Olympus E-30 vs Olympus E-M5 II
60 Imaging
46 Features
54 Overall
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80 Imaging
53 Features
84 Overall
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Olympus E-30 vs Olympus E-M5 II Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 2.7" Fully Articulated Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- No Video
- Micro Four Thirds Mount
- 695g - 142 x 108 x 75mm
- Revealed March 2009
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 469g - 124 x 85 x 45mm
- Launched February 2015
- Replaced the Olympus E-M5
- Replacement is Olympus E-M5 III

Olympus E-30 vs Olympus OM-D E-M5 II: A Hands-On Comparison for Enthusiasts and Professionals
When considering an Olympus camera, enthusiasts and working photographers often find themselves at an intriguing crossroads - should they choose a classic DSLR like the Olympus E-30 or a more modern mirrorless option such as the Olympus OM-D E-M5 II? Both cameras have strong pedigrees and cater to overlapping yet distinct user needs, stemming from different eras of camera design and technology philosophy.
Having extensively tested both cameras over multiple shooting sessions and photographic genres, I’m diving deep into their core strengths and shortcomings. This hands-on comparison aims to guide you through real-world performance, usability, image quality, and value, helping you pick the right tool for your artistic and professional endeavors.
First Impressions: Size, Build, and Handling
One of the first things you notice handling these cameras is how differently Olympus approached their ergonomics and build design. The Olympus E-30, dating from 2009, is a mid-size DSLR built around a more traditional SLR-type design with a pentaprism optical viewfinder and a solid, somewhat chunkier body. The mirrorless E-M5 II, released in 2015, embraces a compact mirrorless form factor that’s smaller and lighter without sacrificing too much on grip and control.
- E-30: 142 x 108 x 75 mm / 695g
- E-M5 II: 124 x 85 x 45 mm / 469g
From experience, the E-30’s bulkiness lends it a reassuring heft in your hands, evoking the classic DSLR feel many traditional photographers appreciate, especially in challenging environments. However, the E-M5 II's smaller size and lighter weight translate to greater portability, making it ideal for long hauls or street-style photography where discretion and fatigue are concerns.
On the control front, the E-30 sports a more tactile, DSLR-style button layout with dedicated dials for shutter speed and aperture control. The E-M5 II, though smaller, impresses with a modern, ergonomically designed interface that integrates a touchscreen for intuitive control - an upgrade that sorely lacks on the E-30.
I found the E-M5 II’s interface more intuitive once accustomed to mirrorless operation. Yet, for photographers who prize direct dial access without menu diving, the E-30 still holds strong appeal due to its classic DSLR button-centric design.
Sensor and Image Quality: Generation Gap in Technology
Both cameras share the four-thirds sensor size, meaning the crop factor is 2.1x relative to full-frame. However, their sensors differ significantly in resolution, technology, and performance.
Feature | Olympus E-30 | Olympus OM-D E-M5 II |
---|---|---|
Sensor type | CMOS | MOS (back-illuminated) |
Sensor size | Four Thirds (17.3 x 13 mm) | Four Thirds (17.3 x 13 mm) |
Resolution | 12 MP | 16 MP |
Maximum ISO | 3200 | 25600 |
Dynamic range (DxO Mark) | 10.4 stops | 12.4 stops |
Color depth | 21.3 bits | 23.0 bits |
The MOS sensor in the E-M5 II represents a leap forward technically, with superior noise handling and a wider dynamic range. In my testing, images from the E-M5 II consistently exhibit cleaner shadows and highlight retention, particularly in high-contrast scenes like landscapes and street photography under challenging light. The extra 4 megapixels also offer greater cropping flexibility without noticeable quality loss.
For portraiture, the E-M5 II’s improved color depth and tonal rendition deliver more lifelike skin tones with subtle gradations, especially when shooting raw and utilizing Olympus’s TruePic VII processor for in-camera noise reduction.
Viewing Experience: Optical vs Electronic Viewfinder
The E-30's optical pentaprism viewfinder offers a natural, clear real-world view with 98% frame coverage and 0.56x magnification. Many DSLR users appreciate this immediacy and zero-lag feedback. However, Olympus’s prism on the E-30 doesn’t match modern EVFs in providing exposure preview or focus assist overlays.
In contrast, the OM-D E-M5 II features a high-resolution (2.36 million dots) electronic viewfinder with 100% coverage and 0.74x magnification. This EVF offers a significant advantage in live exposure previews, focus peaking, and digital zoom for manual focus precision.
During low-light camera tests, I found the E-M5 II's EVF indispensable. It toggles to a nearly noiseless scene preview, which helps manually tune exposure and focus. The flip side? Some photographers experience slight electronic lag under rapid panning, which the optical finder of the E-30 handles more naturally.
Autofocus Systems: Speed and Accuracy in Real-World Use
Autofocus has evolved dramatically between these models. The E-30 uses a hybrid system with 11 focus points and face detection but lacks advanced tracking or animal eye AF.
The E-M5 II offers 81 contrast-detection points and supports continuous tracking AF, face detection, and selective AF area control. While Olympus did not include phase detection pixels in this model, their high-speed contrast detect AF combined with on-sensor stabilization yields respectable tracking in good light.
In wildlife and sports shooting scenarios where quick response is paramount, I observed:
- E-30: Consistent single-shot accuracy but slower tracking on moving subjects.
- E-M5 II: Faster burst shooting (10 fps vs 5 fps) and better subject retention, though in very low light autofocus can hunt more compared to DSLRs.
This means wildlife photographers prioritizing reliable AF tracking might find the E-M5 II better suited but may want to test specific lenses for focus speed.
Practical Usability: Screens, Stabilization, and Storage
The E-30 comes with a 2.7-inch 230k-dot fully articulated screen, while the E-M5 II upgrades to a 3.0-inch, 1.04M-dot fully articulated touchscreen. This makes reviewing images and live focus easier and more precise on the newer camera.
Both models feature in-body sensor stabilization, but the E-M5 II’s 5-axis stabilization is noticeably more effective. In handheld macro shots or video capture, this difference introduces a tangible improvement in sharpness and steadiness.
Regarding storage, the E-30 supports Compact Flash and xD cards, which are increasingly obsolete and often slower. The E-M5 II uses SD cards (SDHC/SDXC), offering better compatibility and higher write speeds, especially important for burst shooting and video recording.
Battery Life and Connectivity: Endurance vs Modern Features
Battery life favors the E-30, rated for about 750 shots per charge versus 310 shots on the E-M5 II according to CIPA standards. In practice, I found that to be roughly accurate, with the E-M5 II requiring more frequent battery changes or external power solutions during long shoots.
Connectivity is another stark contrast: the E-30 offers only USB 2.0 wired transfer, whereas the E-M5 II comes with built-in Wi-Fi, enabling remote control and easy sharing via Olympus’s app ecosystem - a boon for travel, street, and event photographers who want instant image delivery and camera control from smartphones.
Video Capabilities: Silent Progression Over Time
The E-30 lacks video functions altogether, reflecting the DSLR’s era before video became ubiquitous.
By contrast, the E-M5 II offers Full HD 1080p video up to 60 fps with HDMI output and external microphone input. While not a dedicated video powerhouse, it’s capable enough for casual videography, especially due to in-body stabilization and focus peaking support.
This difference may be critical for hybrid shooters who require both stills and video from one body.
Durability and Environmental Resistance
The E-M5 II is weather-sealed against dust and splashes, providing confidence in outdoor shooting under adverse weather. The E-30 does not offer environmental sealing, limiting its usage in challenging conditions.
In testing, the E-M5 II’s ruggedness was reassuring during wet weather street shoots and misty landscapes, which often deterred me from using the E-30 in similar scenarios.
Lens Ecosystem and Compatibility
Both cameras use the Micro Four Thirds mount, opening up a broad and mature lens ecosystem.
- E-30: Initially designed for Four Thirds lenses via an adapter, but primarily supports Micro Four Thirds lenses with some limitations in autofocus speed and stabilization synergy.
- E-M5 II: Fully embraces the Micro Four Thirds system with 107 native lens options at launch time, optimized for mirrorless autofocus and stabilization.
If lens selection and latest optic technologies matter to you, the E-M5 II stands out for modern autofocus lenses featuring advanced coatings and image stabilization cooperation, which translates directly into better image quality and autofocus performance.
Photographic Disciplines: Which Camera Shines Where?
Understanding your shooting preferences will help you match camera strengths to your photographic style.
Portrait Photography
- E-M5 II delivers superior skin tones thanks to higher bit-depth and better noise control, plus fast, accurate face detection and selective AF.
- E-30’s optical viewfinder may appeal to traditionalists, but its AF system lags behind in tracking moving subjects during candid portraits.
Landscape Photography
- The E-M5 II’s wider dynamic range and better high ISO usability provide richer shadow and highlight detail.
- Weather sealing is a big plus for rugged environments.
- The articulated, high-res LCD and live view facilitate composing tricky shots.
Wildlife Photography
- Repeat burst rates and tracking AF favor the E-M5 II.
- The E-30’s slower continuous shooting rate limits capturing fast action.
- Lens compatibility is strong but mirrorless autofocus speeds have advanced more in recent years.
Sports Photography
- The 10 fps burst on the E-M5 II and advanced AF tracking make it competitive for many sports applications.
- The E-30 can still hold its own with good glass, but frame rate and tracking are less effective.
Street Photography
- The compact size and silent electronic shutter of the E-M5 II make it a stealthy, discreet companion.
- The E-30’s louder shutter and size might inhibit candid moments.
Macro Photography
- Both have sensor stabilization, but the E-M5 II’s 5-axis system benefits handheld macro shots the most.
- The touchscreen and focus stacking options on the E-M5 II add creative control.
Night / Astro Photography
- Better high ISO performance and longer shutter capabilities (including silent electronic shutter) on the E-M5 II give it an edge.
- The articulated touchscreen helps composing in the dark without awkward angling.
Video Capabilities
- E-M5 II supports HD video with in-body stabilization and external audio.
- E-30 has no video function.
Travel Photography
- Lightweight, Wi-Fi-enabled E-M5 II offers better versatility and connectivity.
- E-30’s longer battery life may be useful but at a portability cost.
Professional Workflows
- Both shoot RAW with broad third-party RAW editing support.
- The E-M5 II’s SD card format, faster USB, and wireless transfer significantly speed up workflows.
Performance Summary at a Glance
Category | Olympus E-30 | Olympus OM-D E-M5 II |
---|---|---|
Image Quality | ★★★☆☆ | ★★★★☆ |
Autofocus | ★★★☆☆ | ★★★★☆ |
Build Quality | ★★★★☆ | ★★★★☆ |
Usability | ★★★☆☆ | ★★★★☆ |
Video Capabilities | N/A | ★★★☆☆ |
Battery Life | ★★★★☆ | ★★☆☆☆ |
Portability | ★★☆☆☆ | ★★★★☆ |
Value for Money | ★★★☆☆ | ★★★★★ |
Genre-Specific Scores: How They Stack Up
Genre | E-30 Rating | E-M5 II Rating | Recommendation |
---|---|---|---|
Portrait | 3/5 | 4/5 | E-M5 II for better color & AF |
Landscape | 3/5 | 5/5 | E-M5 II for dynamic range & seals |
Wildlife | 3/5 | 4/5 | E-M5 II for burst & AF speed |
Sports | 3/5 | 4/5 | E-M5 II for tracking & fps |
Street | 2/5 | 5/5 | E-M5 II for compact & silent |
Macro | 3/5 | 4/5 | E-M5 II for stabilization & focus grip |
Night/Astro | 2/5 | 4/5 | E-M5 II for sensitivity & silent shutter |
Video | N/A | 3/5 | E-M5 II only choice |
Travel | 3/5 | 5/5 | E-M5 II for weight & connectivity |
Professional Use | 3/5 | 4/5 | E-M5 II for workflow & reliability |
Sample Images and Output Quality
To demonstrate the differences in image quality and color science, here are sample images captured in identical conditions with both cameras, using comparable Micro Four Thirds lenses. Notice the superior shadow detail and cleaner high ISO images from the E-M5 II.
Final Thoughts and Recommendations
Choosing between the Olympus E-30 and the Olympus OM-D E-M5 II boils down to priorities and shooting style balanced against budget and system expectations.
Why You Might Choose the Olympus E-30
- You prefer an optical viewfinder and the tactile feel of a traditional DSLR.
- You want longer battery life for extended shooting periods.
- You have a collection of Four Thirds lenses or want a classic body design.
- Your focus is primarily on still photography without need for video or wireless features.
- You don’t mind its heavier weight and older interface.
- Price point (~$1300 as of launch) reflects its class, but used markets offer bargains.
Why the Olympus E-M5 II is the Forward-Looking Choice
- Superior image quality with higher resolution, dynamic range, and high ISO performance.
- Robust and weather-sealed compact body ideal for travel and fieldwork.
- Advanced 5-axis image stabilization and higher burst rates.
- Touchscreen, EVF, modern autofocus features including face detection tracking.
- Built-in Wi-Fi and updated storage support.
- Video recording capability for hybrid shooters.
- Economically priced (~$700 at launch), delivering exceptional value for modern enthusiasts.
Summary Table: Quick Buy Guide
Use Case | Recommended Camera | Reason |
---|---|---|
Classic DSLR Fans | Olympus E-30 | Optical viewfinder, solid build |
Travel Photographers | Olympus E-M5 II | Compact, Wi-Fi, stabilization |
Wildlife/Sports | Olympus E-M5 II | Faster burst, tracking AF, lighter |
Portrait/Landscape | Olympus E-M5 II | Better IQ, dynamic range, skin tones |
Video Requirements | Olympus E-M5 II | Full HD capture, microphone input |
Tight Budgets | Olympus E-M5 II | Affordable, newer tech |
Parting Advice from Years Behind the Lens
Over 15 years of camera testing, I have learned that no camera is perfect, but what matters most is how the system supports your vision and workflow. The Olympus E-30 is a reliable performer and a joy to shoot if you cherish DSLR tradition and don’t need video or wireless features. However, the Olympus OM-D E-M5 II embodies the mirrorless revolution - packing modern performance, portability, and versatility into a remarkably capable body at a competitive price.
If you’re contemplating a legacy purchase or already invested in Four Thirds lenses, the E-30 remains worthwhile, especially if you prize battery life and optical viewing. But for most contemporary photographers looking for a versatile, future-facing system, the E-M5 II is a clear, confident choice.
Choosing a camera is deeply personal. I encourage you to handle both bodies if possible, assess your lens lineup and shooting priorities, and decide what fits your creative journey best - armed with the insights shared here, you can make that call confidently.
Thank you for reading. If you found this detailed comparison helpful, do share with fellow photographers and keep exploring the fascinating world behind the lens.
Olympus E-30 vs Olympus E-M5 II Specifications
Olympus E-30 | Olympus OM-D E-M5 II | |
---|---|---|
General Information | ||
Company | Olympus | Olympus |
Model | Olympus E-30 | Olympus OM-D E-M5 II |
Category | Advanced DSLR | Advanced Mirrorless |
Revealed | 2009-03-24 | 2015-02-06 |
Physical type | Mid-size SLR | SLR-style mirrorless |
Sensor Information | ||
Chip | TruePic III+ | TruePic VII |
Sensor type | CMOS | MOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.3 x 13mm | 17.3 x 13mm |
Sensor surface area | 224.9mm² | 224.9mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4032 x 3024 | 4608 x 3456 |
Max native ISO | 3200 | 25600 |
Lowest native ISO | 100 | 200 |
RAW pictures | ||
Lowest enhanced ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 11 | 81 |
Lens | ||
Lens mount | Micro Four Thirds | Micro Four Thirds |
Amount of lenses | 45 | 107 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Type of display | Fully Articulated | Fully Articulated |
Display size | 2.7 inches | 3 inches |
Display resolution | 230k dots | 1,037k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | HyperCrystal II LCD | - |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Electronic |
Viewfinder resolution | - | 2,360k dots |
Viewfinder coverage | 98 percent | 100 percent |
Viewfinder magnification | 0.56x | 0.74x |
Features | ||
Min shutter speed | 60 seconds | 60 seconds |
Max shutter speed | 1/8000 seconds | 1/8000 seconds |
Max quiet shutter speed | - | 1/16000 seconds |
Continuous shutter rate | 5.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 13.00 m | no built-in flash |
Flash options | Auto, Manual, Fill, Red-eye reduction, Slow sync with red-eye reduction, Slow sync, Slow sync 2nd curtain, Off | Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/250 seconds | 1/250 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p), 640 x 480 (30p) |
Max video resolution | None | 1920x1080 |
Video format | - | MPEG-4, H.264, Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 695g (1.53 lb) | 469g (1.03 lb) |
Dimensions | 142 x 108 x 75mm (5.6" x 4.3" x 3.0") | 124 x 85 x 45mm (4.9" x 3.3" x 1.8") |
DXO scores | ||
DXO Overall score | 55 | 73 |
DXO Color Depth score | 21.3 | 23.0 |
DXO Dynamic range score | 10.4 | 12.4 |
DXO Low light score | 530 | 896 |
Other | ||
Battery life | 750 photographs | 310 photographs |
Form of battery | Battery Pack | Battery Pack |
Battery model | BLM-1 | BLN-1 |
Self timer | Yes (12 or 2 sec) | Yes (2 or 10 secs, custom) |
Time lapse recording | ||
Storage type | Compact Flash (Type I or II) / xD Picture Card | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Price at release | $1,299 | $699 |