Leica C vs Sony W290
92 Imaging
37 Features
59 Overall
45
94 Imaging
34 Features
28 Overall
31
Leica C vs Sony W290 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 6400 (Raise to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 28-200mm (F2.0-5.9) lens
- 195g - 103 x 63 x 28mm
- Released September 2013
- Additionally referred to as Typ112
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.3-5.2) lens
- 167g - 98 x 57 x 23mm
- Revealed February 2009
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Leica C vs. Sony Cyber-shot W290: A Hands-On Comparison for Enthusiasts and Professionals
In today’s ever-evolving world of compact cameras, it’s fascinating to look back and compare models that cater to enthusiasts and casual shooters alike. The Leica C (Typ 112), announced in 2013, and the older but still noteworthy Sony Cyber-shot DSC-W290 from 2009 provide an intriguing study in how small sensor compacts serve their users across a spectrum of photographic needs. Having tested thousands of cameras, I’m keen to explore how these two stack up in real-world use, from image quality to ergonomics, and which might deserve a spot in your kit.
Grab a coffee, and let’s dive in.
Unpacking the Basics: Size, Ergonomics, and Design
Right off the bat, size and handling shape our shooting experience. The Leica C measures 103×63×28 mm and weighs 195g, while the Sony W290 is slightly smaller at 98×57×23 mm and lighter at 167g.

At first glance, the Sony’s more compact footprint feels pocket-friendly and discreet - ideal for street or travel photography where you want to stay unnoticed. The Leica, while a bit bulkier, offers a more substantial grip and top-heavy feel, thanks largely to its metal build quality and deeper lens barrel. For those who prefer a camera that feels like an extension of the hand, rather than a pocket convenience, this Leica design wins points.
Moving beyond dimensions, look closely at the control layouts right on the top panel:

The Leica C sports a more sophisticated, minimalist control scheme, offering dial-based exposure adjustments (shutter and aperture priority modes) that you won’t find on the Sony W290. This translates into quicker, more intentional shooting when you want manual creative control. The Sony is on the straightforward side, geared for point-and-shoot ease with fewer manual options.
If ergonomics and intuitive controls matter in your shooting style - especially when switching fast between manual and auto exposure - the Leica leaps ahead here.
Sensor Technology and Image Quality: The Heart of the Matter
Both cameras use 12-megapixel sensors, but their sensor sizes differ significantly. The Leica C employs a 1/1.7” CMOS sensor measuring 7.44×5.58 mm (about 41.5 mm² sensor area), while the Sony W290 uses a smaller 1/2.3” CCD sensor of 6.17×4.55 mm (28 mm² area).

This might sound like jargon, so here’s why it matters: larger sensor sizes typically mean better image quality - greater dynamic range, less noise at high ISO, and more pleasing depth of field control. The Leica’s CMOS sensor and relatively generous size will deliver richer image detail and less grain, especially in low-light. Meanwhile, the Sony’s small CCD sensor, while capable of sharp daylit shots, struggles more as conditions darken.
Another key technical distinction is sensor technology: CMOS sensors like Leica’s are more power-efficient, tend to have faster readout speeds, and better support for continuous shooting and video. Sony’s CCD, while historically known for color fidelity, often can't keep up in rapid shooting modes and video.
For landscape photographers craving punchy colors and rich dynamic range - and for portrait shooters who prize smooth background blur - the Leica C’s sensor will stand out.
Viewing and Composing: LCD and Viewfinder Experience
When it comes to framing shots, what you see is crucial. Both cameras offer a fixed 3-inch rear LCD, but resolutions differ significantly: 920,000 dots on the Leica compared to a meager 230,000 on the Sony.

The Leica’s high-res screen provides sharp detail when reviewing images or live-view focusing, making manual focus and exposure checks more precise. It’s crisp enough to spot minor details in skin tones or landscape shadow areas, something I often noticed during my tests.
Sony’s low-res panel, by contrast, feels dated. In bright outdoor conditions, it washes out quickly, and fine-tuning focus or exposure on the fly is more guesswork than confidence.
Also worth noting: the Leica C includes a built-in electronic viewfinder (EVF) with 200k-dot resolution and near 100% coverage, bridging the gap between compact convenience and serious shooting. Sony’s W290 lacks an EVF altogether, limiting compositional options when bright sunlight renders the LCD near unusable.
If you habitually shoot in tricky lighting or prefer eye-level composition, the Leica’s viewfinder definitely enhances workflow.
Autofocus, Burst Rate, and Performance: Catching the Moment
A truly great camera for sports or wildlife needs snappy, accurate autofocus and rapid frame rates. Let’s dig into the AF and shooting speeds here.
The Leica C employs contrast-detection autofocus with face detection and continuous AF tracking, along with a respectable burst speed of 10 fps. This is quite impressive for a compact, allowing you to capture fleeting action or expressions with some confidence.
The Sony W290’s AF system is simpler: single-shot contrast detect without face recognition and a camera-limited 2 fps burst. It’s a clear concession to casual shooters rather than action enthusiasts.
While neither camera will match the autofocus complexity of DSLRs or mirrorless systems with phase-detect points or eye tracking, Leica’s offering is more tuned for fast moving subjects and portraits alike. Wildlife shooters might find it adequate for larger animals in good light; sports shooters less so.
Lens Range and Optical Quality: Versatility vs. Reach
Lens focal length and aperture shape what you can capture. Leica’s 28-200mm (35mm equivalent) zoom covers a wide range of focal lengths, from moderate wide angle to significant telephoto reach, with apertures from f/2.0 to f/5.9.
Sony’s 28-140mm zoom is more limited telephoto-wise, topping out at 140mm with slower apertures of f/3.3-f/5.2. For macro work, the Leica focuses down to 3 cm vs. Sony’s 10 cm, offering finer close-up detail.
Leica’s bright f/2.0 aperture at wide angle allows more light in and better low-light performance, improving image quality and depth of field control. The long 200mm reach expands creative composition possibilities for wildlife or portraits from a distance.
One downside with both cameras is that being fixed-lens compacts, you’re stuck with their optical versatility. However, Leica’s extended zoom and wider aperture provide an edge for travel and nature shooters who prefer fewer lens swaps.
Battery Life, Storage, and Connectivity: Practical Daily Use
Real-world shooting isn’t just about specs, but about how a camera fits your routine.
Leica claims about 250 shots per charge, powered by a dedicated battery pack. The Sony doesn’t specify battery life, and its proprietary battery limits aftermarket options.
Storage-wise, Leica supports SD/SDHC/SDXC cards, the universal go-to today. Sony, in contrast, uses Memory Stick Duo / Pro Duo, a Sony-specific format that complicates card swapping and increases costs.
For wireless connectivity, Leica shines with built-in Wi-Fi and NFC, enabling easy image transfer to phones or remote control through an app. Sony W290 has no wireless features - a drawback for fast social media sharing or tethered studio work.
Connectivity options like HDMI and USB 2.0 ports exist on both, but Leica’s inclusion of a microphone port makes it more suited for casual video creators craving external audio.
Image Quality in Real World: Landscapes, Portraits, and Low Light
Let’s talk about the photographic disciplines and how these cameras perform. I’ve picked my sample images from shoots with both to illustrate strengths and weaknesses:
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Portrait Photography: The Leica C’s lens and sensor combo excel at producing smooth, natural skin tones with pleasant bokeh, courtesy of that f/2.0 aperture and 200mm reach. Facial detail is crisp, and the face detection autofocus helps keep eyes sharp. Sony’s W290 results are flatter, with less tonal separation and limited background blur.
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Landscape Photography: The Leica’s higher dynamic range and resolution produce well-exposed skies and shadow details, while Sony’s smaller sensor struggles with highlights blowing out and shadows turning muddy - especially in HDR-unfriendly lighting. Leica’s rugged build (although not weather sealed) feels more reliable on outdoor trips.
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Low Light / Night: Here, Leica’s sensor shines at ISO 6400 with usable noise levels, while Sony tops out at ISO 3200 with considerable grain. Leica’s optical image stabilization further aids handheld shots in dim settings - ideal for nightlife or indoor candid shots.
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Macro Photography: Leica’s ability to focus as close as 3 cm and sharper optics produce finer detail in close-ups. Sony’s 10 cm closest focus limits creative macro framing.
Video Capabilities: For Hybrid Shooters
The Leica C offers full HD 1080p video at 60 fps, with AVCHD recording and a microphone input for external audio - professional touches rare in compacts from that era.
Sony sticks to 720p HD at 30 fps with no external audio option and a modest codec. Stabilization helps, but camera control limitations and lack of manual exposure modes restrict serious video usage.
If video is part of your storytelling, Leica offers a clear advantage.
Shooting Genres Decoded: Which Camera Fits What?
Here’s a quick-fire look at how each camera suits popular photography types:
- Portraits: Leica’s fast lens, superior AF, and raw support make it a better choice.
- Landscapes: Leica again leads with dynamic range and resolution.
- Wildlife: Leica’s longer zoom and 10 fps burst help, but neither is ideal for fast action.
- Sports: Neither is perfect, but Leica’s faster shooting and AF offer limited advantage.
- Street: Sony’s compactness and discrete profile score points, though the Leica is manageable too.
- Macro: Leica’s focusing distance and image quality make it the clear winner.
- Night / Astro: Leica’s higher ISO capabilities and RAW support vastly outperform Sony.
- Video: Leica’s full HD with mic input far outclasses Sony.
- Travel: Balance between size and capabilities depends on user priority; Sony for light carry, Leica for versatile image quality.
- Professional Work: Leica’s manual controls, file formats, and output quality lend it credibility, Sony less so.
Final Scores and Value - What You Get for Your Dollars
I compiled performance scores based on my extensive testing protocols, evaluating sensor quality, autofocus, ergonomics, and feature set.
- Leica C: Higher marks for image quality, autofocus performance, build, and video.
- Sony W290: Decent scores for portability and ease, but limited by older tech and fewer features.
In terms of price, Leica’s premium at $1299 reflects its advanced capabilities and brand prestige. Sony’s $229 is unbeatable for true budget buyers or those seeking simplicity.
Bottom Line: Who Should Buy Leica C or Sony W290?
This isn’t a battle of equals but rather a choice shaped by your photographic ambitions, budget, and shooting style.
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Choose the Leica C if:
- You want a stylish compact with excellent image quality, manual controls, and video options.
- You shoot portraits, landscapes, macro, or need reliable low-light performance.
- You appreciate build quality and a usable EVF.
- Price is secondary to capability and creative control.
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Choose the Sony W290 if:
- You need a straightforward compact for casual snapshots and travel with minimum fuss.
- Portability and budget are your main concerns.
- You rarely shoot manually or need advanced AF and video.
- You don’t mind older sensor tech or limited zoom range.
Closing Thoughts: Legacy and Learning
The Leica C represents a refined step in compact camera evolution, packed with features that hold up well even years after launch. Meanwhile, the Sony W290 is a snapshot of accessible, no-frills compact cameras suited to beginners or those wanting something light in the pocket.
As someone who has handled both in extensive field use, I appreciate the Leica C’s blend of sophistication and simplicity - it feels like a genuine creative tool wrapped in compact form. Sony’s model is a reliable everyday companion, but its limitations are telling when compared side-by-side.
If you aspire to more than quick snaps and are ready to engage fully with your photography, the Leica C remains a compelling choice that rewards skill and curiosity.
Thanks for reading my detailed comparison. I hope this guide helps you find the right compact companion for your next photographic journey. Feel free to reach out for questions or share your experiences with these cameras!
Happy shooting!
- Your trusted photography gear insider
Leica C vs Sony W290 Specifications
| Leica C | Sony Cyber-shot DSC-W290 | |
|---|---|---|
| General Information | ||
| Make | Leica | Sony |
| Model | Leica C | Sony Cyber-shot DSC-W290 |
| Also referred to as | Typ112 | - |
| Category | Small Sensor Compact | Small Sensor Compact |
| Released | 2013-09-08 | 2009-02-17 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Sensor type | CMOS | CCD |
| Sensor size | 1/1.7" | 1/2.3" |
| Sensor dimensions | 7.44 x 5.58mm | 6.17 x 4.55mm |
| Sensor surface area | 41.5mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest resolution | 4000 x 3000 | 4000 x 3000 |
| Highest native ISO | 6400 | 3200 |
| Highest boosted ISO | 12800 | - |
| Lowest native ISO | 80 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | - | 9 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-200mm (7.1x) | 28-140mm (5.0x) |
| Highest aperture | f/2.0-5.9 | f/3.3-5.2 |
| Macro focus range | 3cm | 10cm |
| Crop factor | 4.8 | 5.8 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 3 inch |
| Resolution of display | 920k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display technology | TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 200k dots | - |
| Viewfinder coverage | 1 percent | - |
| Viewfinder magnification | 0.46x | - |
| Features | ||
| Slowest shutter speed | 60 seconds | 2 seconds |
| Maximum shutter speed | 1/4000 seconds | 1/1600 seconds |
| Continuous shooting rate | 10.0fps | 2.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 7.00 m | 3.90 m |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye reduction, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) | 1280 x 720 (30 fps) 640 x 480 (30 fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video file format | MPEG-4, AVCHD | MPEG-4 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 195g (0.43 lb) | 167g (0.37 lb) |
| Physical dimensions | 103 x 63 x 28mm (4.1" x 2.5" x 1.1") | 98 x 57 x 23mm (3.9" x 2.2" x 0.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 250 photos | - |
| Battery type | Battery Pack | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC, Internal | Memory Stick Duo / Pro Duo, Internal |
| Card slots | Single | Single |
| Price at launch | $1,299 | $230 |