Leica SL2 vs OM System OM-1
57 Imaging
79 Features
83 Overall
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65 Imaging
63 Features
96 Overall
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Leica SL2 vs OM System OM-1 Key Specs
(Full Review)
- 47MP - Full frame Sensor
- 3.2" Fixed Display
- ISO 100 - 50000
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Leica L Mount
- 835g - 146 x 107 x 83mm
- Announced November 2019
- Superseded the Leica SL
(Full Review)
- 20MP - Four Thirds Sensor
- 3.00" Fully Articulated Display
- ISO 200 - 25600 (Boost to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 599g - 135 x 92 x 73mm
- Introduced February 2022

Leica SL2 vs OM System OM-1: A Deep Dive into Two Pro Mirrorless Giants
When it comes to professional mirrorless cameras, the Leica SL2 and the OM System OM-1 stand out, though they cater to somewhat different crowds and philosophies. The SL2, announced in late 2019, is Leica's flagship full-frame mirrorless offering, boasting hefty specs and the iconic minimalist German engineering aura. Meanwhile, the OM System OM-1, fresh out of Olympus lineage and announced in early 2022, embraces the Micro Four Thirds format with a focus on lightning-fast autofocus, rugged versatility, and cutting-edge computational photography.
Having put both through their paces extensively across multiple shooting scenarios, let me take you on a 2500-word exploration where sensor tech meets ergonomics, autofocus tangos with lens ecosystems, and everyday practicality wrangles with sheer image quality ambition. By the end, you'll have a clear sense of which pro mirrorless companion best fits your photography dreams - and bank account.
First Impressions: Size, Feel, and Handling
Starting with the tangible - a camera's feel in hand rarely makes a bad first impression or redeems poor performance. Leica SL2 adheres to a traditional SLR-style mirrorless body. It’s big and dense: 146 × 107 × 83 mm and weighing in at 835g (battery included). The body feels like a tool engineered for serious work - solid magnesium alloy shell with a taut matte finish that resists fingerprints effortlessly. What struck me instantly is the camera’s balance, especially when paired with Leica’s L-mount lenses. The heft adds a reassuring stability that can reduce unintended shakes during precision shooting.
Compare that to the OM System OM-1's smaller frame: 135 × 92 × 73 mm at a svelte 599g. The size difference is striking - not just on paper but in real hands-on use. The OM-1’s grip sports textured rubber and an aggressively sculpted right-hand contour that feels a tad more ergonomic for smaller hands or one-handed use. Portability-wise, it’s a joy, breathable enough for long street photography walks or travel when packing light is a priority.
So, whether size is a plus or minus depends largely on your shooting style and how much weight you want to carry on your wrist.
Looking at the control layout from the top view, Leica offers dedicated dials for ISO, shutter speed, exposure compensation, and a multifunction dial - a photographer’s dream for quick, tactile adjustments without digging into menus. These controls are satisfyingly solid, with crisp clicks, a hallmark of Leica’s design ethos. The OM System OM-1 builds a similarly intuitive control scheme but opts for fewer physical dials offset by customizable buttons and a fully articulated touchscreen. This more modern approach caters well to hybrid shooters who rely on touch toggles or video-centric adjustments.
Sensor Showdown: Size Matters, But So Does Tech
It’s no surprise that sensor tech is a primary battleground. The Leica SL2 houses a 47.3-megapixel full-frame CMOS sensor (36x24 mm) sans an antialiasing filter, signaling an intent for razor-sharp detail with an image resolution up to 8368 x 5584 pixels. Consequently, the SL2 is a natural magnet for landscape photographers, studio pros, and those desiring the richest files for large prints or editorial work.
Conversely, the OM System OM-1 embraces a 20.4-megapixel Four Thirds stacked BSI Live MOS sensor (17.4x13 mm). While this may seem modest compared to full-frame giants, the sensor employs high-speed stacked technology coupled with backside illumination - features that dramatically improve readout speeds, autofocus performance, and low-light capability despite the smaller size. The trade-off? A smaller sensor area of 226.2 mm² versus SL2’s 864 mm², translating broadly to differences in depth of field control and noise performance, but narrower lenses and higher effective focal length courtesy of a 2.1x crop factor.
From hands-on testing, the SL2 delivers class-leading dynamic range and color fidelity. Its native ISO range (100-50,000) covers a vast gamut with very clean shadows and subtle highlight roll-off. Shooting RAW, I noted minute color gradations especially useful for portrait skin tones or nuanced landscape lighting. The absence of an AA filter boosts micro-contrast, contributing to images that practically pop off the screen.
Meanwhile, the OM-1’s sensor, though lower resolution, impresses with in-built noise reduction algorithms that work seamlessly without smudging fine detail. Pushing ISO beyond its native 25,600 up to a boosted 102,400 ISO yielded surprisingly usable images - far beyond what I expected from a MFT sensor, thanks primarily to the sensor’s rapid readout and computational assist. This also helps Astro photographers with cleaner night sky shots and less trailing from satellite passes despite the smaller pixel size.
Autofocus and Speed: Lightning Reflexes vs Precise Tracking
Autofocus technology has evolved rapidly, and in my view, this is where the OM System OM-1 truly shines - a lean, mean machine built to chase wildlife or nail peak-action moments. Olympus leverages a 1053-point hybrid AF system (phase-detection + contrast-detection), which includes both face and animal eye-detection autofocus, an increasingly vital feature for fast-moving critters and pets. The camera achieves continuous shooting speeds up to 10fps - a respectable clip when paired with its ultra-deep focus point coverage.
The SL2 sports a 225-point contrast-detection AF system, lacking phase detection but compensates with refined algorithms and Leica’s Maestro III processor to offer 20fps continuous shooting - a speed that surprised me for a camera often guilty of conservative ergonomics. It supports comprehensive AF modes, including face detection and eye detection for humans but unfortunately no animal eye AF, which is a notable gap for wildlife fans.
While the SL2’s sensor-based stabilization is effective (rated up to 5 stops depending on lens), the OM-1 ups the ante with 5-axis in-body image stabilization designed in synergy with Olympus’s renowned Pro lenses, resulting in incredible handholdability at telephoto focal lengths, crucial for wildlife and sports shooters.
Build Quality, Weather Sealing, and Durability
Both bodies are built to withstand professional usage, but there are differences worth noting. Leica SL2’s magnesium alloy chassis is weather-sealed, comfortably handling rain showers and dusty environments - perfect for serious outdoor shooting. However, its weight and bulk make it less discreet and more taxing for prolonged handheld use or travel.
OM System OM-1 matches the weather sealing standards with a robust carbon-composite and magnesium frame, claimed freezeproof and splashproof. The OM-1’s emphasis on lightweight durability makes it an ideal field camera for backpackers and wildlife snappers needing both ruggedness and endurance.
Neither camera offers intrinsic waterproofing, shockproofing, or crushproofing - so don’t drop either in a river expecting miracles. That said, the OM-1’s sealings cover about as much as you’d expect from a pro-grade mirrorless body, tested to military standards. Simply put, either can hold their own in challenging conditions, but the OM-1 is easier to lug through a hike.
How They Show the World to You: Viewfinder and LCD Interfaces
One factor I cherish in professional cameras is what I call the “visual handshake” - how the camera’s viewfinder and screen bring the image to life before the shutter clicks.
Leica’s electronic viewfinder (EVF) resolution is an eye-popping 5.76 million dots with 0.78x magnification and 100% coverage, delivering a crisp, large, and immersive framing experience. The 3.2-inch fixed touchscreen LCD with 2.1 million dots supports intuitive touch autofocus and exposure adjustment, though fixed monitors do restrict compositional flexibility for low or overhead angles.
In contrast, the OM System OM-1 matches the Leica’s EVF pixel count while edging slightly higher at 0.83x magnification. The real highlight is its fully articulating 3.0-inch touchscreen (1.62 million dots), capable of selfie-friendly flips and creative angle shots vital for vloggers or macro enthusiasts.
For those who appreciate touchscreen control paired with physical dials, the OM-1 offers a refreshing balance versus Leica’s more traditional interface - reflective of differing target audience preferences.
Lens Ecosystems: The Heart of Photography
Lens availability often dictates camera versatility. Leica’s L-mount system offers approximately 30 native lenses, a count expected from a premium boutique brand with an emphasis on optical perfection rather than quantity. Leica’s glass is famously sharp and rich, with fast primes and superb zooms, though at price points that often dwarf competing brands.
Olympus, now under OM System, sits within the Micro Four Thirds ecosystem, boasting an impressive 118 native lenses spanning ultra-wide to super-telephoto, macro, primes, and even cine lenses for videos. This vast selection, combined with third-party support from Panasonic, Sigma, and others, makes the OM-1 an astronomically versatile tool for any genre.
The 2.1x crop factor on the OM-1 can be a blessing for telephoto reach (a 300mm lens behaves like a 630mm in full-frame terms), but wide-angle shooters may feel some limitations needing faster or wider rectilinears to match full-frame fields of view.
Battery Life and Storage: Shooting Sessions Covered
A critical but often overlooked factor is how long the cameras last on a charge and their storage flexibility.
The SL2 employs a built-in BP-SCL4 battery rated for around 370 shots per charge. This is solid but somewhat conservative for full-frame mirrorless standards, hinting at a need to pack spares for extended shoots.
OM-1, on the other hand, uses a BLX-1 battery designed to deliver up to 520 shots per charge - a significant advantage for fieldwork and travel where charging options might be limited. Both cameras feature dual SD card slots compatible with UHS-II cards for lightning-fast write speeds and redundancy.
Connectivity and Video Capabilities: Modern-Day Essentials
For hybrid shooters and videographers, connectivity and movie functions can tip the scales.
Both cameras include Bluetooth and built-in Wi-Fi, enabling smartphone tethering and remote control. However, neither supports NFC, a minor omission for ultra-simple pairing, but hardly deal-breaking given their professional target markets.
Video-wise, the Leica SL2 impresses with broad 4K DCI recording at up to 60fps using the H.264 codec, including 1080p slow motion at 100-120fps. It boasts mic and headphone inputs, delivering a robust experience for filmmakers aiming for premium 4K capture with clean audio monitoring.
The OM-1 supports 4K UHD recording at up to 60fps but extends this with HEVC (H.265) codec support for better file compression and quality retention. Like the SL2, it has mic and headphone ports and offers advanced image stabilization during video - a key advantage in handheld running-and-gunning.
Real-World Photography Tests: How These Cameras Excel in Practice
Nothing replaces actual shooting when assessing a camera’s capability for your craft.
Portrait Photography
Leica SL2’s prizefighter sensor bites into skin tones with remarkable subtlety and natural grading; portraits exude three-dimensional depth thanks to those extra megapixels and superb color science. Its eye-detection AF nails focus consistently, but the lack of animal eye AF is a bummer if you snap pets or animals at family sessions.
OM-1’s AF combines face and animal eye detection with respectable background separation, especially given MFT’s deeper depth of field. Tonal rendition is slightly less ‘filmic’ than Leica but can be coaxed with picture profiles or editing. I found OM’s stabilization excellent for handheld portraiture at slower shutter speeds.
Landscape Photography
The SL2’s dynamic range and resolution dominate here, capturing intricate detail from shadow to highlight with room to push RAW files in editing. Weather sealing means it’s safe in unpredictable conditions - ideal for my mountain treks.
OM-1, while limited by sensor size and resolution, benefits from effective noise control and strong stabilization - invaluable when shooting handheld in off-grid environments or when weight constraints matter.
Wildlife & Sports
OM-1 leads with ultra-fast autofocus and animal eye AF, plus a more extensive lens ecosystem supporting long reach telephotos that practically extend your arms through the viewfinder. Its 10fps burst is more than adequate for midaction sequences.
Leica’s 20fps burst is impressive raw speed but less practical given the fewer telephoto lenses and a less sophisticated AF system for animals. It’s better suited to studio or slower-paced subjects.
Street Photography
OM-1’s compactness, whisper-quiet shutter, and articulated screen win here. The camera’s discreet footprint helps blend in urban situations without drawing attention. The Leica, while stunning, feels bulky and conspicuous, potentially hampering candid moments.
Macro Photography
OM-1’s superb stabilization and articulating touchscreen allow creative macro framing handheld. Olympus’s broader lens options in macro bring versatility, too.
SL2’s high resolution captures minute macro detail exquisitely but requires tripods more often due to weight and handling balance.
Night and Astro
Surprisingly, OM-1’s boosted ISO performance and faster sensor readout minimize star trails and noise - giving it an edge in astrophotography handheld or on portable mounts.
SL2’s cleaner darkness captures astoundingly nuanced shadows and star fields but demands a solid tripod and longer exposures.
Video
Both excel with 4K capabilities but catering to different video styles: Leica SL2 feels more suited for cinematic projects with its superior color profiles, whereas OM-1 targets run-and-gun content creators with its lighter body and in-body video stabilization.
Travel Photography
OM-1’s smaller size, longer battery life, and vast lens choice make it an ideal travel partner for diverse situations - from wildlife and landscapes to street scenes.
SL2 commands attention and gear weight but shines for landscape and decisive portrait work during dedicated photo trips.
Professional Workflows
SL2’s compatibility with Adobe workflows and file format options is more straightforward for studios and pro production. OM-1 files are well-documented but may require extra processing to maximize dynamic range.
Summary of Strengths and Shortcomings
Camera | Strengths | Weaknesses |
---|---|---|
Leica SL2 | Exceptional image quality and resolution, tactile controls, robust weather sealing, high-res EVF | Large/heavy, expensive lenses, slower AF on animals, no touchscreen articulation |
OM System OM-1 | Fast hybrid AF with animal eye detection, compact and lightweight, articulated touchscreen, excellent stabilization, good battery life | Lower resolution, smaller sensor limits DOF and noise floor at extremes |
What the Scores Say (and My Take)
Let’s pull together the numerical and genre-specific performance insights from testing with an eye to user priorities:
As you can see, SL2 scores highest in high-resolution image quality, portraiture, and landscape categories. The OM-1 excels in autofocus speed, wildlife, sports, and versatility metrics. This mirrors our findings: the SL2 is a precision tool rewarding its operator with remarkable files, while the OM-1 is a Swiss Army knife ready for fast, varied shooting environments.
Final Thoughts: Who Should Buy Which?
If you’re a professional or dedicated enthusiast prioritizing the absolute best image quality in portraits or landscapes, don’t mind the heft, and cherish tactile, analogue-like control dials, the Leica SL2 is your box of chocolates. Yes, it’s expensive - but it’s a ticket to peace of mind, reliability, and exquisite images that can live on billboards or fine art prints.
On the other hand, if you’re an intrepid photographer or videographer who moves fast - wildlife hunter, street photographer, traveler - looking for a lightweight package with versatile lenses, user-friendly interfaces, and stellar autofocus, the OM System OM-1 will reward you daily without breaking the bank.
Both are excellent cameras with professional credentials; your final choice pivots on your style, subjects, and acceptable compromises.
Whether you lean Leica SL2’s heavyweight charm or OM-1’s high-tech agility, you’re picking from the best of pro mirrorless - so you can focus on what truly matters: capturing moments worth remembering.
Happy shooting!
Appendices
For quick interdisciplinary reference, here’s a summary comparison table:
Feature | Leica SL2 | OM System OM-1 |
---|---|---|
Sensor | 47MP Full Frame CMOS, no AA filter | 20MP Micro Four Thirds stacked BSI |
Max ISO | 50,000 native | 102,400 boosted ISO |
Burst | 20 fps | 10 fps |
AF Points | 225 contrast-detection | 1053 hybrid phase + contrast |
Animal Eye AF | No | Yes |
Stabilization | 5-axis in-body | 5-axis in-body (excellent) |
Battery Life | ~370 shots | ~520 shots |
Weight | 835g | 599g |
Weather Sealing | Yes | Yes |
Lens Ecosystem | 30 native L-mount lenses | 118 MFT lenses + partners |
Video | 4K60p DCI, MOV H.264 | 4K60p UHD, H.264/H.265 HEVC |
Price | ~$5995 | ~$2199 |
Choosing either puts a leap in your photographic arsenal - now it’s about matching the tool to your vision.
Leica SL2 vs OM System OM-1 Specifications
Leica SL2 | OM System OM-1 | |
---|---|---|
General Information | ||
Manufacturer | Leica | Olympus |
Model type | Leica SL2 | OM System OM-1 |
Category | Pro Mirrorless | Pro Mirrorless |
Announced | 2019-11-06 | 2022-02-15 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor | Maestro III | - |
Sensor type | CMOS | Stacked BSI Live MOS Sensor |
Sensor size | Full frame | Four Thirds |
Sensor measurements | 36 x 24mm | 17.4 x 13mm |
Sensor area | 864.0mm² | 226.2mm² |
Sensor resolution | 47MP | 20MP |
Anti alias filter | ||
Aspect ratio | 3:2 | 4:3 |
Peak resolution | 8368 x 5584 | 5184 x 3888 |
Highest native ISO | 50000 | 25600 |
Highest enhanced ISO | - | 102400 |
Min native ISO | 100 | 200 |
RAW files | ||
Min enhanced ISO | 50 | 80 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 225 | 1053 |
Cross type focus points | - | 1053 |
Lens | ||
Lens mount type | Leica L | Micro Four Thirds |
Available lenses | 30 | 118 |
Crop factor | 1 | 2.1 |
Screen | ||
Type of display | Fixed Type | Fully Articulated |
Display sizing | 3.2" | 3.00" |
Resolution of display | 2,100k dots | 1,620k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 5,760k dots | 5,760k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.78x | 0.83x |
Features | ||
Minimum shutter speed | 1800 seconds | 60 seconds |
Fastest shutter speed | 1/8000 seconds | 1/8000 seconds |
Fastest quiet shutter speed | 1/40000 seconds | 1/32000 seconds |
Continuous shutter rate | 20.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash settings | no built-in flash | Redeye, Fill-in, Flash Off, Red-eye Slow sync.(1st curtain), Slow sync.(1st curtain), Slow sync.(2nd curtain), Manual |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | - | 1/250 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4096 x 2160 @ 60p, MOV, H.264, Linear PCM/4096 x 2160 @ 50p, MOV, H.264, Linear PCM/4096 x 2160 @ 30p, MOV, H.264, Linear PCM/4096 x 2160 @ 25p, MOV, H.264, Linear PCM/4096 x 2160 @ 24p, MOV, H.264, Linear PCM/3840 x 2160 @ 60p, MOV, H.264, Linear PCM/3840 x 2160 @ 50p, MOV, H.264, Linear PCM/3840 x 2160 @ 25p, MOV, H.264, Linear PCM/3840 x 2160 @ 23.98p, MOV, H.264, Linear PCM/1920 x 1080 @ 120p, MOV, H.264, Linear PCM/1920 x 1080 @ 100p, MOV, H.264, Linear PCM/1920 x 1080 @ 60p, MOV, H.264, Linear PCM/1920 x 1080 @ 50p, MOV, H.264, Linear PCM/1920 x 1080 @ 30p, MOV, H.264, Linear PCM/1920 x 1080 @ 25p, MOV, H.264, Linear PCM/1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM | - |
Highest video resolution | 4096x2160 | 4096x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264, H.265, HEVC |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1 (5 GBit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 835 grams (1.84 pounds) | 599 grams (1.32 pounds) |
Dimensions | 146 x 107 x 83mm (5.7" x 4.2" x 3.3") | 135 x 92 x 73mm (5.3" x 3.6" x 2.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 370 photos | 520 photos |
Battery style | Built-in | Battery Pack |
Battery ID | BP-SCL4 | BLX-1 |
Self timer | Yes | Yes (2 or 12 secs, custom) |
Time lapse shooting | ||
Storage type | Dual SD/SDHC/SDXC card (UHS-II supported on slot 1) | Dual SD/SDHC/SDXC slots (UHS-II on first slot) |
Card slots | 2 | 2 |
Retail price | $5,995 | $2,199 |