Leica M-E Typ 220 vs Panasonic GH6
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Leica M-E Typ 220 vs Panasonic GH6 Key Specs
(Full Review)
- 18MP - Full frame Sensor
- 2.5" Fixed Screen
- ISO 80 - 2500
- No Video
- Leica M Mount
- 585g - 139 x 80 x 37mm
- Introduced September 2012
(Full Review)
- 25MP - Four Thirds Sensor
- 3.00" Fully Articulated Screen
- ISO 100 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 5760 x 2880 video
- Micro Four Thirds Mount
- 823g - 139 x 100 x 100mm
- Announced February 2022
- Superseded the Panasonic GH5 II

Leica M-E Typ 220 vs Panasonic Lumix GH6: An In-Depth Camera Duel for the Discerning Photographer
Choosing your next camera feels a bit like picking a companion for a grand adventure - you want someone reliable, capable, and tailored to your style. Today, we’re diving deep into two very different mirrorless beasts from opposite ends of the photographic spectrum: Leica’s classic M-E Typ 220 and Panasonic’s powerhouse Lumix GH6. One is an unrepentant homage to a bygone analog era with a no-nonsense approach to image capture, the other a technological Swiss Army knife packing cutting-edge video prowess and autofocus wizardry.
I’ve spent weeks shooting side-by-side with these cameras across a variety of scenarios, so buckle up: this is going to be a nuanced, no-fluff exploration of what separates - and occasionally unites - the analog-inspired Leica from Panasonic’s digital marvel. Along the way, I’ll illuminate sensor secrets, handling quirks, and real-world performance in everything from portraits to wild landscapes to relentless sports action.
First Impressions and Handling: Classic Elegance Meets Modern Practicality
When you pick up the Leica M-E Typ 220, you’re greeting a camera that looks and feels like it could’ve stepped out of a 1960s European street scene. Its classic rangefinder silhouette, minimalist body, and the tactility of its manual controls deliver a photographic experience that’s more meditative ritual than rapid fire snapshot. This camera encourages you to slow down, frame carefully, and commit to your shot.
Contrast that with the Panasonic GH6, which feels like a command center for all-out production. All those buttons, dials, and a fully articulating LCD scream “ready for anything,” from run-and-gun documentary to studio-level video shoots.
Ergonomically, the Leica is compact and light at just 585g and measures a modest 139x80x37mm, which feels great in smaller hands or when discretion counts (hello, street photographers). The GH6, tipping the scales closer to 823g and with a chunkier 139x100x100mm footprint, demands more real estate in your bag but rewards you with a more pronounced grip and intuitive modern controls.
From a usability perspective, Leica’s minimalist lineup means you sacrifice autofocus (spoiler alert: it’s manual focus only) and video capabilities entirely - but gain an optical rangefinder viewfinder for pure manual framing joy and battery longevity. Panasonic’s GH6, meanwhile, boasts touchscreen live view, a high-resolution electronic viewfinder, and a full raft of customizable controls that veterans will appreciate.
Sensor and Image Quality: Full Frame Classic vs. Four Thirds Innovation
The heart of any camera is the sensor, so here’s where things get interesting.
Leica’s M-E features a full-frame CCD sensor measuring 36x24mm with an 18MP resolution, a throwback to an earlier digital age. CCDs tend to produce a distinctive rendering with delicate tonal gradations and excellent color depth - the Leica scores respectably on DxOMark with 22.7 bits of color depth and an 11.7 EV dynamic range. But its maximum native ISO caps out at 2500 and low-light performance is middling, with a DxO low-light ISO score of 787.
In contrast, the Panasonic GH6 opts for a more modern 25MP CMOS sensor in the smaller Four Thirds size (17.3x13mm), which has a crop factor of 2.1x. While smaller sensors historically struggled with noise, Panasonic’s GH6 implements advanced sensor designs, including a gapless photodiode structure, and pairs this with cutting-edge processing to yield excellent dynamic range and ISO performance up to 25600 native ISO, extendable down to ISO 50.
What does this mean in practice? Leica delivers stunningly organic images with a certain timeless character - ideal if you're a fan of classic rendering or shoot mainly in well-lit environments. Panasonic’s GH6 offers versatility: higher resolution, excellent noise control, and the ability to push creativity in challenging lighting without guilt.
Viewfinder and Screen: Optical Purist vs. Digital Servant
Optical enthusiasts will appreciate the Leica’s 0.68x magnification rangefinder without an electronic overlay. It’s a pure window into the world, but comes with a learning curve - manual focusing and precise framing require skill and patience.
The GH6 features a 3-inch fully articulating touchscreen with 1,840k dots resolution - bright, sharp, and sensitive enough to support autofocus point selection and menu navigation. Complementing the screen is a detailed 3,680k-dot electronic viewfinder with 0.76x magnification and 100% coverage, making manual focusing precision much easier than in the past.
For video shooters and those who crave instant feedback, the GH6’s digital displays are a game changer. Leica’s screen is fixed, tiny, and low resolution - acceptable for framing clarity checks but no substitute for the GH6’s modern interface.
Autofocus and Speed: The Art of Waiting vs. Speed Demons
This is where the Leica and Panasonic reveal their philosophical divide. The M-E Typ 220 is manual focus only, with no autofocus, no face detection, no tracking. The camera honors the old-school ethics of slow craft, relying heavily on your eye, patience, and a quality lens.
The Panasonic GH6, however, has every autofocus feature you could want: continuous AF, face/eye/animal eye detection, tracking, contrast-detection autofocus, and selective AF areas. With 14 fps burst shooting and electronic shutter speeds that reach up to 1/32000s for silent capture, the GH6 is primed for rapid action - sports, wildlife, or street candid shots where speed rules.
While manual focus in the Leica can produce sublime portraits if you’re an expert, for wildlife or sports, Panasonic’s autofocus superiority is non-negotiable.
Photography Disciplines Explored
Let’s break down the strengths and weaknesses of both cameras across key photographic genres.
Portrait Photography
Leica’s full-frame CCD sensor shines in portraiture, delivering beautiful skin tones, natural color rendition, and creamy bokeh courtesy of large-aperture Leica M lenses. However, the lack of autofocus and eye detection means relying on steady hands and manual precision - best for deliberate, posed shots rather than spontaneous moments.
Panasonic’s GH6, while possessing a smaller sensor, surprises with excellent portrait capabilities, especially when paired with fast Micro Four Thirds primes. Its in-body stabilization (5-axis) and eye-detection autofocus make capturing sharp portraits easy, even handheld or in low light. The GH6’s digital versatility also supports creative modes like focus stacking, aiding macro/portrait crossover work.
Landscape Photography
For landscapes, dynamic range and resolution are the priorities. Leica’s 18MP full-frame sensor offers impressive tonal depth and color fidelity, producing files that respond well to post-processing for highlight and shadow recovery. But its low resolution and max ISO limit nightscape or high-ISO shooting scenarios.
GH6’s 25MP resolution lets you crop without significant detail loss, and sensor stabilization enables sharper handheld shots. Weather sealing on the GH6 proves advantageous for rugged outdoor conditions, unlike Leica’s unsealed body, which demands more careful handling. The GH6’s multiple aspect ratios (1:1, 4:3, 3:2, 16:9) also gives creative framing flexibility.
Wildlife and Sports Photography
In rapid-fire scenarios, Leica’s manual focus and 2 fps continuous shooting just don’t cut it. No autofocus tracking or face/animal detection severely limit its usability as a field sports or wildlife camera.
GH6 excels here with 14 fps burst rates and advanced AF tracking, making it effective for fast-moving subjects. The crop factor means you get more apparent reach with telephoto lenses, a definite benefit in wildlife photography.
Street Photography
Here Leica’s discreet size, quiet shutter, and inconspicuous rangefinder styling score big points. The tactile manual focus slows you down in a way that can yield richer street stories. However, the absence of live view or autofocus could frustrate some shooters used to spontaneity.
GH6 is bulkier and louder, but the silent electronic shutter mode offers stealth for candid shooting. The bright EVF and articulating screen aid composition versatility in challenging urban light.
Macro Photography
Panasonic GH6’s focus bracketing, focus stacking, and sensor stabilization give it an edge. Leica lacks these options, and without autofocus, macro work can be cumbersome.
Night and Astro Photography
Leica M-E’s ISO ceiling and lack of live view limit its nighttime use to long exposures with manual calculations. Panasonic shines here with expanded ISO range, stabilized sensor, and video timelapse modes.
Video: Leica Says No, Panasonic Screams Yes
Leica M-E Typ 220 offers no video capabilities whatsoever. It’s a dedicated stills camera designed for street and fine-art photography where video is simply... not a consideration.
Panasonic GH6 is a video workhorse. It shoots up to 5.7K (5760 x 2880) 60p RAW video, offers 4K 120p slow-motion, and supports industry-standard codecs (H.264, H.265). Audio options include microphone and headphone ports, essential for professionals.
For hybrid shooters who want both stills and video brilliance in one body, GH6 reigns supreme.
Build Quality and Weather Resistance
Leica M-E’s magnesium alloy body and classic styling prioritize simplicity over ruggedness, with no environmental sealing, making it vulnerable in harsh conditions.
GH6 has comprehensive weather sealing (dust and splash-proof) designed for professional field use, vital for travel and outdoor work in unpredictable environments.
Connectivity and Storage
Leica has... no connectivity features - no Wi-Fi, Bluetooth, GPS, or USB port. Storage is limited to a single SD/SDHC slot. You’ll transfer images via card reader only.
GH6 features built-in wireless, Bluetooth, USB 3.2 Gen 1, and dual card slots (CFexpress Type B and UHS-II SD) letting you separate photo and video files or backup simultaneously - a huge plus for professional workflows.
Battery Life and Portability
Leica’s minimal electronics put battery life in the comforting “shoot all day” bucket, but exact numbers aren’t specified.
GH6’s battery lasts approximately 360 shots per charge (CIPA rating), which is decent but requires spares for heavy use, especially video.
Portability is a balance: Leica’s smaller frame wins for street/travel convenience, while GH6 trades size for functionality.
Price and Value Considerations
Leica M-E Typ 220, now discontinued but found on the used market, can be costly due to the brand prestige, often pricier than you might expect for the specs. It appeals to enthusiasts who value heritage, manual mastery, and distinctive image character over features.
Panasonic GH6 retails around $2,200 (body only), offering cutting-edge tech and professional-level video at a competitive price. Its versatility justifies the investment for hybrid shooters or those demanding video alongside stills.
Summary: Which Camera Fits Which Photographer?
Criterion | Leica M-E Typ 220 | Panasonic Lumix GH6 |
---|---|---|
Sensor Quality | Classic full-frame, 18MP CCD, superb color depth but limited ISO | Modern 25MP CMOS, excellent ISO range and dynamic range |
Autofocus | None (manual only) | Advanced continuous, face/eye/animal detection |
Video | None | 5.7K 60p RAW, 4K 120p, professional codecs |
Build & Weather Sealing | Magnesium body, no sealing | Weather-sealed, robust construction |
Ergonomics & Usability | Minimalist, pocketable | Bulkier, feature-rich controls |
Battery & Storage | Single SD slot, no connectivity | Dual-slot, wired/wireless connectivity |
Price | High for its age/prestige | Competitive for pro-level features |
Final Thoughts: Craftsmanship vs. Modernity
If your photographic ethos revolves around slow, deliberate composition - manually ground in tradition with optical focus and a distinctive rendering style - there’s nothing quite like the Leica M-E Typ 220. I’ve enjoyed quiet mornings wandering city streets with one of these, feeling the nostalgic connection to film-era shooting; it’s a lesson in patience and intentionality.
On the other hand, if you crave versatility, need autofocus that doesn’t flinch, demand high-res video, and want a camera that adapts from studio portraits to wildlife to run-and-gun travel, Panasonic’s GH6 won’t disappoint. It’s a technological marvel that leans into the future without sacrificing image quality.
Ultimately, these two cameras aren’t so much competitors as opposites. Your choice depends less on dollars and more on how you want to engage with photography - meticulously slow and analog-influenced, or fast, flexible, and tech-forward.
Thanks for joining me in this side-by-side expedition of Leica’s enduring charm and Panasonic’s dynamic agility. Whichever camp you’re in, both cameras prove that quality photography comes from the heart and hands - as much as the hardware.
Happy shooting!
Leica M-E Typ 220 vs Panasonic GH6 Specifications
Leica M-E Typ 220 | Panasonic Lumix DC-GH6 | |
---|---|---|
General Information | ||
Make | Leica | Panasonic |
Model | Leica M-E Typ 220 | Panasonic Lumix DC-GH6 |
Type | Pro Mirrorless | Pro Mirrorless |
Introduced | 2012-09-17 | 2022-02-22 |
Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor measurements | 36 x 24mm | 17.3 x 13mm |
Sensor surface area | 864.0mm² | 224.9mm² |
Sensor resolution | 18 megapixels | 25 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 5212 x 3472 | 5776 x 4336 |
Max native ISO | 2500 | 25600 |
Lowest native ISO | 80 | 100 |
RAW files | ||
Lowest enhanced ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Lens | ||
Lens mount | Leica M | Micro Four Thirds |
Available lenses | 59 | 118 |
Focal length multiplier | 1 | 2.1 |
Screen | ||
Type of screen | Fixed Type | Fully Articulated |
Screen sizing | 2.5 inches | 3.00 inches |
Screen resolution | 230k dots | 1,840k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | TFT color LCD | - |
Viewfinder Information | ||
Viewfinder | Optical (rangefinder) | Electronic |
Viewfinder resolution | - | 3,680k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | 0.68x | 0.76x |
Features | ||
Min shutter speed | 4 seconds | 60 seconds |
Max shutter speed | 1/4000 seconds | 1/8000 seconds |
Max silent shutter speed | - | 1/32000 seconds |
Continuous shutter rate | 2.0fps | 14.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | no built-in flash |
Flash options | Front Curtain, Rear Curtain, Slow sync | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/180 seconds | 1/250 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 5760 x 2880 @60p, 4096 x 2160 @ 120p |
Max video resolution | None | 5760x2880 |
Video format | - | MPEG-4, H.264, H.265 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 3.2 Gen 1 (10 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 585g (1.29 lb) | 823g (1.81 lb) |
Dimensions | 139 x 80 x 37mm (5.5" x 3.1" x 1.5") | 139 x 100 x 100mm (5.5" x 3.9" x 3.9") |
DXO scores | ||
DXO Overall score | 69 | not tested |
DXO Color Depth score | 22.7 | not tested |
DXO Dynamic range score | 11.7 | not tested |
DXO Low light score | 787 | not tested |
Other | ||
Battery life | - | 360 photographs |
Battery type | - | Battery Pack |
Battery model | - | DMW-BLK22 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs, 10 secs w/3 images) |
Time lapse recording | ||
Storage type | SD/SDHC card | Slot 1: CFexpress Card (CFexpress Type B), Slot 2: SD/SDHC/SDXC (UHS-I/UHS-II, Video Speed Class 90 standard) |
Card slots | One | Two |
Price at release | $0 | $2,198 |