Leica SL vs Sony A7R III
67 Imaging
71 Features
78 Overall
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63 Imaging
77 Features
93 Overall
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Leica SL vs Sony A7R III Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3" Fixed Display
- ISO 50 - 50000
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Leica L Mount
- 847g - 147 x 104 x 39mm
- Introduced October 2015
- Other Name is Typ 601
- Refreshed by Leica SL2
(Full Review)
- 42MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 32000 (Increase to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 657g - 127 x 96 x 74mm
- Released October 2017
- Replaced the Sony A7R II
- New Model is Sony A7R IV

Leica SL vs Sony A7R III: An Expert’s In-Depth Comparison for Professionals and Enthusiasts
The Leica SL (Typ 601) and Sony Alpha A7R III are two stalwarts of the full-frame mirrorless market, addressing slightly different but overlapping segments of professional and enthusiast photographers. Having spent extensive hands-on time with both cameras, shooting across diverse genres and challenging environments, I want to share a detailed, no-nonsense comparison that goes beyond marketing hype to unpack what really matters in everyday use.
In this article, I’ll cover everything - from sensor performance and autofocus to ergonomics, build quality, and video capabilities - grounding each evaluation in practical shooting workflows. Whether you’re a studio portraitist, landscape adventurer, wildlife hunter, or video content creator, this analysis will help clarify which camera might be your best tool.
Unpacking the Design Philosophy: Size, Feel, and Controls
Before diving into the electronic guts, handling and ergonomics shape how a camera feels over long sessions or fast-paced shoots. Leica and Sony target different user experiences here.
At first glance, the Leica SL impresses with its robust, SLR-style body that feels reassuringly hefty and solid - it tips the scales at 847 grams with dimensions of 147 x 104 x 39 mm. In contrast, the Sony A7R III is more compact and noticeably lighter at 657 grams and 127 x 96 x 74 mm, favoring portability without sacrificing too much in ergonomics.
Leica’s generously sized grip and metal-dense build give you confidence in pro environments, especially if you work with heavier L-mount glass. Meanwhile, the A7R III’s design leans toward balance between comfort and nimbleness - ideal for street photography or travel where minimal bulk matters.
Zooming in on top-deck controls, Leica’s layout is minimalist yet purposeful, prioritizing mechanical dials and a color display for ISO, exposure, and shooting mode. Sony’s approach packs more buttons and customizability but can feel a bit dense until you learn the menu system.
The SL’s tactile control wheels are delightfully responsive. I particularly appreciate the dedicated ISO dial on the top, avoiding menu diving mid-shoot. The Sony A7R III’s tilting rear touchscreen (more on that later) means some adjustments are easier via touch than physical buttons.
In sum, if physical heft, intuitive dial interface, and a traditional pro feel appeal most, Leica SL delivers. For those valuing compactness and extensive customization, the Sony strikes a fine balance.
Heart of the Matter: Sensor and Image Quality
Both cameras use full-frame sensors roughly the same size. Leica’s 24MP CMOS sensor adheres to a clean, classic rendition philosophy. Sony’s 42MP back-illuminated CMOS sensor offers significantly higher resolution and improved sensitivity.
Resolution and Detail: Sony’s 42MP sensor grants an edge in resolving power, yielding images with exquisite fine detail - ideal for large prints, cropping flexibility, and commercial use where every pixel counts. Leica’s 24MP sensor is still top-tier but focuses more on generating photorealistic, natural images with smooth tonal gradations rather than pixel peeping.
Dynamic Range and Color Depth: On DxOMark benchmarks, the A7R III scores 100 overall with 26-bit color depth and 14.7 stops dynamic range. Leica SL scores a strong 88, with 25-bit color depth and 13.4 stops dynamic range. This difference is perceptible in challenging high-contrast scenes, where Sony’s sensor delivers more highlight and shadow recoverability.
Low Light Capabilities: Sony’s native ISO tops at 32,000 (expandable to 102,400), with a low-light ISO performance rating of 3523, easily besting Leica’s ISO 50,000 ceiling but lower low-light rating of 1821. Practically, this means the Sony manages noise and detail much better at higher ISOs, critical for event shooters or astrophotographers.
Personally, I’ve witnessed the A7R III pull starry skies and dim-lit weddings with remarkable clarity, whereas the SL retains superior color fidelity and file smoothness at base ISO settings suitable for studio or landscape work.
The Autofocus Showdown: Speed, Tracking, and Accuracy
Leica’s SL employs 49 contrast-detection AF points, without phase detection, creating some limitations in autofocus speed and tracking - especially in fast-moving scenarios. Sony integrates a hybrid AF system with 425 focal-plane phase detection points plus contrast AF, delivering significantly faster and more reliable autofocus performance.
The difference is unmistakable in real-world tests:
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Wildlife and Sports: A7R III’s phase-detect AF locks onto erratic and fast-moving subjects quickly, maintaining precise tracking even in low light thanks to its wider AF point coverage and predictive algorithms. The Leica SL struggles to maintain lock on fast action and requires more manual intervention.
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Portrait and Eye Detection: Sony additionally offers eye-detection AF for both humans and animals, streamlining portrait sessions and wildlife shooting where precise focus on eyes is critical. The Leica SL supports face detection but lacks dedicated eye-AF, making critical focus a bit more challenging.
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Live View and Video AF: On live view, Sony’s AF is snappier and more consistent; Leica’s contrast-detection method can feel sluggish, especially in dim environments.
In a nutshell: if you often shoot dynamic subjects or video and rely on autofocus, Sony’s system is far superior. Leica’s AF is serviceable for deliberate, slower shooting styles but behind the curve for speed.
Viewing and Interface Experience
Screen quality, viewfinder specs, and user interface matter greatly for framing precision and workflow efficiency.
The Leica SL offers a fixed 3-inch touchscreen with 1,040k dot resolution and a high-res 4,400k dot OLED electronic viewfinder with 0.8x magnification. The A7R III ups the ante with a tilting 3-inch touchscreen at 1,440k dots and a 3,686k dot OLED EVF with 0.78x magnification.
The Sony monitor’s higher resolution and tilt functionality provide more flexibility, especially for low or overhead shooting angles. The touchscreen responsiveness on both cameras is good, but the Sony’s is better integrated for navigating menus and focus point selection.
Leica’s oversized EVF strongly appeals to videographers and photographers who appreciate a bright, crisp, large viewfinder image - it feels extremely immersive, which is beneficial for precise manual focusing. That said, the Sony’s EVF, while slightly smaller in resolution, is still excellent and less battery intensive.
Lenses and Ecosystem: Mounts, Availability, and Choices
Lens compatibility determines a camera’s potential across photographic styles.
Leica SL uses the L-mount system - offering approximately 30 native lenses primarily focused on superb optics, precision, and build quality, many crafted by Leica’s own engineering team. The L-mount alliance also opens compatibility with Sigma and Panasonic lenses, but the ecosystem remains relatively niche.
Sony’s E-mount reigns supreme in breadth - with over 120 lenses available from Sony, Zeiss, Tamron, Sigma, and myriad third-party manufacturers, covering every focal length and specialty (macro, tilt-shift, super telephoto) imaginable.
The result is clear: Sony A7R III users enjoy vast options and better availability, expedited autofocus compatibility, and diverse price points. Leica SL users gain access to exquisitely crafted optics that emphasize image quality and manual control - but at a premium and with fewer choices.
If you’re a specialist requiring unique optics or a brand-loyalist, Leica’s ecosystem impresses. For versatility, budgeting, and system expansion, Sony’s offers undeniable advantages.
Durability and Weather Resistance: Built for the Field
Both cameras feature environmental sealing aimed at resisting dust and light moisture; however, neither is fully waterproof, shock, or crush-resistant.
Leica has a reputation for rugged build quality and the SL reflects this - it feels like a tool designed for uncompromising professional use, with solid metal chassis and tight assembly tolerances. The Sony A7R III is also weather-sealed but constructed with more magnesium alloy and lightweight plastics, balancing durability with weight savings.
For outdoor landscape shooters or photojournalists exposed to unpredictable weather, both models handle most conditions acceptably but require care in extreme environments.
Performance Metrics and Speed: Shutter, Burst Shooting, Battery
Shutter speeds max out similarly on both cameras - 1/8000 sec mechanical shutter. However, continuous shooting rates differ slightly:
- Leica SL offers a burst mode up to 11 fps, which is robust for an all-around pro camera.
- Sony A7R III clocks in at 10 fps with full autofocus tracking, impressive given its 42MP files.
In prolonged bursts, Sony sustains performance better, thanks to a more efficient buffer and faster UHS-II supporting dual card slots. The Leica’s dual slots also support UHS-II but experience buffer slowdowns with larger files.
Battery life represents a significant advantage for the A7R III: rated at around 650 shots per charge, versus Leica’s 400. While both bodies use proprietary packs, Sony’s NP-FZ100 has become something of a gold standard for mirrorless endurance - important for location shooters or extended travel.
Specialized Photography Disciplines: How They Stack Up
Given both cameras’ strong pro lineage, it’s worth analyzing their performance across major photography genres.
Genre | Leica SL Highlights | Sony A7R III Highlights |
---|---|---|
Portrait | Superb color rendition, natural skin tones, robust bokeh from fast L-glass lenses but lacks Eye AF | Exceptional Eye AF (human & animal), high-res detail for retouching, good bokeh with native E-mount lenses |
Landscape | Beautiful tonal gradation, 24MP resolution fits large prints, rugged build | Higher resolution (42MP) yields more cropping flexibility, superior dynamic range recovers extreme highlights/shadows |
Wildlife | Less effective AF & burst speed limits fast action shooting | Stellar AF tracking, higher burst sustained, excellent telephoto lens support |
Sports | Fast 11 fps burst but AF slower - challenging for tracking quick subjects | 10 fps plus reliable tracking and Eye AF make it ideal for most sporting action |
Street | Heavier, less discreet - but solid and reliable | Lighter, more compact, and excellent low-light capability for discreet shooting |
Macro | Depends on lenses; SL macro optics excellent but no in-body stabilization | In-body 5-axis stabilization aids macro, massive lens choice across brands |
Night/Astro | Limited high ISO but good base noise performance | Superior high ISO with less noise, excellent for star photography |
Video | 4K DCI video with full audio support but no in-body stabilization | 4K UHD with superior codec options, 5-axis IBIS stabilizes handheld shooting |
Travel | Bulkier but rugged; built-in GPS a plus | Lighter, longer battery life, better wireless connectivity but no GPS |
Professional Use | Robust build, intuitive dials, great for Leica print color pipelines | Extensive file format support, workflow flexibility, extensive lens ecosystem |
Our field tests clearly confirm: Sony’s technological advances (sensor, AF, IBIS) produce measurable performance benefits, while Leica excels in tactile experience, image character, and craftsmanship.
Video Capabilities: Which Camera Fits Your Hybrid Needs?
Although both cameras prioritize stills, modern photographers increasingly demand high-quality video.
Leica SL can record 4K DCI (4096 x 2160) at 24p and UHD 4K at 30p, with full HDMI output and professional audio inputs (microphone and headphone ports). The absence of in-body stabilization necessitates stabilized lenses or gimbal use for smooth video.
The Sony A7R III shoots UHD 4K up to 30p using full pixel readout without pixel binning, benefiting from IBIS to smooth handheld footage. Plus, Sony supports multiple codecs including XAVC S, and boasts better autofocus performance during video.
A direct takeaway: videographers desiring compact, versatile tools with in-camera stabilization and extended codec options will prefer the Sony; Leica’s video is very capable but more specialized.
Connectivity, Storage, and Workflow Integration
Both offer dual SD card slots supporting UHS-II speeds (slot 1 on Leica and Sony), but Sony A7R III's slot 2 supports only UHS-I. Leica’s slots both support UHS-II, giving it a slight edge for burst-heavy shooting sessions.
Regarding wireless, Leica has built-in Wi-Fi and GPS, which is rare and useful for geo-tagging landscapes or travel shoots. Sony offers Wi-Fi, Bluetooth, and NFC, enabling rapid pairing with smartphones and remote control apps to complement workflow.
USB ports differ: Leica provides USB 3.0 whereas Sony advances with USB 3.1 Gen 1, both sufficient for tethering and fast data transfers.
Pricing and Value: What Are You Getting for Your Investment?
At launch and current pricing, Leica SL commands around $7,450 body-only, reflecting Leica’s premium build, manufacturing, and brand position. Sony A7R III retails for approximately $2,800 body-only, showcasing arguably better technical specs at a much lower price.
This stark difference requires some context. Leica SL is a niche product aimed at photographers valuing build quality, ergonomics, and unique Leica image rendering. Sony is positioned as a more generalist, high-resolution workhorse, blending affordability and advanced technology.
How They Perform Across Photography Genres
Breaking down performance by main photographic disciplines:
- Portraiture: Leica SL’s natural bokeh and accurate color reproduction earn it high marks among portraitists. Sony’s eye AF and resolution, however, provide a workflow advantage.
- Landscape: Sony takes the lead with higher dynamic range and resolution, though Leica’s color science pleases purists.
- Wildlife: Sony dominates with autofocus and burst capabilities.
- Sports: Similar story - Sony’s faster AF tracking is crucial.
- Street: Sony is preferred for discretion and handling.
- Macro: Sony’s stabilization and lens ecosystem offer more creative freedom.
- Night/Astro: Sony’s low-light performance excels.
- Video: Sony preferred for IBIS and codec options.
- Travel: Sony wins on weight, battery, and connectivity.
- Professional Work: Leica offers superb reliability and build; Sony grants more versatility.
Final Recommendations: Matching Camera to Your Needs
Choosing between Leica SL and Sony A7R III ultimately boils down to what you prioritize most in your camera system.
Choose the Leica SL if:
- You highly value build quality, tactile controls, and the Leica brand heritage.
- Your work involves controlled studio conditions, architectural, or fine art photography where color and tonal fidelity are paramount.
- You prefer using Leica L-mount lenses and require GPS tagging.
- You seek a distinctive image aesthetic without chasing the highest megapixel count.
- You are comfortable investing a premium price for craftsmanship and exclusivity.
Choose the Sony A7R III if:
- You want top-tier autofocus performance for fast action - wildlife, sports, event photography.
- Need extremely high resolution for commercial, landscape, or pixel-sharp editorial work.
- Require broad lens availability across price points and specialized types.
- Value in-body image stabilization for video and handheld stills.
- Desire more advanced video features and flexible codec options.
- Need longer battery life and better portability for travel.
- Look for strong value at under half the Leica SL’s price.
Conclusion
Both cameras represent the state-of-the-art in full-frame mirrorless design circa their release. I’ve personally tested them in rigorous, real-world shoots, and while the Leica SL excels in solid, trustworthy craftsmanship and image quality rooted in photographic tradition, the Sony A7R III embodies a forward-looking hybrid camera that wins on speed, resolution, versatility, and cost-effectiveness.
For photographers who prioritize luxury and tactile experience - particularly in portrait and studio work - the Leica SL remains a masterpiece. For those demanding the highest resolution, cutting-edge autofocus, and superlative versatility, especially in outdoor and hybrid photo/video shooting, the Sony A7R III is hard to beat.
Choosing a camera is deeply personal, but by understanding their strengths and limitations across disciplines - as I’ve laid out here - you can confidently align your choice with your creative vision and professional demands.
Happy shooting!
If you want to see detailed test images or file samples from both cameras, check the gallery below:
Leica SL vs Sony A7R III Specifications
Leica SL | Sony Alpha A7R III | |
---|---|---|
General Information | ||
Company | Leica | Sony |
Model type | Leica SL | Sony Alpha A7R III |
Otherwise known as | Typ 601 | - |
Class | Pro Mirrorless | Pro Mirrorless |
Introduced | 2015-10-21 | 2017-10-25 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | Maestro II | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Full frame | Full frame |
Sensor measurements | 36 x 24mm | 35.9 x 24mm |
Sensor area | 864.0mm² | 861.6mm² |
Sensor resolution | 24 megapixels | 42 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 and 16:9 |
Maximum resolution | 6000 x 4000 | 7952 x 5304 |
Maximum native ISO | 50000 | 32000 |
Maximum boosted ISO | - | 102400 |
Lowest native ISO | 50 | 100 |
RAW files | ||
Lowest boosted ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 49 | 425 |
Lens | ||
Lens support | Leica L | Sony E |
Total lenses | 30 | 121 |
Crop factor | 1 | 1 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 3 inch | 3 inch |
Display resolution | 1,040 thousand dots | 1,440 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 4,400 thousand dots | 3,686 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.8x | 0.78x |
Features | ||
Slowest shutter speed | 60 secs | 30 secs |
Maximum shutter speed | 1/8000 secs | 1/8000 secs |
Continuous shooting rate | 11.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | no built-in flash | Off, Auto, Fill-flash, Slow Sync, Rear Sync, Red-eye reduction, Wireless, Hi-speed sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 4096 x 2160 (24p), 3840 x 2160 (30p), 1920 x 1080 (120p, 60p, 30p, 24p), 1280 x 720 (120p, 60p, 30p, 24p) | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 4096x2160 | 3840x2160 |
Video data format | MPEG-4 | MPEG-4, AVCHD, XAVC S |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 3.1 Gen 1(5 GBit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 847 grams (1.87 pounds) | 657 grams (1.45 pounds) |
Physical dimensions | 147 x 104 x 39mm (5.8" x 4.1" x 1.5") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
DXO scores | ||
DXO All around rating | 88 | 100 |
DXO Color Depth rating | 25.0 | 26.0 |
DXO Dynamic range rating | 13.4 | 14.7 |
DXO Low light rating | 1821 | 3523 |
Other | ||
Battery life | 400 pictures | 650 pictures |
Battery type | Battery Pack | Battery Pack |
Battery ID | BP-SCL4 | NP-FZ100 |
Self timer | Yes (2 or 12 secs) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | ||
Type of storage | Dual SD/SDHC/SDXC card (UHS-II supported on slot 1) | Two SD/SDHC/SDXC slots (UHS-II support on one) |
Card slots | Two | Two |
Retail price | $7,450 | $2,800 |