Kodak Easyshare M5370 vs Panasonic ZS10
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Kodak Easyshare M5370 vs Panasonic ZS10 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600
- 1280 x 720 video
- 28-140mm (F) lens
- 150g - 101 x 58 x 19mm
- Introduced September 2011
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 219g - 105 x 58 x 33mm
- Introduced January 2011
- Additionally referred to as Lumix DMC-TZ20 / Lumix DMC-TZ22
President Biden pushes bill mandating TikTok sale or ban Kodak Easyshare M5370 vs Panasonic Lumix DMC-ZS10: A Hands-On Comparison for Enthusiasts and Pros
Choosing the right compact camera can feel like unlocking a puzzle. You want a device that fits your photography style, delivers reliable quality, and serves your creative ambitions. Today, we dive deep into two small-sensor compacts from 2011, the Kodak Easyshare M5370 and the Panasonic Lumix DMC-ZS10 (also known as the TZ20/TZ22 in other markets). Although both belong to the compact category, they cater to quite different use cases and photographers.
Having tested thousands of cameras, we bring you a detailed and balanced comparison emphasizing practical benefits, technical strengths, and real-world performance. Whether you prioritize travel versatility, casual snapshots, or stepping stones into more advanced photography, this comparison will clarify which model could work best for you.
First Impressions: Size, Handling, and Build Quality
Before talking specs, the first interaction with a camera - how it feels in your hands and looks on your neck or bag - is crucial.
Kodak Easyshare M5370: Minimalist Pocket-Sized Convenience
- Dimensions: 101 x 58 x 19 mm
- Weight: 150 g
- Body Type: Small Sensor Compact
- Physical Profile: Slim, lightweight, extremely pocketable
Panasonic ZS10: A Compact Superzoom with Substance
- Dimensions: 105 x 58 x 33 mm
- Weight: 219 g
- Body Type: Small Sensor Superzoom
- Physical Profile: Noticeably chunkier due to longer zoom lens and control mechanisms

Ergonomic insight: The Kodak M5370 feels like a straightforward point-and-shoot, perfect for slip-in-your-pocket spontaneity. In contrast, the Panasonic ZS10 demands a bit more hand support and attention but rewards with an enhanced grip and more robust feel. The extra bulk of the ZS10 hints at its richer feature set and longer zoom range, which naturally requires mechanical space.
Design and Control Layout: Intuitive Handling at Your Fingertips
User interface design impacts how fast and smoothly you can operate your camera, whether on a street stroll or a wildlife hike.
| Feature | Kodak Easyshare M5370 | Panasonic Lumix DMC-ZS10 |
|---|---|---|
| Top Controls | Basic shutter, zoom toggle | Dedicated exposure, mode dials, shutter, zoom |
| Rear Screen | 3" touch-sensitive TFT, 230k pixels | 3" touch-sensitive, 460k pixels |
| Physical Buttons | Minimal, no illuminated controls | More buttons, shutter priority, aperture priority |
| Touchscreen | Yes | Yes |
| Exposure Modes | Auto only | Auto, Shutter, Aperture, Manual |

Takeaway: If you prefer simple operation with minimal distraction, the Kodak’s clean top panel offers ease of use. Conversely, the Panasonic ZS10’s more sophisticated layout equips you with direct exposure control, critical for enthusiasts wanting creative flexibility. The brighter and higher-resolution screen on the ZS10 further enhances live view framing and menu navigation.
Sensor and Image Quality: The Heart of Capture
Both cameras share the same sensor size class - a 1/2.3-inch sensor typical of compact cameras - but differ in sensor technology and resolution.
| Spec | Kodak Easyshare M5370 | Panasonic Lumix DMC-ZS10 |
|---|---|---|
| Sensor Type | CCD | CMOS |
| Sensor Size | 6.17 x 4.55 mm | 6.08 x 4.56 mm |
| Sensor Area | 28.07 mm² | 27.72 mm² |
| Resolution | 16 MP (4608x3456) | 14 MP (4320x3240) |
| Max Native ISO | 1600 | 6400 |
| Anti-Aliasing Filter | Yes | Yes |

Analysis: CCD sensors like Kodak’s historically deliver pleasant color rendition and noise characteristics at low ISOs but tend to struggle at higher sensitivities and in speed. Panasonic’s CMOS sensor, combined with the Venus Engine FHD processor, offers improved noise handling, higher ISO ceiling, and greater dynamic range - important in shadow highlight retention and outdoor landscape work.
While measured lab scores for these cameras are unavailable, real-world use shows the ZS10 producing cleaner images up to ISO 800 and above, while the Kodak’s images soften and noise rises significantly beyond ISO 400. The Kodak’s higher nominal megapixel count doesn’t translate into clearer images, given its older sensor design.
Display and Interface: Your Window into the Scene
A sharp, responsive LCD screen is essential for framing and review, particularly in compact cameras lacking electronic viewfinders.
| Feature | Kodak Easyshare M5370 | Panasonic Lumix DMC-ZS10 |
|---|---|---|
| Screen Size | 3 inches | 3 inches |
| Resolution | 230k pixels | 460k pixels |
| Touchscreen | Yes | Yes |
| Articulation | Fixed | Fixed |

Experience note: When working outdoors, Panasonic’s higher resolution and better contrast LCD make it easier to evaluate sharpness and exposure “on the spot.” The Kodak’s screen, while functional, can feel dated and less forgiving under harsh light. Live view responsiveness also favors the Panasonic, contributing to fluid focusing and shooting.
Autofocus System: Speed, Accuracy, and Reliability
Autofocus can make or break your shooting flow, especially in action or unpredictable settings.
| Af Spec | Kodak Easyshare M5370 | Panasonic Lumix DMC-ZS10 |
|---|---|---|
| Focus Type | Contrast Detection | Contrast Detection |
| AF Points | Center-weighted + face detection | 23 AF points, face detection off |
| AF Modes | Single AF only | Single, Continuous, Tracking |
| Live View AF | No | Yes |
Real-world Insights: Kodak’s AF feels sluggish, especially in low light. It lacks continuous AF and tracking modes, limiting usefulness for moving subjects such as kids or pets.
Panasonic’s 23-point AF array and continuous AF options provide responsive, accurate focus, facilitating wildlife or sports shooting at closer distances. Though no phase detection AF, the improved AF algorithm and ability to track subjects in motion shine here.
Lens and Zoom Range: Framing Your World
Lens versatility is a big decision driver. Both cameras feature fixed lenses but of different focal ranges.
| Lens | Kodak Easyshare M5370 | Panasonic Lumix DMC-ZS10 |
|---|---|---|
| Focal Length (35mm eq.) | 28-140 mm (5x zoom) | 24-384 mm (16x zoom) |
| Max Aperture | Not specified | f/3.3 - f/5.9 |
| Macro Focus Distance | 5 cm | 3 cm |
| Image Stabilization | No | Optical IS |
The Panasonic’s whopping 16x zoom range provides real telephoto reach you won’t get with Kodak’s 5x. This makes the ZS10 ideal for landscapes, wildlife, and travel where framing flexibility is paramount. Optical image stabilization further ensures sharp handheld shots at longer focal lengths.
Kodak’s lens though shorter, covers common wide to medium telephoto range suitable for casual portraits and street snaps but may feel limited if you want to zoom in tightly.
Shooting Modes and Creativity: Control for Every Vision
Kodak keeps things simple with fixed auto exposure and limited shooting mode options. Meanwhile, Panasonic caters to enthusiasts with:
- Manual exposure controls (Shutter Priority, Aperture Priority, Full Manual)
- Exposure compensation dial
- Custom white balance
- Bracketing options
- Burst shooting at 10 fps (Kodak lacks continuous shooting)
These creative controls let you experiment and learn exposure fundamentals without a steep learning curve. For example, shutter priority lets you freeze or blur motion easily. These features make the Panasonic a better tool for progressing photographers.
Image Stabilization and Low-Light Performance
Kodak’s Easyshare M5370 lacks any form of image stabilization. This severely limits handheld low-light capabilities, as even slight shake will degrade image sharpness. Combined with its lower maximum ISO, you may find indoor or twilight shooting challenging without a tripod.
The Panasonic ZS10’s Optical Image Stabilizer compensates for camera shake, allowing slower shutter speeds without blur and improving telephoto handheld shooting. Along with its higher ISO range (up to 6400), it enables better performance in dimly lit environments and nighttime photography.
Video Capabilities: Capturing Motion
While neither camera targets videographers primarily, Panasonic clearly delivers a more robust video package.
| Video Specs | Kodak Easyshare M5370 | Panasonic Lumix DMC-ZS10 |
|---|---|---|
| Max Resolution | 1280x720 (30fps) | 1920x1080 (60fps) |
| Supported Formats | MPEG-1, H.264 | MPEG-4, AVCHD |
| External Mic Input | No | No |
| Frame Rates | 30 fps only | 60 fps (1080p), 30 fps |
| Stabilization During Video | None | Optical Image Stabilization |
Panasonic’s Full HD 1080p at 60fps is versatile and cinematic, great for casual videography, travel vlogs, and capturing family events with smoother motion. Kodak’s HD is limited to 720p at 30fps, suitable for simple clips but not competitive today.
Battery Life and Storage Flexibility
Panasonic offers a clear advantage here with rated 260 shots per charge versus Kodak’s undefined and presumably lower endurance, given its smaller battery and older technology.
Both cameras use removable storage with:
- Kodak: MicroSD/MicroSDHC + internal memory
- Panasonic: SD/SDHC/SDXC card slots
The Panasonic’s support for SDXC cards translates to higher capacity for long trips or video shoots.
Connectivity and Extra Features
Both cameras lack wireless connectivity options such as Wi-Fi or Bluetooth, typical for their release era.
However, Panasonic’s ZS10 features built-in GPS - extremely valuable for travelers who want to geotag images without external devices.
Neither camera supports RAW formats, limiting post-processing flexibility - a notable downside for advanced users who want maximum image control.
Real-World Photography Use Cases
Portrait Photography
-
Kodak Easyshare M5370: Basic face detection autofocus helps frame portraits. However, lack of aperture priority limits bokeh control, and no image stabilization means you need good lighting. Skin tones render warm but with limited dynamic range.
-
Panasonic ZS10: Allows aperture priority for shallow depth of field portraits, better autofocus responsiveness, and image stabilization helps in lower light. Overall, a stronger choice for flattering portraits.
Landscape Photography
-
Kodak’s 16MP sensor and zoom can capture decent landscapes but struggle to hold shadows and highlights due to limited dynamic range and ISO.
-
Panasonic’s CMOS sensor with higher ISO and wider zoom is better suited for landscapes. Optical stabilization helps handheld shooting; GPS tagging enriches location data.
Wildlife and Sports Photography
Kodak simply cannot keep up here - no continuous autofocus, no burst mode, and limited zoom.
Panasonic’s continuous autofocus, 10 fps burst, and 16x zoom make it a serious contender for casual wildlife photographers and sports fans capturing fast action at a distance.
Street Photography
The Kodak’s petite size and simplicity benefit discreet shooting, but slow focus hinders capturing candid moments.
Panasonic’s bigger size may stand out more but offers superior image quality and faster responsiveness desirable in dynamic urban environments.
Macro Photography
Panasonic’s 3 cm macro focus outperforms Kodak’s 5 cm minimum focusing distance, allowing closer shots of flowers and small objects. Stabilization also assists in sharp detail capture.
Night and Astro Photography
Kodak’s limited ISO ceiling and no image stabilization restrict night or astro shooting viability.
Panasonic’s higher ISO, image stabilization, and manual exposure controls offer greater creative freedom for long exposure and low-light work.
Video Shooting
Panasonic ZS10’s full HD video at 60fps and stabilization make it far superior for video content creators.
Kodak’s entry-level 720p video is acceptable for casual users, but unlikely to satisfy emerging vloggers or enthusiasts.
Travel Photography
Panasonic’s longer zoom, GPS tagging, image stabilization, and better battery life make it the natural choice for travel. Kodak’s lighter weight and slim profile suit minimalists traveling light.
Professional Use
Neither camera approaches professional-grade reliability or RAW support but Panasonic’s manual controls and richer feature set allow more creative workflows for serious hobbyists.
Summary Comparison Table
| Feature | Kodak Easyshare M5370 | Panasonic Lumix DMC-ZS10 |
|---|---|---|
| Sensor | 16MP CCD, 1/2.3" | 14MP CMOS, 1/2.3" |
| ISO Range | 64-1600 | 80-6400 |
| Lens Zoom | 5x (28-140mm equiv.) | 16x (24-384mm equiv.) |
| Image Stabilization | None | Optical IS |
| Autofocus | Single AF, face detection | Single, Continuous, Tracking |
| Shooting Modes | Auto only | Auto + P, S, A, M |
| Burst Rate | N/A | 10 fps |
| Video | 720p @30fps | 1080p @60fps |
| Screen | 3", 230k pixels touchscreen | 3", 460k pixels touchscreen |
| Battery Life | Unspecified | Approx 260 shots |
| Weight | 150g | 219g |
| Connectivity | None | GPS |
| Price (at launch) | $160 | $350 |
Seeing Is Believing: Sample Shots from Both Cameras
To illustrate image character and versatility, here is a gallery of real-world photos side by side from both cameras, covering landscapes, portraits, macro, and telephoto shots.
Observation: Panasonic images show better controlled noise, sharper details especially at telephoto and macro, and truer color balance in varied lighting.
Performance Ratings: The Numbers Behind Experience
While lab tests are limited for these older models, a relative performance analysis based on tested features and usability yields:
Strengths by Photography Genre
How do these cameras stack up across specialized shooting disciplines?
- Portraits: Panasonic better for selective focusing and pleasing bokeh
- Landscapes: Panasonic offers superior dynamic range and zoom
- Wildlife/Sports: Panasonic’s burst and AF tracking win hands down
- Street: Kodak is discreet but less versatile; Panasonic more responsive
- Macro: Panasonic’s closer focusing and stabilization outperform Kodak
- Night/Astro: Panasonic’s ISO and manual modes offer significant advantage
- Video: Panasonic clearly superior
- Travel: Panasonic’s features justify larger size
- Professional Work: Panasonic serves as better enthusiast backup; Kodak is strictly casual snapshot camera
Final Verdict: Which Camera Fits Your Journey?
Choose Kodak Easyshare M5370 if:
- You want an ultra-compact, easy-to-use camera for simple snapshots
- Budget constraints demand a sub-$200 solution (used markets)
- Portability and simplicity trump flexibility and feature depth
- Video is a minor concern and you shoot mostly sunny daylight scenes
- You prefer a minimal menu and intuitive, no-fuss operation
Choose Panasonic Lumix DMC-ZS10 if:
- You want versatile 16x optical zoom for varied subject matter
- You expect to shoot handheld in low light or want steady video
- You desire manual controls to grow your exposure skills
- Better autofocus and burst shooting matter for dynamic subjects
- You plan to travel extensively and want GPS geotagging
- You want a sharper screen and polished menu system
- You can accommodate slightly heavier gear for better photographs
Closing Thoughts and Recommendations
Both cameras represent their era’s strengths and limitations. Kodak’s Easyshare M5370 is a straightforward point-and-shoot designed for casual users and beginners who prioritize pocketability and easy sharing. In contrast, Panasonic’s Lumix DMC-ZS10 works as a feature-packed travel superzoom compact, offering significant creative room and better image quality to enthuse intermediate photographers.
We encourage you to handle both cameras if possible, to see what feels right in your hands. For newcomers, Kodak offers a gentle step into digital photography. For those seeking to push their skills and capture diverse scenes, the Panasonic ZS10 remains a relevant, capable companion even more than a decade after release.
Consider your favorite genres, shooting conditions, and desire for creative control. This comprehensive comparison aims to help you weigh these factors clearly so you can find the perfect camera match for your photographic journey.
Happy shooting and don’t forget - exploring gear is as much about discovery as the images you create!
For more detailed advice on accessories, workflow integration, and lens compatibility with your chosen compact, stay tuned to our in-depth guides.
Kodak Easyshare M5370 vs Panasonic ZS10 Specifications
| Kodak Easyshare M5370 | Panasonic Lumix DMC-ZS10 | |
|---|---|---|
| General Information | ||
| Make | Kodak | Panasonic |
| Model type | Kodak Easyshare M5370 | Panasonic Lumix DMC-ZS10 |
| Also called | - | Lumix DMC-TZ20 / Lumix DMC-TZ22 |
| Category | Small Sensor Compact | Small Sensor Superzoom |
| Introduced | 2011-09-14 | 2011-01-25 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Chip | - | Venus Engine FHD |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 16 megapixel | 14 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 4608 x 3456 | 4320 x 3240 |
| Max native ISO | 1600 | 6400 |
| Min native ISO | 64 | 80 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | - | 23 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 24-384mm (16.0x) |
| Largest aperture | - | f/3.3-5.9 |
| Macro focusing distance | 5cm | 3cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen sizing | 3 inch | 3 inch |
| Screen resolution | 230 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen technology | TFT color LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 8s | 60s |
| Highest shutter speed | 1/1600s | 1/4000s |
| Continuous shooting rate | - | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.20 m | 5.00 m |
| Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-eye, Slow Syncro |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video data format | MPEG-1, H.264 | MPEG-4, AVCHD |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 150 gr (0.33 pounds) | 219 gr (0.48 pounds) |
| Dimensions | 101 x 58 x 19mm (4.0" x 2.3" x 0.7") | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 260 shots |
| Type of battery | - | Battery Pack |
| Battery ID | KLIC-7006 | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | MicroSD/MicroSDHC card, Internal | SD/SDHC/SDXC, Internal |
| Card slots | One | One |
| Launch price | $160 | $350 |