Kodak S-1 vs Pentax Q
88 Imaging
52 Features
61 Overall
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93 Imaging
35 Features
47 Overall
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Kodak S-1 vs Pentax Q Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 12800
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 290g - 116 x 68 x 36mm
- Launched June 2014
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 6400
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax Q Mount
- 180g - 98 x 57 x 31mm
- Announced June 2011
- Replacement is Pentax Q10

Kodak Pixpro S-1 vs. Pentax Q: An Expert Comparison of Two Entry-Level Mirrorless Cameras
When exploring the world of entry-level mirrorless cameras, the Kodak Pixpro S-1 and the Pentax Q surface as intriguing options from distinct eras and design philosophies. Both hold unique places in the ecosystem - the S-1 as Kodak’s attempt to revive its photographic legacy into the mirrorless arena circa 2014, and the Pentax Q as an early mirrorless pioneer launched back in 2011 with distinctly compact credentials. After hands-on testing with both models across multiple photographic contexts, I’m excited to share a detailed, experiential breakdown comparing these cameras on every critical front.
Whether you’re after a budget-friendly camera for street escapades or a capable platform for hobbyist portraits, macro shots, or casual video, this comprehensive comparison will highlight the practical nuances and fundamental limitations you’ll encounter. Plus, I’ll offer recommendations tailored to different users and shooting styles.
In Your Hands: Body and Ergonomics
First impressions matter and, in this department, size and handling often set the tone for the user experience.
The Kodak S-1 follows a rangefinder-style mirrorless design with a relatively compact footprint - measuring 116x68x36 mm and weighing 290 grams. Meanwhile, the Pentax Q is noticeably smaller and lighter, with dimensions of 98x57x31 mm and a weight of just 180 grams. Its cute, almost toy-like size does make it highly pocketable, a rare quality even among mirrorless cameras.
While the Pentax Q’s petite frame is great for travel or street photography when discretion and portability are paramount, the Kodak S-1 offers a more substantial grip bulkier enough to foster hand comfort during longer shooting sessions. Additionally, the S-1’s physical controls are slightly better spaced, alleviating some of the fiddliness associated with ultra-compact bodies.
However, neither camera features an electronic viewfinder - a notable ergonomic shortcoming if you shoot outdoors in bright conditions or prefer eye-level shooting. Instead, both rely on rear LCDs, which we’ll examine shortly.
Visual Command: Control Layout and Interface
A camera can have all the bells and whistles, but if controls aren’t intuitive, your workflow suffers.
The Kodak S-1 offers a clean top plate with a modest mode dial and shutter button placement that feels natural for right-handed use. The Pentax Q is even more minimalistic, with fewer physical controls, leaning heavily on menu navigation.
In my testing, the S-1’s control scheme allowed quicker access to common shooting modes - shutter/aperture priority, manual exposure, and exposure compensation. The Pentax Q's simpler control interface may appeal to beginners who prefer less complexity but at the cost of slower manual adjustments.
Neither camera sports touchscreen displays, so navigating menus can feel a bit archaic, particularly on the Pentax Q’s lower-resolution screen.
Sensor and Image Quality Insights
The heart of any camera is its sensor, dictating resolution, dynamic range, noise control, and overall image fidelity.
The Kodak S-1 boasts a Four Thirds 17.3x13 mm CMOS sensor with 16 megapixels resolution, whereas the Pentax Q houses a markedly smaller 1/2.3" (6.17x4.55 mm) sensor with 12 megapixels.
This size disparity - approximately eight times the sensor area in favor of the S-1 - is palpable in image quality outcomes. Larger sensors generally afford better low-light performance, dynamic range, and finer detail rendition. Tests under varied lighting scenarios confirmed this: the S-1 produced cleaner images at higher ISOs, richer colors, and more nuanced gradations in shadows and highlights.
Pentax Q’s tiny sensor struggles particularly beyond ISO 400, with elevated noise and muted tonal transitions. However, in well-lit conditions, its images remain serviceable, especially if you intend to share primarily on social media or for casual prints.
The Kodak’s Four Thirds sensor benefits from a more robust lens ecosystem (Micro Four Thirds mount) with over 100 compatible lenses at launch, enhancing optical versatility. Pentax’s proprietary Q-mount limits choices to eight native lenses - notable if you value creative glass.
On-Screen Experience: LCD Screens and User Feedback
Both cameras rely on their rear LCD screens, with neither offering an electronic viewfinder to rely on for composition in bright light.
The Kodak S-1 offers a 3-inch tilting screen with 920k-dot resolution, which is quite sharp and flexible for low or high-angle shooting. Though not a touchscreen, the tilt mechanism lends compositional agility, particularly useful for macro or street shooters aiming for discreet framing.
The Pentax Q, alternatively, provides a fixed 3-inch TFT color LCD at a much lower 460k-dot resolution. This screen feels dated and somewhat dim indoors, making precise focusing and exposure verification less confident.
From a usability standpoint, the Kodak S-1’s better screen significantly improves user experience, and the tilting design hints at a more modern influence despite the camera’s overall entry-level intent.
Autofocus and Performance: Speed, Accuracy, and Responsiveness
AF quality often makes or breaks a camera’s practical appeal, especially for wildlife, sports, and fast-moving subjects.
Both cameras implement contrast-detection autofocus systems with 25 focus points and tracking capabilities but no phase-detection or hybrid AF technology. This limitation restricts their ability to lock focus swiftly in challenging conditions.
The Kodak S-1 edges ahead with a continuous shooting speed of 5fps, double that of the Pentax Q’s modest 2fps. This difference reflects in real-world sports or wildlife shooting, where the S-1 can capture fleeting moments with higher consistency.
However, both cameras display relatively slow and somewhat “hunt-y” autofocus in low-light or low contrast scenes - understandable in sensor and processor terms but frustrating nonetheless.
Face detection is present in the Kodak but absent from the Pentax. This assists portrait and casual use cases by speeding focus acquisition on faces.
Portrait Photography: Handling Skin Tones and Bokeh
Portrait shooters value cameras that reproduce pleasing, natural skin tones and can deliver attractive subject separation.
The Kodak S-1’s larger sensor allows somewhat shallower depth of field with equivalent lenses, producing more natural background blur and smoother bokeh. While not portrait-centric, it offers eye-detection autofocus, enhancing sharpness on the eyes, a welcomed feature for portrait work.
Pentax Q’s tiny sensor and tiny lenses create extensive depth of field, resulting in less subject-background separation. Skin tones appear less nuanced due to the smaller sensor’s limited dynamic range, and the lack of eye AF limits precise autofocus on eyes in tight portraits.
In practice, the Kodak S-1 can yield portraits with more professional appeal and control. The Pentax Q’s portraits look “snapshootery” but remain acceptable for casual use.
Landscape Capabilities: Resolution, Dynamic Range, and Build
Landscape photography demands high resolution, excellent dynamic range for scenes with extreme tonal contrasts, and a capable build for outdoor conditions.
At 16 megapixels, the Kodak S-1 delivers more detail than the Pentax Q’s 12MP sensor. Its Four Thirds sensor again provides superior dynamic range and better high ISO performance, crucial for dawn/dusk or shade shooting.
Neither camera features weather sealing or robust environmental protection, limiting outdoor ruggedness. Given that landscapes often put gear to the test, this is a notable downside for both.
Landscape shooters would find the S-1’s resolution and image quality advantages beneficial for large prints and cropping flexibility.
Wildlife and Sports: Burst Rates and Telephoto Reach
Wildlife and sports photography depend heavily on autofocus speed, frame rate, and telephoto lens options.
The Kodak S-1, with its Micro Four Thirds mount, benefits from a vast selection of telephoto lenses, including high-quality zooms and primes. The 5fps continuous shooting and face/eye detection AF are assets for tracking animals or athletes.
The Pentax Q’s 5.8x crop factor (much larger than S-1’s 2.1x) theoretically allows extended reach from smaller lenses. In practice, image quality degradation at telephoto lengths due to the tiny sensor and limited lens quality dampens enthusiasm.
Additionally, its slow 2fps burst rate and contrast-only AF performance hinder quick capture of action sequences.
In sum: Kodak S-1 offers more practical and versatile choices for wildlife and sports enthusiasts.
Street and Travel Photography: Portability Meets Versatility
The Pentax Q’s small size and light weight make it a standout for street and travel photographers prioritizing discretion and portability.
Kodak S-1 is bigger and heavier but remains easily portable. The tilting screen and richer lens lineup also enhance creative flexibility in travel scenarios.
Battery life is another factor: S-1 offers approximately 410 shots per charge vs. Pentax Q’s 230 shots, favoring longer shooting days without worrying about spares.
For urban explorations and travel photography, the Pentax Q edges compactness; the Kodak S-1 balances this with performance.
Macro and Close-up Photography: Precision and Stabilization
Macro shooters demand precise focusing and effective stabilization to combat shallow depth-of-field challenges.
Both cameras employ sensor-based image stabilization (IBIS), a boon at close focus distances.
The S-1’s superior sensor and lens options give it a substantive advantage here. The availability of Micro Four Thirds macro lenses enables sharper, more detailed close-ups.
Pentax Q’s limited lenses and smaller sensor reduce potential image quality at macro distances.
Night and Astrophotography: High ISO and Exposure Controls
Low-light capabilities are an exposition of sensor quality and processing.
The Kodak S-1, with ISO up to 12800 and better noise handling, offers more usable shots in challenging illumination, including night and astrophotography.
Pentax Q caps at ISO 6400 and exhibits noisy output above ISO 400, limiting creative low-light shooting.
Neither camera supports special astro exposure modes or intervalometers natively, meaning manual techniques are necessary.
Video: Specs and Practicality
For casual videographers, expecting 4K or advanced features may disappoint with these cameras.
The Kodak S-1 records Full HD 1080p video at 30fps, plus slow-motion 720p at 60fps. However, it lacks a microphone input, limiting audio quality control.
Pentax Q also offers 1080p at 30fps but with lower-quality codecs (MPEG-4, H.264) and no mic input.
Neither camera includes in-body 4K or higher framerates, so both are modest at best for video-centric users.
Professional Usage: File Formats and Workflow
Everyone loves RAW, and both cameras support it, offering maximum flexibility for post-processing.
For professional or semi-pro photographers, Kodak S-1’s bigger sensor and lens choices are inherently more suited to workflows requiring higher image fidelity.
Pentax Q's small sensor and restricted lens ecosystem limit output quality - acceptable for hobbyists but less so in demanding professional arenas.
Connectivity and Storage: Practical Considerations
Kodak S-1 includes built-in wireless connectivity - an advantage for instant sharing or remote control.
Pentax Q lacks wireless connectivity but sports an HDMI output and USB 2.0 port.
Both use a single SD card slot, which is standard for entry-level cameras.
Battery types differ but both use proprietary packs designed for compactness.
Pricing and Value Proposition
Pricing tells a significant story.
The Kodak S-1 launched at approximately $250, reflecting affordability and reasonable feature sets.
The Pentax Q debuted much higher, around $695, despite more limited capabilities and a significantly smaller sensor.
This pricing dynamic signals the Pentax Q caters more to niche collectors or those coveting ultra-compact design rather than outright value.
Summarizing the Numbers and Scores
Based on hands-on testing and industry benchmarks, the Kodak S-1 scores higher in crucial categories: image quality, autofocus speed, battery life, and versatility.
In genre-specific analysis, the S-1 tends to lead in portraits, wildlife, landscape, and video - while the Pentax Q holds modest advantages in street photography for those who prioritize minimalism and portability above all.
Final Verdict: Which Camera Fits Your Vision?
Kodak Pixpro S-1 - The Pragmatic Choice
If you value image quality, a broad lens eco-system, and usable performance across most photography types - portraits, landscapes, wildlife, macro, travel - the Kodak S-1 is clearly the more versatile and cost-effective pick. Its larger sensor and decent burst rate mean it punches above its weight class for an entry-level mirrorless.
Pentax Q - Ultra-Compact Fun with Limitations
The Pentax Q appeals best to enthusiasts who prize ultra-compact size, lightness, and quirky charm over technical excellence. It’s a competent street or travel snapshot camera for those who prioritize pocketability and willing to accept image quality restrictions and limited lens options.
Closing Thoughts: Context is Key
While neither camera competes with modern mid-range mirrorless models, understanding their values helps enthusiasts select gear matching their priorities - be it image quality, portability, or budget.
By engaging closely with these bodies, lenses, and their historic positions, we appreciate how camera design balances trade-offs. This comparison underscores the critical importance of sensor size, lens availability, and user-centric design in shaping photographic possibilities.
Sample Images: Real-World Output Comparison
For those numbers-loving visualists, the following gallery illustrates typical image results from both cameras under controlled lighting.
Note the richer detail, better color fidelity, and cleaner backgrounds from the Kodak S-1 shots versus the Pentax Q’s softer, more noise-prone images especially in shadows and higher ISO.
I hope this detailed comparison arms you with clear, experience-backed insights to confidently choose the mirrorless camera best suited to your photography journey. Both cameras have their stories and niches - but the Kodak Pixpro S-1 stands out as a more balanced and capable introduction to mirrorless photography.
Kodak S-1 vs Pentax Q Specifications
Kodak Pixpro S-1 | Pentax Q | |
---|---|---|
General Information | ||
Manufacturer | Kodak | Pentax |
Model type | Kodak Pixpro S-1 | Pentax Q |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Launched | 2014-06-24 | 2011-06-23 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4640 x 3480 | 4000 x 3000 |
Highest native ISO | 12800 | 6400 |
Minimum native ISO | 200 | 125 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 25 | 25 |
Lens | ||
Lens support | Micro Four Thirds | Pentax Q |
Available lenses | 107 | 8 |
Crop factor | 2.1 | 5.8 |
Screen | ||
Display type | Tilting | Fixed Type |
Display sizing | 3 inch | 3 inch |
Resolution of display | 920 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display tech | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 30s | 30s |
Maximum shutter speed | 1/4000s | 1/2000s |
Continuous shooting rate | 5.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 5.60 m |
Flash settings | Auto, Red-Eye Reduction, Fill Flash, Flash Off, Slow Sync, Rear Curtain Sync, Slow Sync+ Red-Eye Reduction | Auto, On, Off, Red-Eye, Slow Sync, Trailing-curtain sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/2000s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30, 120 fps) | 1920 x 1080 (30 fps), 1280 x 720p (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video data format | - | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 290 gr (0.64 pounds) | 180 gr (0.40 pounds) |
Dimensions | 116 x 68 x 36mm (4.6" x 2.7" x 1.4") | 98 x 57 x 31mm (3.9" x 2.2" x 1.2") |
DXO scores | ||
DXO All around rating | not tested | 47 |
DXO Color Depth rating | not tested | 20.2 |
DXO Dynamic range rating | not tested | 11.1 |
DXO Low light rating | not tested | 189 |
Other | ||
Battery life | 410 images | 230 images |
Type of battery | Battery Pack | Battery Pack |
Battery ID | LB-070 | D-LI68 |
Self timer | - | Yes (2 or 12 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Retail pricing | $250 | $695 |