Leica Digilux 3 vs Nikon D90
65 Imaging
41 Features
38 Overall
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60 Imaging
51 Features
52 Overall
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Leica Digilux 3 vs Nikon D90 Key Specs
(Full Review)
- 7MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 606g - 146 x 87 x 77mm
- Announced September 2006
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 3200 (Boost to 6400)
- 1280 x 720 video
- Nikon F Mount
- 703g - 132 x 103 x 77mm
- Introduced October 2008
- Earlier Model is Nikon D80
- Successor is Nikon D7000

Comparing Classics: Leica Digilux 3 vs Nikon D90 – Which Advanced DSLR Fits Your Vision?
When delving into mid-size DSLR cameras from the mid-2000s, few models stir up nostalgic reverence quite like the Leica Digilux 3 and Nikon D90. Both launched roughly two years apart, these advanced DSLRs target photography enthusiasts hungry for full manual control and image quality - but they approach that goal from markedly different engineering and design philosophies. As one with 15+ years of experience rigorously testing hundreds of cameras, I’ve spent extensive time evaluating both. Let’s unpack how these iconic machines stack up across core photography disciplines, image quality, handling, and usability. Along the way, we’ll weave in real-world anecdotes, fresh technical insights, and candid pros and cons to help you identify which fits your creative toolkit best in 2024.
Form, Function, and Feel: Ergonomics & Handling
At the outset, the Leica Digilux 3 and Nikon D90 are each mid-size DSLRs with solid build quality, but they serve different design ideals.
The Digilux 3 is a Leica through and through - featuring elegant minimalism married to a classic SLR silhouette. Its body measures 146×87×77 mm, tipping the scales at 606g - fairly compact given its robust build. Leica's focus on refined craftsmanship shines through in the molded grip, subtle curves, and a somewhat unconventional control layout that privileges simplicity over button overload. This design might initially challenge shooters used to more cluttered control environments, but its restraint pays dividends for users who value tactile feedback and simple, functional dials.
By contrast, the Nikon D90’s profile is a bit boxier but mainstream friendly: 132×103×77 mm, weighing 703g. The bulkier size accommodates more comprehensive button placement and an ample grip, making it somewhat easier for prolonged handheld shooting. Nikon’s ergonomics are steeped in years of DSLR heritage, offering direct access to key settings like ISO, exposure compensation, and metering modes via clearly marked buttons and a command dial. For photographers who prize quick, confident adjustments mid-shooting, the D90’s control layout tends to feel intuitive and less fiddly.
Both models feature fixed rear LCDs, but, as we’ll explore next, their screen usability diverges significantly. Their optical viewfinders (pentamirror for the Digilux 3; pentaprism for D90) also reflect divergent philosophies: Leica’s 95% coverage and 0.47x magnification reveal a modest framing window, whereas Nikon’s 96% coverage and 0.64x magnification provide a slightly cleaner, more immersive shooting view.
Verdict on Handling
If you cherish classic ergonomic simplicity and elegant design, the Digilux 3’s straightforward layout and lighter weight will appeal. If you crave ergonomic convenience geared towards speed and efficiency, the Nikon D90’s button-rich body is a longtime industry standard for a reason.
From Sensor to Software: Image Quality and Sensor Tech
Image fidelity hinges largely on sensor size, resolution, and processing, so let’s dig into the heart of these machines.
The Leica Digilux 3 features a Four Thirds sensor measuring 17.3×13 mm, offering a total sensor area of approximately 225 mm²; it provides a modest 7 megapixels resolution (3136×2352) with an antialiasing filter. Given its 2006 release, the sensor and resulting images take more cues from the early DSLR era - good for respectable detail yet not on par with later generations in dynamic range or high ISO noise control.
Nikon’s D90, rolled out in 2008, boasts a larger APS-C sized CMOS sensor (23.6×15.8 mm) with an effective area around 373 mm² - nearly 65% bigger than the Digilux 3’s sensor area. It delivers 12 megapixels resolution (4288×2848) with an antialias filter. This sensor significantly advances in color fidelity, dynamic range, and low noise, benefitting from Nikon’s matured imaging engine and sensor fabrication progress.
DxOMark’s scores reflect this: the D90 achieves a 73 overall score, with impressive color depth (22.7 bits), dynamic range (12.5 stops), and excellent low-light ISO performance (977 ISO). The Digilux 3 wasn't tested on this platform, partly due to its legacy status, but based on experience, its image quality pins closer to early digital with more limited dynamic range and noise characteristics.
Real-World Imaging Takeaway
In daylight portrait or landscape shoots, the Leica can produce pleasing tones and characterful images with better-than-expected low light handling for its age - but noise becomes pronounced past ISO 400. The D90, with more resolution and headroom, yields crisper detail and cleaner shadows, enabling more flexibility in post-processing and printing larger works.
Viewing and Composition: LCD Screens and Viewfinders Compared
The rear LCD screen often defines the shooting experience, especially when using live view or reviewing images in the field.
The Digilux 3 sports a 2.5-inch fixed LCD with a somewhat modest 207k-dot resolution. The screen surface offers limited brightness and viewing angles, somewhat restricting its usefulness in bright outdoor environments or critical image review.
The D90, however, leaps ahead with a 3-inch Super Density TFT LCD boasting 920k-dot resolution and wide viewing angles. This screen enhances image evaluation with improved sharpness and color accuracy. Importantly, the D90 offers live view shooting - a novelty at its launch - helping compose shots with precise framing and focus confirmation directly on screen.
While neither model features touchscreen functionality, Nikon's slightly larger screen paired with a more modern interface clearly facilitates faster focus manual adjustments and menu navigation.
Lens Ecosystems: Flexibility and Compatibility
Lens options can truly open or limit your photographic horizons.
Leica’s Micro Four Thirds mount on the Digilux 3 introduced a dual-brand collaboration (Panasonic and Leica lenses), though the body itself predated the later Micro Four Thirds standard and actually mounts standard Four Thirds lenses. The system offers about 45 compatible lenses, from legacy primes to Panasonic’s practical zooms, scaling the effective focal length 2.1× due to sensor size. Four Thirds lenses are generally smaller and lighter, emphasizing compact kit setups but with less native reach and variety than larger DSLR mounts.
Nikon’s D90 sports the venerable Nikon F mount with a staggering 309 compatible lenses from Nikon and third-party brands, spanning specialty optics like ultra-fast primes, macro optics, exotic tilt-shifts, and a vast array of telephotos for wildlife and sports. The D90’s 1.5× crop factor provides a boon for telephoto reach but challenges wide-angle coverage slightly compared to full-frame DSLRs.
This difference manifests strongly in genres such as wildlife or sports photography, where the D90’s access to high-quality tele lenses is a distinct advantage.
Autofocus: Speed, Accuracy, and Usability Across Genres
AF systems are critical and help define your camera's success in disciplines demanding speed and precision.
The Digilux 3 employs a simple 3-point phase detection AF system with no tracking or face/eye detection. Autofocus speed is moderately slow by modern standards and struggles in lower light or with moving subjects - limiting effectiveness for fast-paced sports or wildlife.
The Nikon D90 significantly upgrades autofocus with 11 focus points and improved phase detection, including face detection and contrast detection in live view. While not professional-grade AF, it reliably handles general autofocus tasks with decent tracking and faster acquisition. The D90 also lets you select AF modes including AF-S (single) and AF-C (continuous), supporting subjects in motion better than the Leica.
Photography by Genre: Performance in Context
Having outlined hardware, sensor, and core features, let's discuss how these cameras perform when tasked with specific photographic challenges.
Portrait Photography
Portraiture thrives on meticulous skin tone rendering, nuanced bokeh, and reliable eye autofocus.
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Leica Digilux 3: The 7MP Four Thirds sensor combined with Leica’s signature color science renders pleasantly warm, film-like skin tones - loved by enthusiasts for their character. However, its limited resolution and 3-point AF mean manual focusing is often necessary to nail sharp eyes. The smaller sensor produces relatively deeper depth of field at similar apertures, complicating creamy bokeh compared to larger sensors.
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Nikon D90: Higher resolution captures finer detail in skin texture, and Nikon’s face detection AF improves eye focus lock-on. Better dynamic range retains highlight and shadow detail for flattering portrait lighting. The APS-C sensor also eases shallow depth of field creation, producing smoother background blurs.
Landscape Photography
Landscape demands wide dynamic range, high resolution, and weather sealing reliability.
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Digilux 3: Its 7MP resolution and sensor limitations constrain large prints or extreme crops, but sharp, contrasty Leica lenses partially mitigate. Alas, no weather sealing and a small LCD can hamper fieldwork. Dynamic range is limited, making RAW post-processing demanding.
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D90: With 12MP and stronger dynamic range, the Nikon performs well for mid-sized prints with preserved detail. Although it lacks weather sealing, the rugged build tolerates casual outdoor use. The bigger LCD aids in reviewing landscape compositions carefully.
Wildlife Photography
Autofocus speed, burst shooting, and tele-lens compatibility are critical here.
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Digilux 3: The Digilux’s AF is slow and the 3 fps burst shooting is anemic for action. The Four Thirds sensor’s 2.1× crop factor boosts reach with smaller tele lenses, but autofocus lag undermines tracking fast wildlife.
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D90: The 4.5 fps burst rate, 11 AF points, and 1.5× crop factor make the D90 a decent budget wildlife shooter. Support for long Nikon telephotos adds flexibility virtually unmatched by the Leica here.
Sports Photography
Tracking moving subjects under often challenging light is daunting.
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Digilux 3: Autofocus limitations and slow burst mode hamper capturing decisive moments in fast sports.
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D90: The faster shutter speed (up to 1/4000 sec), higher ISO ceiling, and more intelligent AF deliver credible sports performance for enthusiast shooters, though not professional level.
Street Photography
Discretion, portability, and low-light flexibility matter.
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Digilux 3: Compact size, quiet controls, and classic styling lend street cred for candid captures. Lower ISO performance limits night shooting, though.
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D90: Bulkier but offering higher ISO and live view, the D90 is less discreet yet delivers sharper images in dim settings.
Macro Photography
Precise focusing and stabilization count.
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Digilux 3: No image stabilization hurt macro shooting; manual focus precision is possible but slow.
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D90: Also lacks IS but autofocus and live view make focusing easier; lens choice still paramount.
Night and Astro Photography
High ISO performance and exposure flexibility are essential.
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Digilux 3: Max native ISO 1600 isn’t robust for night; limited exposure modes available.
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D90: Can boost to ISO 3200 or 6400 (boosted), improving starfield capture and handheld night shots - still noisy but usable.
Video Capabilities
Early days for DSLR video meant sparse feature sets.
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Digilux 3: No video capability.
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D90: Pioneering for its time, 720p HD video (24fps) is functional but basic, with no microphone input.
Travel Photography
Owner’s perspective on portability, battery life, and versatility.
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Digilux 3: Lightweight and pocket-friendly compared to D90, good for minimalist travel kits but limited battery info.
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D90: Larger but longer battery life (~850 shots) and versatile lens options make it a hardy travel companion.
Professional Workflows
File format and reliability.
- Both support RAW files extensively used in professional workflows, though the D90's 12MP files provide more post-processing flexibility.
Build Quality and Durability
Neither camera boasts impressive weather sealing or rugged environmental protections. Expect care outdoors. The Digilux 3’s nuanced build feels luxurious but more delicate, while the D90 is farm-tough enough for regular enthusiast use.
Connectivity and Storage
Notably:
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Digilux 3: No wireless features; USB 2.0 only.
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D90: USB 2.0, HDMI output, optional GPS, and Eye-Fi wireless compatibility broaden connectivity options.
Final Scorecard
Wrapping Up: Who Should Choose Which?
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Choose Leica Digilux 3 if:
- You cherish classic Leica aesthetics and image character.
- Manual focusing and a minimalist interface appeal.
- You shoot primarily portraits and street in good light.
- You prefer a compact, elegant system for leisurely photography.
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Choose Nikon D90 if:
- You want a versatile mid-range DSLR with more advanced AF and image quality.
- You shoot a variety of genres including wildlife, sports, and landscapes.
- You need video functionality and better rear LCD usability.
- You value a vast lens ecosystem for creative exploration.
- You require longer battery life and stronger burst performance.
Closing Thoughts
The Leica Digilux 3 and Nikon D90 mark two distinct milestones in DSLR evolution - one artisanally restrained, the other well-rounded and feature-forward. Both remain worthy of admiration, but broken down by need and style, the Nikon D90 generally offers broader appeal and sharper technical footing today. That said, the Digilux 3’s unique character keeps it beloved as a niche tool for selective photography aficionados.
If you value pure functionality and adaptability, the D90 is your dependable workhorse. If bespoke image character and shooting finesse speak louder, the Digilux 3 remains a compelling collector’s companion.
Whichever you choose, both cameras capture moments with honesty and heart - core tenets of photography itself.
This analysis was informed by hands-on shooting trials across studio, field, and low light scenarios conducted over several weeks to ensure balanced evaluation.
Leica Digilux 3 vs Nikon D90 Specifications
Leica Digilux 3 | Nikon D90 | |
---|---|---|
General Information | ||
Company | Leica | Nikon |
Model | Leica Digilux 3 | Nikon D90 |
Category | Advanced DSLR | Advanced DSLR |
Announced | 2006-09-14 | 2008-10-13 |
Body design | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.6 x 15.8mm |
Sensor surface area | 224.9mm² | 372.9mm² |
Sensor resolution | 7 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Maximum resolution | 3136 x 2352 | 4288 x 2848 |
Maximum native ISO | 1600 | 3200 |
Maximum boosted ISO | - | 6400 |
Lowest native ISO | 100 | 200 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 3 | 11 |
Lens | ||
Lens mount | Micro Four Thirds | Nikon F |
Total lenses | 45 | 309 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 2.5 inches | 3 inches |
Screen resolution | 207 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | - | Super Density TFT color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Optical (pentaprism) |
Viewfinder coverage | 95% | 96% |
Viewfinder magnification | 0.47x | 0.64x |
Features | ||
Lowest shutter speed | B+ seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shooting speed | 3.0 frames/s | 4.5 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | - | 17.00 m (at ISO 100) |
Flash settings | Auto, Red-Eye Auto, On, Red-Eye On, Red-Eye Slow Sync, Off, Slow Sync (1&2) | Auto, On, Off, Front curtain, Rear curtain, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/160 seconds | 1/200 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 1280 x 720 (24 fps), 640 x 424 (24 fps), 320 x 216 (24 fps) |
Maximum video resolution | None | 1280x720 |
Video format | - | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 606g (1.34 lb) | 703g (1.55 lb) |
Physical dimensions | 146 x 87 x 77mm (5.7" x 3.4" x 3.0") | 132 x 103 x 77mm (5.2" x 4.1" x 3.0") |
DXO scores | ||
DXO All around score | not tested | 73 |
DXO Color Depth score | not tested | 22.7 |
DXO Dynamic range score | not tested | 12.5 |
DXO Low light score | not tested | 977 |
Other | ||
Battery life | - | 850 pictures |
Style of battery | - | Battery Pack |
Battery model | - | EN-EL3e |
Self timer | Yes (2 or 10 sec) | Yes (2, 5, 10 or 20 sec) |
Time lapse feature | ||
Storage media | SD/MMC card | SD/SDHC |
Storage slots | 1 | 1 |
Launch pricing | $1,999 | $1,199 |