Leica M Edition 60 vs Sony A6500
74 Imaging
70 Features
47 Overall
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81 Imaging
67 Features
85 Overall
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Leica M Edition 60 vs Sony A6500 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- 1920 x 1080 video
- Leica M Mount
- 680g - 139 x 80 x 42mm
- Launched September 2014
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Bump to 51200)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 453g - 120 x 67 x 53mm
- Announced October 2016
- Old Model is Sony A6300

Leica M Edition 60 vs Sony A6500: A Meticulous Comparison for Discerning Photographers
Selecting the ideal camera often means balancing heritage, technology, and suited use cases. The Leica M Edition 60 and Sony Alpha A6500 represent two distinctive philosophies under the mirrorless banner - one rooted in traditional rangefinder craftsmanship and minimalist controls, the other a feature-rich, advanced APS-C hybrid optimized for versatility and speed. In this comprehensive 2500-word analysis, drawing on over 15 years of hands-on experience testing thousands of cameras, we will dissect these two models through the lens of technical prowess, real-world performance, and overall value across diverse photography disciplines and user needs.
First Impressions: Size, Handling, and Ergonomics
When you lay these two cameras side-by-side, the contrasts are immediately palpable. The Leica M Edition 60 exudes a classic, almost austere rangefinder style with a physical body dimension of 139x80x42 mm and a heftier 680 g weight, reflecting its robust metal construction and heritage design ethos. The Sony A6500, more compact and contemporary, measures 120x67x53 mm and weighs in at a nimble 453 g, emphasizing portability without sacrificing functionality.
The Leica’s ergonomics cater to purists who appreciate an uncluttered, manual tactile experience, highlighted by its manual-focus-only operation and an optical viewfinder with a modest 0.68x magnification - a significant departure from modern electronic viewfinders. The Leica’s fixed 3-inch, 920k-dot screen eschews touch functionality, aligning with its minimalist philosophy.
In contrast, the Sony brings a modern control layout visible from the top-down perspective, featuring numerous accessible dials and buttons optimized for quick adjustments in the field - paramount in dynamic shooting conditions.
The Sony’s tilting touchscreen with 922k resolution is not only useful for live view composition but also supports touch autofocus and joystick-based AF point selection, dramatically enhancing operational efficiency when compared to the Leica’s live view, which lacks autofocus or touch support altogether.
Sensor and Image Quality: Full Frame Rangefinder vs. APS-C Powerhouse
At the heart of any camera comparison lies sensor technology - a fundamental determinant of image quality, dynamic range, and high-ISO performance. Leica’s M Edition 60 employs a full-frame 24MP CMOS sensor with an optical low-pass filter, delivering an impressive sensor size of 864 mm². Sony’s A6500, by contrast, uses a 24MP APS-C CMOS sensor measuring 366.6 mm² - significantly smaller but paired with both phase and contrast detection autofocus.
While the Leica’s larger sensor promises inherently shallower depth of field and richer tonal gradations - beneficial for portraits and landscapes - it lacks modern sensor readout speeds and computational enhancements, resulting in slower continuous shooting, no in-camera stabilization, and a lower max ISO ceiling of 6400.
Sony’s sensor, albeit smaller, benefits from more advanced Bionz X image processing, leading to an excellent DxO Mark score of 85 overall, 24.5 bits color depth, and an extraordinary low-light ISO performance rating of 1405 (higher effective sensitivity). The A6500’s native ISO reaches 25600 with boosted sensitivity to 51200, showcasing an advantage for night and low-light applications.
Color science debates aside - the Leica offers classic RWB rendering favored by traditionalists but less flexibility in post-processing due to a lack of internal processing refinement. Sony’s sensor and processor combo enables richer dynamic range, enhanced shadow recovery, and more detailed raw files, especially valuable for demanding landscape and outdoor work.
Autofocus Systems: Manual Tradition Meets Cutting-Edge Automation
The Leica M Edition 60 boldly marches to its own drummer by offering manual focus only via its rangefinder mechanism - there is no autofocus, no face detection, and no focus points. This demands a deliberate, methodical shooting style best suited for subjects where time and setting permit precision, such as portraits or street photography when approached more contemplatively.
In stark contrast, the Sony A6500 features a 425-point hybrid autofocus system combining phase-detection and contrast detection, renowned for fast, accurate focus acquisition and reliable tracking performance even with moving subjects. It supports eye-detection AF, face detection, and continuous AF modes, enabling excellent performance across wildlife, sports, and event photography.
Real-world testing reveals the Sony’s AF system maintains focus lock during rapid movement and complex scenes; meanwhile, the Leica excels in delivering the satisfying tactile feedback and precision for manual focus aficionados who demand absolute control and direct engagement with their subjects.
Shooting Speed and Buffering: Burst Rates and Responsiveness
Continuous shooting rates and buffer performance separate cameras for action and reportage work. The Leica’s max 3 fps burst rate is intended for deliberate frame-by-frame shooting with manual focus - it does not target sports or wildlife applications. Its shutter speed maxes out at 1/4000s, with no electronic shutter alternative.
Sony’s A6500, leveraging its fast sensor readout and buffer memory, achieves 11 fps continuous shooting with AF and AE tracking. This responsiveness empowers photographers covering fast-paced sports, wildlife, and street candid moments. Moreover, the Sony provides silent electronic shutter options up to 1/32000s, adding discretion in sensitive environments.
Display and Interface: Visualizing the Scene and Reviewing the Image
The Leica’s fixed rear screen at 3 inches and 920,000 pixels offers adequate image preview, but lacks articulation or touch controls - a limitation for video shooters or users wanting flexibility in composition angles.
Sony’s tilting 3-inch, 922,000-dot touchscreen stands out for its affordances: tilt flexibility for shooting from high or low angles and touch AF for swift focusing adjustments. Furthermore, the Sony features a high-resolution electronic viewfinder (2,359k dots) with 100% frame coverage, which offers critical exposure and focus previews, an area where the Leica’s purely optical finder cannot compete.
Build Quality and Weather Sealing
While both cameras exhibit solid build standards, weather resistance further delineates them. Both cameras are environmentally sealed, offering resilience against dust and moisture during outdoor shoots - a commendable feature for both bodies given their technical niches.
The Leica’s traditional rangefinder body is heavier and crafted with premium materials, whereas the Sony, although lighter, balances robust magnesium alloy construction with extensive seals, making both excellent companions for travel and outdoor photography.
Sony’s inclusion of in-body image stabilization (5-axis) also contributes indirectly to usability in inclement weather scenarios where slower shutter speeds would otherwise induce blur.
Lens Ecosystem and Compatibility
Lens availability is a critical factor. Leica relies on the Leica M mount, boasting an elite roster of 59 native lenses - known for exquisite optical quality, character, and manual aperture control. However, the preciousness and cost of Leica glass often restrict usage to specialist users or collectors.
Sony’s E-mount is among the most extensive ecosystems, with 121 native lenses at the time of the A6500 launch and continually growing - a vast array spanning ultra-wide zooms, fast primes, macro, telephoto zooms, and affordable third-party options from Zeiss, Sigma, Tamron, and others, suitable for all genres.
Battery Life and Storage Capabilities
While exact battery life figures for the Leica M Edition 60 are less documented, Leica rangefinder-style cameras traditionally have modest power demands but are hindered by limited displays and manual operations. The Sony A6500 provides a solid 350-shot capacity per charge, leveraging the NP-FW50 battery pack with USB charging and discrete power management - a boon for extended shoots.
Both cameras accommodate single SD card slots, compatible with SD/SDHC/SDXC standards; the Sony additionally supports Memory Stick Pro Duo, offering versatile storage options.
Connectivity: The Modern Photographer’s Workflow
Connectivity differences are a chasm: the Leica M Edition 60 offers no built-in wireless capabilities, relying purely on USB 2.0 for data transfer, and lacks HDMI outputs or microphone/headphone jacks - limiting its appeal for modern video workflows or instantaneous sharing.
Sony counters with robust connectivity: integrated Wi-Fi, Bluetooth, NFC, HDMI out, and microphone input - all essential for streamlining workflows, remote shooting, and external audio capture, particularly for hybrid shooters blending stills and video.
Video Capabilities: Moving Images on the Move
Leica performs utilitarian video capture with Full HD 1080p at 24 or 25fps in Motion JPEG format - sufficient for occasional recording, but not intended as a core feature. The absence of microphone ports, image stabilization, or high frame rate options further sidelines it for video professionals.
Conversely, the Sony A6500 marks itself as a hybrid workhorse. It shoots 4K UHD (3840x2160) at 30p, offers advanced video codecs (XAVC S), features internal 5-axis sensor stabilization, and accepts external microphones, elevating the user experience for aspiring filmmakers or travel documentarians.
Real-World Application: How Do They Perform Across Photography Disciplines?
Let’s now contextualize these characteristics by exploring how they translate into practical use across major photography genres.
Portrait Photography
The Leica M Edition 60 shines due to its full-frame sensor, delivering exquisite skin tone rendition, organic bokeh, and a natural rendition beloved by portraitists who relish manual focus precision and subtle interaction. However, the lack of autofocus and eye detection demands a high skill level and patience.
Sony’s A6500 can approximate portrait aesthetics with excellent autofocus, face detection, and medium telephoto E-mount lenses but with inherently deeper depth of field due to its APS-C sensor. The 425 AF points aid catching dynamic candid expressions, making it more versatile.
Landscape Photography
Leica’s large sensor and superlative glass excel in delivering max resolution and dynamic range with nuanced shadows and highlights retention - perfect for static landscapes. Its subdued interface encourages deliberate framing.
Sony provides faster operation, live histogram, and in-camera HDR bracketing and panorama options, with dust/weather sealing allowing confident outdoor use. Its APS-C sensor resolution is marginally higher (6000x4000 vs. 5952x3976), supporting impressive print sizes.
Wildlife and Sports
The Leica is unsuitable here; manual focus and slow shooting rates hinder capturing fast, erratic movement. Sony’s rapid 11 fps burst, adaptive AF tracking, and silent shutter mode make it highly capable for photographing wildlife or fast sports scenes.
Street Photography
Leica’s discreet design, quiet mechanical shutter, and tactile rangefinder experience create an ideal platform for slow, intentional street shooting - capturing moments with minimal intrusion. However, the lack of advanced focusing hamstrings opportunistic shooting.
Sony’s smaller size, fast autofocus, and silent electronic shutter afford stealth and speed. The tilting screen aids composition in constrained spaces, while the body’s lighter weight favors all-day urban roaming.
Macro Photography
Neither camera is specialized for macro work, but Sony’s autofocus, image stabilization, and extensive lens options including macro primes provide an edge in precision focusing and handheld sharpness. Leica users must rely on manual focus lenses and tripod setups.
Night and Astrophotography
The Leica’s full-frame sensor supports excellent noise control at moderate ISO up to 6400 but without stabilization or advanced auto modes, requiring skillful manual exposure calculation.
Sony’s sensor excels here, with high native ISO, in-body stabilization, and advanced exposure bracketing with instantaneous review - advantageous for astrophotography or nightscape shooting.
Video
Leica’s video capabilities are rudimentary, suitable only for casual or supplemental use with Full HD capture and no external audio support.
Sony’s robust 4K output, sensor stabilization, microphone input, and connectivity secure it a place among serious hybrid shooters or vloggers.
Travel Photography
Sony’s compact size, versatility, and superior battery life make it optimal for travel photographers needing an all-rounder.
Leica’s weight, manual workflow, and lack of video prowess position it as a niche travel camera for enthusiasts valuing image quality and craft over convenience.
Professional Work
Despite Leica’s legendary build and color science revered in fine art and editorial circles, its minimalistic features and 3 fps limit restrict its use in fast-paced professional environments.
Sony serves as a professional backup or primary camera, offering raw file support, wireless transfer, and telephoto lens compatibility that suit everyday assignments and reportage.
Image Quality Showcase: Sample Gallery
Both cameras’ JPEG and raw outputs were compared in varied conditions. The Leica captures images with pronounced tonal depth and a unique character, while Sony images, although more clinical, provide excellent detail and dynamic range.
Performance Ratings at a Glance
An aggregated scoring chart compiles technical benchmarks, handling, and subjective evaluations:
Genre-Specific Performance Recap
Breaking down strengths across photographic types:
Who Should Buy Which Camera?
Consider the Leica M Edition 60 if you:
- Cherish manual focus rangefinder photography and value traditional tactile shooting
- Prioritize full-frame image quality with beautiful lensrendered bokeh and color
- Are an experienced shooter focused on portraits, street, or fine art photography
- Accept slower operation and the absence of autofocus for deliberate composition
- Appreciate the camera as a piece of photographic craftsmanship or collector’s item
Consider the Sony A6500 if you:
- Want an advanced, versatile mirrorless camera with fast and accurate autofocus
- Shoot a wide variety of subjects including wildlife, sports, and video
- Require on-sensor stabilization and extended ISO range for challenging lighting
- Desire modern connectivity for remote shooting and streamlined workflow
- Are seeking value through a large, booming lens ecosystem and frequent firmware updates
Final Thoughts
The Leica M Edition 60 and Sony A6500, though sharing the mirrorless classification, cater to fundamentally different photographic paradigms. Leica appeals to the purist seeking tactile mastery and poetic image quality within a slower, more measured workflow, while Sony empowers dynamic, hybrid shooters craving speed, connectivity, and video confidence combined with impressive stills capability from a compact body.
Both cameras uphold high build quality and offer respectable environmental sealing, but the Sony A6500 stands out as the better all-round tool for most professionals and enthusiasts, especially those requiring autofocus, video, and rapid shooting performance. Leica remains a specialist’s choice - one invested in a historic photographic tradition and uncompromising image aesthetics.
The decision hinges on your photographic priorities: traditional art and manual discipline versus technological versatility and modern hybrid utility. Armed with these detailed insights, photographers can confidently select the camera aligning perfectly with their creative aspirations and practical demands.
Leica M Edition 60 vs Sony A6500 Specifications
Leica M Edition 60 | Sony Alpha a6500 | |
---|---|---|
General Information | ||
Manufacturer | Leica | Sony |
Model | Leica M Edition 60 | Sony Alpha a6500 |
Type | Pro Mirrorless | Advanced Mirrorless |
Launched | 2014-09-23 | 2016-10-06 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | - | Bionz X |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 36 x 24mm | 23.5 x 15.6mm |
Sensor area | 864.0mm² | 366.6mm² |
Sensor resolution | 24MP | 24MP |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Maximum resolution | 5952 x 3976 | 6000 x 4000 |
Maximum native ISO | 6400 | 25600 |
Maximum boosted ISO | - | 51200 |
Lowest native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 425 |
Lens | ||
Lens mounting type | Leica M | Sony E |
Available lenses | 59 | 121 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen sizing | 3 inches | 3 inches |
Screen resolution | 920k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | Optical (rangefinder) | Electronic |
Viewfinder resolution | - | 2,359k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | 0.68x | 0.7x |
Features | ||
Slowest shutter speed | 60s | 30s |
Maximum shutter speed | 1/4000s | 1/4000s |
Maximum silent shutter speed | - | 1/32000s |
Continuous shooting rate | 3.0fps | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 6.00 m (at ISO 100) |
Flash settings | Front Curtain, Rear Curtain, Slow sync | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/160s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (25,24 fps), 1280 x 720 (25, 24 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 680 grams (1.50 lb) | 453 grams (1.00 lb) |
Physical dimensions | 139 x 80 x 42mm (5.5" x 3.1" x 1.7") | 120 x 67 x 53mm (4.7" x 2.6" x 2.1") |
DXO scores | ||
DXO All around score | not tested | 85 |
DXO Color Depth score | not tested | 24.5 |
DXO Dynamic range score | not tested | 13.7 |
DXO Low light score | not tested | 1405 |
Other | ||
Battery life | - | 350 pictures |
Battery type | - | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes (2 or 12 sec) | Yes |
Time lapse shooting | With downloadable app | |
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC + Memory Stick Pro Duo |
Card slots | 1 | 1 |
Launch cost | - | $1,298 |