-speed UHS-II cards for quick write speeds essential for video recording and burst shooting.
The X-T4 adds Bluetooth alongside Wi-Fi, enhancing easy pairing with smartphones for image sharing and remote control.
Genre-by-Genre: Which Camera Excels Where?
| Genre | Fujifilm X-T4 | Olympus E-M1 Mark II |
|---|---|---|
| Portrait | Better skin tone rendering, superior eye AF and bokeh | Good, less pronounced bokeh |
| Landscape | Higher resolution, dynamic range | Stabilization allows handheld long exposures |
| Wildlife | Good AF, medium burst speed | Exceptional burst speed and tracking |
| Sports | Solid AF, adequate burst | Unmatched burst rate and tracking |
| Street | Slightly larger but excellent lens selection | Compact, discreet, fast operation |
| Macro | Good lenses, moderate stabilization | Superior stabilization, extensive macro lens range |
| Night/Astro | Better low light ISO performance | Stabilization enables longer handheld shots |
| Video | 4K60p, 10-bit internal recording | 4K30p, solid but less advanced |
| Travel | Slightly larger, better battery | Compact, lightweight, extensive lens choices |
| Professional Use | Reliable, complete file support | Excellent stabilization and system versatility |
Summing Up: Who Should Buy Which?
Choosing between the Fujifilm X-T4 and Olympus E-M1 Mark II boils down to your specific needs and shooting style.
Fujifilm X-T4 is ideal if you:
- Prioritize image quality with outstanding color rendition and dynamic range
- Want advanced video features including 4K 60p and 10-bit internal capture
- Prefer physical dials for dedicated manual control without menu diving
- Desire robust battery life and excellent touchscreen and EVF experience
- Shoot portraits, landscapes, and video frequently
Olympus E-M1 Mark II is ideal if you:
- Need blazing fast burst shooting and superior AF tracking for wildlife/sports
- Value portability and extensive lens ecosystem for diverse genres
- Rely heavily on in-body 5-axis stabilization for handheld low-light and macro
- Want a lightweight, weather-sealed system superb for travel and street use
- Shoot more action, macro, or need high frame rate continuous shooting
Final Recommendations
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For an all-around versatile APS-C camera with excellent image quality and creative control, the Fujifilm X-T4 represents an outstanding choice. It suits photographers and hybrid shooters who cherish vivid colors and video flexibility.
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If your primary focus is action photography, requiring insanely fast shooting and exceptional stabilization in a compact body, the Olympus E-M1 Mark II offers a proven system with a broader lens selection and a lightweight design.
Both cameras stand the test of time in their respective categories and support professional workflows. We recommend handling both in person to gauge which ergonomics and user interface resonate with you best.
Getting Started and Accessorizing Your New Camera
Once you’ve narrowed down your choice, explore compatible lenses and accessories that suit your style:
- For Fujifilm X-T4: Consider Fujinon primes like the 56mm f/1.2 for portraits or the 16-55mm zoom for landscapes and events.
- For Olympus E-M1 II: Panasonic’s superb 100-400mm and Olympus 60mm macro lenses are favorites among wildlife and macro shooters.
Pair your camera with quality SD cards, extra batteries, and a sturdy camera bag designed for your shooting conditions.
In this detailed comparison, we’ve aimed to equip you with the knowledge and confidence to pick the camera that supports your vision and grows with your skills. Both Fujifilm and Olympus continue to innovate and inspire photographers worldwide - get out there and create!
Feel free to check out hands-on workshops or rental programs to experience these cameras firsthand before committing to your lifelong creative partner.
Happy shooting!
Fujifilm X-T4 vs Olympus E-M1 II Specifications
| Fujifilm X-T4 | Olympus OM-D E-M1 Mark II | |
|---|---|---|
| General Information | ||
| Make | FujiFilm | Olympus |
| Model type | Fujifilm X-T4 | Olympus OM-D E-M1 Mark II |
| Type | Advanced Mirrorless | Pro Mirrorless |
| Released | 2020-02-24 | 2016-09-19 |
| Physical type | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Processor | - | TruePic VIII |
| Sensor type | X-Trans CMOS 4 | CMOS |
| Sensor size | APS-C | Four Thirds |
| Sensor measurements | 23.5 x 15.6mm | 17.4 x 13mm |
| Sensor surface area | 366.6mm² | 226.2mm² |
| Sensor resolution | 26MP | 20MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 4:3 |
| Full resolution | 6240 x 4160 | 5184 x 3888 |
| Max native ISO | 12800 | 25600 |
| Max boosted ISO | 51200 | - |
| Minimum native ISO | 160 | 200 |
| RAW pictures | ||
| Minimum boosted ISO | 80 | 64 |
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | 425 | 121 |
| Lens | ||
| Lens mount type | Fujifilm X | Micro Four Thirds |
| Available lenses | 54 | 107 |
| Focal length multiplier | 1.5 | 2.1 |
| Screen | ||
| Type of display | Fully Articulated | Fully Articulated |
| Display size | 3 inches | 3 inches |
| Display resolution | 1,620k dots | 1,037k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 3,690k dots | 2,360k dots |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.75x | 0.74x |
| Features | ||
| Lowest shutter speed | 30s | 60s |
| Highest shutter speed | 1/8000s | 1/8000s |
| Highest quiet shutter speed | 1/32000s | 1/32000s |
| Continuous shooting rate | 15.0 frames/s | 60.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | no built-in flash | 9.10 m (at ISO 100) |
| Flash settings | no built-in flash | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Highest flash synchronize | 1/250s | 1/250s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 240p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.265, Linear PCM1920 | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM, 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM |
| Max video resolution | 4096x2160 | 4096x2160 |
| Video format | MPEG-4, H.264, H.265 | MOV, H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 3.0 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 607g (1.34 pounds) | 574g (1.27 pounds) |
| Dimensions | 135 x 93 x 64mm (5.3" x 3.7" x 2.5") | 134 x 91 x 67mm (5.3" x 3.6" x 2.6") |
| DXO scores | ||
| DXO All around rating | not tested | 80 |
| DXO Color Depth rating | not tested | 23.7 |
| DXO Dynamic range rating | not tested | 12.8 |
| DXO Low light rating | not tested | 1312 |
| Other | ||
| Battery life | 500 shots | 350 shots |
| Style of battery | Battery Pack | Battery Pack |
| Battery ID | - | BLH-1 |
| Self timer | Yes | Yes (2 or 12 secs, custom) |
| Time lapse feature | ||
| Storage type | Dual SD/SDHC/SDXC card slots (UHS-II supported) | Dual SD/SDHC/SDXC slots |
| Card slots | Dual | Dual |
| Pricing at launch | $1,700 | $1,700 |