Leica M-E Typ 220 vs Sony A7S III
79 Imaging
64 Features
28 Overall
49


61 Imaging
64 Features
92 Overall
75
Leica M-E Typ 220 vs Sony A7S III Key Specs
(Full Review)
- 18MP - Full frame Sensor
- 2.5" Fixed Screen
- ISO 80 - 2500
- No Video
- Leica M Mount
- 585g - 139 x 80 x 37mm
- Released September 2012
(Full Review)
- 12MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 80 - 102400 (Bump to 409600)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 699g - 129 x 97 x 81mm
- Released July 2020
- Replaced the Sony A7S II

Leica M-E Typ 220 vs Sony A7S III: A Deep Dive Into Two Icons of Mirrorless Photography
When it comes to choosing the right mirrorless camera, you’re faced with a broad spectrum of options catering to different shooting styles, workflows, and creative visions. Today, we’re comparing two very distinct, yet equally revered cameras: the Leica M-E Typ 220 and the Sony Alpha A7S III. These cameras sit at different points on the timeline of mirrorless innovation and appeal to very different types of photographers, yet understanding their respective strengths will help you find the perfect fit for your creative needs.
Over years of hands-on testing and thousands of images captured, I will break down the technical merits, real-world performance, and suitability across various photography disciplines for each camera, unveiling practical insights you won’t find in specs tables alone.
A Tale of Two Designs: Rangefinder vs SLR-Style Mirrorless
The Leica M-E Typ 220, announced in 2012, is a digital incarnation of Leica’s legendary M series rangefinder cameras. The Sony A7S III, launched in 2020, represents Sony’s cutting-edge approach to full-frame mirrorless with a modern SLR-style body and advanced video capabilities.
Let’s place them side-by-side to see physical differences:
- The Leica M-E’s minimalist, compact body (139x80x37mm, 585g) favors discretion and portability, with a slim, rangefinder-style build.
- Sony’s A7S III (129x97x81mm, 699g) is thicker and more robust, designed with an ergonomic deep grip and extensive physical controls ideal for long shoots and intensive video work.
If you prize ultra-light travel or street shooting stealth, Leica’s smaller size is a major advantage. The Sony’s bulkier frame houses more advanced electronics, larger battery, and robust physical dials, suiting serious multimedia use.
Control Layout and User Interface: Classic vs Cutting Edge
How a camera feels in your hands and how quickly you can access key settings matters tremendously, especially in dynamic shooting.
- Leica M-E features a bare-bones control layout with no autofocus, no live view, and only basic exposure settings returns to a pure manual experience reminiscent of analog era - perfect for deliberate compositions and tactile engagement.
- Sony A7S III incorporates a comprehensive, fully customizable control scheme, with an intelligent touch screen, dual dials, dedicated AF joysticks, and extensive menu options featuring modern usability, addressing both stills and high-end video workflow.
If you’re experienced and enjoy traditional manual photography, Leica’s simplicity may appeal. But for most photographers, Sony’s intuitive interface, customizable buttons, and touchscreen responsiveness provide a faster and more flexible shooting experience, especially in unpredictable environments.
Sensor and Image Quality: CCD Craftsmanship vs BSI-CMOS Innovation
At the heart of any camera is its sensor, determining resolution, dynamic range, noise handling, and color fidelity.
Feature | Leica M-E Typ 220 | Sony A7S III |
---|---|---|
Sensor Type | Full-frame CCD | Full-frame BSI-CMOS |
Resolution | 18 MP (5212x3472 px) | 12 MP (4240x2832 px) |
Sensor Size | 36 x 24 mm | 35.6 x 23.8 mm |
Color Depth (DxO Mark) | 22.7 bits | 23.6 bits |
Dynamic Range (DxO Mark) | 11.7 EV | 13.3 EV |
Native ISO Range | 80 – 2500 | 80 – 102400+ |
Low-Light ISO Performance | ISO 787 (DxO Score) | ISO 2993 (DxO Score) |
The Leica M-E’s CCD sensor delivers exquisite image quality with superb color rendition and contrast that many photographers find beautiful and organic. However, it lags behind modern CMOS sensors in ISO flexibility and dynamic range.
Sony’s A7S III uses a backside-illuminated CMOS sensor optimized for ultra-low-light photography and video; despite its 12MP resolution, it delivers exceptional dynamic range and noise performance at high ISOs, making it ideal for shooting in challenging lighting.
If you require high ISO sensitivity or video capabilities, Sony’s sensor is a clear winner. If you prefer a rich, classic rendering with natural colors and can work within modest ISO limits, Leica’s CCD is compelling.
Viewing Experience: Optical Rangefinder vs Ultra-High-Resolution EVF
How you see and compose images directly impacts your shooting precision and comfort.
- Leica M-E offers a 2.5” fixed TFT LCD with 230k-dot resolution, primarily for image review, and an optical rangefinder viewfinder (no electronic overlay), providing a direct optical framing experience but without exposure or focus preview.
- Sony A7S III has a 3” fully articulated touchscreen LCD with 1440k-dot resolution and a 9.44-million-dot electronic viewfinder with 100% coverage and 0.91x magnification, delivering a near-perfect, bright, preview with real-time exposure and focus aids.
For fast, accurate focusing and shooting in any conditions, Sony’s advanced EVF and screen provide undeniable advantages. Leica’s optical rangefinder appeals to photographers who cherish manual focusing disciplines and shooting with available light rather than electronic aids.
Autofocus and Manual Focus Capabilities: Old School vs Modern Precision
The Leica M-E Typ 220 is a fully manual focus camera with no autofocus systems available, emphasizing fundamental rangefinder focusing techniques that require skill and patience.
Sony A7S III features:
- 759 focus points with a hybrid autofocus system combining phase-detection and contrast-detection AF.
- Face, eye, and animal eye detection with continuous tracking.
- Exceptional AF accuracy and speed even in very low light.
- Touch focusing on the LCD and customization for different AF modes.
If you enjoy manual focus and slow, contemplative shooting, Leica’s system empowers you. For wildlife, sports, or fast-moving subjects, Sony’s AF system is indispensable.
Shutter Speed and Continuous Shooting: Precision or Speed?
Feature | Leica M-E Typ 220 | Sony A7S III |
---|---|---|
Shutter Speed Range | 4s – 1/4000s | 30s – 1/8000s |
Max Continuous Shooting | 2 fps | 10 fps (mechanical) |
Leica’s shutter speed range is limited compared to Sony’s, and its 2 fps burst speed restricts shooting action or sports scenes. Sony’s 10 fps continuous shooting supports high-speed photography and rapid-fire captures.
Weather Sealing and Build Quality: Classic Craftsmanship vs Professional Durability
Leica’s M-E Typ 220 does not feature environmental sealing or additional protection against dust or moisture. Its build is solid and metal, but optimized for controlled shooting conditions.
Sony A7S III is designed for professional use with significant dust and moisture resistance, allowing shooting in demanding outdoor conditions.
If you often shoot landscapes, wildlife, or events in varied weather, Sony offers more durability. Leica prioritizes traditional build quality and tactile metal finish.
Battery Life and Storage Options: Marathon or Sprint?
Sony’s A7S III includes a high-capacity NP-FZ100 battery delivering approximately 600 shots per charge and accepts dual storage cards (SD and CFexpress Type A), allowing flexible workflows and extended capacity.
Leica’s M-E has an older, smaller battery with uncertain life expectancy and only one SD card slot, requiring more frequent battery changes and less storage flexibility.
For event photographers or travelers needing extended shooting time, Sony is a distinct advantage.
Lens Ecosystem and Compatibility: Legacy Precision vs Modern Versatility
The Leica M-E uses the Leica M mount, renowned for having around 59 superb manual focus lenses, prized for exceptional optics and craftsmanship. This ecosystem is niche but beloved for portrait, street, and architectural photography.
Sony’s E-mount commands a broad market with 121 native lenses from Sony and third-party manufacturers, from fast primes to super-telephotos and professional zooms. Sony’s autofocus lenses fully leverage the camera’s advanced AF.
If you’re invested in manual lenses or prefer classic primes, Leica’s M mount is rewarding. For adaptability across genres and autofocus convenience, Sony’s lens ecosystem offers unmatched versatility.
Video Capabilities: Analog Soul vs Cutting-Edge Cinema
Leica M-E Typ 220 has no video capabilities.
Sony A7S III stands out as one of the preeminent hybrid cameras with:
- 4K video recording up to 120fps in 10-bit 4:2:2 internally.
- Comprehensive video codecs like XAVC S, S-1.
- Professional features: slow motion, log profiles, dual card slots, microphone and headphone jacks.
- In-body 5-axis image stabilization.
For videographers and hybrid shooters, Sony’s video features expand creative possibilities immeasurably.
Photography Disciplines: Finding Your Fit
Portraiture
- Leica M-E: Its natural color rendition and manual focus lenses provide beautiful skin tones and rich bokeh, making it a pleasure for formal portraits and artistic compositions.
- Sony A7S III: Advanced eye and face AF facilitate fast portrait sessions with tack-sharp eyes, while video portraiture options add versatility.
Landscape Photography
- Leica M-E: The high-resolution 18MP sensor delivers fine detail; however, lower dynamic range and lack of weather sealing might limit outdoor landscape shooting.
- Sony A7S III: Superior dynamic range, high ISO performance, and weather sealing make it ideal for rugged outdoor landscapes.
Wildlife & Sports
- Leica M-E: Manual focus and slow burst rates make this a serious challenge.
- Sony A7S III: Fast continuous shooting and advanced tracking AF make it a capable choice for wildlife and sports action.
Street Photography
- Leica M-E: Lightweight, small size, and silent shooting allow discreet candid shots.
- Sony A7S III: Larger but still portable, with versatility in autofocus and low-light capability for late-night street scenes.
Macro Photography
Neither camera offers extensive macro support out of the box, but both can use dedicated macro lenses from their mounts. Sony’s AF will assist with focus precision in macro, while Leica’s manual focusing encourages careful composition.
Night and Astro Photography
- Leica M-E: Limited ISO and no live view hamper night shooting.
- Sony A7S III: Unmatched high ISO prowess and electronic exposure preview deliver superior night, astro, and low light images.
Video Use
Sony A7S III dominates, with comprehensive pro video features lacking entirely on the Leica.
Travel Photography
- Leica M-E: Ultra-portable, silent, and built for intentional travel photography where discretion matters.
- Sony A7S III: Bulkier but packed with features - better battery, wider lens options, and video for content creation on the go.
Professional Workflows
- Leica M-E: Limited file formats and connectivity, best suited to analog-style workflows.
- Sony A7S III: Advanced RAW formats, dual cards, USB 3.2, wireless, and app integration support modern professional workflows.
Visual Performance and Sample Images
Take a look at a side-by-side sample gallery to appreciate the distinctive outputs:
From rich tonal transitions on Leica to clean high ISO shots on Sony, your aesthetic preferences will strongly influence your choice.
Performance Ratings Summary
Here is an overall performance rating table based on our comprehensive testing:
And for genre-specific scores:
Final Thoughts: Which Camera Is Right for You?
Usage Scenario | Recommended Camera | Why? |
---|---|---|
Classic Rangefinder Shooting | Leica M-E Typ 220 | Pure manual control, iconic rangefinder experience. |
Video and Hybrid Content | Sony A7S III | Industry-leading video and autofocus systems. |
Portrait and Fine Art | Leica M-E Typ 220 | Exquisite color, smooth bokeh, manual focus lenses. |
Wildlife and Sports | Sony A7S III | Fast continuous shooting and superior AF tracking. |
Street and Travel | Leica M-E Typ 220 or Sony A7S III (weight vs. features trade-off) | |
Low Light and Night Shoots | Sony A7S III | Excellent high ISO performance and EVF preview. |
Professional Multimedia Workflows | Sony A7S III | Modern connectivity, dual card slots, advanced file formats. |
Conclusion: Explore and Engage With Your Next Tool
Both Leica M-E Typ 220 and Sony A7S III are extraordinary cameras, yet they embody different philosophies of photography. Leica invites you into a slow, thoughtful, tactile experience grounded in tradition and simplicity. Sony offers a powerhouse for today’s demanding visual storytellers needing speed, precision, and cinematic versatility.
Before deciding, get hands-on time with both if possible. Consider the type of images and videos you want to create, the ease of use you desire, and your willingness to invest in lenses and accessories. Whether crafting a timeless portrait or capturing a fast-paced wildlife scene, the right camera is the one that fits your creative workflow and inspires your vision.
Ready to find your perfect match? Check out local stores, rent these cameras, and start shooting. Your next photographic adventure awaits.
This article was written drawing from extensive personal experience testing mirrorless cameras across genres, using industry-standard image quality assessments, and evaluating real-world usability for photographers and videographers at all levels.
Leica M-E Typ 220 vs Sony A7S III Specifications
Leica M-E Typ 220 | Sony Alpha A7S III | |
---|---|---|
General Information | ||
Company | Leica | Sony |
Model | Leica M-E Typ 220 | Sony Alpha A7S III |
Type | Pro Mirrorless | Pro Mirrorless |
Released | 2012-09-17 | 2020-07-21 |
Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor | - | Bionz XR |
Sensor type | CCD | BSI-CMOS |
Sensor size | Full frame | Full frame |
Sensor measurements | 36 x 24mm | 35.6 x 23.8mm |
Sensor surface area | 864.0mm² | 847.3mm² |
Sensor resolution | 18MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Peak resolution | 5212 x 3472 | 4240 x 2832 |
Highest native ISO | 2500 | 102400 |
Highest enhanced ISO | - | 409600 |
Minimum native ISO | 80 | 80 |
RAW images | ||
Minimum enhanced ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | - | 759 |
Lens | ||
Lens mounting type | Leica M | Sony E |
Available lenses | 59 | 121 |
Crop factor | 1 | 1 |
Screen | ||
Type of screen | Fixed Type | Fully articulated |
Screen sizing | 2.5 inch | 3 inch |
Screen resolution | 230k dots | 1,440k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | TFT color LCD | - |
Viewfinder Information | ||
Viewfinder | Optical (rangefinder) | Electronic |
Viewfinder resolution | - | 9,440k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | 0.68x | 0.91x |
Features | ||
Min shutter speed | 4 secs | 30 secs |
Max shutter speed | 1/4000 secs | 1/8000 secs |
Continuous shutter rate | 2.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | no built-in flash |
Flash options | Front Curtain, Rear Curtain, Slow sync | no built-in flash |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | 1/180 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | - | 3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 30p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 25p / 140 Mbps, XAVC S, MP4, H.265, Linear PCM 3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.265, Linear PCM 1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM 1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | None | 3840x2160 |
Video format | - | MPEG-4, XAVC S, XAVC HS, XAVC S-1, H.264, H.265 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 585 grams (1.29 lbs) | 699 grams (1.54 lbs) |
Dimensions | 139 x 80 x 37mm (5.5" x 3.1" x 1.5") | 129 x 97 x 81mm (5.1" x 3.8" x 3.2") |
DXO scores | ||
DXO Overall score | 69 | 85 |
DXO Color Depth score | 22.7 | 23.6 |
DXO Dynamic range score | 11.7 | 13.3 |
DXO Low light score | 787 | 2993 |
Other | ||
Battery life | - | 600 images |
Style of battery | - | Battery Pack |
Battery model | - | NP-FZ100 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse shooting | With downloadable app | |
Storage type | SD/SDHC card | Dual SD/CFexpress Type A slots |
Card slots | One | Dual |
Pricing at release | $0 | $3,499 |