Fujifilm X-T4 vs Panasonic G3
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70 Features
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Fujifilm X-T4 vs Panasonic G3 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 160 - 12800 (Increase to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 607g - 135 x 93 x 64mm
- Launched February 2020
- Earlier Model is Fujifilm X-T3
- Successor is Fujifilm X-T5
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 336g - 115 x 84 x 47mm
- Introduced July 2011
- Previous Model is Panasonic G2
- Successor is Panasonic G5

Fujifilm X-T4 vs Panasonic Lumix G3: A Thorough Mirrorless Camera Comparison for Enthusiasts and Professionals
Selecting the right mirrorless camera requires more than a quick glance at megapixels and price - it demands a deep dive into real-world usability, technical performance across photographic disciplines, and how each camera’s ecosystem fits your creative way of working. Having personally tested thousands of cameras in studio and field conditions, I’m here to guide you through a meticulous head-to-head comparison of two mirrorless models bridging distinct technological epochs and user profiles: the advanced Fujifilm X-T4 (2020) and the entry-level, yet historically significant, Panasonic Lumix G3 (2011).
This examination spans all major aspects - sensor technology, autofocus systems, build quality, video features, and genre-specific suitability - supplemented by side-by-side imagery, optical assessments, and user-centric recommendations. Whether you prioritize portraiture, wildlife, or travel photography, this article aims to clarify which camera aligns best with your artistic vision and budget.
First Impressions: Size, Build, and Ergonomics
From the outset, the Fujifilm X-T4 asserts itself with a robust, substantial footprint: measuring 135×93×64 mm and weighing 607 grams, it embodies a thoughtfully engineered SLR-style mirrorless body designed for comfortable, extended use. In contrast, the Panasonic G3 is noticeably more compact and lightweight at 115×84×47 mm and 336 grams, catering primarily to photographers seeking ultimate portability in an entry-level system.
The X-T4’s magnesium alloy chassis integrates comprehensive environmental sealing, offering dust and moisture resistance - a vital feature for outdoor landscape or wildlife shooters who operate under challenging conditions. The G3, typical of early 2010s designs, lacks weather sealing, limiting its resilience in adverse environments.
Ergonomically, both cameras sport fully articulating 3-inch LCD screens with touchscreen capabilities, enhancing compositional flexibility and selfie friendliness. However, the Fujifilm’s screen boasts a sharp 1,620k-dot resolution, delivering crisp preview and menu visuals, whereas the G3's panel offers a modest 460k-dot resolution, which can feel underwhelming under harsh light.
Control schemes also differ markedly. The X-T4 continues Fujifilm’s classic retro dial-centric interface, with dedicated mechanical dials for shutter speed, ISO, and exposure compensation, affording tactile responsiveness that professional photographers prize for rapid in-field adjustments. Meanwhile, the G3 relies on more conventional button navigation and a mode dial, reflecting its beginner-focused positioning, which may feel less intuitive for users accustomed to physical controls.
Sensor and Image Quality: APS-C Versus Four Thirds
At the heart of any camera’s imaging capability lies its sensor, which profoundly influences resolution, dynamic range, noise handling, and overall image fidelity. The Fujifilm X-T4 is equipped with a cutting-edge 26.1-megapixel X-Trans CMOS 4 APS-C sensor, measuring 23.5×15.6 mm, embracing Fujifilm’s unique randomized color filter array that reduces moiré without an optical low-pass filter, thereby maximizing sharpness. This APS-C sensor area of approximately 366.6 mm² is substantially larger than the Panasonic G3’s Four Thirds sensor, sized 17.3×13 mm with an area of about 224.9 mm², delivering 16 megapixels.
The larger APS-C sensor inherently captures more light, offering improved high-ISO performance (up to ISO 12800 native, extendable to 51200), superior color depth, and greater dynamic range, critical for scenes with challenging contrast such as sunsets or shadowed landscapes. The Four Thirds sensor in the G3 maxes out at ISO 6400 native and exhibits increased noise at elevated sensitivities, often necessitating noise mitigation in post-processing for low-light work.
Neither sensor uses an anti-aliasing filter in the X-T4 (benefiting sharpness), while the G3 includes one, which can slightly soften detail to reduce artifacts. Additionally, the X-T4 handles multiple aspect ratios (1:1, 3:2, and 16:9) with more native flexibility compared to the G3, which accommodates 1:1 and 4:3 ratios prominently.
In practical terms, the X-T4 produces richer skin tones, nuanced textures, and maintains cleaner shadows at high ISO compared to the G3. Photographers engaged in portraiture, wedding, or commercial work will appreciate this elevated image quality. The G3 remains serviceable for casual portraiture and day-to-day photography but struggles with fidelity in dim conditions or when enlarging prints beyond moderate sizes.
Autofocus Systems: Accuracy and Speed for Today's Demands
The autofocus (AF) system dictates how efficiently a camera locks focus and keeps it during continuous action - crucial for wildlife, sports, and event photography. The Fujifilm X-T4 features a hybrid AF with 425 phase-detection points spread over a wide area, complemented by contrast detection, face detection, and touch-based AF. This sophisticated setup allows rapid, reliable subject acquisition even under low light.
Furthermore, the X-T4 offers eye-detection autofocus, significantly augmenting portrait results by ensuring precise focus on the subject’s eyes - an invaluable tool for capturing compelling, tack-sharp portraits consistently.
In contrast, the Panasonic G3 employs a contrast-detection system with 23 focus points but without phase detection, resulting in slower focus acquisition and less effective subject tracking. The absence of eye-detection AF and a generally less sophisticated AF pipeline means the G3 can generate hunting or focusing inaccuracies, especially with moving subjects.
Continuous AF capabilities further highlight generational differences: the X-T4 supports 15 fps continuous shooting with a mechanical shutter, matched by smooth AF tracking ideal for wildlife or sports, whereas the G3 caps much lower at 4 fps, limiting its usability for fast-paced photography.
Hence, for professionals or enthusiasts aspiring to capture fleeting moments or wildlife behavior, the X-T4’s AF system is an unquestionable leap forward. The G3 remains adequate for static subjects, landscapes, or casual snapshots but clearly cannot meet the demands of action-intensive genres.
Image Stabilization: Sensor-Based Versus None
Another substantial advantage of the Fujifilm X-T4 is its in-body image stabilization (IBIS) system, vital for handheld shooting, low-light scenarios, and video recording. The sensor-shift mechanism compensates for up to 6.5 stops of shake reduction, allowing photographers to shoot longer exposures without a tripod and smooth out handheld video footage impressively.
The Panasonic G3 lacks any form of internal image stabilization, relying entirely on stabilized lenses - a significant limitation since many lenses do not integrate optical stabilization. This omission affects low-light performance, macro shots, and video steadiness, funneling users towards investing in stabilized optics or external supports.
Consequently, the X-T4’s IBIS represents a tremendous advantage for travel photographers and videographers requiring flexibility and convenience.
Viewfinders and Rear Displays: Composing with Confidence
Both cameras feature electronic viewfinders (EVF) and 3-inch fully articulating rear LCDs, yet their quality differs considerably.
The X-T4’s EVF boasts a 3.69-million-dot resolution with 0.75× magnification and full 100% coverage, providing a bright, sharp, and immersive composition experience akin to optical viewfinders but with live exposure simulation and focus peaking overlays. Its rear LCD is similarly high-resolution, touch-enabled, and completely articulating, enhancing shooting from unusual angles.
The Panasonic G3’s EVF, having a resolution of just 1.44 million dots and 0.7× magnification, presents a less detailed and less immersive viewing experience, which can hamper manual focus precision and framing accuracy in demanding scenarios. Its TFT LCD, while articulated and touchscreen-enabled, offers only 460,000 dots, leading to visible pixelation.
For photographers prioritizing critical focus work, manual lenses, or studio applications, the X-T4 sets a high bar, while the G3’s viewfinder and screen suit casual or beginner users adequately but lack professional refinement.
Lens Ecosystem: Fujifilm X Mount vs Micro Four Thirds
The choice of system lenses profoundly impacts creative flexibility. The Fujifilm X mount, given over a decade of development, supports around 54 native lenses, including fast primes, versatile zooms, and specialty optics designed with Fujifilm’s optical standards.
Panasonic’s Micro Four Thirds mount, while offering a larger count of lenses at over 107 options, includes third-party lenses from Olympus and other manufacturers, spanning a wide price and quality range. Despite the breadth, the smaller sensor crop factor (2.1×) means focal lengths are effectively doubled compared to full-frame equivalents, allowing telephoto reach but with some loss of shallow depth-of-field control.
Conversely, Fujifilm’s APS-C sensor features a crop factor of 1.5×, balancing reach with superior bokeh rendering and lower diffraction at longer focal lengths.
Hence, Fujifilm’s lens ecosystem is tailored more towards high-performance prime lenses with distinctive color science and optics, whereas Micro Four Thirds emphasizes compactness, affordability, and telephoto accessibility.
Battery Life and Storage Options: Operational Considerations
Battery endurance marks a critical consideration for photographers on extended shoots or travel. The Fujifilm X-T4 uses a powerful battery capable of approximately 500 shots per charge under CIPA standards, supported by dual UHS-II SD card slots facilitating overflow, backup, or segregated RAW and JPEG saves - a feature greatly valued by professionals emphasizing reliability.
The Panasonic G3, with its compact design, offers roughly 270 shots per battery charge and only a single SD card slot with UHS-I support, limiting backup strategies and extended shooting capacity.
While real-world battery performance can vary based on usage patterns (e.g., autofocus use, screen brightness), the X-T4 clearly provides extended operational autonomy befitting demanding workflows.
Video Capabilities: Advanced 4K versus Basic HD
For hybrid shooters incorporating video, the Fujifilm X-T4 defines a compelling package with 4K UHD recording at up to 60 fps, 10-bit 4:2:0 internal recording (via firmware updates), and H.265 codec adoption facilitating high-quality compression. The camera includes microphone and headphone ports for full audio monitoring and supports in-body stabilization, crucial for smooth handheld footage.
In contrast, the Panasonic G3 is limited to Full HD (1920×1080) at 60 fps, using the older AVCHD and Motion JPEG codecs, lacking in-body stabilization and audio monitoring ports, restricting professional video workflows.
The X-T4’s video features clearly align with filmmakers and content creators looking for compact yet powerful tools, whereas the G3 remains a basic introduction to video shooting, adequate for hobby use but unsuitable for demanding multimedia production.
Specialized Photography: Performance Across Genres
To conclude our comparison, here’s how each camera stacks up across photography specialties:
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Portraits: The X-T4’s superior sensor, eye AF, and color science produce lifelike skin tones and creamy bokeh. The G3 delivers acceptable portraits in good lighting but falls short in dynamic range and focus precision.
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Landscapes: The X-T4 excels with high resolution, wide DR, and weather sealing allowing rugged field use. The G3’s smaller sensor and lack of sealing limit versatility but remain reasonable for casual shooting.
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Wildlife: Rapid AF and burst rates on the X-T4 outperform G3’s slower focus and 4 fps speed, critical to capturing action and bird flights.
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Sports: X-T4’s continuous AF and frame rates make it vastly superior for athletes and events; G3’s modest 4 fps and contrast AF lag behind.
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Street: G3’s lighter weight and smaller body favor discreet shooting, but poor high ISO and AF responsiveness restrict its practicality. X-T4 is bulkier but offers better overall image quality.
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Macro: X-T4’s IBIS aids handheld macro and tele-focused clarity; G3 depends on lens stabilization, sometimes absent.
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Night/Astro: The X-T4 thrives at high ISO with low noise. G3’s Four Thirds sensor and noise limit wider applicability in astrophotography.
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Video: X-T4 provides professional 4K video, in-camera stabilization, and audio in/out ports; G3 is confined to basic HD videography.
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Travel: X-T4 balances versatility with robustness though heavier. G3 is eminently portable but underpowered for diverse lighting.
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Professional Work: Dual cards, RAW formats, and reliability favor X-T4; G3 suits budget-conscious beginners.
Final Scores and Recommendations
After rigorously assessing core competencies and real-world usability, the Fujifilm X-T4 commands significantly higher overall performance scores and genre-specific strengths reflecting nearly a decade of technological advancement.
Who Should Buy the Fujifilm X-T4?
- Professional photographers needing reliability, advanced autofocus, and weather sealing.
- Enthusiasts seeking outstanding image quality for portraits, landscapes, and wildlife.
- Hybrid shooters prioritizing state-of-the-art video features.
- Travelers and event shooters valuing battery life and stabilization.
- Users invested in Fujifilm’s renowned color science and lens lineup.
Who Should Consider the Panasonic Lumix G3?
- Beginners experimenting with interchangeable lens cameras on a budget.
- Casual shooters needing portability and basic photographic functionality.
- Those with limited video requirements confined to Full HD.
- Photographers attracted by the vast, affordable Micro Four Thirds lens ecosystem.
- Secondary or travel backup camera users.
Closing Thoughts: Legacy vs Modern Performance
Comparing the Panasonic Lumix G3 and Fujifilm X-T4 underscores a broader evolution in mirrorless technology: where the G3 introduced portability and affordable system interchangeability in 2011, the X-T4 exemplifies modern advanced imaging, precision autofocus, superior video, and professional durability.
Your choice between these two should rest on your photographic priorities, budget constraints, and openness to investing in a system with future-proof features and expandability. The X-T4 justifies its higher price with exceptional real-world performance and technological sophistication, whereas the G3 remains a functional entry point - limited yet accessible.
For enthusiasts and professionals aiming to push creative boundaries and demand uncompromising results, the Fujifilm X-T4 emerges as the compelling pick in this detailed comparison.
For visual reference, please explore the accompanying images embedded throughout this article.
Fujifilm X-T4 vs Panasonic G3 Specifications
Fujifilm X-T4 | Panasonic Lumix DMC-G3 | |
---|---|---|
General Information | ||
Brand Name | FujiFilm | Panasonic |
Model type | Fujifilm X-T4 | Panasonic Lumix DMC-G3 |
Category | Advanced Mirrorless | Entry-Level Mirrorless |
Launched | 2020-02-24 | 2011-07-11 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor | - | Venus Engine FHD |
Sensor type | X-Trans CMOS 4 | CMOS |
Sensor size | APS-C | Four Thirds |
Sensor measurements | 23.5 x 15.6mm | 17.3 x 13mm |
Sensor area | 366.6mm² | 224.9mm² |
Sensor resolution | 26MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 6240 x 4160 | 4592 x 3448 |
Max native ISO | 12800 | 6400 |
Max boosted ISO | 51200 | - |
Lowest native ISO | 160 | 160 |
RAW photos | ||
Lowest boosted ISO | 80 | - |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 425 | 23 |
Lens | ||
Lens mount type | Fujifilm X | Micro Four Thirds |
Available lenses | 54 | 107 |
Crop factor | 1.5 | 2.1 |
Screen | ||
Range of display | Fully Articulated | Fully Articulated |
Display diagonal | 3" | 3" |
Resolution of display | 1,620 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dot | 1,440 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.75x | 0.7x |
Features | ||
Slowest shutter speed | 30 seconds | 60 seconds |
Maximum shutter speed | 1/8000 seconds | 1/4000 seconds |
Maximum quiet shutter speed | 1/32000 seconds | - |
Continuous shooting speed | 15.0fps | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 11.00 m |
Flash settings | no built-in flash | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash sync | 1/250 seconds | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 240p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.265, Linear PCM1920 | 1920 x 1080 (60fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps)) |
Max video resolution | 4096x2160 | 1920x1080 |
Video file format | MPEG-4, H.264, H.265 | AVCHD, Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 607g (1.34 pounds) | 336g (0.74 pounds) |
Physical dimensions | 135 x 93 x 64mm (5.3" x 3.7" x 2.5") | 115 x 84 x 47mm (4.5" x 3.3" x 1.9") |
DXO scores | ||
DXO All around rating | not tested | 56 |
DXO Color Depth rating | not tested | 21.0 |
DXO Dynamic range rating | not tested | 10.6 |
DXO Low light rating | not tested | 667 |
Other | ||
Battery life | 500 images | 270 images |
Battery format | Battery Pack | Battery Pack |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | Dual SD/SDHC/SDXC card slots (UHS-II supported) | SD/SDHC/SDXC |
Storage slots | Dual | Single |
Cost at launch | $1,700 | $500 |