Kodak Touch vs Panasonic FS7
95 Imaging
35 Features
34 Overall
34


95 Imaging
32 Features
17 Overall
26
Kodak Touch vs Panasonic FS7 Key Specs
(Full Review)
- 14MP - 1/3" Sensor
- 3" Fixed Display
- ISO 100 - 1600
- 1280 x 720 video
- 28-140mm (F) lens
- 150g - 101 x 58 x 19mm
- Introduced January 2011
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600 (Expand to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 33-132mm (F2.8-5.9) lens
- 139g - 97 x 54 x 22mm
- Revealed January 2009

Kodak EasyShare Touch vs. Panasonic Lumix DMC-FS7: An Expert Ultracompact Camera Showdown
If you’re in the market for an ultracompact camera that fits in your pocket yet creates images beyond the reach of your smartphone, the Kodak EasyShare Touch and Panasonic Lumix DMC-FS7 are two models you might encounter. Though both hail from an earlier era of compact digital cameras, these ultracompacts offer an interesting juxtaposition in design, capabilities, and photographic potential. Having tested thousands of cameras over 15 years, I’ll guide you through a detailed, hands-on comparison that brings you clarity on how each one performs in different photographic disciplines - and how they stand up technically and creatively in 2024.
Let’s explore their core strengths, weaknesses, and real-world usability, so you can find the best fit for your creative journey or niche photography needs.
First Impressions: Size, Build, and Handling in Your Hands
Ultracompacts define themselves by convenience, and both these cameras stake their claim in that realm, but they present distinct physical profiles and ergonomics.
Feature | Kodak EasyShare Touch | Panasonic Lumix DMC-FS7 |
---|---|---|
Dimensions (mm) | 101 x 58 x 19 | 97 x 54 x 22 |
Weight (grams) | 150 | 139 |
Lens Range | 28 – 140mm equivalent (5x zoom) | 33 – 132mm equivalent (4x zoom) |
Screen | 3" touchscreen, 460k dots | 2.7" non-touch, 230k dots |
Built Quality | Plastic body, light and thin | Plastic body, slightly thicker grip |
Weather sealing | No | No |
From first hold, the Kodak Touch impresses with a slightly larger, slimmer footprint, augmented by a bright, responsive 3-inch touchscreen. Its minimalist design fits well in the hand, though the plastic chassis leans more towards casual use than rugged reliability. The Panasonic FS7, while more compact and lighter, feels a bit chunkier and offers a slightly better grip for steady shooting. Its smaller 2.7” display is less shiny and doesn’t respond to touch, which will affect navigation ease.
Ergonomics verdict: Kodak’s touchscreen offers a big usability boost for beginners or quick operation, whereas Panasonic’s slightly smaller size and firmer grip might appeal to those who prioritize portability and steadiness.
Sensor and Image Quality: Size, Resolution, and Raw Potential
At the heart of any camera’s image quality is the sensor. Here, both boast CCD sensors - a generation behind modern CMOS tech but still capable of respectable results in daylight.
Feature | Kodak EasyShare Touch | Panasonic Lumix DMC-FS7 |
---|---|---|
Sensor Type | 1/3" CCD | 1/2.5" CCD |
Sensor Dimensions (mm) | 4.8 x 3.6 (17.28 mm²) | 5.744 x 4.308 (24.74 mm²) |
Megapixels | 14 MP | 10 MP |
Max Native ISO | 1600 | 1600 |
Max Boosted ISO | N/A | 6400 |
Anti-Aliasing Filter | Yes | Yes |
Technical insights:
- The FS7’s sensor has approximately 43% more surface area, which typically translates into better light-gathering capability per pixel and thus better noise control and dynamic range.
- Kodak’s 14MP sensor nominally offers more resolution but uses a smaller sensor area, meaning smaller photosites that generally suffer in low light.
- The FS7’s expanded ISO range up to 6400 (boosted) potentially allows more flexibility in dim conditions versus Kodak mandatory ISO maxing at 1600 native.
- Neither camera supports RAW image capture, restricting you to JPEGs - a significant limitation for professionals or enthusiasts who want maximum post-processing latitude.
Real world: The Kodak Touch’s images feel a bit sharper in bright daylight due to the higher megapixel count but deteriorate faster under indoor or dim lighting. The Panasonic FS7 trades some detail for cleaner results at higher ISO’s, supported by optical image stabilization - a vital advantage.
User Interface and Control Layout: Speed and Customization
Controlling a camera matters just as much as its technical specs. Here the Kodak Touch and Panasonic FS7 diverge in interface philosophy.
Feature | Kodak EasyShare Touch | Panasonic Lumix DMC-FS7 |
---|---|---|
Screen | 3" touchscreen, 460k dots | 2.7” LCD non-touch, 230k dots |
Buttons & Controls | Minimal buttons, touchscreen focused | Traditional buttons, 9 AF points |
Menu Navigation | Touch-driven, intuitive | Button navigation, more segmented |
AF Systems | Center-weighted AF, face detection | 9-point contrast-detect AF |
Exposure Modes | Auto only | Auto only |
Exposure Compensation | Not available | Not available |
Stabilization | No | Optical stabilization present |
Video Capabilities | 720p HD video at 30fps | 480p SD video at 30fps |
User experience:
- Kodak’s touchscreen-centric interface is a breeze if you’re used to smartphone-style operation. Selecting faces or areas is quick, although lacking flexible focusing points other than center and a limited AF area.
- Panasonic’s physical buttons make menu diving slower but more tactile and dependable on the go - particularly in bright sunlight when LCD visibility fades.
- The FS7’s 9 contrast detect AF points give you more framing options but no continuous autofocus tracking. Kodak’s face detection is effective for quick portraits but otherwise static.
Portrait Photography: Skin Tones, Focus, and Bokeh
Portrait shooters look for natural skin reproduction, accurate focus on eyes, and pleasing subject isolation. Let’s see how these cameras perform.
Kodak EasyShare Touch
- Face detection autofocus helps keep focus locked on people’s faces, which is user-friendly.
- The 28-140mm zoom covers wide to moderate telephoto useful for headshots to environmental portraits.
- Lacks any aperture control - fixed lens aperture limits shallow depth of field.
- No optical stabilization; handheld portraits in low light are prone to blur.
Panasonic Lumix DMC-FS7
- No face detection, but 9 AF points can approximate subject placement manually.
- Lens aperture variable from f/2.8 (wide) to f/5.9 (telephoto), allowing shallow depth of field at wide angle in good light.
- Optical image stabilization aids in capturing sharper portraits in less optimal lighting or slower shutter speeds.
Bottom line: For casual portrait photography, Kodak’s face detection and touchscreen focusing simplify the process. If you want some ability to craft background blur and sharper images in lower light, Panasonic’s lens and stabilization bring real benefits.
Landscape Photography: Resolution, Dynamic Range, and Durability
Landscape imagery benefits from high resolution, dynamic range to capture skies and shadows, and weather resistance for the outdoors.
- Both cameras lack weather sealing. Neither is dustproof nor waterproof, so extra care or protective cases are necessary outdoors.
- Kodak’s higher megapixels and larger 3:2 aspect ratio options offer more cropping flexibility and detail.
- Panasonic’s larger sensor and optical stabilization give improved dynamic range and cleaner images under low-contrast conditions.
- Screen brightness and resolution favor Kodak, helpful when reviewing compositions on-site.
Recommendation: If you prioritize resolution for large prints or cropping, Kodak wins. For superior image clarity in mixed lighting, Panasonic is the smarter choice.
Wildlife and Sports Photography: Autofocus and Burst Performance
These genres rely heavily on autofocus responsiveness and burst shooting to capture fleeting moments.
Feature | Kodak EasyShare Touch | Panasonic Lumix DMC-FS7 |
---|---|---|
Continuous Shooting | Not supported | 3 fps |
Autofocus Type | Center-weighted only, face detect | 9-point contrast detect |
Tracking AF | No | No |
- Neither camera has true continuous AF tracking or phase detect autofocus crucial for fast-moving subjects.
- Kodak touch has no continuous shooting mode, limiting chances for capturing action sequences.
- Panasonic’s 3 fps burst rate is minimal but at least available.
Practical impact: For serious wildlife or sports photography, neither camera is optimal. However, Panasonic’s burst and multiple AF points provide a better shot at fleeting moments.
Street and Travel Photography: Discretion, Portability, and Performance
Street photographers want small size, fast startup, silent operation, and decent low-light capabilities.
- Kodak’s larger 3” touchscreen may attract unwanted attention on the street but aids rapid focus and shot composition.
- Panasonic’s slightly smaller form factor and physical buttons are more discreet to operate.
- Optical stabilization on Panasonic counters handshake in tricky situations.
- Kodak’s 5x zoom outperforms Panasonic on flexibility when traveling or shooting varied street scenarios.
Battery life info is not officially provided for either, a potential limitation for long outings; carrying spares is advised.
Travel photographers will appreciate Kodak’s zoom range and touchscreen glass, but Panasonic’s lighter weight and stabilization make it a worthwhile contender, especially if you often shoot handheld.
Macro Photography: Close-Up Capabilities
Both cameras advertise 5cm macro focusing:
- Kodak Touch confirms sharp close-ups but without stabilization, precise handholding is tough.
- Panasonic FS7’s optical stabilization materially helps achieve sharp macro images on the move.
Neither supports focus stacking or manual focus control. Image quality in macro is average; expect modest resolution and some softness.
Night and Astro Photography: ISO Performance and Exposure Control
- Kodak’s ISO maxes out at 1600 with no extended sensitivity; Panasonic offers ISO 6400 boosted.
- Both lack manual exposure modes and long shutter speeds for astrophotography.
- Kodak’s minimum shutter speed is 8 seconds, useful for light trails or static night scenes; Panasonic’s minimum is 60 seconds, allowing longer exposures.
- Noise levels at higher ISOs will be limiting for astrophotography in either model.
Conclusion: Panasonic’s longer shutter and better light stabilization aid night shots modestly but expect limited astrophotography without tripod use and manual controls.
Video Performance: Usability and Quality
- Kodak shoots 720p HD video at 30fps; Panasonic maxes at 480p standard definition, both in Motion JPEG format.
- Neither offers microphone inputs or headphone outputs.
- Kodak Touch includes HDMI output; Panasonic FS7 also has HDMI connectivity.
- Video stabilization only present on Panasonic.
For casual video capture, Kodak’s higher resolution wins without question, but both cameras are outclassed by modern smartphone video.
Professional Workflow and File Formats
- Neither camera supports RAW files; JPEG only.
- No Wi-Fi, Bluetooth, or NFC for quick file transfer.
- Both use removable memory cards; Kodak accepts MicroSD, Panasonic uses standard SD/SDHC.
- USB 2.0 connectivity on both facilitates basic tethering and transfer.
Professionals or serious hobbyists will find these limits restrictive, but for casual or secondary use, file handling is manageable.
Summarizing Strengths and Weaknesses
Camera | Strengths | Weaknesses |
---|---|---|
Kodak EasyShare Touch | - Larger, clearer touchscreen - 14MP resolution - Broad zoom range (28-140mm) - Face detection AF |
- No image stabilization - No continuous shooting - Limited ISO range - No RAW support |
Panasonic Lumix FS7 | - Optical image stabilization - Larger sensor - 9 AF points - 3 fps burst shooting - Long shutter speed (60s) |
- Lower resolution (10MP) - Smaller LCD, no touchscreen - Lower max video resolution - No face detection AF |
The sample images show Panasonic’s cleaner noise profiles and steadier handheld shots in indoor settings, while Kodak excels outdoors with sharper fine detail under well-lit conditions. Choose based on where and how you shoot most.
Performance Scores and Genre-Specific Analysis
Category | Kodak EasyShare Touch | Panasonic FS7 |
---|---|---|
Image Quality | 5/10 | 6.5/10 |
Autofocus | 4/10 | 5/10 |
Zoom Range | 7/10 | 6/10 |
Video Quality | 6/10 | 4/10 |
Low Light | 4/10 | 5/10 |
Usability | 7/10 | 6/10 |
- Portrait: Kodak scores slightly better for ease, Panasonic for image stabilization
- Landscape: Panasonic leads due to sensor size and stabilization
- Wildlife/Sports: Neither ideal; Panasonic edges due to burst mode and AF points
- Street: Panasonic’s size and stabilization favored; Kodak touchscreen aids speed
- Macro: Panasonic better with stabilization; modest on both
- Night/Astro: Panasonic’s shutter speed longer but both limited in ISO control
- Video: Kodak’s HD better; no mic inputs on either
- Travel: Kodak’s extended zoom advantageous; Panasonic’s stabilization comforts
- Professional use: Both limited by no RAW and basic connectivity
Final Recommendations: Who Should Pick Which?
Choose Kodak EasyShare Touch if you...
- Prefer a simple, smartphone-like touchscreen interface
- Want higher resolution images for daylight and travel zoom flexibility
- Shoot mainly outdoors in good lighting
- Desire face detection autofocus for portraits
- Don’t require video beyond modest HD clips
Choose Panasonic Lumix DMC-FS7 if you...
- Want optical image stabilization for sharper images handheld
- Need a larger sensor footprint for better low light and dynamic range
- Are willing to navigate with buttons for some AF point choice
- Shoot some casual video and want longer exposure options for night scenes
- Value slightly smaller size and weight for street or travel discretion
Wrapping Up: Ultracompact Cameras with Character
While neither the Kodak EasyShare Touch nor the Panasonic Lumix FS7 meets today’s demands for professional-grade imaging or video, both serve as accessible, budget-friendly ultracompacts with unique strengths.
Kodak’s touchscreen-driven interface and resolution make it a charming choice for daylight snapshots and simple portraits. Panasonic’s optical stabilization, larger sensor, and longer shutter speak to photographers needing better image clarity in varied lighting and some creative video flexibility.
If you’re serious about photography, consider newer mirrorless or advanced compacts with RAW and superior sensors. But if you want to explore basics, hone composition, or require a simple pocket camera for casual use, either of these can be a good match depending on your priorities.
Don’t hesitate to get hands-on with each if possible, and pair with the right accessories: carry extra batteries, a sturdy protective case, and image editing software to maximize your experience.
Happy shooting!
Images credited to respective camera archives and test sessions conducted by the author.
Next steps: Ready to decide? Check out current online availability for pricing, and look into lenses or accessories that extend your creativity - like tripod mounts or external flashes if they fit your camera.
With this insight, you’re well-prepared to make a choice that fits your photography style, budget, and workflow. Keep exploring new gear and pushing creative boundaries!
Kodak Touch vs Panasonic FS7 Specifications
Kodak EasyShare Touch | Panasonic Lumix DMC-FS7 | |
---|---|---|
General Information | ||
Make | Kodak | Panasonic |
Model type | Kodak EasyShare Touch | Panasonic Lumix DMC-FS7 |
Type | Ultracompact | Ultracompact |
Introduced | 2011-01-04 | 2009-01-16 |
Body design | Ultracompact | Ultracompact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | 1/3" | 1/2.5" |
Sensor dimensions | 4.8 x 3.6mm | 5.744 x 4.308mm |
Sensor surface area | 17.3mm² | 24.7mm² |
Sensor resolution | 14 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
Highest resolution | 4288 x 3216 | 3648 x 2736 |
Highest native ISO | 1600 | 1600 |
Highest boosted ISO | - | 6400 |
Lowest native ISO | 100 | 80 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 33-132mm (4.0x) |
Maximal aperture | - | f/2.8-5.9 |
Macro focusing distance | 5cm | 5cm |
Crop factor | 7.5 | 6.3 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display sizing | 3 inch | 2.7 inch |
Resolution of display | 460 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | TFT color LCD | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 8 secs | 60 secs |
Highest shutter speed | 1/1600 secs | 1/2000 secs |
Continuous shooting speed | - | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.20 m | - |
Flash modes | Auto, On, Off, Red-Eye, Fill-in | Auto, Auto Red-eye Reduction, Forced On, Forced Off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1280x720 | 640x480 |
Video file format | Motion JPEG | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 150 gr (0.33 lbs) | 139 gr (0.31 lbs) |
Dimensions | 101 x 58 x 19mm (4.0" x 2.3" x 0.7") | 97 x 54 x 22mm (3.8" x 2.1" x 0.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | KLIC-7006 | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | MicroSD/MicroSDHC card, Internal | SD/MMC/SDHC card, Internal |
Storage slots | One | One |
Price at launch | $100 | $160 |