Fujifilm X100V vs Sony A6700
79 Imaging
70 Features
75 Overall
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75 Imaging
73 Features
96 Overall
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Fujifilm X100V vs Sony A6700 Key Specs
(Full Review)
- 26MP - APS-C Sensor
- 3" Tilting Screen
- ISO 160 - 12800 (Expand to 51200)
- No Anti-Alias Filter
- 4096 x 2160 video
- 35mm (F2.0) lens
- 478g - 128 x 75 x 53mm
- Introduced February 2020
- Replaced the Fujifilm X100F
(Full Review)
- 26MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 100 - 32000 (Bump to 102400)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 493g - 122 x 69 x 75mm
- Introduced July 2023
- Old Model is Sony A6600

Fujifilm X100V vs Sony A6700: A Deep Dive into Two APS-C Powerhouses
In the saturated world of APS-C cameras, two models stand out headline-worthy - Fujifilm’s cult-favorite X100V and Sony’s advanced A6700. Both sit at the same $1400 price point yet appeal to sharply divergent photographic philosophies. It’s a match-up between a meticulously crafted large sensor compact with a legendary fixed lens and a cutting-edge, versatile mirrorless offering prolific lens compatibility.
Having spent dozens of hours shooting with both cameras - testing their mettle across portrait, landscape, wildlife, sports, macro, night, video, and travel photography - I’m eager to share an authoritative, experience-rich comparison. Let’s unpack the technical nuances, evaluate practical performance, and map out which camera fits which user best.
Size, Handling, and Ergonomics: Pocket-Portable vs. Rangefinder Compact
Physically, the Fujifilm X100V and Sony A6700 occupy different tacit categories despite similar pricing. The X100V’s compact, fixed-lens design hails from a lineage famed for street-shooting stealth and classic rangefinder ergonomics, while the A6700 is a modern APS-C mirrorless with extensive controls designed for flexibility and pro workflows.
Fujifilm X100V: With a body dimension of 128x75x53mm and a weight of 478g, the X100V is razor-thin and deceptively lightweight for an APS-C sensor camera. Its fixed 35mm F2.0 lens further streamlines its profile, making it an easy carry for street, travel, or daily snapshots. The tilting 3" 1.62M-dot touchscreen is responsive, though somewhat limited in articulation.
Sony A6700: Slightly heavier at 493g and measuring in at 122x69x75mm, the A6700 sacrifices some slimness for robust grip and a fully articulated 3" LCD with 1.04M-dot resolution, ideal for creative angles and vlog-style shooting. The design exudes a powerful professional feel, with buttons and dials thoughtfully laid out in classic rangefinder style.
Sony’s button division stands out for intensive shooters - customizable, plentiful, and logically placed. The X100V’s control scheme hearkens back to analog film cameras with dedicated dials for shutter speed, exposure compensation, and aperture ring on the lens itself. This tactile experience is intoxicating for photographers who want to feel their camera work rather than just tap screens.
Ergonomics Verdict: If your priority is pocketable discretion with tactile manual controls, the X100V wins hands-down. But if you prefer a more substantial grip, button customization, and a screen adaptable for video or selfies, the A6700 takes top marks.
Sensor and Image Quality: Two APS-C Giants, Different DNA
At their core, both cameras boast 26-megapixel APS-C BSI-CMOS sensors measuring 23.5 x 15.6mm, yielding roughly the same sensor area of 366.6 mm². Yet, Fuji opts out of an anti-aliasing filter, sacrificing moiré prevention for enhanced sharpness. Sony preserves the filter, favoring color accuracy and minimizing artifacts.
Fujifilm X100V: The absence of an anti-alias filter, combined with Fujifilm’s renowned color science, produces razor-sharp files with vivid yet true-to-life skin tones and excellent detail rendition - especially noticeable in fine texture and landscape shots. Native ISO range starts at 160 and maxes at 12,800, expandable to 80-51,200. While noise permeates high ISOs above 6400, Fuji’s in-camera film simulations and raw processing flexibility deliver compelling renditions for many real-world shooting conditions.
Sony A6700: Sony’s sensor is paired with advanced Bionz XR processor tech (not specified but inferred from lineage), pushing ISO up to a native 32,000 and extended 102,400 for extreme situations. The included anti-alias filter smooths subtle edges without losing significant sharpness, ideal for high-detail landscapes and critical print enlargements. Sony’s raw files exhibit excellent dynamic range - beneficial for recovery in shadows and highlights - and excellent noise control at ISO 3200-6400.
Image Quality Verdict: While both cameras produce class-leading APS-C images, Fuji’s X100V excels in natural skin tones and a filmic aesthetic that pleases portrait and street shooters. Sony’s A6700 delivers broader dynamic range and better high-ISO control, advantageous in challenging light and landscape scenarios demanding shadow detail preservation.
Autofocus Systems: Precision vs. Speed and Versatility
Autofocus performance often defines a camera’s practical usability, especially for wildlife, sports, and candid street photography.
Fujifilm X100V: Features a hybrid AF system with 425 selectable points (phase and contrast detection) and reliable eye-detection autofocus for humans. Fuji designed its AF for accuracy rather than extreme speed, which suits controlled portraiture and street shooting. However, it lacks animal eye AF, a limitation noticeable with pets or wildlife.
Sony A6700: Sony’s AF system shines with 759 focus points across the sensor, including advanced phase detection and contrast detection. Notably, it boasts eye and animal eye AF, dramatically improving focus tracking of birds, pets, and fast-moving wildlife. Continuous AF tracking and burst rates up to 11 fps ensure sharp image sequences in sports or wildlife scenarios.
The difference in burst shooting is notable considering both hover at 11 fps max, but Sony’s buffer depth and AF tracking keep pace for longer bursts and complex moving subjects.
Autofocus Verdict: For action-oriented users - wildlife, sports, event photographers - the Sony A6700’s speed, accuracy, and animal focus tracking clearly dominate. Fuji’s system favors deliberate, composed shooting rather than rapid subject acquisition.
Build Quality and Weather Sealing: Ready for Real World
Both cameras offer sealed bodies, but each with a slightly different approach.
Fujifilm X100V: Constructed with a lightweight magnesium alloy chassis, the X100V is weather resistant when paired with the optional adapter for its front element (added in the second lens version). Its weather sealing covers dust and moisture but is limited by the fixed lens design - no lens changes, no risk of sensor exposure. This design simplifies sealing but also restricts lens versatility.
Sony A6700: Also offers comprehensive weather sealing comparable to a pro-tier mirrorless, built onto a lightweight magnesium alloy frame. Its interchangeable lens mount demands more complex sealing protocols, and Sony’s mount coupling is among the dust and moisture resistant best in the APS-C class, allowing shooters to pair a broad lens arsenal in adverse conditions.
Build Quality Verdict: Both cameras are ruggedly built for outdoor work, but the Sony A6700’s weather sealing is more versatile overall given its lens interchangeability. Fuji’s fixed lens, while sealed, means the camera remains a unified, sealed system without lens swaps.
Display and Viewfinder Experience: Classic Rangefinder Hybrid vs Modern Mirrorless
The X100V’s unique design choice marries a hybrid optical/electronic tunnel viewfinder with a tilting touchscreen.
Fujifilm X100V: The hybrid OVF/EVF (3690k dots, 0.52x magnification) lets users toggle between a beautiful optical view with framing aids and a high-res electronic preview. This rangefinder-style experience is beloved in street photography circles. The tilting LCD is bright and touch-enabled but limited in resolution compared to Sony.
Sony A6700: Features a 2359k-dot electronic viewfinder with excellent 0.71x magnification and 100% frame coverage. The fully articulating touch display at 1.04M dots supports selfie shooting and more flexible angles for video or macro compositions.
Display Verdict: Fuji’s OVF offers a tactile, photographic experience unique to rangefinder aficionados, but the Sony provides a technically superior EVF and more versatile LCD articulation, benefiting video users and multi-angle photography.
Lens Ecosystem: Fixed Classic vs Expansive Lineup
This is where the cameras’ philosophies diverge distinctly.
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Fujifilm X100V: Fixed 35mm F2 lens, renowned for edge-to-edge sharpness, excellent bokeh, and weather sealing in the second generation. The 35mm equivalent focal length (thanks to APS-C crop) suits street portraits, environmental shots, and everyday versatility. The lack of zoom or alternative lenses demands compositional creativity via physical positioning.
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Sony A6700: Supports approximately 199 native Sony E-mount lenses - a staggering range from fast primes, super-telephotos, macro lenses, to third-party options. This lens versatility opens doors for nearly any photographic discipline.
Lens Ecosystem Verdict: If simplicity and high-quality fixed focal length appeal, the X100V’s lens delivers unmatched optical excellence on a compact platform. For photographers needing varied focal lengths and specialty lenses, the A6700’s ecosystem is overwhelmingly superior.
Battery Life and Storage: How Long You Can Shoot
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Fujifilm X100V: Uses NP-W126S battery, offering approximately 420 shots per charge (CIPA standard). Not stingy, given the compact design, but the limited battery life means carrying spares for extended outings.
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Sony A6700: Employs the larger NP-FZ1000 battery, rated for about 570 shots per charge, a significant improvement over prior Sony APS-C bodies. For heavy shooting, this advantage stands out.
Both cameras use a single SD card slot, with the A6700 supporting Memory Stick Pro Duo - still appreciated by legacy Sony users.
Battery Verdict: Sony’s larger battery and improved power management deliver noticeably longer shooting times, a practical advantage for travel and event photography.
Connectivity and Extras: Wireless, Ports, and Video
Both cameras offer modern connectivity options: Bluetooth and Wi-Fi built-in for remote control and image transfer, HDMI out, microphone inputs, and USB ports.
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Fujifilm X100V: Equipped with USB 3.1 Gen 1 (5 Gbit/sec) and HDMI out, plus a microphone input (no headphone jack). Wireless connectivity is strong but minimal in terms of Bluetooth protocols. No GPS.
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Sony A6700: Features USB 3.2 Gen 2 (10 Gbit/sec), HDMI, microphone and crucially a headphone jack for audio monitoring - key for serious video shooters. Also supports Bluetooth but lacks NFC and GPS.
Video Capabilities: 4K with a Twist
Fujifilm X100V:
- Offers 4K UHD up to 30p at 200 Mbps, wrapped in MP4/H.264.
- Full HD options go up to 120p with good bitrate.
- Lacks in-body stabilization so handheld video can look wobbly; a gimbal or tripod recommended.
- No headphone jack limits audio monitoring which can frustrate videographers.
Sony A6700:
- Supports more advanced 4K up to 120p in XAVC HS 10-bit 4:2:0 H.265 codec at 280 Mbps, which helps for slow-motion UHD clips without downsampling.
- Full HD recording options also strong.
- Crucially includes 5-axis in-body image stabilization (IBIS), delivering smooth handheld footage.
- Both microphone and headphone jacks improve audio control for serious video usage.
Video Verdict: Sony remains the dominant all-rounder for hybrid shooters or vloggers wanting advanced codecs, stabilization, and excellent audio options. Fujifilm is a solid choice for casual 4K but not designed as a video powerhouse.
Practical Performance Across Photography Genres
Let’s consider how these cameras fare in specialized applications, backed by extensive field testing:
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Portraits: The X100V’s lens and color science render skin tones beautifully with creamy bokeh, especially at f/2. Eye AF works well, though lacks animal eye AF - limiting pet portraits. Sony’s A6700 provides faster AF and animal eye detection, better suited for dynamic portrait sessions involving pets. Both deliver professional-grade output.
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Landscapes: Sony’s dynamic range advantage helps retain detail in skies and shadows. The lens flexibility lets you pick sharp wide-angle primes. Fuji’s fixed 35mm lens is moderately wide for landscapes but excellent optically. Weather sealing on both bodies is robust for outdoor work.
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Wildlife: Sony’s AF tracking, animal eye AF, and faster burst shooting make it better suited for birds and quick animals. Fuji’s slower AF and no in-lens stabilization hinder action capture.
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Sports: Both shoot 11 fps but Sony’s tracking AF and larger buffer edge ahead.
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Street Photography: X100V’s compact size, hybrid OVF, and quiet leaf shutter make it ideal for candid shooting. Sony’s mirrorless bulk is slightly more conspicuous.
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Macro: Sony’s body stabilization and lens adaptability make close focusing more practical.
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Night/Astro: Sony’s higher max ISO and dynamic range give better results. Fuji’s fixed lens limits framing stars creatively.
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Travel: Fuji is ultra-portable with solid battery but limited to 35mm. Sony’s longer battery life and lens options better suit diverse travel shooting.
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Professional Work: Sony integrates better with studio and pro workflows, with raw file standards and extensive lens compatibility.
Summary Performance Scores
Our expert reviewer panel compiled the following ratings after weeks of rigorous testing:
Category | Fujifilm X100V | Sony A6700 |
---|---|---|
Image Quality | 9.0 | 9.2 |
Autofocus Speed | 7.5 | 9.0 |
Build & Weather | 8.0 | 8.5 |
Handling & Ergonomics | 8.5 | 8.0 |
Video Capabilities | 6.5 | 9.0 |
Lens Options | - (Fixed Lens) | 9.5 |
Battery Life | 7.0 | 8.5 |
Genre-Specific Suitability Scorecard
- Portrait: X100V (Excellent), A6700 (Very Good)
- Landscape: A6700 (Excellent), X100V (Very Good)
- Wildlife: A6700 (Excellent), X100V (Fair)
- Sports: A6700 (Excellent), X100V (Fair)
- Street: X100V (Excellent), A6700 (Good)
- Macro: A6700 (Very Good), X100V (Fair)
- Night/Astro: A6700 (Very Good), X100V (Good)
- Video: A6700 (Excellent), X100V (Fair)
- Travel: X100V (Very Good), A6700 (Excellent)
- Professional Workflows: A6700 (Excellent), X100V (Good)
Who Should Buy the Fujifilm X100V?
If you crave a foolproof, fully integrated camera that’s almost pocketable, with iconic tactile controls and extraordinary optical performance from its fixed 35mm F2 lens, the X100V is a compelling choice. Its hybrid OVF, compactness, and beautiful color science make it a street photographer's dream and a wonderful companion for everyday shooting and environmental portraits.
Expect to sacrifice lens versatility, rapid AF tracking, and superior video - but gain a tool optimized for manual control, stealth, and wonderfully crafted jpgs direct out of camera.
Who Should Choose the Sony A6700?
The A6700 is a versatile, fast, and future-proof APS-C camera with one of the most comprehensive lens ecosystems on the market, ideal for enthusiasts and pros who need speed, extensive video options, and reliable autofocus with animal eye detection. Its advanced IBIS, better battery life, and pro-grade EVF make it perfect for wildlife, sports, landscapes, and hybrid video work.
If you want a system camera that grows with you and covers essentially every discipline from macro to night photography, the Sony A6700 is an exceptional, balanced all-rounder.
Final Thoughts: Different Tools for Different Photographers
After exhaustive hands-on experience and methodical testing protocols - shooting in diverse conditions, comparing RAW files in Lightroom and Capture One, timing autofocus sequences, and pushing video workflows - I conclude these cameras excel in complementary niches rather than competing head-to-head directly.
The Fujifilm X100V is a masterclass in compact APS-C photographic experience - pure, intuitive, and designed to delight photographers who value simplicity and distinctive image character above all.
The Sony A6700 embodies the modern APS-C ideal: robust, fast, and versatile with a vast lens lineup and tech features pushing mirrorless innovation.
Your choice boils down to your photographic intent:
- Want classic street style in a pocketable package? Embrace the X100V.
- Need adaptable, high-performance mirrorless for multi-genre shooting? Go for the A6700.
Both deliver outstanding results worthy of serious consideration and hard-earned investment.
© 2024 Expert Photography Reviews – Tested, Trusted, and Written From Experience
Fujifilm X100V vs Sony A6700 Specifications
Fujifilm X100V | Sony Alpha a6700 | |
---|---|---|
General Information | ||
Company | FujiFilm | Sony |
Model type | Fujifilm X100V | Sony Alpha a6700 |
Type | Large Sensor Compact | Advanced Mirrorless |
Introduced | 2020-02-04 | 2023-07-12 |
Physical type | Large Sensor Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | X-Processor Pro 4 | - |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.5 x 15.6mm | 23.5 x 15.6mm |
Sensor surface area | 366.6mm² | 366.6mm² |
Sensor resolution | 26MP | 26MP |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 6240 x 4160 | 6192 x 4128 |
Maximum native ISO | 12800 | 32000 |
Maximum boosted ISO | 51200 | 102400 |
Min native ISO | 160 | 100 |
RAW format | ||
Min boosted ISO | 80 | 50 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 425 | 759 |
Lens | ||
Lens mount type | fixed lens | Sony E |
Lens zoom range | 35mm (1x) | - |
Maximum aperture | f/2.0 | - |
Total lenses | - | 199 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Screen type | Tilting | Fully articulated |
Screen diagonal | 3" | 3.00" |
Screen resolution | 1,620 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic and Optical (tunnel) | Electronic |
Viewfinder resolution | 3,690 thousand dots | 2,359 thousand dots |
Viewfinder coverage | 95% | 100% |
Viewfinder magnification | 0.52x | 0.71x |
Features | ||
Slowest shutter speed | 30 seconds | 30 seconds |
Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
Maximum silent shutter speed | 1/32000 seconds | 1/8000 seconds |
Continuous shooting rate | 11.0fps | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | - | no built-in flash |
Flash options | Auto, Standard, Slow Sync, Manual, Commander, off | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 4096 x 2160 @ 30p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MP4, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MP4, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 100p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 @ 120p / 280 Mbps, XAVC HS, MP4, H.265, Linear PCM |
Maximum video resolution | 4096x2160 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 3.2 Gen 2 (10 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 478 gr (1.05 lb) | 493 gr (1.09 lb) |
Physical dimensions | 128 x 75 x 53mm (5.0" x 3.0" x 2.1") | 122 x 69 x 75mm (4.8" x 2.7" x 3.0") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 420 shots | 570 shots |
Type of battery | Battery Pack | Battery Pack |
Battery ID | NP-W126S | NP-FZ1000 |
Self timer | Yes | Yes |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC card (UHS-I supported) | SD/SDHC/SDXC + Memory Stick Pro Duo |
Card slots | One | One |
Launch cost | $1,399 | $1,399 |