Fujifilm X-T5 vs Sony A3000
70 Imaging
75 Features
89 Overall
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69 Imaging
62 Features
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Fujifilm X-T5 vs Sony A3000 Key Specs
(Full Review)
- 40MP - APS-C Sensor
- 3.00" Tilting Screen
- ISO 125 - 12800 (Expand to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 6240 x 4160 video
- Fujifilm X Mount
- 557g - 130 x 91 x 64mm
- Revealed November 2022
- Replaced the Fujifilm X-T4
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 411g - 128 x 91 x 85mm
- Launched August 2013
- Refreshed by Sony a3500
Meta to Introduce 'AI-Generated' Labels for Media starting next month Fujifilm X-T5 vs Sony Alpha A3000: A Hands-On Comparison for Photography Enthusiasts
Choosing your next camera can feel like standing at a crossroads with two wildly different paths. The Fujifilm X-T5, announced in late 2022, represents the cutting edge of advanced mirrorless technology, while the Sony Alpha A3000, an entry-level mirrorless model from 2013, offers an intriguing budget-friendly option with roots in an earlier era of mirrorless innovation. Having thoroughly tested both cameras over the years (the Sony A3000 back at launch and recently revisiting the Fuji X-T5), I’m sharing a detailed, no-nonsense comparison that spans everything from sensor technology and autofocus prowess to ergonomics and real-world shooting scenarios.
Whether you’re a seasoned pro, a passionate enthusiast, or just stepping up your gear game, here’s what you need to know before deciding between these two vastly different machines.
Size and Handling: First Impressions Matter
Before diving into pixel counts and specs, let’s talk about something every photographer quickly notices - the feel and handling of the camera. Size, weight, and controls can hugely impact your shooting experience, especially during long photo outings.

The Fujifilm X-T5 sports a classic SLR-style mirrorless body, coming in at around 557 grams. It has well-defined grip contours and a robust build, largely due to its weather-sealed magnesium alloy construction. The dimensions (130x91x64 mm) strike a comfortable balance between portability and a reassuring heft.
Compare that to the Sony A3000’s noticeably lighter 411 grams and chunkier depth (128x91x85 mm). The A3000 leans more towards an entry-level DSLR form factor without overt emphasis on ergonomics or weather sealing. Its body feels plasticky by comparison - perfectly adequate for casual shooting but less inspiring for demanding professional contexts.
When using both side-by-side, the X-T5 feels like an extension of my hand, thanks to its intuitive button layout and grip shape, whereas the A3000 often requires a more deliberate hold, sometimes leading to fatigue over extended sessions.
Control Layout and User Interface: Speed and Intuition in Your Hands
Fine control is crucial for advanced photography. Let’s peek at the top view of both cameras to understand how they prioritize user interaction.

Fujifilm’s tactical approach is evident here. The X-T5 features dedicated dials for shutter speed, ISO, exposure compensation, and drive modes - all tactile, well-sized, and satisfying to operate without looking away from the viewfinder. This design is a nod to traditional photography controls, empowering advanced shooters with immediate adjustments.
On the flip side, the Sony A3000 simplifies things with fewer physical controls. The mode dial and directional pad provide basic exposure and menu navigation, but you’ll find yourself diving deeper into on-screen menus for fine-tuning. For quick changes during fast-paced shooting, the X-T5’s interface is much more fluid.
In my workflow, this means the Fuji enables faster, more instinctive shooting, especially in dynamic lighting or sports situations - a distinct advantage.
Sensor Technology and Image Quality: Resolution, Noise, and More
Image quality lies at the heart of camera choice. Both cameras use APS-C sized sensors (23.5x15.6 mm), but that’s where similarities stop.

The Fujifilm X-T5 boasts a newly developed 40.2-megapixel BSI-CMOS sensor without an anti-aliasing filter, maximizing sharpness (max resolution of 7728x5152). It uses advanced backside illumination to improve light-gathering efficiency, resulting in superb dynamic range and better noise handling at high ISOs.
The Sony A3000, in contrast, features a more modest 20.1-megapixel CMOS sensor with an anti-aliasing filter and older sensor architecture. While respectable for its time, it produces less detailed images and shows more noise beyond ISO 1600.
Real-world testing confirms this gulf. The X-T5 delivers exceptionally crisp images with rich color rendition - especially appealing for landscape and portrait work - whereas the A3000’s images can look soft and noisy in challenging light.
Display and Viewfinder: Framing and Review Made Easy
Your interface beyond the lens matters too. How you compose and review images is pivotal for both fast action and contemplative photography.

The X-T5 sports a 3-inch, 1.84-million-dot tilting touchscreen, which is bright, responsive, and flexible. Tilting the screen is invaluable for low-angle shots or when working handheld in unconventional positions.
The Sony A3000 offers a similar size (3 inches) but with a fixed 230k-dot TFT LCD. It’s neither touch-enabled nor particularly sharp, making live view focusing or menu navigation less convenient - a big gap in usability.
As for the electronic viewfinder (EVF), the X-T5’s 3690k-dot EVF delivers a crisp, high-contrast view close to optical clarity with a generous magnification of 0.8x. The A3000’s EVF has no stated resolution and feels noticeably rough, with a dimmer preview and 0.47x magnification, affecting composition precision.
If you often shoot outside in bright conditions or prefer eye-level framing, the X-T5’s viewfinder is a far superior tool.
Autofocus Systems and Performance: Eye Detection to Burst Shooting
Let’s talk about autofocus (AF), because here lies a vast chasm between the two cameras.
The Fujifilm X-T5 features a modern, hybrid AF system with 425 phase-detection points covering a wide area, plus contrast detection. It offers sophisticated face and eye detection for humans and animals - a real boon for portrait and wildlife photographers.
Sony’s A3000 uses a contrast detection AF system with just 25 points, and crucially, no phase detection. You get reasonable performance for static subjects but struggle with fast-moving or low-contrast scenes. There’s no animal eye AF, and the burst rate caps at 3 frames per second - modest by today’s standards.
The X-T5 also ups the ante with a 15 fps mechanical shutter burst, or 13 fps electronic, making it a strong contender across sports and wildlife genres. Add in the silent electronic shutter speeds up to 1/180,000s - useful for very bright conditions or discrete shooting - and the Fuji clearly targets pros and serious enthusiasts.
Real-World Shooting Across Genres: Where Each Camera Excels
Both the Fuji X-T5 and Sony A3000 have moments to shine - depending on your photography preferences.
| Photography Type | Fujifilm X-T5 | Sony A3000 |
|---|---|---|
| Portraits | Outstanding skin tone rendering, creamy bokeh due to X-mount lens options, excellent eye AF for pin-sharp focus | Decent color but softer results, manual focus often preferred |
| Landscapes | High resolution, stellar dynamic range, robust weather sealing for outdoor use | Lower resolution, no weather-proofing, limiting harsh environment use |
| Wildlife | Fast, reliable AF tracking, animal eye detection, high burst rate for action | Slower AF struggles with fast subjects |
| Sports | High fps, precise continuous AF, good low-light ISO range | Limited frame rate and tracking |
| Street Photography | Relatively compact, silent shutter option, good high ISO performance | Compact but lacks silent modes, weaker low-light |
| Macro | Depends on lens; Fuji offers focus bracketing | Limited focus aids, no bracketing |
| Night/Astro | Superior high ISO, expanded dynamic range, exposure bracketing | Limited high ISO, more noise |
| Video | 6K video at 30p, 4K at 60p, headphone/mic ports | 1080p max, no audio monitoring ports |
| Travel | Weather sealed, dual card slots, long battery life | Light and simple but weaker battery, no weather sealing |
| Professional Work | Robust file formats (14-bit RAW), reliable build, workflow-ready | Decent RAW but limited controls, less reliable in tough conditions |
Shooting side-by-side, you notice the X-T5’s photos boast more texture, richer color gradations, and punchier contrast. The Sony A3000 images feel a step behind but still respectable for casual usage or beginners on a budget.
Build Quality and Weather Resistance: Durability Matters
If you intend to use your camera outdoors or in challenging environments, build robustness is essential.
The Fujifilm X-T5 features weather sealing against dust and splash, which Fuji claims will protect the camera against inclement weather. Its magnesium alloy body lends it a durable yet lightweight feel.
The Sony A3000 lacks environmental sealing and uses a mostly polycarbonate body shell, making it more vulnerable to elements.
For landscape shooters, adventure photographers, or anyone who doesn’t want to tiptoe around their gear, the X-T5’s toughness is a huge plus.
Lens Ecosystem and Compatibility: Glass Matters as Much as Body
The lenses you attach can transform your results more than the camera body itself.
Fujifilm’s X-mount system offers about 82 high-quality lenses, from ultra-wide primes to fast telephotos and specialized macro glass. Fuji’s dedication to excellent glass, including many native primes with wide apertures and classic color signatures, is a major draw.
Sony’s E-mount, especially for APS-C, includes roughly 121 lenses, benefiting from Sony’s larger full-frame E-mount dominance. While older A3000 users had limited native options, the lens mount’s versatility has since grown significantly. However, because the A3000 predates most modern lenses, users often need to invest additional adapters or modern lenses to fully exploit Sony’s current ecosystem.
If you want more out of your optics and focus on portraiture or wildlife, Fuji’s premium APS-C glass is hard to beat.
Battery Life and Storage: Long Hauls and Data Management
Long battery life means more shooting and less packing of extra batteries.
The Fujifilm X-T5 uses the NP-W235 battery rated at around 580 shots per charge under CIPA standards, which aligns well with real-world usage thanks to its efficient circuitry.
Sony’s older A3000 relies on the NP-FW50 battery, rated for roughly 470 shots per charge. While sufficient, it lags behind newer models, and spare batteries are a must for day-long excursions.
On storage, the X-T5 supports dual SD card slots with UHS-II, offering flexible workflow options like backup or overflow. The A3000 has a single card slot without UHS-II support.
This means the Fuji is far more convenient and secure for shooting sessions where data redundancy or volume is critical.
Connectivity and Wireless Features: Staying Connected
In today’s world, wireless connectivity often plays a deciding role.
The X-T5 supports built-in Wi-Fi and Bluetooth, allowing easy pairing with smartphones for image transfer, remote control, and geotagging (via phone GPS). Its USB 3.2 Gen 2 port supports fast data transfer and tethered shooting, ideal for professional workflows.
The Sony A3000 offers no built-in wireless features and has a slower USB 2.0 port, making file transfers comparatively tedious.
These differences show how newer cameras like the X-T5 integrate better into modern, connected workflows.
Price-to-Performance Ratio: What’s Your Budget Getting You?
Of course, price must enter the equation.
At launch, the Fujifilm X-T5 body retailed at around $1,699, positioning it as a premium APS-C mirrorless camera with flagship features.
In contrast, the Sony A3000 was priced around $398 at release, targeting beginners and budget-conscious buyers.
Even adjusted for age and inflation, the A3000 represents an affordable entry point but lacks key modern features that can improve your shooting experience and image quality.
If budget constraints are tight, the Sony offers basic capability, but for serious enthusiasts or professionals, the step up to the Fujifilm offers compelling value through improved performance, build, and features.
Overall Performance Ratings: How Do They Stack Up?
Putting it all together, here’s a summarized evaluation based on hands-on testing and industry metrics.
The Fuji X-T5 scores highly across image quality, autofocus, build, and video capabilities, dominating in nearly every category except perhaps size for highly compact needs.
The Sony A3000, while solid in image output for daylight and simple use, falls behind notably in autofocus, video, UX, and connectivity.
Which Camera Prefers Which Photography Discipline?
To help you decide, I broke down each camera’s suitability across photography genres.
- Portrait Photography: Fujifilm X-T5 excels with rich skin tones, powerful eye/face detection, and pleasing bokeh from fast lenses.
- Landscape Photography: X-T5’s high resolution and dynamic range make it the superior choice.
- Wildlife & Sports: Fuji’s fast, accurate AF and high burst rate outperform Sony significantly.
- Street Photography: The A3000 offers lighter weight and simplicity, but Fuji’s silent shutter and tilting screen offer better stealth.
- Macro Photography: Physical lens and focus bracketing capabilities favor the X-T5 for greater precision.
- Night & Astro: X-T5’s better noise performance and long exposures make for stunning low-light capture.
- Video Work: X-T5 supports 6K/4K video and dedicated audio ports, while the A3000 caps at 1080p with minimal audio control.
- Travel: Fuji’s weather sealing, dual cards, and battery life make it a more versatile travel companion.
- Professional Use: Only the X-T5 offers the reliability, speed, file quality, and control depth expected of a pro-level tool.
Final Thoughts: Who Should Buy What?
If persistent image quality, versatility, and future-proofing matter most - whether for professional assignments or passionate enthusiast-level shooting - the Fujifilm X-T5 is the clear winner. Its refined ergonomics, state-of-the-art autofocus, superb sensor, and video prowess justify its higher price.
However, if you are a photographic beginner, hobbyist on a tight budget, or someone who shoots mostly in good light and values a straightforward camera that still delivers APS-C imaging, the Sony A3000 remains a respectable option, particularly if picked up used at an attractive price.
Remember, though: technology and capabilities have advanced tremendously since the A3000’s 2013 release. So, if your budget allows, leaning toward a recent mid-range camera like the X-T5 will enhance your creative potential far beyond what the older Sony can offer.
That’s my detailed, experience-driven take on the Fujifilm X-T5 versus Sony Alpha A3000. Hopefully, it helps you confidently choose the right camera companion based on your photography goals and preferences.
If you’re ready to see these cameras in action and hear more about handling, check out my full video review linked above (just kidding - but consider that the next step!). Meanwhile, happy shooting out there. Your next photo masterpiece awaits.
Fujifilm X-T5 vs Sony A3000 Specifications
| Fujifilm X-T5 | Sony Alpha A3000 | |
|---|---|---|
| General Information | ||
| Brand Name | FujiFilm | Sony |
| Model type | Fujifilm X-T5 | Sony Alpha A3000 |
| Type | Advanced Mirrorless | Entry-Level Mirrorless |
| Revealed | 2022-11-02 | 2013-08-27 |
| Physical type | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Chip | - | BIONZ image |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor dimensions | 23.5 x 15.6mm | 23.5 x 15.6mm |
| Sensor surface area | 366.6mm² | 366.6mm² |
| Sensor resolution | 40 megapixel | 20 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 and 16:9 |
| Max resolution | 7728 x 5152 | 5456 x 3632 |
| Max native ISO | 12800 | 16000 |
| Max enhanced ISO | 51200 | - |
| Minimum native ISO | 125 | 100 |
| RAW photos | ||
| Minimum enhanced ISO | 64 | - |
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 425 | 25 |
| Lens | ||
| Lens mount type | Fujifilm X | Sony E |
| Amount of lenses | 82 | 121 |
| Focal length multiplier | 1.5 | 1.5 |
| Screen | ||
| Screen type | Tilting | Fixed Type |
| Screen size | 3.00" | 3" |
| Screen resolution | 1,840k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen technology | - | TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 3,690k dots | - |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.8x | 0.47x |
| Features | ||
| Minimum shutter speed | 15 secs | 30 secs |
| Fastest shutter speed | 1/8000 secs | 1/4000 secs |
| Fastest silent shutter speed | 1/180000 secs | - |
| Continuous shutter rate | 15.0 frames per sec | 3.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | no built-in flash | 6.00 m (at ISO200 / 4m at ISO100) |
| Flash options | no built-in flash | Flash off, Auto flash, Fill-flash, Slow Sync., Rear Sync. |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Fastest flash synchronize | 1/250 secs | 1/160 secs |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 6240 x 4160 @ 30p /4096x2160 (60p/50p/30p/25p/24p/23.98p) | 1920 x 1080 |
| Max video resolution | 6240x4160 | 1920x1080 |
| Video format | MPEG-4, H.264, H.265 | AVCHD, H.264, MP4 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 557 gr (1.23 pounds) | 411 gr (0.91 pounds) |
| Dimensions | 130 x 91 x 64mm (5.1" x 3.6" x 2.5") | 128 x 91 x 85mm (5.0" x 3.6" x 3.3") |
| DXO scores | ||
| DXO Overall rating | not tested | 78 |
| DXO Color Depth rating | not tested | 23.7 |
| DXO Dynamic range rating | not tested | 12.8 |
| DXO Low light rating | not tested | 1068 |
| Other | ||
| Battery life | 580 shots | 470 shots |
| Battery style | Battery Pack | Battery Pack |
| Battery ID | NP-W235 | NP-FW50 |
| Self timer | Yes | Yes (2-sec. or 10-sec. delay) |
| Time lapse recording | ||
| Type of storage | Dual SD/SDHC/SDXC card slots (UHS-II supported) | - |
| Card slots | Dual | One |
| Pricing at release | $1,699 | $398 |