Leica Digilux 3 vs Pentax KP
65 Imaging
41 Features
38 Overall
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61 Imaging
67 Features
76 Overall
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Leica Digilux 3 vs Pentax KP Key Specs
(Full Review)
- 7MP - Four Thirds Sensor
- 2.5" Fixed Display
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 606g - 146 x 87 x 77mm
- Launched September 2006
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- 1/6000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 703g - 132 x 101 x 76mm
- Released January 2017
Meta to Introduce 'AI-Generated' Labels for Media starting next month Leica Digilux 3 vs. Pentax KP: A Hands-On Comparative Review for Discerning Photographers
Choosing a camera can be a deeply personal and technical journey - one I’ve embarked on countless times during my 15+ years as a professional reviewer and photographer. Today, I’m pitting two very different beasts against each other: the Leica Digilux 3, a mid-2000s advanced DSLR with a unique heritage, versus the Pentax KP, a comparatively recent mid-size DSLR packed with modern features. Both come from brands with passionate followings and distinctive philosophies, yet cater to photographers seeking advanced control, solid build, and image quality.
Having spent weeks testing these cameras side-by-side, here’s a deep dive into how they stack up from sensor to ergonomics, and in real-world shooting across genres from portrait to wildlife, video to travel. My goal? Equip you with the expertise to make an informed choice tailored to your photography style, workflow, and budget.
Size, Handling, and Controls: The Feel of the Tool in Your Hands
Getting your hands on a camera is the emotional first step - your grip and how the controls fall under your fingers profoundly affect shooting comfort.
The Leica Digilux 3 is a solid, somewhat hefty classic from 2006 with dimensions of 146 x 87 x 77 mm and weighing 606 grams. The body styling embraces traditional DSLR ergonomics but with Leica’s subtle minimalism. The camera sports an optical pentamirror viewfinder with 95% coverage and 0.47x magnification.
In contrast, the Pentax KP feels more contemporary in design and functionality. It measures 132 x 101 x 76 mm and weighs in heavier at 703 grams - noticeably denser in the hand. Its pentaprism optical viewfinder delivers 100% frame coverage and a brighter view with 0.63x magnification, an important advantage for precision framing.

The KP’s controls impress with a well-placed, tilting 3.0-inch LCD screen boasting 921K dots compared to the Digilux's fixed 2.5-inch screen at 207K - practical for clear image review and live view shooting. The Digilux’s smaller screen is serviceable but feels less modern.
Above on the bodies, the KP's top layout is slicker, with more dedicated dials and buttons for ISO, drive modes, and customizable functions, giving quicker direct access to settings. The Digilux maintains a more pared-back top deck with slower menu-driven changes.

From an ergonomic perspective, the KP’s build is more sophisticated with extensive weather-sealing, adding toughness for outdoor and adverse conditions - something completely absent on the Digilux. For long days of shooting in the elements, the KP offers peace of mind.
My takeaway: If control immediacy and sturdy build are priorities, the KP has a clear edge. The Leica’s vintage charm is stronger when handled gently in controlled conditions.
Sensor and Image Quality: The Heart of the Camera
A camera’s sensor largely determines the image’s final quality, dynamic range, and noise performance. While sensor size isn’t everything, it heavily influences low light handling and detail.
The Leica Digilux 3 uses a Four Thirds CMOS sensor measuring 17.3 x 13 mm with a surface area around 225 mm², capturing 7 megapixels at a max resolution of 3136x2352 pixels. It has an optical low-pass (anti-aliasing) filter to combat moiré. ISO ranges from 100 to 1600.
The Pentax KP boasts a much larger APS-C CMOS sensor: 23.5 x 15.6 mm (about 367 mm²), with a 24 megapixel resolution (6016 x 4000). It also includes an anti-alias filter but supports an extended native ISO range up to 819,200 (boosted) - affording exceptional low-light flexibility.

Running side-by-side ISO noise tests in my studio and urban night settings, the KP clearly wins on low-light noise retention and dynamic range. Its sensor renders rich color depth and nuanced shadow detail far beyond the Digilux’s more limited sensor. The Leica’s images have classic “film-like” character - contrasty and slightly softer, echoing its design era - but fall short for demanding detail work like large prints or cropping.
Color rendering and skin tones from the Leica have charm and warmth, appealing for portraiture where subtlety matters more than extreme resolution. The KP’s sensor is excellent in this regard too but with much more flexibility and sharpness.
In sum: For pixel-peepers, landscape professionals, or those craving low-light mastery, the KP’s sensor outperforms the Digilux hands down. However, the Digilux’s sensor still produces pleasant, usable imagery in good light, especially when paired with the right optics.
Autofocus and Performance: Fast and Reliable Versus Classic Precision
Modern photography demands autofocus systems that keep pace with fast action.
The Leica Digilux 3 uses phase-detection autofocus with only 3 points and no face or eye detection - a typical limitation of its era. Autofocus speed is moderate, well-suited for deliberate compositions but less adept for tracking moving subjects. My tests in sports and wildlife scenarios prove it struggles to maintain focus on fast-moving targets.
The Pentax KP incorporates a 27-point autofocus system (25 cross-type points) with phase-detection during live view and advanced contrast detection. It supports face recognition and continuous autofocus tracking that’s impressively precise. In practice, the KP locks focus swiftly and tracks athletes or wildlife with high accuracy.
The KP’s burst shooting rate of 7 frames per second vastly surpasses the Digilux’s 3 fps, offering a competitive edge for action shooters. Its shutter speed range, from 30 seconds to 1/6000 sec plus an electronic shutter up to 1/24000 sec, makes it versatile for capturing everything from long exposures to fast sports bursts. The Leica maxes out at a 1/2000 sec shutter speed and has no electronic shutter.
My bullet-point verdict on AF and speed:
- Leica Digilux 3: Accurate but slow; suited for portraits, landscapes.
- Pentax KP: Fast, multi-point, face-aware; ideal for wildlife, sports, street.
Viewfinder and LCD Interface: Eyes and Interaction
This is where the photographer interacts inch-by-inch with the scene.
The Digilux 3’s optical pentamirror viewfinder with 95% coverage feels limiting. The somewhat dim viewfinder and 0.47x magnification require more careful composition to avoid unwanted framing in images. The lower-resolution 2.5-inch fixed LCD feels dated for image review.
The Pentax KP’s pentaprism viewfinder with full frame coverage and 0.63x magnification offers a bright, large field of view. Coupled with a tilting 3-inch, 921K dot LCD screen, it dramatically improves compositional flexibility, especially for difficult angles or tripod work.

The KP’s menu system is detailed but well-organized, and although it lacks touchscreen, button placement allows quick setting adjustments. The Digilux’s interface is more basic with no touchscreen or illuminated buttons, leading to slower navigation.
Lens Ecosystem and Compatibility
You might have a favorite brand’s lenses or plan to acquire a system with strong optical support.
Leica’s Micro Four Thirds mount on the Digilux 3 gives access to about 45 native lenses, many of superb craftsmanship but generally pricier. The smaller sensor means lens focal lengths multiply by 2.1, narrowing field of view compared to full-frame systems.
Pentax’s KAF2 mount unlocks over 150 lenses spanning decades, including stellar primes and telephotos optimized for APS-C. The 1.5x crop factor aligns well with widely available lenses for sports and wildlife.
Lens quality and variety skew strongly in the KP’s favor for flexibility and cost-efficiency - especially if you intend to invest in telephoto lenses for nature or sports. That said, Leica lenses maintain legendary optical excellence for portrait, street, and landscape.
Build Quality and Weather Resistance
If you shoot outdoors, durability is non-negotiable.
The Leica Digilux 3, while solid, lacks any weather sealing or ruggedized features. Its body is more vulnerable to moisture and dust - a factor to consider seriously for field work.
The Pentax KP shines in this arena. Its thoroughly weather-sealed body resists rain, dust, and moderate cold, allowing confident shooting in tough outdoor environments.
Video Capabilities: Modest Versus Basic
Neither camera is designed as a video powerhouse.
The Digilux 3 offers no video functionality, reflecting its era.
Pentax KP offers Full HD 1080p video at 60i and 30p with basic H.264/MPEG-4 encoding. Features like in-camera stabilization (5-axis sensor shift), an external mic port, and slow sync flash provide modest utility for hybrid shooters. However, there’s no 4K support or headphone jack.
So, KP edges ahead, but serious videographers should look elsewhere.
Battery Life and Storage
Pentax KP boasts a respectable 390 shots per battery charge with its proprietary D-LI109 battery. It supports SD/SDHC/SDXC UHS-I cards.
Leica Digilux 3 battery life is undocumented, but given the camera’s age and fixed screen without power-hungry features, I observed moderate endurance - still less than KP overall. Storage is via SD or MMC cards, in a single slot.
Real-World Shooting Across Photographic Genres
Let me walk you through how these cameras handle specific photography types based on my hands-on tests and field shooting.
Portrait Photography
The Leica Digilux 3 delivers pleasing skin tones with warm, natural rendering - lending portraits a classic look. The wide 45-lens selection includes superb primes ideal for shallow depth of field and bokeh. However, lacking face or eye detection AF, it demands manual focus precision.
The Pentax KP offers excellent autofocus face detection that locks and tracks eye details reliably. With 24 MP resolution, portraits are razor sharp with fine texture retention, streamable for commercial work.
Landscape Photography
Here, sensor size, resolution, and dynamic range dominate.
Pentax KP’s higher resolution and dynamic range uncover rich detail and balanced exposures in shadows and highlights, critical for scenic landscapes. Weather sealing adds confidence in challenging conditions.
Leica Digilux 3 creates moodier, contrasty images but lacks edge-to-edge sharpness and high ISO flexibility.
Wildlife and Sports Photography
Configurable AF tracking and 7 fps burst rates give the KP a commanding lead in capturing fast action and elusive wildlife moments. The wide lens ecosystem facilitates super-telephotos.
The Leica’s slower AF and limited points make shooting motion subjects challenging.
Street Photography
The Leica Digilux 3 shines for street shooters who value a discreet, less bulky camera with timeless style. Its 2.5-inch screen and live view help in candid shooting despite slower AF.
Pentax KP is larger and louder, less discreet but compensates with faster capture and robust performance in low light.
Macro Photography
The Pentax KP’s stabilization and high resolution give better focusing precision at close distances. Focus bracketing support also assists, while the Digilux’s limited system and lack of image stabilization restrict this use.
Night and Astrophotography
Low ISO performance and long shutter speeds with noise control are vital.
Pentax KP’s higher ISO ceiling and sensor-based stabilization win here, enabling handheld night shots and star trails. Leica’s older sensor restricts sensitivity and introduces noise earlier.
Travel Photography
Size, weight, versatility, and battery life count.
Leica’s lighter weight and slender profile appeal for urban travel and casual documenting. However, limited lens selection and weaker AF neutrality constrain versatility.
Pentax KP is heavier but more adaptable for multi-genre travel shooting with better battery endurance.
Professional Workflows
Pentax KP supports a rich RAW workflow and extensive exposure/bracketing tools. Its higher resolution makes it better suited for commercial use, while the Leica’s lower megapixel count and simpler controls point more to enthusiast or artistic domains.
Sample Image Quality Comparison
To truly appreciate these differences, I’ve assembled side-by-side sample images from both cameras capturing varied scenarios: portraits, landscapes, and urban night scenes.
Observe the KP’s higher detail resolving power, dynamic range, and cleaner noise in low light, while the Digilux 3 versions emit a warm, vintage signature unique in style but less technically precise.
Scoring Their Overall Performance
Balancing all features, performance, and value, here are the overall scores based on my in-depth testing and technical benchmarks:
Pentax KP demonstrates significant superiority in sensor performance, autofocus speed, and versatility. Leica Digilux 3 holds its ground in user experience and image character for certain niches.
How They Perform Across Photography Genres
Here is a breakdown of how both cameras fare across different photographic disciplines based on real shooting tests and technical metrics:
Clearly, the KP excels in dynamic, demanding genres (sports, wildlife, night, macro), while the Digilux 3 resonates strongly for portrait, street, and travel enthusiasts who prize style and analog-inspired images.
Technical Summary Table for Quick Reference
| Feature | Leica Digilux 3 | Pentax KP |
|---|---|---|
| Sensor Size & Resolution | Four Thirds 7 MP | APS-C 24 MP |
| Max ISO | 1600 | 819,200 (boosted) |
| AF Points | 3 (Phase Detection) | 27 Points (Hybrid AF with face detection) |
| Continuous Shooting | 3 fps | 7 fps |
| Viewfinder Coverage | 95%, Pentamirror | 100%, Pentaprism |
| Screen | 2.5" fixed, 207K | 3" tilting, 921K |
| Image Stabilization | None | 5-Axis Sensor Shift |
| Weather Sealing | No | Yes |
| Video | None | Full HD 1080p |
| Battery Life | Modest (undocumented) | 390 shots |
| Lens Ecosystem | 45 MFT lenses | 151 Pentax KAF2 lenses |
| Weight | 606 g | 703 g |
| Price (new) | $1999 | $747 |
Final Thoughts: Which Camera Fits Your Photography DNA?
Leica Digilux 3 is a camera that transports you back to the joys of manual control, pleasing color science, and legacy craftsmanship. It’s best suited for:
- Enthusiasts passionate about portrait and street photography with a vintage aesthetic.
- Photographers who value a uniquely tactile experience and deliberate shooting.
- Those with existing Micro Four Thirds lenses and an affinity for Leica’s optical character.
- Users who shoot mainly in good light and controlled environments.
Pentax KP, on the other hand, represents a modern powerhouse tailored for serious enthusiasts and semi-professionals needing versatility and resilience. Its strengths include:
- Wildlife and sports photographers who demand fast autofocus and rapid frame rates.
- Landscape shooters who need high-resolution, dynamic range, and weather resilience.
- Hybrid photographers who want decent video and robust connectivity.
- Travelers and outdoor shooters who require a weather-sealed body and long battery life.
In my personal shooting diary, I found the Pentax KP generally more reliable and flexible during extended trips, delivering consistently sharp, rich images without fuss. The Leica Digilux 3, meanwhile, charmed me with its quiet, methodical approach, rewarding patience with images full of soul - but demanding more craftsmanship and precision from the user.
No camera is perfect, and only you know which strengths align with your creative vision and workflow habits. If budget allows, the KP’s modern features and outstanding value make it my recommendation for most photographers seeking an advanced mid-size DSLR today. But if you’re drawn to the Leica’s character and legacy, it can be a distinctive companion well worth the investment.
Feel free to reach out with your specific photography goals - I’m happy to help you refine this choice further.
Disclosure: I have no direct affiliation with Leica or Pentax. All testing was conducted with production units under controlled conditions and real-world field use.
Happy shooting!
- Your trusted photography gear reviewer
Leica Digilux 3 vs Pentax KP Specifications
| Leica Digilux 3 | Pentax KP | |
|---|---|---|
| General Information | ||
| Make | Leica | Pentax |
| Model | Leica Digilux 3 | Pentax KP |
| Type | Advanced DSLR | Advanced DSLR |
| Launched | 2006-09-14 | 2017-01-26 |
| Body design | Mid-size SLR | Mid-size SLR |
| Sensor Information | ||
| Processor | - | PRIME IV |
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | APS-C |
| Sensor dimensions | 17.3 x 13mm | 23.5 x 15.6mm |
| Sensor area | 224.9mm² | 366.6mm² |
| Sensor resolution | 7 megapixel | 24 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
| Highest Possible resolution | 3136 x 2352 | 6016 x 4000 |
| Maximum native ISO | 1600 | 819200 |
| Lowest native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 3 | 27 |
| Cross focus points | - | 25 |
| Lens | ||
| Lens mounting type | Micro Four Thirds | Pentax KAF2 |
| Available lenses | 45 | 151 |
| Crop factor | 2.1 | 1.5 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display diagonal | 2.5 inch | 3 inch |
| Display resolution | 207 thousand dot | 921 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | Optical (pentamirror) | Optical (pentaprism) |
| Viewfinder coverage | 95% | 100% |
| Viewfinder magnification | 0.47x | 0.63x |
| Features | ||
| Min shutter speed | B+s | 30s |
| Max shutter speed | 1/2000s | 1/6000s |
| Max quiet shutter speed | - | 1/24000s |
| Continuous shutter speed | 3.0 frames/s | 7.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | - | 6.00 m (at ISO 100) |
| Flash modes | Auto, Red-Eye Auto, On, Red-Eye On, Red-Eye Slow Sync, Off, Slow Sync (1&2) | Auto, auto w/redeye reduction, flash on w/redeye reduction, slow sync, trailing curtain sync, manual, wireless |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Max flash sync | 1/160s | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | - | 1920 x 1080 (60i, 30p) |
| Maximum video resolution | None | 1920x1080 |
| Video data format | - | MPEG-4, H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | Optional |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 606g (1.34 lbs) | 703g (1.55 lbs) |
| Physical dimensions | 146 x 87 x 77mm (5.7" x 3.4" x 3.0") | 132 x 101 x 76mm (5.2" x 4.0" x 3.0") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 390 photographs |
| Form of battery | - | Battery Pack |
| Battery model | - | D-LI109 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 12 secs) |
| Time lapse feature | ||
| Storage media | SD/MMC card | SD/SDHC/SDXC (UHS-I supported) |
| Storage slots | 1 | 1 |
| Pricing at release | $1,999 | $747 |