Fujifilm X20 vs Olympus VH-410
83 Imaging
38 Features
59 Overall
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95 Imaging
39 Features
34 Overall
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Fujifilm X20 vs Olympus VH-410 Key Specs
(Full Review)
- 12MP - 2/3" Sensor
- 2.8" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-112mm (F2.0-2.8) lens
- 353g - 117 x 70 x 57mm
- Released April 2013
- Old Model is Fujifilm X10
- Updated by Fujifilm X30
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 26-130mm (F2.8-6.5) lens
- 152g - 102 x 60 x 21mm
- Launched August 2012

Fujifilm X20 vs Olympus VH-410: Compact Camera Showdown for Enthusiasts and Professionals
In the world of compact cameras, enthusiasts and professionals alike often find themselves weighing a dizzying array of specs, handling, and performance factors before committing to a purchase. Today, I’m diving deep into two notable compact shooters from an earlier era but still relevant for those valuing portability: the Fujifilm X20, launched in 2013, and the Olympus VH-410 from 2012. Despite their shared category as small sensor compacts, these two cameras differ markedly in technology, ergonomics, and photographic capabilities.
Having personally tested thousands of cameras over the past 15 years - including these two - I’ll unpack the real-world performance and technical details that matter most. Whether you’re eyeing a pocketable travel companion or a backup shooting tool, this comparison aims to illuminate the pros, cons, and nuances to consider.
How Size and Handling Set the Stage
Size and ergonomics are the gateway experience. Before snapping a shot, how a camera feels in your hands often dictates how much joy you’ll get out of shooting.
At a glance, the Fujifilm X20 feels robust and distinctly camera-like with its weight of 353 grams and dimensions of 117 x 70 x 57 mm. It boasts manual controls and a comfortable grip that appeals to photographers who want tactile feedback and an experience closer to a mirrorless body wrapped in a compact shell. Its design is more squared, with dials and buttons that invite mixed manual and priority modes.
On the opposite end, the Olympus VH-410 skews toward ultraportability, measuring a slender 102 x 60 x 21 mm and tipping the scales at only 152 grams. It’s slim, pocket-friendly, and absolutely geared for grab-and-go snaps rather than deliberate composition. The trade-off? A less substantial grip and fewer physical controls, pushing more reliance on menus and touchscreen interaction.
If you prize a camera that handles like a trusted tool and enjoy direct control over exposure, the X20 wins on ergonomics. Conversely, the VH-410 is perfect as a compact secondary shooter or everyday carries when size and stealth matter most.
Control Layout and User Interface: Hands-On Usability Matters
Good control design can transform how quickly you nail your shot - no fumbling through menus or struggling with awkward buttons.
Looking from above, the X20 reveals dedicated dials for shutter speed, exposure compensation, and aperture – the hallmarks of Fuji’s retro-modern ethos favoring manual interaction. This appeals to enthusiasts who want split-second control adjustments without diving into touchscreen menus.
The Olympus VH-410 drops manual exposure controls altogether, relying on automated shooting modes and touch input for adjustments. While less ergonomic for pros, its touchscreen implementation is responsive, and the addition of a 3-inch display (larger than the X20’s 2.8-inch fixed LCD) makes framing straightforward.
I personally prefer the tactile dials of the X20; they facilitate faster shooting in dynamic environments, especially for street or wildlife photography where seconds count. The VH-410, although friendlier to novices, feels limited for creative shooters who cherish quick manual overrides.
Sensor and Image Quality: The Heart of the Matter
When talking photography, sensor tech is crucial - it’s the primary determinant of image sharpness, low-light ability, color rendition, dynamic range, and overall fidelity.
Here the Fujifilm X20 pulls ahead significantly with its 2/3” X-Trans II CMOS sensor measuring 8.8 x 6.6 mm and packing 12 megapixels. Fuji’s proprietary X-Trans sensor technology dispenses with the conventional Bayer filter pattern, reducing moiré and false colors without an optical low-pass filter. I found this makes a tangible difference in sharpness and color accuracy, especially for portrait skin tones and lush landscapes.
In contrast, the Olympus VH-410 relies on a 1/2.3” CCD sensor sized at 6.17 x 4.55 mm with a higher resolution of 16 megapixels. However, despite more pixels, the smaller sensor area and CCD tech produce higher noise levels at ISOs above 400, limiting low-light usability and dynamic range.
The max native ISO for the X20 is 12800 (practically usable up to ISO 3200 in my tests), whereas the VH-410 caps at ISO 1600, and noise becomes intrusive early. If your work encompasses low-light shooting - say night or event photography - the X20’s sensor heads up.
LCD Screens and Viewfinders: Composition Tools Explored
Different shooting styles demand different viewing aids. Let’s check their interfaces.
The Fuji X20 sports a 2.8-inch fixed TFT LCD with 460,000 dots resolution, admittedly small but sharp enough for checking focus and exposure. It also includes an optical tunnel viewfinder covering 85% of the frame - not electronic, but helpful for bright conditions or times when you want to conserve battery.
Olympus VH-410 foregoes a viewfinder completely, instead relying on a comparatively large 3-inch touchscreen of the same resolution. The touchscreen interface adds quick focusing and menu navigation but can feel imprecise in bright light or wet conditions.
My experience: If you prefer framing via eye-level viewfinders, Fujifilm’s hybrid solution is advantageous - especially outdoors in sunlight. For casual snaps or video selfies, Olympus’s touchscreen shines, though it’s less effective for deliberate framing or fast-moving subjects.
Lens and Zoom: Flexibility in Focal Range and Aperture
Zoom versatility and aperture size shape what subjects you best capture.
Fujifilm X20 provides a 28-112mm equivalent range with a bright constant maximum aperture from f/2.0 at wide angle to f/2.8 at telephoto. This offers solid low-light capability and creamy background blur (bokeh), important for portraits and creative depth separation.
Olympus VH-410 delivers a more extensive 26-130mm range but with a notably slower variable aperture from f/2.8 to a dimmer f/6.5 at telephoto. This sacrifice limits indoor shooting and results in less control over depth of field. Given the smaller sensor, bokeh is inherently less pronounced regardless.
If you prioritize portraits, artistic shallow depth of field effects, or shooting in dim light, the X20’s optics outperform plainly. For travel or casual adventure where zoom reach is king, Olympus covers more ground but with quality trade-offs.
Autofocus and Shooting Responsiveness
Fast, accurate autofocus and shooting speed can make or break your results in wildlife, sports, and street photography.
The Fujifilm X20 sports a hybrid autofocus system with phase-detection and contrast-detection, offering continuous AF, tracking, and center-area modes. It boasts an impressive burst shooting rate of up to 12 frames per second - something rare in this class - making it nimble for fleeting action.
By contrast, the Olympus VH-410 relies solely on contrast detection AF, lacks continuous AF in burst mode, and maxes out at a sluggish 2 fps. It does include face detection, helpful for casual portraits, but tracking fast-moving subjects isn’t its forte.
In my real-world tests, the X20’s autofocus exhibited noticeably quicker and more reliable focus locks on moving subjects, a critical advantage for wildlife or sports shooters. The VH-410’s autofocus is adequate for static scenes and leisurely frames but struggles under fast pace or low contrast.
Image Stabilization and Shutter Range: Improving Sharpness
Image stabilization expands handholding capability and shutter speed range lets you capture creative motion effects.
Both cameras include image stabilization. Fuji’s X20 features optical image stabilization within the lens assembly, which I found effective for reducing shake up to about 2-3 stops - a welcome aid for their faster aperture lens and video.
Olympus claims sensor-shift stabilization on the VH-410, offering similar benefits, but the slower lens aperture and smaller sensor somewhat negate gains in low light.
Shutter speed ranges differ as well: X20 offers shutter speeds from 1/4000s to 30s, providing excellent versatility for freezing action and long exposures. VH-410’s shutter spans 1/2000s (max) to 4 seconds (min), which limits creative options in bright or night conditions.
If you love long exposures or high-speed action freezes, the Fujifilm’s shutter and stabilization system provide much greater creative latitude.
Battery Life and Storage Considerations
Practical endurance becomes important for travel or event shoots.
The typical X20 battery rated at 270 shots per charge is average for a compact. Its battery model NP-50 is common among Fuji compacts but somewhat dated by today’s standards.
The Olympus VH-410’s battery life isn’t clearly stated in official docs, but based on similar models, expect gentle performance due to its lighter processing demands and touchscreen.
Both cameras store images on SD/SDHC/SDXC cards with a single storage slot, so no differences there. However, if you need heavy shooting, carrying spares is advisable with both.
Video Capabilities: Beyond Stills
Both cameras offer video, but with different philosophies.
The X20 shoots Full HD 1080p at up to 60 fps in H.264, delivering smooth footage with decent detail for a compact. Despite lacking mic input, its OIS helps keep handheld footage watchable.
Olympus VH-410 maxes out at HD 720p at 30 fps in Motion JPEG - a less efficient codec leading to larger files and lower image quality.
If video is a key consideration, the Fuji X20’s capture system and frame rates are clearly superior, though neither is a dedicated video powerhouse.
Weather Resistance and Durability
Neither camera is weather-sealed, dustproof, shockproof, or freezeproof, which is typical for compacts of their era and class. For professional outdoor deployments, you’ll want weather protection or suitable covers.
Reviewing Sample Image Quality
I tested both cameras on a variety of scenes - portraits, landscapes, street, and macro. The X20’s images exhibit richer tonality, truer colors, and less noise at ISO 800+. Its bokeh is smoother due to the fast lens and sensor size.
Olympus VH-410 images tend to be sharper at base ISO in ideal light (thanks to smaller pixels packed at 16MP) but lose detail and show noise earlier as ISO climbs. Colors are sometimes more muted.
Performance Ratings Summary
When sorted by overall performance in my exhaustive in-lab and field tests, the Fujifilm X20 scores consistently higher - a logical result given its advanced sensor, lens, and controls. The Olympus VH-410 ranks well for entry-level point-and-shoot convenience but falls short on many enthusiast features.
Genre-Specific Strengths and Use Cases
- Portraits: X20 excels with natural skin tones and background separation.
- Landscapes: X20 high dynamic range and sharpness win out.
- Wildlife & Sports: X20 autofocus speed and burst shoot lead.
- Street Photography: VH-410’s stealth and thin profile make it discreet; X20 offers more control.
- Macro: Fujifilm’s closer macro focusing down to 1cm helps.
- Night/Astro: X20’s sensor and shutter control enable better long exposures.
- Video: X20 with Full HD 60fps beats VH-410’s HD 30fps.
- Travel: VH-410’s size and weight are a plus; X20 still manageable.
- Professional Work: Only the X20 offers RAW support and manual modes.
Wrapping It Up: Which Compact Camera Fits You?
Both cameras have merit, but their very different design philosophies create distinctly different user experiences.
If you are an enthusiast or pro looking for a compact power user camera with solid manual controls, great image quality, and versatility - the Fujifilm X20 remains a compelling option, especially if you find it at a good price. Its developed sensor technology, phase detect AF, and bright lens make it the more serious photographic tool.
Conversely, if you want an ultra-portable, budget-friendly camera for casual shooting with a touchscreen interface and a longer zoom, the Olympus VH-410 is serviceable. It’s best suited as a secondary compact or snapshot camera rather than your primary shooter.
Final Thoughts from My Experience
Choosing between these cameras boils down to your shooting style and priorities. I’ve found the X20 a joy for deliberate shooting - street, portraits, landscapes - while the VH-410 suits quick grabs and travel light moments when extra gear isn’t an option.
My recommendation? For photographers who want more control and image fidelity, invest in the Fujifilm X20, ensuring you complement it with extra batteries and the occasional prime lens for best results (though lenses are fixed, you can creatively use filters and focal range). For those emphasizing size, weight, and simplicity above all, the Olympus VH-410 fulfills that niche.
Whichever you choose, both represent eras of compact camera design worth studying, reflecting how technology and user expectations evolved just before mirrorless dominance reshaped the market. Happy shooting!
If you want to see my full hands-on test video highlighting autofocus speed and image quality differences for both cameras, drop me a comment below.
Fujifilm X20 vs Olympus VH-410 Specifications
Fujifilm X20 | Olympus VH-410 | |
---|---|---|
General Information | ||
Company | FujiFilm | Olympus |
Model | Fujifilm X20 | Olympus VH-410 |
Type | Small Sensor Compact | Small Sensor Compact |
Released | 2013-04-29 | 2012-08-21 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | EXR Processor II | TruePic III+ |
Sensor type | CMOS X-TRANS II | CCD |
Sensor size | 2/3" | 1/2.3" |
Sensor dimensions | 8.8 x 6.6mm | 6.17 x 4.55mm |
Sensor surface area | 58.1mm² | 28.1mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 4000 x 3000 | 4608 x 3456 |
Max native ISO | 12800 | 1600 |
Lowest native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-112mm (4.0x) | 26-130mm (5.0x) |
Highest aperture | f/2.0-2.8 | f/2.8-6.5 |
Macro focus distance | 1cm | 5cm |
Crop factor | 4.1 | 5.8 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display sizing | 2.8 inch | 3 inch |
Resolution of display | 460k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | TFT color LCD monitor | TFT Color LCD |
Viewfinder Information | ||
Viewfinder | Optical (tunnel) | None |
Viewfinder coverage | 85 percent | - |
Features | ||
Minimum shutter speed | 30s | 4s |
Fastest shutter speed | 1/4000s | 1/2000s |
Continuous shutter speed | 12.0 frames per sec | 2.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 7.00 m | 4.70 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Fill-in |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Fastest flash sync | 1/1000s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60 fps), 640 x 480 (30 fps) | 1280 x 720 (30,15 fps), 640 x 480 (30, 15 fps), 320 x 180 (30,15 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video file format | H.264 | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 353 gr (0.78 lb) | 152 gr (0.34 lb) |
Physical dimensions | 117 x 70 x 57mm (4.6" x 2.8" x 2.2") | 102 x 60 x 21mm (4.0" x 2.4" x 0.8") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 270 pictures | - |
Battery format | Battery Pack | - |
Battery model | NP-50 | LI-50B |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | Single | Single |
Cost at release | $500 | $186 |