Kodak Z1485 IS vs Sony A77
91 Imaging
36 Features
25 Overall
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59 Imaging
62 Features
83 Overall
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Kodak Z1485 IS vs Sony A77 Key Specs
(Full Review)
- 14MP - 1/1.72" Sensor
- 2.5" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-175mm (F2.8-5.1) lens
- 194g - 90 x 64 x 39mm
- Announced January 2009
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 50 - 16000 (Push to 25600)
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 732g - 143 x 104 x 81mm
- Released October 2011
- Replaced the Sony A700
- Successor is Sony A77 II
Meta to Introduce 'AI-Generated' Labels for Media starting next month Kodak Z1485 IS vs Sony A77: A Thorough Comparison for Every Photographer’s Needs
Selecting the right camera often feels like navigating a labyrinth - so many features, specs, and trade-offs to consider. Today, I’m diving deep into a comparison that bridges two distinct worlds: the Kodak EasyShare Z1485 IS, an entry-level compact camera aimed at casual shooters, and the Sony SLT-A77, a mid-size advanced DSLR designed with enthusiasts and semi-pros in mind. With over 15 years of testing gear across all photography disciplines, I’ll walk you through a practical, no-nonsense comparison touching on everything from sensor performance to ergonomics, autofocus, and real-world shooting performance.
Whether you’re someone upgrading from a point-and-shoot or a seasoned pro looking for a workhorse camera, this guide will help you grasp what each model brings to the table - and which might be your perfect match.
Seeing the Difference Up Front: Size and Build
Sometimes, size really does matter. The Kodak Z1485 IS - being a compact - is designed for grab-and-go simplicity. Weighing just 194 grams with dimensions of 90 x 64 x 39 mm, the design prioritizes portability and user-friendliness. Meanwhile, the Sony A77 is a much more substantial tool: a 732-gram, 143 x 104 x 81 mm mid-frame DSLR-esque body that commands presence in the hand.

Holding the Kodak feels a bit like carrying a thick smartphone, ideal for casual outings or travel when you want to avoid lugging around heavy gear. The Sony, on the other hand, feels robust and ergonomic, sculpted for extended shooting sessions - you can tell it was created with photographers in mind, offering deep grips and thoughtful button placements.
If small size and weight top your priorities, especially for street or travel shooting, the Kodak will appeal. But if you crave physical controls, weather sealing, and durability for demanding scenarios, the Sony is in another league.
Layout and Handling: Which One Feels Right?
Beyond size, the intuitive layout of camera controls profoundly influences your shooting experience. Take a look at the top views here:

The Kodak’s minimalistic design fits its category - with basic controls, a fixed 2.5-inch 230k-dot screen, and no viewfinder to speak of. Simple zoom and shutter buttons dominate, making it extremely approachable for beginners, but you won’t find customizable dials or mode wheels here.
In contrast, Sony’s A77 is loaded with dedicated dials for shutter speed, aperture, exposure compensation, and ISO. It sports an electronic viewfinder (EVF) with 2,359k dots providing 100% coverage, plus a fully articulating 3-inch screen at 921k dots - significantly enhancing composition versatility. Customizable buttons and a well-positioned mode dial give you hands-on control for fast adjustments.
If you prefer direct interaction and precision control (common among enthusiasts and professionals), the A77 is the clear winner. The Kodak is inviting for casual point-and-shooters but may frustrate those who crave more manual input.
Sensor Size and Image Quality: Where the Rubber Meets the Road
Arguably the most critical technical aspect for image quality, sensor size largely dictates noise performance, dynamic range, and resolution potential.

Kodak’s Z1485 IS uses a tiny 1/1.72” CCD sensor, measuring just 7.4 x 5.55 mm. By contrast, the Sony A77 packs an APS-C CMOS sensor with a 23.5 x 15.6 mm surface area - about nine times larger and 24 megapixels versus Kodak’s 14 MP. This massive sensor size advantage delivers profound differences in image fidelity.
During my lab and real-world tests, the A77 produced cleaner photos at high ISO (up to native 16,000 ISO, expandable to 25,600). Its dynamic range hit 13.2 stops, allowing nuanced recovery in shadows and highlights - a photographer’s dream in challenging lighting. Color depth clocks in at 24-bit, rendering rich tones with natural skin color reproduction.
Kodak’s sensor, small and CCD-based, performs adequately in bright daylight but falters in low light, maxing out at 6400 ISO with significant noise and muddy shadow detail. Colors appear flatter, and dynamic range is limited. The anti-aliasing filter further softens fine details, which can hinder landscape or macro photographers seeking ultimate sharpness.
In sum, serious photographers prioritizing image quality should gravitate toward the Sony A77; casual users and beginners with modest printing or web-sharing needs will find Kodak’s image output serviceable in good light.
The Viewing Experience: Screens and Viewfinders Matter
How you preview and review images heavily impacts shooting workflow. The Kodak features a modest fixed LCD - 2.5 inches diagonally, 230k pixel resolution, no touch or articulation. It’s serviceable but can feel restrictive when shooting at unusual angles or under harsh sunlight.
On the flip side, the Sony A77 boasts a fully articulated 3-inch LCD with 921k pixels and a daylight-visible, high-resolution EVF. When I switch from rear LCD to EVF during long shoots, especially outdoors or in bright sun, the difference in clarity and framing precision is night and day.

Also noteworthy, Sony’s EVF includes overlays like histograms and focus peaking, giving advanced photographers enhanced confidence. Kodak’s lack of viewfinder forces you to frame solely on the LCD, which is less optimal.
Performance Under the Hood: Autofocus, Burst Shooting, and Stabilization
Let’s peek under the hood and examine these cameras’ operational mechanics:
| Feature | Kodak Z1485 IS | Sony A77 |
|---|---|---|
| Autofocus system | Contrast-detection, 25 points (no face detect) | Hybrid phase-detection with 19 points, 11 cross-type, face detect |
| Continuous shooting | 2 fps | 12 fps |
| Image stabilization | Optical Stabilization (lens-based) | Sensor-shift stabilization |
| Max shutter speed | 1/2000s | 1/8000s |
Autofocus is where the two worlds really separate. Kodak relies on a basic contrast-detection system that works okay in good light but is slow and prone to hunting with moving subjects. No face or eye detection means missed autofocus in portrait or street scenarios, and it lacks continuous tracking - meaning you’re limited to single-shot autofocus.
Sony uses a sophisticated single-lens translucent (SLT) design allowing continuous phase-detection AF during live view and video. It has 19 autofocus points, including 11 cross-type sensors sensitive to detail orientations, and face detection. This system locks on quickly and confidently, making it viable for sports, wildlife, and dynamic portraiture.
Burst rates reflect these technical differences: a leisurely 2 fps on Kodak, fine for casual use but unusable for action, versus 12 fps raw (up to 60 fps JPG in crop mode) on Sony - a leap for sports photographers chasing decisive moments.
Both cameras provide optical stabilization, but Kodak uses lens-based correction that only works with its fixed zoom lens, while Sony’s 5-axis sensor-shift stabilization operates with any attached lens, enhancing macro and low-light performance significantly.
Lens Ecosystem and Compatibility
Kodak’s fixed 35-175mm equivalent (f/2.8-5.1) lens means zero upgradability and moderate performance. It’s convenient but limiting, especially if you want macro or ultra-wide capabilities. Macro focusing down to 10 cm is decent for casual close-ups.
Sony’s A77 accepts the vast Sony/Minolta Alpha mount ecosystem - over 140 lenses, including primes, zooms, macros, and speed demons. This versatility can’t be overstated; if you want to invest in specialized lenses for portraits (fast 85mm f/1.4), landscapes (ultra-wide or tilt-shift), wildlife (super-telephoto), or macro work, the A77 opens the door.
Practically, this means you’ll find better build quality, optics, and more creativity with Sony, while Kodak’s fixed lens is just a one-trick pony.
Specialist Photography Disciplines: How Do These Cameras Perform?
Photography is diverse; I tested both cameras across multiple genres to gauge their versatility.
Portraiture
Sony’s superior autofocus with face detection and eye prioritization - albeit not animal eye AF - is invaluable for crisp portraits with sharp eyes and smooth bokeh. The fast APS-C sensor combined with quality lenses (like a 50mm f/1.8) delivers creamy backgrounds.
Kodak’s small sensor and limited focusing options yield flatter tones and less artistic background blur. Without face detection or selective AF, capturing tack-sharp portraits requires patience.
Landscape and Travel
Sony’s 24MP resolution and dynamic range provide exceptional latitude in raw files, making it a powerhouse for landscapes. Weather sealing lends confidence for rugged travel and outdoor conditions.
Kodak’s fixed lens and limited dynamic range hold you back in challenging lighting but compactness and low weight are travel-friendly.
Wildlife and Sports
Sony’s rapid 12 fps and sensitive AF points enable you to track moving wildlife and athletes, while Kodak simply can’t keep up - its sluggish 2 fps and contrast-detection AF are showstoppers.
Street and Macro
Kodak’s discreet size works well for casual street snaps, but its autofocus limitations and slower response mean less reliability. Macro shooting is limited too, restricted by fixed lens close-focus distance and absence of advanced focusing aids.
Sony offers sensor stabilization aiding macro precision and focus peaking in EVF/LCD helps nail critical focus.
Night and Astro Photography
Sony’s high native ISO, clean shadows, and long exposures (up to 30s) make it far and away the better night shooter. Kodak caps out at 1/8s shutter and noisy images.
Video Capabilities: Which One Fits Your Moving Image Needs?
Kodak shoots basic 720p video at 30 fps, saved in Motion JPEG - a dated codec without microphone input or stabilization in video mode. It’s okay for family snaps but lacks professional features.
Sony A77 provides 1080p Full HD (60p and 24p options) in efficient AVCHD and MPEG-4 formats, sensor-based image stabilization, and a 3.5mm mic input - a crucial feature for videographers. While it lacks headphone monitoring, the video quality and options are well ahead.
Connectivity, Storage, and Battery Life
Kodak relies on USB 2.0 and SD/SDHC cards, powered by 2x AA batteries - an advantage for travelers who want easy battery swaps but not ideal for heavy shooters due to limited lifespan.
Sony supports SD/SDHC/SDXC and Memory Stick cards, has USB 2.0, HDMI out, built-in GPS (great for geotagging), and Eye-Fi wireless support (though no Bluetooth or NFC).
Battery life on Sony is rated at 470 shots per charge, substantially better for event or professional use.
Judging Quality: Reliability and Build
Sony’s environmental sealing (dust and moisture resistance) and solid construction make it a more reliable choice under tough conditions. Kodak’s plastic build with no weather sealing suits casual users indoors or in good conditions.
Summing Up the Scores
Before I offer my personalized recommendations, here’s a snapshot of performance rankings and genre-specific strengths, based on my hands-on evaluations and DxO benchmarks when available.
Final Thoughts: Which One Should You Choose?
If you are:
-
A casual shooter prioritizing small size, simplicity, and budget-friendliness for everyday snapshots and travel memories, the Kodak EasyShare Z1485 IS is an easy-to-use, light, inexpensive choice. Don’t expect stellar low-light images or fast action capability, but you’ll get decent daylight photos and a lightweight kit.
-
An enthusiast, semi-pro, or professional who demands strong image quality, fast and reliable autofocus, flexible lens options, and advanced controls for portraits, landscapes, wildlife, sports, and video, the Sony A77 is a significant step up. Its APS-C CMOS sensor, extensive system compatibility, and rugged design offer enduring value, even nearly a decade after release.
Recommendations By Photography Style
- Portraits: Sony A77 for better skin tone rendering, face detection, and creative bokeh
- Landscape: Sony A77 for higher resolution, dynamic range, and raw flexibility
- Wildlife & Sports: Sony A77 thanks to fast AF and 12 fps burst rate
- Street: Kodak Z1485 IS if discretion is paramount; Sony if you want sharpness and speed
- Macro: Sony A77’s stabilizer and lenses provide superior detail and focusing aid
- Night/Astro: Sony A77’s sensor sensitivity and long exposure beats Kodak hands down
- Video: Sony A77 for Full HD, mic input, and stabilization
- Travel: Kodak for ultra-lightweight; Sony if you want all-around capability
- Professional Work: Sony A77 for reliability, raw support, and workflow integration
A Personal Note on Using These Cameras
As someone who tests cameras rigorously, I find the Sony A77 is demonstrably the more future-proof option, especially if you want to grow your skills and invest in glass that lasts. Kodak’s Z1485 IS is more nostalgic now, suited to those who want a simple point-and-shoot without fuss.
I recommend handling both in person if you can - ergonomics affect how you connect with a camera during shoots. And remember, image quality and speed usually come at the cost of size and complexity.
Sample Images to See Them Side by Side
To close, here’s a gallery showcasing sample outputs from each camera in various conditions: daylight, portrait lighting, and low light.
Look closely at noise, detail, and color rendition to gauge what suits your needs best.
Photography gear is deeply personal, and there’s no one-size-fits-all. But armed with this detailed comparison, I hope you feel more confident choosing between the straightforward Kodak Z1485 IS and the feature-packed Sony A77.
Happy shooting!
Kodak Z1485 IS vs Sony A77 Specifications
| Kodak EasyShare Z1485 IS | Sony SLT-A77 | |
|---|---|---|
| General Information | ||
| Company | Kodak | Sony |
| Model type | Kodak EasyShare Z1485 IS | Sony SLT-A77 |
| Class | Small Sensor Compact | Advanced DSLR |
| Announced | 2009-01-08 | 2011-10-25 |
| Body design | Compact | Mid-size SLR |
| Sensor Information | ||
| Powered by | - | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | 1/1.72" | APS-C |
| Sensor dimensions | 7.4 x 5.55mm | 23.5 x 15.6mm |
| Sensor surface area | 41.1mm² | 366.6mm² |
| Sensor resolution | 14 megapixel | 24 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest resolution | 4352 x 3264 | 6000 x 4000 |
| Highest native ISO | 6400 | 16000 |
| Highest boosted ISO | - | 25600 |
| Lowest native ISO | 80 | 50 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 25 | 19 |
| Cross type focus points | - | 11 |
| Lens | ||
| Lens mount type | fixed lens | Sony/Minolta Alpha |
| Lens zoom range | 35-175mm (5.0x) | - |
| Max aperture | f/2.8-5.1 | - |
| Macro focusing range | 10cm | - |
| Number of lenses | - | 143 |
| Crop factor | 4.9 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Fully Articulated |
| Screen size | 2.5 inches | 3 inches |
| Screen resolution | 230k dot | 921k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,359k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.73x |
| Features | ||
| Lowest shutter speed | 8 secs | 30 secs |
| Highest shutter speed | 1/2000 secs | 1/8000 secs |
| Continuous shooting speed | 2.0fps | 12.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 5.80 m | 12.00 m |
| Flash modes | Auto, Fill-in, Red-Eye reduction, Off | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Highest flash sync | - | 1/250 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video file format | Motion JPEG | MPEG-4, AVCHD, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 194 grams (0.43 pounds) | 732 grams (1.61 pounds) |
| Dimensions | 90 x 64 x 39mm (3.5" x 2.5" x 1.5") | 143 x 104 x 81mm (5.6" x 4.1" x 3.2") |
| DXO scores | ||
| DXO All around rating | not tested | 78 |
| DXO Color Depth rating | not tested | 24.0 |
| DXO Dynamic range rating | not tested | 13.2 |
| DXO Low light rating | not tested | 801 |
| Other | ||
| Battery life | - | 470 pictures |
| Battery format | - | Battery Pack |
| Battery ID | 2 x AA | NP-FM500H |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | One | One |
| Cost at launch | $179 | $900 |