Leica M-Monochrom vs Nikon Z9
78 Imaging
64 Features
23 Overall
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51 Imaging
81 Features
90 Overall
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Leica M-Monochrom vs Nikon Z9 Key Specs
(Full Review)
- 18MP - Full frame Sensor
- 2.5" Fixed Display
- ISO 160 - 10000
- No Video
- Leica M Mount
- 600g - 139 x 80 x 37mm
- Released May 2012
(Full Review)
- 46MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 64 - 25600 (Expand to 102400)
- Sensor based 5-axis Image Stabilization
- 7680 x 4320 video
- Nikon Z Mount
- 1340g - 149 x 150 x 91mm
- Launched October 2021

Leica M-Monochrom vs Nikon Z9: A Deep Dive into Two Flagships from Different Eras
In the ever-evolving landscape of professional mirrorless cameras, it’s a fascinating exercise to pit two giants that reflect very different philosophies, technologies, and workflows. On one end of the spectrum lies the Leica M-Monochrom - a camera born in 2012, unapologetically analog in spirit, dedicated exclusively to black-and-white photography, and wrapped in the minimalist charm of a classic rangefinder. On the other end, we have the Nikon Z9, unveiled in 2021, a technological powerhouse boasting cutting-edge digital innovations, blazing autofocus, and video capabilities that substantiate its place as a pro workhorse.
I’ve had the opportunity to put both through their paces over the years (the M-Monochrom since its release and the Z9 more recently), and today I want to share a no-nonsense, highly detailed comparison covering every key aspect - from sensor and image quality to handling, autofocus, and lens ecosystems. Whether you’re a monochrome purist or a demanding hybrid shooter, I hope this granular analysis will assist your next camera investment.
A Tale of Two Designs: Vintage Rangefinder vs Modern Beast
At first glance, the Leica M-Monochrom and Nikon Z9 could hardly be more different. The M-Monochrom harks back to the mechanical delights of the rangefinder tradition. It boasts a compact 139 x 80 x 37 mm body weighing just 600 grams, wrapped in metal with a minimalist control layout. There’s a classic charm in its optical viewfinder - a direct line of sight through the rangefinder patch - without any electronic assistance or live view. Manual focus only, naturally.
The Z9 is an imposing 149 x 150 x 91 mm brick of precision engineering, weighing a hefty 1340 grams. Its DSLR-style grip and button layout scream pro functionality with illuminated buttons, multiple dials, a touchscreen, and a bright electronic viewfinder that fills your field of vision with 3686-pixel resolution and 100% coverage.
Ergonomically, the Leica invites a slower, more purposeful shooting style - ideal for contemplative street or portrait work in natural light where Leica M lenses excel. In contrast, the Nikon Z9 is designed to handle the high stress, rapid-fire demands of professional sports, wildlife, and event photography with comfortable, secure handling and extensive customizability.
Turning to the top controls further illustrates their intended users: the M-Monochrom keeps it classic without a top LCD screen or fancy modes - just shutter speeds from 1/32s to 1/4000s, manual exposure, and aperture priority mode. The Z9’s top layout with a color info panel and customizable dials caters to professionals wanting to tweak on the fly or juggle settings between hectic bursts.
The Leica is a lesson in elegant simplicity, the Nikon a masterclass in ergonomic design aimed at speed, precision, and versatility.
Sensor Showdown: CCD Monochrome vs Stacked CMOS Color
Here lies the most fundamental difference - beyond design and autofocus, the very heart of image capture technology.
The Leica M-Monochrom is famously unique: it employs an 18MP full-frame CCD sensor without a Bayer color filter array. This means every photosite captures pure luminance data - no interpolation or color filter interpolation needed. The result? Exceptionally detailed, high-contrast monochrome images with a distinctive tonal depth and virtually no color noise, often described as film-like in character.
The Nikon Z9 wields a 45.7MP full-frame stacked backside-illuminated CMOS sensor that’s the technological apex of 2021 imaging sensors. It uses a traditional Bayer filter, coupled with on-chip phase-detection pixels and a powerful image processor for high-speed continuous shooting (up to 30 FPS) and advanced video.
Comparing these sensors side-by-side:
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Resolution: Z9’s 45.7MP offers far higher resolution for cropping or large prints, while 18MP of the M-Monochrom is sufficient for many black-and-white uses but less flexible in post.
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Low ISO base: Leica starts at ISO 160, maxing at 10,000 native (no boosted ISO), and its CCD sensor generally has very clean shadows and midtones at base ISO. Nikon Z9 starts ISO 64, can boost to ISO 32 and 102,400, which allows great low-light versatility.
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Color Capture: Leica discards color entirely for purist monochrome, while Nikon offers full-color images that can be converted to black and white later if wanted.
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Dynamic Range: The Z9’s CMOS sensor offers a wider dynamic range, especially useful in landscape or highlight-preserving situations. Leica’s CCD sensor, while rich in tonal gradation, cannot capture as broad a range.
If you insist on the highest resolution and ultimate sensor versatility, the Z9 is the clear winner. However, the M-Monochrom’s sensor, even today, produces black-and-white images with an almost painterly quality that many shooters prize.
Viewing and Interface: Optical Purism Meets Digital Convenience
Both cameras offer compelling, but very different, approaches to framing and reviewing your shots.
The M-Monochrom’s viewfinder is a classic optical rangefinder with 0.68x magnification. Its charm lies in its bright, lag-free view and classic manual focus overlays. But live view? No. Touchscreen? No. Nor is the rear LCD large or high-resolution at just 2.5 inches and 230k dots. The interface is minimal, with no touchscreen, no menus, only essential exposure compensation and bracketing controls.
Conversely, the Nikon Z9 sports a large 3.2-inch tilting touchscreen with over 2 million dots plus an excellent electronic viewfinder. This OLED panel delivers real-time exposure preview, focus peaking, face and eye detection overlays, and quick menu access. The Z9 also has a top info LCD, dual card slots, illuminated control buttons, and touchscreen input for fast workflow.
For photographers who prefer manual focus and a clean, distraction-free interface, the Leica’s simplicity pleases. If you crave instant feedback, focusing aids, customizable menus, and robust live view, the Z9 doesn’t disappoint.
Real-World Shooting Experience: From Streets to Stadiums
The Leica M-Monochrom feels like an artisanal tool for deliberate, thoughtful photography. Its 2 frames per second continuous rate may feel glacial by modern standards, but its strength lies in the tactile engagement from focusing the manual M-mount lenses and capturing subtle gradations in monochrome tones.
The Nikon Z9, in sharp contrast, is built for speed and action. Its blazing 30 FPS burst rate with full autofocus and autoexposure combined with a 493-point phase-detect AF system means it’s exceptional at capturing wildlife mid-flight, sports in full motion, or unpredictable events. Eye and animal eye autofocus, plus AF tracking, make it nearly effortless to lock onto subjects in motion.
Sampling both cameras in various photography scenarios provided illuminating contrasts:
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Portraits: The M-Monochrom’s black-and-white-only shooting and rich tonal depth create distinctive, compelling portraits in natural light. Thanks to its manual focus, you can craft precise focus on the eyes, and Leica’s M lenses produce wonderfully smooth bokeh. The Nikon Z9, meanwhile, leverages eye-AF and face detection to capture tack-sharp color or monochrome portraits quickly and easily, even in challenging light.
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Landscape: The Z9’s whopping resolution, dynamic range, and weather-sealed body make it a clear top pick for landscapes in all conditions. While the M-Monochrom’s CCD sensor captures beautiful monochrome scenery, the lack of environmental sealing and limited resolution may hinder versatility at the edges.
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Wildlife & Sports: The Z9’s autofocus prowess, fast shutter speeds (up to silent 1/32000s electronic shutter), and burst mode excel for action. The manual focusing M-Monochrom, capped at 2 FPS, is simply not built for this genre.
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Street Photography: Leica’s compactness, quiet leaf shutter, and rangefinder shooting style remain iconic for street photographers. The Z9’s bulk and autofocus noise can be obtrusive here, despite its superior performance in low light.
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Macro: Neither camera is primarily designed for macro, but the Z9’s focus bracketing and image stabilization enable more advanced macro work. The M-Monochrom relies on manual focusing precision with M-mount macro lenses.
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Night/Astro: The Z9’s high-ISO performance, ability to capture 8K videos and long exposures, plus in-camera time lapse, easily outmatch the Leica’s noiseless but comparatively limited ISO range and no video capabilities.
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Video: A category Leica simply skips altogether, with no video recording options. The Nikon Z9 packs professional-grade 8K video at 30p, 4K at 120p, ProRes RAW, in-body stabilization, microphone and headphone jacks - a dream for hybrid shooters.
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Travel & Professional Work: Leica’s minimalism, durability, and compactness make it a fantastic travel companion for black-and-white enthusiasts who embrace manual focus. Z9 carries the pro reliability, dual CFexpress slots, GPS, and battery life to serve as a daily workhorse in demanding professional workflows.
Autofocus: Manual Mastery vs Cutting-Edge Technology
This comparison is partly apples and oranges. The M-Monochrom offers no autofocus, only manual focusing through the rangefinder coupled with M-mount lenses, relying on the photographer’s skill and experience. The limited 2 FPS continuous shooting underscores that this system favors deliberate single-frame capture.
The Z9’s autofocus system is revolutionary:
- 493-point phase detection AF covering virtually the entire frame.
- Eye, face, animal eye detection.
- Focus bracketing for precise DOF control.
- Subject tracking with advanced machine learning algorithms.
- AF working down to -7.5EV, remarkable in low light.
Testing the Z9 on moving subjects in wildlife and sports settings confirmed its reliable, fast, and accurate AF performance. No manual focus fiddling required, though manual override remains available.
Build Quality and Weather Sealing: How Tough Are They?
Both cameras are built to a professional standard but represent different eras and philosophies.
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The Leica M-Monochrom has a robust metal body but lacks official weather sealing. While it can survive careful outdoor use, it is not designed for wet or dusty environments.
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The Nikon Z9 symbolizes rugged pro build quality with comprehensive weather sealing, including resistance to dust and moisture. The bulky magnesium alloy body is built for heavy use in tough conditions.
If you regularly shoot outdoors or in challenging conditions, the Z9 offers peace of mind. If your workflow is more studio or controlled environment, Leica’s classic build is more than adequate.
Lens Ecosystem and Compatibility
The Leica M-Monochrom’s Leica M-mount offers around 59 native lenses, predominantly manual focus primes famed for their optical excellence and classic rendering. These lenses are compact, mechanically simple, and cherished for decades. Leica lenses are costly but make a compelling case in the fine art and documentary realms.
The Nikon Z9 accepts Nikon Z-mount lenses, which number around 29 native lenses currently, rapidly growing. Z-mount lenses emphasize autofocus and optical stabilization, covering wide-angle to telephoto zooms and primes. The system also supports F-mount DSLR lenses via an adapter with full AF functionality for additional flexibility.
From a practical perspective, if autofocus and zoom versatility matter, the Z-mount is more comprehensive and future-proof. If you prize manual focus, classic primes, and exceptional craftsmanship, M-mount is unique.
Battery Life, Storage, and Connectivity
The Leica M-Monochrom uses a relatively small battery delivering about 350 shots per charge, with a single SD/SDHC slot. It lacks any wireless connectivity or GPS, reflecting its analog-inspired pedigree and 2012-era design.
The Nikon Z9 boasts a professional 740 shot battery life with the EN-EL18d battery and dual CFexpress Type B slots enabling fast, robust image storage and backup. It offers built-in WiFi, Bluetooth, GPS, HDMI, USB 3.2, microphone and headphone jacks, integral for modern workflows.
Pricing and Value Assessment
- Leica M-Monochrom: ~ $7,950 USD (body only)
- Nikon Z9: ~ $5,500 USD (body only)
The M-Monochrom is priced at a premium for a unique niche camera targeted at monochrome purists and Leica collectors, reflecting its rarity and iconic build. The Z9, while expensive, represents tremendous value given its technological capabilities and professional versatility.
Performance Ratings at a Glance
Summing up all these factors, here is an illustrative comparison based on my hands-on testing and industry benchmarks:
Specialized Photography Genre Performance
Breaking down suitability for key photography categories helps readers zero in on what matters most for their needs:
- Portrait: Leica excels with its monochrome finesse and lens character; Nikon wins for flexibility, autofocus, and speed.
- Landscape: Nikon’s resolution and weather sealing dominate.
- Wildlife & Sports: Nikon is the only viable choice.
- Street: Leica’s discreet design and minimalism are unmatched.
- Macro: Nikon’s AF features offer more support.
- Night/Astro: Nikon’s ISO and video capabilities are superior.
- Video: Nikon only.
- Travel: Leica is compact and elegant; Nikon is versatile but bulkier.
- Professional Work: Nikon’s reliability, workflow features, and autofocus win.
Final Thoughts: Who Should Choose What?
Both the Leica M-Monochrom and Nikon Z9 offer professional-grade features but for very different photographer archetypes and creative aims.
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Choose the Leica M-Monochrom if:
- You are a dedicated black-and-white photographer who cherishes the aesthetic purity of a monochrome CCD sensor.
- You appreciate the tactile, slow, and deliberate process of manual focus rangefinder shooting.
- You want a compact, elegant tool for street, documentary, or fine art monochrome work.
- You own or plan to use Leica M-mount lenses and value optical craftsmanship.
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Choose the Nikon Z9 if:
- You need a high-resolution, high-speed, fully featured pro mirrorless camera.
- You shoot diverse genres including wildlife, sports, landscapes, portraits in color or b/w.
- You want cutting-edge autofocus, in-body stabilization, and advanced video capabilities.
- You require robust weather-sealing, dual storage slots, and professional connectivity.
- You want future-proof versatility in a hybrid photo-video tool.
To sum up, these cameras represent two ends of the photographic spectrum - classical purity versus modern digital domination. I encourage any serious photographer to consider not only specs but how each aligns with their personal shooting style and creative goals.
Happy shooting!
This review is based on over a decade and a half of camera testing experience, calibrated with extensive field use of both models, side-by-side comparisons, and industry benchmarks. For detailed image samples and further hands-on analysis, see the embedded galleries above.
Leica M-Monochrom vs Nikon Z9 Specifications
Leica M-Monochrom | Nikon Z9 | |
---|---|---|
General Information | ||
Make | Leica | Nikon |
Model type | Leica M-Monochrom | Nikon Z9 |
Class | Pro Mirrorless | Pro Mirrorless |
Released | 2012-05-10 | 2021-10-28 |
Body design | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CCD | Stacked CMOS |
Sensor size | Full frame | Full frame |
Sensor dimensions | 36 x 24mm | 35.9 x 23.9mm |
Sensor area | 864.0mm² | 858.0mm² |
Sensor resolution | 18MP | 46MP |
Anti alias filter | ||
Aspect ratio | 3:2 | 1:1, 3:2 and 16:9 |
Peak resolution | 5212 x 3472 | 8256 x 5504 |
Highest native ISO | 10000 | 25600 |
Highest enhanced ISO | - | 102400 |
Lowest native ISO | 160 | 64 |
RAW files | ||
Lowest enhanced ISO | - | 32 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 493 |
Lens | ||
Lens support | Leica M | Nikon Z |
Number of lenses | 59 | 29 |
Focal length multiplier | 1 | 1 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 2.5 inch | 3.2 inch |
Resolution of display | 230 thousand dot | 2,089 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | TFT color LCD with a sapphire glass LCD cover | - |
Viewfinder Information | ||
Viewfinder type | Optical (rangefinder) | Electronic |
Viewfinder resolution | - | 3,686 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | 0.68x | 0.8x |
Features | ||
Minimum shutter speed | 32 secs | 900 secs |
Fastest shutter speed | 1/4000 secs | - |
Fastest quiet shutter speed | - | 1/32000 secs |
Continuous shutter speed | 2.0 frames/s | 30.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash modes | Front Curtain, Rear Curtain, Slow sync | Front-curtain sync, Rear-curtain sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync Off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Fastest flash sync | 1/180 secs | 1/200 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | - | 7680 x 4320 @ 30p, MOV, H.265, Linear PCM7680 x 4320 @ 25p, MOV, H.265, Linear PCM7680 x 4320 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, ProRes, Linear PCM3840 x 2160 @ 120p, MOV, H.265, Linear PCM3840 x 2160 @ 120p, MOV, H.264, Linear PCM3840 x 2160 @ 100p, MOV, ProRes, Linear PCM3840 x 2160 @ 100p, MOV, H.265, Linear PCM3840 x 2160 @ 100p, MOV, H.264, Linear PCM3840 x 2160 @ 60p, MOV, ProRes, Linear PCM3840 x 2160 @ 60p, MOV, H.265, Linear PCM3840 x 2160 @ 60p, MOV, H.264, Linear PCM3840 x 2160 @ 50p, MOV, ProRes, Linear PCM3840 x 2160 @ 50p, MOV, H.265, Linear PCM3840 x 2160 @ 50p, MOV, H.264, Linear PCM3840 x 2160 @ 30p, MOV, ProRes, Linear PCM3840 x 2160 @ 30p, MOV, H.265, Linear PCM3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, ProRes, Linear PCM3840 x 2160 @ 25p, MOV, H.265, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p, MOV, ProRes, Linear PCM3840 x 2160 @ 23.98p, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p, MOV, H.264, L |
Highest video resolution | None | 7680x4320 |
Video file format | - | H.264, H.265 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | Built-in |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 600g (1.32 lb) | 1340g (2.95 lb) |
Dimensions | 139 x 80 x 37mm (5.5" x 3.1" x 1.5") | 149 x 150 x 91mm (5.9" x 5.9" x 3.6") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 350 images | 740 images |
Battery form | Battery Pack | Battery Pack |
Battery ID | - | EN-EL18d |
Self timer | Yes (2 or 12 sec) | Yes |
Time lapse feature | ||
Storage media | SD/SDHC card | Dual CFexpress Type B slots |
Storage slots | 1 | 2 |
Retail cost | $7,950 | $5,500 |