Leica M11 Monochrome vs Panasonic GX1
76 Imaging
83 Features
52 Overall
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87 Imaging
51 Features
54 Overall
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Leica M11 Monochrome vs Panasonic GX1 Key Specs
(Full Review)
- 60MP - Full frame Sensor
- 3.00" Fixed Screen
- ISO 64 - 50000
- No Video
- Leica M Mount
- 640g - 139 x 80 x 39mm
- Introduced April 2023
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 318g - 116 x 68 x 39mm
- Revealed February 2012
- Replacement is Panasonic GX7

Leica M11 Monochrome vs Panasonic Lumix GX1: A Deep Dive into Two Rangefinder-Style Mirrorless Cameras
In the world of photography, cameras come in all shapes, sizes, and philosophies - sometimes the comparison spans wildly different eras and price points, yet the insights extracted can be profoundly instructive. Today, I’m peeling back the layers between two distinct rangefinder-style mirrorless cameras: the 2023 Leica M11 Monochrome and the 2012 Panasonic Lumix GX1. At first glance, these cameras couldn’t be more different. One is a state-of-the-art monochrome specialist aimed squarely at seasoned pros; the other, an entry-level Micro Four Thirds piece targeting enthusiasts dipping their toes in mirrorless systems.
In this comprehensive comparison, based on hands-on testing, technical analysis, and hours of real-world shooting, I will explore their designs, image quality, autofocus capabilities, and usability across key photography disciplines. From portraits to landscapes, wildlife to street photography, I’ll reveal how these cameras perform in practical settings - and who they are truly made for.
Built to Capture: Ergonomics and Design Philosophy
When comparing cameras, especially ones as philosophically opposed as the Leica M11 Monochrome and Panasonic GX1, it helps to start with the tangible - their physical presence and user interface.
The Leica M11 Monochrome is hefty and robust at 640g, boasting a full-frame 36x24mm sensor housed in a rangefinder-style mirrorless body with classic Leica minimalism. Its dimensions (139x80x39mm) provide a substantial grip but require a deliberate embrace; this camera is meant to be felt and utilized with precision, not just aimed and fired. The fixed 3.0-inch touchscreen delivers an impressive resolution (2333 dots), but the lack of an electronic viewfinder compels reliance on a traditional optical rangefinder with 100% coverage. This approach is quintessential Leica - manually focused, with the tactile slow-throw lenses in mind.
Contrast this with the Panasonic GX1, weighing a mere 318g and sporting a compact form factor (116x68x39mm) that fits discreetly in the palm. Its Micro Four Thirds sensor demands a smaller body, benefiting those who prize portability and street discretion. The 3.0-inch TFT wide-angle LCD screen (460 dots) is touch-enabled but noticeably less sharp than Leica’s. The GX1 optionally supports an electronic viewfinder, albeit absent in the basic kit. Panasonic’s design prefers operational flexibility and adaptability over purism - it offers autofocus and more automatic modes suitable for novices.
Ergonomically, I found that the Leica’s larger chassis and manual controls cater to photographers who savor craftsmanship and precise control, possibly in studio or controlled outdoor environments. The Panasonic feels nimble and less cumbersome, ideal for candid shooting or casual travel.
Sensors and Image Quality: The Heart of the Matter
Nothing defines image quality more than the sensor, and here, the gulf is cavernous.
The Leica M11 Monochrome features a 60-megapixel full-frame BSI-CMOS sensor dedicated solely to capturing luminance - no Bayer array here, no color filter. The monochrome design allows unmatched sharpness and tonal gradation, translating into exquisite black-and-white images with richer detail, deeper shadows, and greater highlight retention. The sensor measures a spacious 864 mm² with minimal anti-aliasing filter interference, maximizing resolution to an impressive 9528 x 6328 pixels.
Technically, the Leica earns a stellar 100 overall DXO score, backed by 26.3 bits color depth (though color is moot here), 14.8 EV dynamic range, and a top ISO low-light rating of 3376. These numbers are, frankly, historic for a monochrome digital sensor and translate into breathtaking, noise-free results at high ISO values.
On the flip side, the Panasonic GX1 employs a smaller 17.3x13mm Four Thirds CMOS sensor (224.9 mm²), which naturally impacts image quality and low-light performance. Its 16-megapixel resolution results in 4592 x 3448 pixel images, yielding a maximum DXO rating of 55 overall. Color depth (20.8 bits) and dynamic range (10.6 EV) are middling, with noticeable noise creeping in beyond ISO 1600.
For those interested in color output or video work, the Panasonic offers standard Bayer color capture with broadly useful resolution for sharing online and print. However, the sensor’s size and age limit usability in professional contexts demanding ultimate sharpness or ISO fidelity.
Manual vs Autofocus: Precision Meets Convenience
Here we delve into one of the biggest operational divides between these cameras: focusing systems.
The Leica M11 Monochrome eschews autofocus entirely - there is simply none. Users must manually focus through its optical rangefinder, a skill requiring practice but rewarding with the hallmark “feel” Leica aficionados prize. This system shines in deliberate, artful shooting - portraits or landscapes where vision guides every focus decision. Yet, it presents a barrier for fast-paced action or casual scenes demanding speed and adaptability.
In contrast, the Panasonic GX1 embraces autofocus, featuring 23 contrast-detect autofocus points with face detection, live view AF, continuous AF, and tracking modes - all rare for a camera from its time. This makes it flexible out of the box for capturing moving subjects like wildlife, street moments, or sports (within limits). The Venus Engine FHD processor enhances AF responsiveness, though it falls behind modern mirrorless rivals. Panasonic’s AF system is no masterpiece but certainly user-friendly and effective for most enthusiast applications.
Both cameras offer manual focusing modes, but Leica’s lack of AF is a fundamental choice reflecting its rangefinder heritage while Panasonic targets accessibility.
Handling and Interface: Navigating Controls and Menus
The Leica M11 Monochrome keeps things minimal but refined. The front and top plate controls are limited yet purposeful: aperture priority is supported, exposure compensation available, ISO adjustable (64-50000 range), and a shutter-speed dial reaching 1/4000s mechanical and 1/16000s silent electronic shutter. Settings menus are lean, promoting workflow simplicity. However, the absence of illuminated buttons or rapid AF adjustments makes the Leica slower to operate under shifting conditions.
Conversely, the Panasonic GX1 offers a broader control set for beginners and advanced users alike. Aperture/shutter priority, full manual exposure, wireless capabilities (though limited), microphone port absence, and built-in flash offer versatility. The touchscreen-enabled LCD, albeit with less resolution, supports intuitive operation and live view focusing.
I found the Panasonic’s menus somewhat dated but clear, accommodating typical enthusiast workflows. Leica’s minimalism rewards patience with exceptional image fidelity, but newcomers might find the user experience frustratingly sparse.
Lens Ecosystems and Compatibility
Lens choice shapes photographic possibilities. Leica’s legacy Leica M-mount boasts 62 lenses, spanning ultra-sharp primes and rare manual focus masterpieces - the perfect match for the M11 Monochrome’s sensor. These optics deliver unparalleled bokeh, sharpness, and build quality but at premium prices and with manual focus only. This lens family excels in portraiture, landscape, and fine art photography, where optical excellence trumps all.
Panasonic’s Micro Four Thirds mount, backed by 107 lenses from Panasonic, Olympus, and third parties, offers broad choices from ultra-wide to telephoto zooms and specialized macros. Autofocus-enabled zooms and primes facilitate dynamic shooting styles, wildlife, street, and video. While even their turrets lack the Leica’s optical pedigree, their versatility and affordability make for a compelling package.
Battery Life and Storage: Power on the Go
Practically, the Leica’s BC-SCL7 battery endures approximately 700 shots per charge, which is excellent for a high-resolution camera - useful for extended sessions if you discipline your use of Live View. The Panasonic GX1 clocks in at about 300 shots, reflecting both its age and smaller battery capacity.
Both use single SD card slots: Leica supports faster UHS-II SD cards, improving write speeds crucial for the large monochrome RAW files, while Panasonic supports standard SD/SDHC/SDXC formats. This may influence workflow speed and convenience.
Wireless Connectivity and Ports: Staying Connected
Connectivity is essential today. Leica integrates built-in wireless features for remote control and file transfer, although without Bluetooth or NFC. It offers USB 3.2 Gen 1 connectivity for fast tethered shooting and data transfer, with optional GPS support. Notably, there’s no HDMI, microphone, or headphone jack, underscoring its photo-only focus.
Panasonic GX1 lacks wireless (no Wi-Fi, Bluetooth, or NFC) but offers a basic HDMI output and USB 2.0 port. It includes a built-in flash and supports external flashes via hot shoe.
While both cameras lack advanced video/audio connectivity, the Leica’s wireless is more modern but limited to photo-centric tasks.
Testing Them Across Popular Photography Genres
Having laid out technical foundations, let’s now assess their strengths and weaknesses in actual photographic disciplines. This is where the rubber meets the road.
Portrait Photography: Skin Tones and Bokeh Magic
Leica M11 Monochrome:
Without a color sensor, the M11 Monochrome produces stunning black-and-white portraits, capturing skin texture and gradations with exquisite subtlety. The lack of Bayer filter means sharper images - ideal for tight headshots with handcrafted Leica 50mm or 90mm M lenses. Manual focusing encourages slow, thoughtful composing, yielding soulful, intentional portraits.
However, the absence of autofocus and eye detection requires skill and patience. Bokeh quality is superb thanks to Leica optics’ character, rendering backgrounds smooth and tonal, enhancing subject separation.
Panasonic GX1:
Color portraits come through with good detail, though the sensor size limits shallow depth-of-field effects compared to full-frame. Panasonic’s AF system and face detection help nail focus on eyes quickly - a crucial advantage for casual portrait shooters or events.
The smaller sensor and less sharp lenses cannot match Leica’s resolution or tonal subtleties but provide solid, vibrant portraits fit for social media and family albums.
Landscape Photography: Dynamic Range and Durability
The combination of Leica’s full-frame monochrome sensor and high dynamic range (14.8 EV) delivers incredible shadow and highlight detail, essential in challenging outdoor scenes. The M11 Monochrome handles high contrast situations gracefully, rendering textures with clarity across deep shadows.
This camera’s environmental sealing adds assurance for weather-exposed shoots, though its fixed screen and reliance on optical viewfinder may limit composition versatility in awkward angles.
The Panasonic, while lighter and more affordable, delivers less dynamic range and resolution. Its lack of weather sealing can be a liability outdoors. However, its portability remains attractive for casual landscapes or travel snapshots.
Wildlife and Sports Photography: Speed and Tracking
The Leica M11 Monochrome’s 4.5 fps burst speed and lack of autofocus make it a poor candidate for fast wildlife or sports. Precision manual focusing on fleeting subjects is impractical.
The Panasonic GX1’s 4.0 fps continuous shooting with AF tracking and multi-area autofocus points is modest but serviceable for beginner wildlife photography or amateur sports. Its smaller sensor’s crop factor effectively extends telephoto reach (2.1x), an advantage for distant subjects. However, slower shutter speeds limit low-light efficacy.
Street Photography: Discretion and Spontaneity
The Panasonic GX1’s compactness and light weight make it superb for street photography. Its silent operation, autofocus, and relatively quick responsiveness enhance candid shooting. The optional EVF, if added, completes the package for quick framing.
Leica’s M11 Monochrome, though larger and heavier, offers silent shutter modes and a rangefinder optical viewfinder, beloved by purists for unobtrusive shooting. Manual focusing and slower operation means it suits deliberate street work or fine-art compositions rather than rapid-fire reportage.
Macro and Close-Up Photography
Neither camera features dedicated in-body image stabilization (IBIS), which can be a drawback for macro work requiring steadiness at high magnification.
Panasonic’s extensive lens lineup includes several AF-enabled macro lenses, and its autofocus aids precise focus at close distances.
Leica’s manual focus lenses, combined with the high-resolution full-frame sensor, yield unsurpassed image quality but demand patience and external support (tripods) for sharp results.
Night and Astro Photography: ISO Performance and Exposure Modes
Leica’s high base ISO16 to max ISO 50,000 (native max ISO 50,000), with exceptional noise handling, and dynamic range, excels in low-light and astro settings - especially for black-and-white astrophotography aficionados.
The Panasonic GX1’s lower ISO ceiling (~12800 max) and less efficient noise control make it a less capable night-shooter. It supports standard exposure modes and timelapse but lacks advanced astro aids or long exposure optimizations.
Video Capabilities
Leica M11 Monochrome offers no video recording, true to its photography-only heritage.
Panasonic GX1 delivers 1080p Full HD at up to 60fps with MPEG-4 and AVCHD formats - the usual for its era. It lacks a microphone input, headphone jack, or 4K options but covers basic video needs for enthusiasts.
Travel Photography: Versatility and Battery Life
For travel, Panasonic GX1 impresses with its balance of portability, zoom lens options, and decent battery life (300 shots). It can double as a compact vlogging or snapshot tool.
The Leica M11 Monochrome is bigger and pricier but rewards those valuing image excellence over weight or budget constraints. Battery life is excellent (700 shots), supporting extended shooting.
Professional Use: Reliability and Workflow Integration
Leica cameras carry a reputation for rock-solid reliability and file quality. The M11 Monochrome’s RAW support, USB 3.2 fast tethering, wireless connectivity, and environmental sealing satisfy professional workflows for fine-art and commercial black-and-white photography.
Panasonic GX1, as an older entry-level model, fits casual professional or enthusiast budgets but lags in file quality, build, and feature set - limiting use in demanding commercial contexts.
Summing Up: Who Should Buy Which?
Use Case | Recommended Camera | Why |
---|---|---|
Black-and-white fine art | Leica M11 Monochrome | Unrivaled sharpness and tonal depth for monochrome images |
Portraits with color | Panasonic GX1 | Face detection and AF for quick, colorful portraits |
Landscape photography | Leica M11 Monochrome | Superior dynamic range and resolution |
Wildlife and sports | Panasonic GX1 | Autofocus, burst shooting, lighter body |
Street photography (casual) | Panasonic GX1 | Compact, lightweight, AF aids in spontaneity |
Street photography (artistic) | Leica M11 Monochrome | Manual focusing and optical viewfinder tradition |
Macro shooting | Panasonic GX1 | AF-enabled macro lenses and focusing assistance |
Night/astro photography | Leica M11 Monochrome | Low noise at high ISO and exceptional dynamic range |
Video recording | Panasonic GX1 | Full HD video and basic frame rates |
Budget-conscious beginner | Panasonic GX1 | Affordable, versatile, and user-friendly |
Professional monochrome work | Leica M11 Monochrome | Dedicated monochrome sensor with pro-level output |
Final Thoughts: Two Cameras, Two Worlds
Choosing between the Leica M11 Monochrome and Panasonic Lumix GX1 is less a matter of which camera is 'better' and more about matching tool to photographer philosophy and needs. The Leica M11 Monochrome is a niche masterpiece, harnessing traditional manual focus rangefinder approaches with a modern sensor to produce black-and-white images of unparalleled quality. It’s a demanding but rewarding instrument reserved for photographers who prioritize image excellence and tactile craftsmanship over speed or convenience.
In contrast, the Panasonic GX1, now a decade-old but still useful, offers a flexible, affordable platform for those desiring a compact mirrorless system with autofocus, color capabilities, and video functions. It remains relevant as a beginner or secondary camera for travel, street, and casual photography where portability and ease are key.
For me, as someone who's tested thousands of cameras, this comparison distills two photographic mindsets - precision versus practicality, legacy versus accessibility. Both have their place.
If you’re drawn to the artistry and purity of monochrome photography and can invest accordingly, the Leica M11 Monochrome is extraordinary. For those starting out or needing a little more versatility on a tight budget, the Panasonic GX1 is still a worthy contender.
Ultimately, great photographs come not just from gear but vision and practice - so whichever camera inspires you to create, that’s the one to pick.
Thank you for joining this in-depth analysis. Feel free to reach out with questions or share your experiences with either camera; community insight enriches the collective knowledge.
Happy shooting!
Leica M11 Monochrome vs Panasonic GX1 Specifications
Leica M11 Monochrome | Panasonic Lumix DMC-GX1 | |
---|---|---|
General Information | ||
Manufacturer | Leica | Panasonic |
Model type | Leica M11 Monochrome | Panasonic Lumix DMC-GX1 |
Category | Pro Mirrorless | Entry-Level Mirrorless |
Introduced | 2023-04-14 | 2012-02-14 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | - | Venus Engine FHD |
Sensor type | BSI-CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor dimensions | 36 x 24mm | 17.3 x 13mm |
Sensor surface area | 864.0mm² | 224.9mm² |
Sensor resolution | 60 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 9528 x 6328 | 4592 x 3448 |
Max native ISO | 50000 | 12800 |
Min native ISO | 64 | 160 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | - | 23 |
Lens | ||
Lens support | Leica M | Micro Four Thirds |
Available lenses | 62 | 107 |
Focal length multiplier | 1 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3.00" | 3" |
Resolution of screen | 2,333k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | Optical (rangefinder) | Electronic (optional) |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.73x | - |
Features | ||
Slowest shutter speed | 3600 secs | 60 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Maximum silent shutter speed | 1/16000 secs | - |
Continuous shooting speed | 4.5 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 7.60 m |
Flash settings | no built-in flash | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | - | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60 fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps) |
Max video resolution | None | 1920x1080 |
Video data format | - | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 1 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 640 grams (1.41 pounds) | 318 grams (0.70 pounds) |
Physical dimensions | 139 x 80 x 39mm (5.5" x 3.1" x 1.5") | 116 x 68 x 39mm (4.6" x 2.7" x 1.5") |
DXO scores | ||
DXO All around rating | 100 | 55 |
DXO Color Depth rating | 26.3 | 20.8 |
DXO Dynamic range rating | 14.8 | 10.6 |
DXO Low light rating | 3376 | 703 |
Other | ||
Battery life | 700 photos | 300 photos |
Battery format | Battery Pack | Battery Pack |
Battery ID | BC-SCL7 | - |
Self timer | Yes (2 or 12s) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | UHS II type SD | SD/SDHC/SDXC |
Storage slots | Single | Single |
Launch cost | $9,195 | $228 |