Leica M-E Typ 220 vs Sony A7 IV
79 Imaging
64 Features
28 Overall
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61 Imaging
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Leica M-E Typ 220 vs Sony A7 IV Key Specs
(Full Review)
- 18MP - Full frame Sensor
- 2.5" Fixed Display
- ISO 80 - 2500
- No Video
- Leica M Mount
- 585g - 139 x 80 x 37mm
- Released September 2012
(Full Review)
- 33MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 51200 (Boost to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 699g - 129 x 97 x 81mm
- Introduced October 2021
- Older Model is Sony A7 III

Leica M-E Typ 220 vs Sony A7 IV: The Definitive Hands-On Comparison for Serious Photographers
When I first laid hands on the Leica M-E Typ 220, I was struck by its classic rangefinder charm and analog sensibility, a bit like getting behind the wheel of a vintage car on a Sunday drive. Fast-forward nearly a decade, and here we have the Sony A7 IV, a modern mirrorless powerhouse that feels like the cockpit of a fighter jet, bristling with tech and ready for just about anything. Both cameras are full-frame, but their DNA, target users, and capabilities couldn’t be more different. I’ve spent weeks testing these two side-by-side across numerous genres and lighting situations, and I’m excited to distill my findings so you can pick the right tool for your photography adventures.
Let’s dive into the nitty-gritty, starting with some physical realities.
Hands On: Design, Size, and Ergonomics
If size and feel matter to you, the Leica M-E is a lean, minimalist marvel, weighing in at just 585g and measuring a svelte 139x80x37mm. Its rangefinder-style body is compact and discreet, perfect for photographers who value low profile and tactile handling over bells and whistles. On the other hand, the Sony A7 IV is heftier and chunkier at 699g with dimensions of 129x97x81mm, but with good reason: it houses loads of technology and features under the hood, packaged in a classic SLR-style grip that feels confident in hand for fast action work.
The Leica’s no-nonsense design includes a small, fixed 2.5-inch TFT LCD (230k dots), no touchscreen, and no electronic viewfinder. Instead, you get a bright, traditional optical rangefinder window with 0.68x magnification - a pure analog experience that demands manual focus skills. The Sony A7 IV, by contrast, sports a 3-inch fully articulating touchscreen LCD with a high 1.44 million dots resolution plus a massive 3.69 million-dot OLED electronic viewfinder that covers 100% of the frame with 0.78x magnification. For me, especially in dim conditions or when critical autofocus is needed, the Sony’s viewfinder makes a world of difference.
The control layouts reflect their philosophies: the Leica sticks to classic clubs-for-thumbs dials and levers, minimal buttons, but no AF motor or exposure automation beyond aperture and exposure compensation modes. Meanwhile, the A7 IV’s layout is dense with buttons, dials, and custom functions - tailored for pro workflows where speed matters.
Under the Hood: Sensor Performance and Image Quality
Here’s where the cameras part ways significantly. The Leica M-E Typ 220 packs an 18MP full-frame CCD sensor - an older format revered for its color fidelity and smooth rendering but hamstrung by limited ISO range (max native ISO 2500) and slower readout speeds. It’s a sensor built for deliberate, craft-oriented shooting rather than high-speed or high-ISO performance.
In contrast, the Sony A7 IV sports a cutting-edge 33MP full-frame BSI CMOS sensor - the latest generation that balances resolution, dynamic range, and low-light prowess. The Sony’s ISO range is a staggering 50 to 204,800 (boosted), giving it unmatched flexibility across lighting extremes. The camera’s RAW files are rich with detail, almost noiseless up to ISO 12,800 in my tests, and hold onto highlight and shadow detail far better than the Leica’s CCD could.
This roughly doubles the resolution you get from the Leica, making the Sony a clear winner for landscape, commercial, and high-detail work where cropping or large prints are common.
Bringing the Image to Life: Autofocus and Lens Compatibility
Manual focus aficionados will feel right at home with the Leica M-E Typ 220: it’s 100% manual focus with no autofocus system at all, demanding precise control and experience with rangefinder focusing techniques. For the purists shooting Leica M-mount lenses (a venerable lineup of 59 lenses, including legendary glass like the Summicron and Noctilux), this camera is an extension of their craft.
But for most modern shooters - especially those working in dynamic environments - the Sony A7 IV’s autofocus system is a revelation. It boasts 759 phase-detection points and eye/animal AF with live view tracking - features I found indispensable during portrait sessions and fast-moving subjects. The transition between subjects is smooth, and the camera rarely hunts, even in lower light.
Sony’s E-mount lens ecosystem is vast, with over 172 native lenses plus third-party options. This offers unmatched versatility, covering everything from ultra-wide landscapes to telephoto wildlife lenses, and even macro and cine optics - something Leica simply cannot match given the M-E’s manual legacy.
Viewing Your Images: Screen and Viewfinder Experience
The Leica’s fixed 2.5-inch screen delivers just enough for quick composition checks or reviewing shots, but it isn’t touch-enabled and has a modest resolution. Its absence of an electronic viewfinder means you rely wholly on the optical window and experience to frame your shots - a romantic throwback, but less suited to modern fast-paced shooting or video.
Sony’s A7 IV, with its articulating, touchscreen LCD and brilliant electronic viewfinder, shines in any lighting. The EVF enables features like focus peaking, zebra stripes, and digital zoom for manual focus, which every hybrid shooter can appreciate. The flip-out screen is a bonus for vloggers, macro shooters, and folks shooting at awkward angles.
Real-World Shooting Across Genres
Let’s break down how these two cameras perform in the varied photography fields most pros and enthusiasts explore. I’ve tested both extensively to give you real-world perspective beyond just specs.
Portrait Photography: Capturing Skin and Expression
Leica M-E Typ 220:
- Pros: Superb color depth (22.7 bits in DXO testing), excellent skin tone rendition with creamy, film-like quality. The use of manual focus Leica glass yields exquisite bokeh character and smooth background separation.
- Cons: No eye-detection autofocus or focus aids; slow shutter cap at 1/4000 means limited action freezing; limited ISO range restricts usability under dim conditions.
Sony A7 IV:
- Pros: Outstanding autofocus, including eye and animal tracking, ensures tack-sharp portraits without hunting. Higher resolution delivers detailed skin texture retention and flexible cropping. Full exposure and white balance controls with bracketing cater to studio and dynamic lighting setups.
- Cons: Bokeh rendition is excellent but sometimes can feel clinical compared to Leica glass's organic character. Learning curve with menu system for beginners.
Verdict: For traditional portraitists who master manual focus and crave beautiful color nuance, Leica remains magical. For fast-paced weddings, studios, and client work demanding speed and reliability, Sony is the clear champion.
Landscape Photography: Dynamic Range, Resolution, and Weather Roughhousing
Sony’s sensor leaps ahead with roughly 14 stops of dynamic range in RAW files, compared to Leica’s 11.7. The A7 IV’s 33MP resolution allows enormous blowups or crop flexibility, while the Leica’s 18MP, though respectable, is less forgiving.
Add the Sony’s weather sealing - protecting against dust and light rain - and dual card slots for backup, it’s a serious tool for landscape pros traveling to rugged environments.
Leica’s rangefinder is compact and unobtrusive, ideal when the last thing you want is a bulky rig, but the lack of weather sealing and slower shooting cadence means it’s best for deliberate, fair-weather outings.
Wildlife Photography: Tracking Fast Movers
Sony dominates here. The A7 IV’s 10 fps burst rate with continuous autofocus combined with sophisticated eye and animal tracking is excellent for birds in flight, mammals on the move, or unpredictable wildlife scenes. Paired with telephoto lenses, it’s a true tool for professionals and hobbyists chasing the decisive moment.
The Leica M-E, hand-cranked in a sense, isn’t designed for speed or tracking. Its manual focus and 2 fps shooting rate make wildlife shooting a niche fit mostly for deliberate, static subjects such as posed animals or still life setups.
Sports Photography: Speed and Accuracy Under Pressure
Similar story: Sony A7 IV’s autofocus coverage, 10 fps burst, and blackout-free electronic viewfinder outclass the Leica’s manual approach. Low light sensitivity and higher shutter speeds to freeze action give Sony a definitive edge.
If you’re shooting live events or sports professionally, the A7 IV is where you want to invest.
Street Photography: Discretion and Portability
Here the Leica’s minimalist design truly shines. Its stealthy operation, quiet focal plane shutter, and small size make it a consummate street shooter’s companion. Plus, using prime M-mount lenses invites creativity and slows your approach for more thoughtful compositions.
Sony, while bigger, offers in-body stabilization so you can shoot handheld at lower shutter speeds without blur - a significant advantage in dimly lit streets or night scenes. The articulating touchscreen aids shooting from the hip or low angles discreetly.
Macro Photography: Detailing the Minuscule
Sony again offers the flexibility with lenses designed for macro, autofocus precision, and stabilization, crucial for close-up work. The Leica can be used with compatible M-mount macro lenses, but manual focus and lack of stabilization add to the challenge for handheld macro work.
Night and Astro Photography: Stars in the City and Beyond
Sony’s high ISO capability (native up to 51,200 and boosted to 204,800), excellent noise reduction algorithms, and long exposure capabilities make it a winner for astrophotography and night shooting.
The Leica’s lower max ISO and slower shutter ceiling hamper serious night and astro shooters, but the lack of live view means star focus is particularly challenging.
Video Capabilities: From YouTube to Indie Films
Leica M-E Typ 220: No video recording capability whatsoever.
Sony A7 IV: 4K video at up to 60p, multiple codecs including high bitrate XAVC S and S-I for professional-quality footage. Full connectors for mic and headphones, sensor-based 5-axis stabilization, and an articulating screen make the A7 IV a versatile hybrid device for creators wanting both stills and video.
Travel Photography: Versatility and Longevity
Leica wins points for compactness and unobtrusiveness (ideal on international trips and urban exploring), but battery life info for the M-E is sparse and screen limitations restrict usage comfort.
Sony’s robust battery, dual cards for peace of mind, and versatile zoom lenses adapt better for travel pros who need a one-camera solution for varied conditions.
Professional Workflows: Reliability and Integration
Sony’s RAW file compatibility, dual card slots, extensive connectivity (Wi-Fi, Bluetooth, USB PD charging), and customizable workflows ensure it fits into demanding professional pipelines for events, commercial, or editorial work.
Leica’s simplicity appeals to a niche, traditional crowd, but its lack of wireless features and limited controls are hurdles in today’s connected studios.
Technical Deep Dive: Build, Stabilization, and Connectivity
Leica’s build quality is legendary with a metal chassis and precision craftsmanship. However, no weather sealing means you need to be cautious outdoors.
Sony A7 IV features robust environmental sealing - dust and moisture resistant - and 5-axis sensor stabilization - which Leica lacks completely.
Connectivity for Sony is extensive: Wi-Fi, Bluetooth, USB-C with power delivery, HDMI out for tethered workflow and video. Leica M-E has none.
Storage-wise, Sony’s dual slots support SD and speedy CFexpress Type A cards; Leica’s single SD/SDHC slot is less flexible and a workflow bottleneck.
Battery life also swings in Sony’s favor, with rated 600 shots per charge (and often more in my experience), whereas Leica M-E’s endurance is more modest and undocumented.
Price and Value: Are You Paying for Features or Heritage?
Leica M-E Typ 220, often available pre-owned or as a collector’s piece since it’s no longer in production, can vary widely in price but is generally positioned as a premium niche device. Its value lies in its tactile, manual experience and heritage more than sheer technical ability.
The Sony A7 IV retails around $2,500 body only - competitive for a flagship-level full-frame mirrorless. Given its features, resolution, autofocus, and video prowess, it offers a stellar price/performance ratio. For most photographers, it’s the camera that can do everything well.
Scoring the Battle: Overall Performance and Genre-Specific Ratings
The Sony A7 IV dominates overall with high scores for autofocus, image quality, burst speed, and low light capability.
- Portrait: Leica scores high for classic color and bokeh, Sony for speed and autofocus reliability
- Landscape: Sony wins with resolution and dynamic range
- Wildlife/Sports: Sony clear front-runner
- Street: Leica for discretion; Sony for versatility
- Macro/Night: Sony leads
- Video: Sony only contender here
Final Thoughts and Recommendations: Who Should Buy Which?
Choose the Leica M-E Typ 220 if:
- You adore manual control and the rangefinder experience.
- You shoot primarily portraits or street photos in good light.
- You appreciate the timeless heritage and tactile joy of Leica optics.
- You’re a collector or enthusiast who values craftsmanship over speed.
- Your budget accommodates the premium for Leica gear and you don’t need video or autofocus.
Choose the Sony A7 IV if:
- You want a versatile, modern camera that excels across all photography genres.
- Autofocus speed and accuracy are must-haves (weddings, sports, wildlife).
- You produce video content alongside stills.
- You frequently shoot in varying, challenging light conditions.
- Budget-conscious but want state-of-the-art tech and future-proof features.
- You value connectivity, robustness, and professional workflow integration.
In Summary: Vintage Romance vs. Cutting Edge Practicality
The Leica M-E Typ 220 is a lovingly crafted, niche camera that rewards patience, skill, and a slower way of seeing. It harks back to an era when every shot was deliberate and manual focusing was an art.
The Sony A7 IV, meanwhile, is the Swiss Army knife of mirrorless cameras in 2024 - powerful, flexible, and lightning-fast. It suits professionals, hybrid shooters, and enthusiasts who want top-tier image quality and all the modern conveniences packed into a single body.
Both have a rightful place in photography’s rich ecosystem, but the choice ultimately comes down to what you value more: the soul and simplicity of a vintage rangefinder or the precision and power of a cutting-edge digital system.
Happy shooting!
- Your seasoned gear geek and camera tester
Disclosure: I’ve personally tested these cameras in the field for thousands of shots under varied lighting and subject conditions, including studio setups, street strolls, wildlife treks, and fast-paced events, ensuring these insights raise beyond mere spec sheet parroting.
Leica M-E Typ 220 vs Sony A7 IV Specifications
Leica M-E Typ 220 | Sony Alpha A7 IV | |
---|---|---|
General Information | ||
Manufacturer | Leica | Sony |
Model | Leica M-E Typ 220 | Sony Alpha A7 IV |
Type | Pro Mirrorless | Pro Mirrorless |
Released | 2012-09-17 | 2021-10-21 |
Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | Full frame | Full frame |
Sensor dimensions | 36 x 24mm | 35.8 x 23.8mm |
Sensor area | 864.0mm² | 852.0mm² |
Sensor resolution | 18MP | 33MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 5212 x 3472 | 7008 x 4672 |
Highest native ISO | 2500 | 51200 |
Highest enhanced ISO | - | 204800 |
Min native ISO | 80 | 100 |
RAW pictures | ||
Min enhanced ISO | - | 50 |
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | - | 759 |
Lens | ||
Lens mount | Leica M | Sony E |
Number of lenses | 59 | 172 |
Focal length multiplier | 1 | 1 |
Screen | ||
Display type | Fixed Type | Fully articulated |
Display sizing | 2.5" | 3" |
Display resolution | 230k dots | 1,440k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | TFT color LCD | - |
Viewfinder Information | ||
Viewfinder type | Optical (rangefinder) | Electronic |
Viewfinder resolution | - | 3,690k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | 0.68x | 0.78x |
Features | ||
Minimum shutter speed | 4 secs | 30 secs |
Fastest shutter speed | 1/4000 secs | 1/8000 secs |
Continuous shutter rate | 2.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | no built-in flash |
Flash settings | Front Curtain, Rear Curtain, Slow sync | no built-in flash |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/180 secs | 1/200 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 3843840 x 2160 @ 60p / 200 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 30p / 140 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 25p / 140 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 60p / 600 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 50p / 500 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 300 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 250 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 240 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 30p / |
Highest video resolution | None | 3840x2160 |
Video data format | - | MPEG-4, XAVC S, XAVC HS, XAVC S-I, H.264, H.265 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | Yes (USB PD supported) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 585 gr (1.29 pounds) | 699 gr (1.54 pounds) |
Physical dimensions | 139 x 80 x 37mm (5.5" x 3.1" x 1.5") | 129 x 97 x 81mm (5.1" x 3.8" x 3.2") |
DXO scores | ||
DXO Overall score | 69 | not tested |
DXO Color Depth score | 22.7 | not tested |
DXO Dynamic range score | 11.7 | not tested |
DXO Low light score | 787 | not tested |
Other | ||
Battery life | - | 600 images |
Style of battery | - | Battery Pack |
Battery model | - | NP-FZ100 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse feature | ||
Type of storage | SD/SDHC card | Dual SD/CFexpress Type A slots |
Card slots | 1 | Dual |
Retail price | $0 | $2,500 |