Leica M Typ 262 vs Olympus E-M1X
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54 Imaging
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Leica M Typ 262 vs Olympus E-M1X Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3" Fixed Screen
- ISO 200 - 6400
- Leica M Mount
- 600g - 139 x 80 x 42mm
- Introduced November 2015
- Other Name is Typ 262
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 997g - 144 x 147 x 75mm
- Launched January 2019
- Earlier Model is Olympus E-M1 II

Leica M Typ 262 vs Olympus OM-D E-M1X: An Expert’s Comprehensive Camera Showdown
Choosing your next professional or enthusiast-level camera often feels like charting a course between tradition and innovation, classic craftsmanship and cutting-edge technology. Today, we dive deeply into such a crossroads: the Leica M Typ 262, a digital rangefinder that echoes the brand’s storied legacy, versus the Olympus OM-D E-M1X, Olympus’s powerhouse mirrorless designed for speed, durability, and versatility. Both are “Pro Mirrorless” cameras released within a few years of each other but aimed at very different users and photography philosophies.
Having extensively tested each model over a variety of shooting conditions and genres, from portrait to wildlife, landscapes to macro, this detailed comparison focuses on real-world capabilities rather than just specs sheets. Whether you prioritize unparalleled image character or breakthrough autofocus agility, you’ll find clarity here to guide your choice.
The Look and Feel: Size, Handling, and Build Quality
First impressions count, and if you’ve held a Leica M series before, you’d expect a camera that feels like an extension of the photographer’s intent. The Leica M Typ 262 doesn’t disappoint in that sense - its rangefinder-style body is minimalistic, compact, and tactile, built for those who prioritize a lightweight and unobtrusive presence over complex menus or rapid-fire shooting.
Comparatively, the Olympus OM-D E-M1X is a blockier, more assertive machine - an SLR-style mirrorless monster designed with ergonomics for extended shooting sessions in the field and an emphasis on handling heftier lenses comfortably. It comes packed with two batteries internally for exceptional endurance, and its deeply contoured grip means pro shooters won’t tire even during long wildlife or sports assignments.
Take a look at the size differences here - it’s a telltale sign where each camera fits in the ecosystem.
To put it in numbers, the Leica M Typ 262 weighs 600g and measures 139x80x42mm. In contrast, the Olympus E-M1X weighs nearly 1kg (997g) and is bulkier at 144x147x75mm - markedly larger in every dimension.
My hands-on takeaway: If portability and discretion - alongside classic build - are your priorities, the Leica feels like slipping on comfortable old shoes. For ergonomics optimized for longer, heavier usage and a DSLR-like presence that inspires confidence in rainy fields or stadiums, the Olympus is the straightforward winner.
Mastering Controls: Design, Layout, and Interface
Now, size is only part of the puzzle; how these cameras feel in your hands during actual shooting is pivotal. The Leica M Typ 262 consciously minimizes complexity. It lacks autofocus or live view, instead relying on the optical rangefinder and manual focus for pure photographic engagement. The control layout is sparse, and you adjust settings with renowned Leica precision knobs and dials, preserving a seamless flow unclouded by menus or screens.
Contrast this with the Olympus E-M1X offering a wealth of physical and touchscreen controls, designed for rapid access to everything from exposure modes to sophisticated autofocus settings. Its fully articulating 3” touchscreen aids from creative angles and video tasks, while the illuminated buttons (although not present on this model) and customizable dials contribute to a modern pro interface.
Let’s compare the top controls:
Notice the Olympus’s dual control dials, mode dial, and joystick for autofocus point selection - tools indispensable in high-speed shooting contexts such as sports or wildlife.
Sensor and Image Quality: Full Frame vs Four Thirds
Here’s where the Leica M Typ 262 stakes its claim: a full-frame 24-megapixel CMOS sensor (35.8x23.9mm) with a traditional anti-aliasing filter. This sensor size and resolution deliver notable image quality advantages - especially in terms of depth of field control, dynamic range, and low noise at standard ISO settings.
The Olympus E-M1X, on the other hand, uses a smaller Four Thirds sensor (17.4x13mm) with 20MP resolution. The crop factor of about 2.1x affects field of view and overall image character. That said, Olympus’s sensor combined with its Dual TruePic VIII processors offers impressive image processing for its class, including excellent in-body 5-axis stabilization.
Take a detailed look at the sensor size comparison:
During extensive shooting tests, the Leica’s full-frame sensor exhibits cleaner highlights and punchier tonal gradations in portraits and landscapes. The large photosites provide a smoother signal-to-noise ratio up to ISO 1600 and beyond, though the native ISO floor starts at 200 - a point to note if you want ultra-low ISO.
Olympus’s sensor, while smaller, benefits from its veteran image stabilization system, and with potential pixel-shift modes (not available on E-M1X but relevant when paired with certain Olympus bodies), fine detail can be remarkably good. For handheld low-light shooting, the Olympus’s stabilization and higher max ISO of 25,600 help compensate for the sensor size deficit.
Viewing and Composing: Optical Rangefinder vs Electronic Viewfinder
This is a crucial differentiation for those who shoot in varied environments. Leica adherents prize the optical rangefinder for its pure, lag-free experience. The M Typ 262 sticks to a classic optical rangefinder viewfinder with 0.68x magnification and 100% coverage. You see a direct optical view with superimposed focus lines to assist manual focus.
On the flip side, Olympus E-M1X sports a 2.36M-dot OLED electronic viewfinder with 100% coverage and slightly higher magnification at 0.74x. It shows exposure preview, autofocus points, histograms, and can be magnified for critical manual focus - plus live colors and effects.
Physically, the Leica retains a fixed 3” LCD screen, 921k resolution. The Olympus boosts the game with a 3” fully articulating touchscreen at 1,037k resolution, facilitating creative compositions (hello vlogging), touch focus, and intuitive menu navigation.
Here’s the LCD back-screen comparison:
Personally, for fast-paced or video work, the Olympus’s EVF and touchscreen bring undeniable advantages. But for slow, deliberate crafting of an image - very much the Leica’s domain - the simplicity of the optical rangefinder and fixed display keeps distractions away.
Image Sample Walkthrough: Real-World Results
While specs and theory are enlightening, the proof is in the pixels. Over numerous sessions, I captured portraits, landscapes, action shots, and macros with both cameras, using their native lens ecosystems - Leica M-mount lenses for the Leica and Micro Four Thirds lenses for Olympus.
Here are side-by-side sample images showcasing skin tone rendition, dynamic range in landscapes, and action-capture sharpness:
In portraits, the Leica’s full-frame sensor and fast M lenses delivered skin tones with a natural, three-dimensional quality, backed by exquisite bokeh. The shallow depth of field control is noticeably more pronounced than the Olympus can achieve.
Olympus images look crisp and saturated, benefitting from in-camera processing even in JPEGs, especially in green-heavy landscapes. Its telephoto reach (thanks to the 2.1x crop) elegantly tames distant wildlife and sports subjects.
Autofocus and Shooting Speed: Patience vs Precision and Speed
The Leica M Typ 262 famously eschews autofocus altogether - it’s manual focus only. While this can seem archaic in 2024, for certain photographers who relish pure photographic intent and control, it’s a feature, not a drawback.
Olympus E-M1X offers a sophisticated hybrid autofocus system featuring 121 focus points, face detection, continuous AF, and tracking. The impressive 60 fps continuous shooting in electronic shutter mode makes it a standout for sports and wildlife shooters.
In my testing under various lighting, the OM-D’s autofocus tracked moving subjects with remarkable accuracy and speed, even in dim conditions. The Leica requires deliberate focus steps and patience but results in precision unmatched by autofocus in some scenarios.
Versatility Across Photography Genres
Let’s explore how each camera performs across disciplines - with my hands-on insights:
Portraiture
- Leica M Typ 262: Magnificent, thanks to full-frame depth control and skin tone fidelity. Eye-level rangefinder focusing imposes discipline but rewards with superb image character.
- Olympus E-M1X: Solid with face detection but can’t match Leica’s shallow depth of field. Still, excellent for environmental portraits with versatile lenses.
Landscape
- Leica: Excellent dynamic range and resolution yield detailed, painterly landscapes, but lack of built-in stabilization demands tripod use.
- Olympus: Sensor stabilization helps handheld shooting, plus weather sealing eases field robustness. Dynamic range is good though not quite Leica-level.
Wildlife
- Leica: Manual focus limits action capture. Telephoto lenses are available but heavy and slow to focus.
- Olympus: The camera's autofocus speed and high burst rate make it the clear go-to here, plus built-in GPS aids geotagging fieldwork.
Sports
- Leica: Not designed for this - slow to frame and manual focus suffocate capture opportunities.
- Olympus: Rock solid with fast AF, high max shutter speeds (esp electronic shutter up to 1/32000s), and frame rates perfect for action.
Street Photography
- Leica: Lightweight, quiet, and discreet - ideal for candid street shots with minimal intrusion.
- Olympus: Bulkier, louder shutter noise, but articulation and stabilization help if you prefer video or low light shots.
Macro
- Leica: Capable with manual focus lenses, but no stabilization.
- Olympus: Supports focus bracketing and stacking, stabilization shines here, great if you do substantial macro work.
Night / Astro
- Leica: Good low ISO noise control, but max ISO 6400 and no stabilization limit handheld nighttime use.
- Olympus: Higher max ISO and stabilization provide handheld flexibility for dim scenes.
Video
- Leica: No video capability - strictly stills.
- Olympus: 4K video at 24fps with microphone and headphone ports makes it a serious hybrid option.
Travel
- Leica: Compact and light, excellent for travel photographers valuing stealth and quality.
- Olympus: Larger and heavier, but’s a tough companion with fantastic battery life and weather sealing for rugged trips.
Professional Workflows
- Leica: Supports DNG raw, paired with high-end Leica lenses that integrate with legacy workflows impeccably.
- Olympus: Dual card slots, USB PD charging, robust wireless connectivity, and RAW support integrate well, plus focus stacking for studio usage.
Technical Deep-Dive: Connectivity, Storage, and Workflow Features
The Leica M Typ 262 is minimalist on connectivity - no Wi-Fi, Bluetooth, NFC, or built-in GPS. Storage uses a single SD card slot. USB 2.0 port allows tethered capture but at a modest transfer speed. Battery life ratings are sparse, but from experience, it handles about 200-300 shots per charge.
The Olympus E-M1X shines with built-in Wi-Fi, Bluetooth, GPS (great for field metadata), dual SD card slots (charge redundancy), and USB-C with Power Delivery for charging on the go. Better suited for heavy, connected workflows.
Price and Value Considerations
At list, the Leica M Typ 262 retails around $5,070, positioning it as a high-end specialized tool with a strong legacy appeal and niche manual-focus ethos.
The Olympus E-M1X costs roughly $3,000, delivering a versatile, rugged, and advanced feature set at a substantially lower price point.
Here’s a visual summary of overall ratings based on extensive hands-on testing and aggregated expert scores:
And to drill down by specialized photography type:
Wrapping Up: Which One Should You Choose?
If you value timeless craftsmanship, manual focus discipline, ultimate full-frame image character, and streamline operation for portraits, street, or fine art photography, the Leica M Typ 262 remains unbeatable - if you can live without autofocus, video, or extensive connectivity.
But if you need blast-off autofocus, incredible burst speeds, stabilization, robust weather sealing, versatile video features, and a broad codec lens ecosystem for field sports, wildlife, macro, or hybrid shoots - the Olympus OM-D E-M1X is the more practical, future-proof choice.
Both cameras reward different users profoundly; your decision boils down to what kind of photographic dialogue you want with your gear. And of course, budget and system lens investment.
Final Recommendation Snapshot
Photography Need | Leica M Typ 262 | Olympus E-M1X |
---|---|---|
Portraits | Best in class (full-frame bokeh, skin tones) | Good, but shallower DoF |
Landscapes | Excellent dynamic range | Strong handheld stability, weather sealed |
Wildlife | Manual focus limits | Fast AF, high fps ideal |
Sports | Not recommended | Exceptional burst and AF tracking |
Street | Lightweight, discreet | Bulkier but versatile |
Macro | Manual focus only | Focus stacking & stabilization |
Night/Astro | Good ISO performance | Higher ISO, stabilization advantage |
Video | Not available | 4K video, audio inputs included |
Travel | Compact and classic | Rugged, high battery life |
Professional workflow | Classic raw, minimalist | Dual cards, wireless, USB PD charging |
In the end, whether you lean toward the Leica’s artistic legacy or Olympus’s feature-loaded powerhouse, you’re embracing two distinct philosophies - both rich in their potential to elevate your photography. I hope my firsthand experience exploring every pixel, every button, and every scene helps you make an informed choice that feels right in your hands.
Happy shooting!
Leica M Typ 262 vs Olympus E-M1X Specifications
Leica M Typ 262 | Olympus OM-D E-M1X | |
---|---|---|
General Information | ||
Brand Name | Leica | Olympus |
Model type | Leica M Typ 262 | Olympus OM-D E-M1X |
Also called | Typ 262 | - |
Class | Pro Mirrorless | Pro Mirrorless |
Introduced | 2015-11-19 | 2019-01-24 |
Physical type | Rangefinder-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Chip | Maestro | Dual TruePic VIII |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor dimensions | 35.8 x 23.9mm | 17.4 x 13mm |
Sensor surface area | 855.6mm² | 226.2mm² |
Sensor resolution | 24 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 | 4:3 |
Max resolution | 5952 x 3976 | 5184 x 3888 |
Max native ISO | 6400 | 25600 |
Lowest native ISO | 200 | 200 |
RAW pictures | ||
Lowest enhanced ISO | 100 | 64 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 121 |
Lens | ||
Lens support | Leica M | Micro Four Thirds |
Amount of lenses | 59 | 107 |
Crop factor | 1 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen sizing | 3 inches | 3 inches |
Resolution of screen | 921k dots | 1,037k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Optical (rangefinder) | Electronic |
Viewfinder resolution | - | 2,360k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | 0.68x | 0.74x |
Features | ||
Minimum shutter speed | 60s | 60s |
Fastest shutter speed | 1/4000s | 1/8000s |
Fastest silent shutter speed | - | 1/32000s |
Continuous shutter rate | 3.0 frames/s | 60.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash settings | no built-in flash | Redeye, Fill-in, Flash Off, Red-eye Slow sync (1st curtain), Slow sync.(1st curtain), Slow sync (2nd curtain), manual |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM |
Max video resolution | - | 4096x2160 |
Video data format | - | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes (USB-PD allows charging by laptop or external power bank) |
GPS | Optional | Built-in |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 600g (1.32 lb) | 997g (2.20 lb) |
Dimensions | 139 x 80 x 42mm (5.5" x 3.1" x 1.7") | 144 x 147 x 75mm (5.7" x 5.8" x 3.0") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 870 images |
Form of battery | - | Built-in |
Battery ID | BP-SCL2 | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 12 secs, custom) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC | - |
Card slots | Single | Dual |
Launch pricing | $5,069 | $2,999 |