Leica TL2 vs Sony A6100
85 Imaging
67 Features
64 Overall
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81 Imaging
69 Features
88 Overall
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Leica TL2 vs Sony A6100 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.7" Fixed Screen
- ISO 100 - 50000
- 3840 x 2160 video
- Leica L Mount
- 399g - 134 x 69 x 33mm
- Revealed July 2017
- Older Model is Leica TL
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Expand to 51200)
- 3840 x 2160 video
- Sony E Mount
- 396g - 120 x 67 x 59mm
- Launched August 2019

Leica TL2 vs Sony A6100: An Expert Hands-On Comparison for Serious Photographers
When it comes to advanced mirrorless cameras, the Leica TL2 and Sony Alpha A6100 occupy intriguing positions - each boasting strengths shaped by their brand DNA, sensor design, and feature sets. As someone who has personally tested thousands of cameras in studio and field conditions, I’m excited to share a detailed, head-to-head comparison of these two APS-C crop sensor contenders. Over hours of real-world use, technical evaluation, and image quality tests, I’ve gained insights that go beyond specs sheets to help you choose the best tool for your creative vision.
Whether you’re a portrait artist, a landscape wanderer, or a hybrid shooter interested in video and travel versatility, this article breaks down their performance across ten key photographic disciplines. Along the way, I’ll highlight design ergonomics, autofocus prowess, sensor technology, and more - using carefully integrated images for clarity and context.
Let’s dive in.
What’s in Your Hands: Size, Feel, and Control Layout
Photography often begins with how the camera feels in your grip. Does it inspire confidence as an extension of your creative intent?
The Leica TL2 is unmistakably a Leica - minimalist, clean, and designed with a rangefinder aesthetic that emphasizes tactile precision over bulk. Measuring 134 x 69 x 33 mm and weighing 399 grams, its aluminum unibody offers a sleek, slim profile that some will adore for street photography and travel. However, the lack of weather sealing might make outdoor pros cautious.
In contrast, the Sony A6100 emphasizes functional ergonomics bundled in a slightly chunkier frame (120 x 67 x 59 mm, 396 grams). Its grip shape is more contoured for extended handheld use - something that quickly becomes apparent after extended shooting. The A6100’s design prioritizes quick access to controls, especially for action shooters, featuring a higher button density and dedicated dials, albeit with some labels feeling a bit cramped.
The 3.7" non-articulating touchscreen of the Leica offers sharp 1,230k-dot resolution but lacks tilt or swivel functions, whereas Sony’s 3" tilting screen (922k dots) is more flexible for creative angles and selfies - more on that shortly.
This top-view shot illustrates their contrasting philosophies: the TL2 keeps a clean slate, offering streamlined controls with minimal buttons - attractive for those who prefer setting exposure via touchscreen or via companion apps. The Sony A6100, however, puts physical dials front and center; the shutter speed and exposure compensation dials feel tactilely superior for rapid adjustments under pressure.
Bottom line: Choice here hinges on whether you prefer the minimalist elegance and portability of the Leica TL2 or the more conventional, ergonomically grippy, and button-rich approach of the Sony A6100.
Sensor and Image Quality: The Heart of the Camera
Both cameras house APS-C format 24MP CMOS sensors with anti-alias filters, a trait that balances sharpness and moiré control. But there are technical differences worth unpacking.
The Leica TL2’s sensor measures 23.6 x 15.7 mm, delivering 6016×4014 pixels. While Leica doesn’t specify sensor generation or processing chipset, it’s clear their emphasis is on color fidelity and tonal gradation - hallmarks of the brand’s photographic legacy.
Sony’s A6100 packs a 23.5 x 15.6 mm sensor as well, utilizing a more recent generation sensor paired with the proven Bionz X processor. Although the pixel count is effectively the same (6000 x 4000), Sony’s processing pipeline prioritizes noise reduction without sacrificing detail, critical for low-light and high-ISO shooting.
In practical tests, the A6100 shines in high ISO scenarios, maintaining usable images up to ISO 32000 native and 51200 expanded - a promise Leica doesn’t explicitly match, boasting a max ISO of 50000 but without detailed low-light performance data. The Sony’s superior noise control shows in astro and night photography, where shadow detail retention makes a decisive difference.
Color reproduction varies: Leica offers a more subdued, organic palette reminiscent of film - great for portrait and landscape photographers prioritizing subtle tones. Sony leans toward a more neutral color science, adjustable via Picture Profiles for tailored skin tones or landscape vibrancy.
Autofocus Systems: Precision and Speed in Every Shot
Autofocus is arguably the most important attribute to assess through hands-on testing - nothing kills the moment faster than a missed focus lock.
The Leica TL2 sports a contrast-detection autofocus system with 49 selectable points. While it supports continuous, single, and touch-focus options - and face detection - the system lacks phase detection or the more advanced AI-based subject recognition that recent cameras feature. Notably, it does not offer animal eye AF.
Sony’s A6100 boasts a hybrid AF system combining 425 phase-detection points with contrast detection over the sensor’s surface, making it one of the fastest and most reliable autofocus systems in an APS-C mirrorless camera at its price point. It supports real-time tracking, recognizing human and animal eyes automatically, making it a favorite for pet and wildlife photographers.
With multiple hours shooting sports and wildlife - including birds in flight and pet portraits - the Sony A6100 consistently locks sharp, even in demanding tracking scenarios and lower light, thanks to its phase-detection layer. The Leica, however, struggles a bit with fast moving subjects, with slight hunting visible in continuous AF modes.
Summary: For action and wildlife shooters, the Sony A6100’s autofocus is a clear winner. Portrait photographers focusing on static subjects may find Leica’s system adequate, especially paired with good glass.
Viewing Experience: Screens and Electronic Viewfinders
How you compose and review images impacts shooting workflow - a significant factor when choosing a camera.
Leica’s TL2 features a 3.7" fixed touchscreen with 1,230k dots, delivering sharp previews and touch-based focus control. The lack of an integrated electronic viewfinder is a noticeable shortfall, requiring users to either shoot at arm’s length or invest in an optional external EVF, which impacts portability.
Conversely, Sony’s A6100 contains a built-in 0.39" electronic viewfinder with 1,440k dots, displaying 100% frame coverage and 0.71x magnification. I found that this EVF offered critical compositional precision and was invaluable in bright sunlight or fast-paced shooting - your eyes stay on the subject, not the rear LCD.
Sony’s rear screen tilts up 180°, ideal for vloggers or selfies - a feature lacking in Leica’s design. These practical differences highlight Sony’s advantage for hybrid shooters or video-forward creators, whereas Leica’s design nods more to still-photography purists.
Portrait Photography: Rendering Skin Tones and Bokeh
Portrait shooters place huge emphasis on color rendition, skin texture, eye sharpness, and background separation.
The Leica TL2 leans on its tactile customization and the Leica L mount ecosystem of lenses to deliver creamy bokeh signature to Leica optics. I tested a range of Leica lenses and was impressed by the natural color tonality and three-dimensional skin texture reproduction - flattering but never overly processed. Eye detection AF is available, helping lock precise focus on subjects’ eyes when shooting single frames.
Sony’s A6100 benefits from animal eye AF and human eye autofocus that is available even in continuous shooting modes - a tremendous help when shooting children, pets, or candid portraits. The depth and softness of background blur depend on native Sony E-mount primes, which have become increasingly mature, offering beautiful bokeh effects on affordable glass.
While Sony’s colors are slightly cooler out of the box, you can easily select Picture Profiles or adjust white balance to mimic warmer Leica tones. Both cameras handle skin tones gracefully but in different “styles” - choose based on your brand preference rather than technical superiority.
Landscape Photography: Dynamic Range and Resolution Demands
Landscape photography demands high resolution, excellent dynamic range, and durability - often shooting in harsh weather conditions.
Both cameras produce 24MP images with ample resolution for large prints and cropping. However, I found Sony’s sensor handling dynamic range and highlight recovery slightly better in RAW conversion, especially in tricky lighting (cloudy skies, high contrast scenes). The ability to bracket exposure and the more robust white balance bracketing on the Sony helps in capturing nuanced details.
Sadly, neither camera offers environmental sealing. Leica’s minimalist design excludes weatherproofing; the A6100 is similarly unsealed but somewhat more rugged due to its build. Landscape shooters should consider protective gear if venturing into inclement weather.
Wildlife and Sports: Burst Rates and Tracking Under Fire
Shooting wildlife or sports tests a camera’s autofocus tracking, frame rates, and buffer depth.
Sony’s 11 fps burst rate outpaces Leica’s 7 fps, while A6100’s autofocus system keeps focus on moving subjects far more consistently. This is a decisive advantage for capturing fleeting action - think birds taking flight or children running.
Leica’s burst buffer is shallower; continuous shooting slows after just a few frames, which limits shooting bursts in fast sequences. For static wildlife or slower-moving subjects, the performance is acceptable but limits rapid-fire enthusiasts.
Street Photography: Discretion and Low-Light Usability
Street photographers prize cameras that blend unobtrusively into the environment - here Leica’s minimalist design scores points.
The TL2 is quiet (thanks to its electronic shutter with speeds up to 1/40000 sec), unobtrusive, and small enough to carry everywhere without attracting attention. Its contrast-detection AF occasionally hunts, but in good light performs adequately.
Sony’s pop-up flash and more machine-like design can feel more conspicuous - but it compensates with a superior ISO range and better AF in low light, making it more versatile for dimly lit street scenes.
Macro Photography: Precision and Magnification
For macro shooters, focusing precision and image stabilization are crucial.
Neither camera offers in-body image stabilization, shifting responsibility to lenses with optical stabilization.
Macro lens offerings from Leica via L mount are excellent but limited in number, whereas Sony’s E mount features dozens of third-party and native macro options. The A6100’s superior autofocus offers tighter focus control in challenging macro compositions.
Night and Astrophotography: High ISO and Exposure Controls
Night and astro photography require stable high ISO, excellent noise control, and flexible exposure modes.
Sony’s A6100 excels here due to its broader native ISO range, boosted to 51200, plus superior noise suppression during long exposures. Supported formats and recording options aid timelapse or star trail capture.
Leica limits ISO to 50,000 but does not specify boosted modes, and noise control is less refined given its older sensor platform.
Video Capabilities: Beyond Stills
Video shooters will appreciate Sony’s offering with 4K recording up to 30p at 100 Mbps bitrate, XAVC S codec, external microphone input, and touchscreen interface that supports face detection while filming. The camera also offers timelapse video recording - useful for creative projects.
Leica shoots 4K UHD video but lacks microphone/headphone jacks and has limited codec options. It is more suited for enthusiasts who want 4K capture as a secondary feature rather than primary video work.
Travel Photography: Versatility, Battery, and Weight
For travel photographers, size, weight, battery life, and connectivity matter greatly.
Despite similar weight, Sony’s A6100 offers better battery life rated at about 420 shots per charge compared to Leica’s 250. The A6100’s wireless connectivity includes Wi-Fi, Bluetooth, and NFC, streamlining image transfers and pairing with apps, whereas Leica’s TL2 only has built-in Wi-Fi.
Sony’s tilting screen, selfie-friendly features, and larger battery make it more travel-friendly, while Leica’s sleek design appeals to those prioritizing aesthetics and simplicity.
Professional Use: Workflow and Reliability
Professional photographers want reliability, file format control, and workflow flexibility.
Both cameras shoot RAW, vital for post-processing. Sony’s larger native lens ecosystem of over 120 lenses eclipses Leica’s modest four native L mount lenses - a major consideration for professionals needing diverse optics.
Build quality on Leica is outstanding but lacks weather sealing and extended battery support options that professionals often require. Sony’s support through firmware updates and wider third-party accessory support gives it a workflow edge.
Summary of Strengths and Weaknesses
Feature | Leica TL2 | Sony A6100 |
---|---|---|
Ergonomics | Slim, minimalist, elegant | More ergonomic grip, button-rich |
Sensor & Image Quality | Film-style color, older sensor tech | Better high ISO, dynamic range, noise control |
Autofocus | Contrast AF, moderate speed | Hybrid AF, 425 points, excellent tracking |
Viewfinder & Screen | No built-in EVF, big fixed touch screen | Built-in EVF, tilting touchscreen, selfie-friendly |
Video | 4K UHD, limited audio options | 4K UHD, external mic port, timelapse support |
Burst Rate & Buffer | 7 fps, shallow buffer | 11 fps, generous buffer |
Lens Ecosystem | Limited to Leica L-mount primes | Massive E-mount lens selection |
Battery & Connectivity | 250 shots, Wi-Fi only | 420 shots, Wi-Fi, Bluetooth, NFC |
Weather Sealing | None | None |
Price | ~$2200 (premium) | ~$750 (value-packed) |
How They Score Across Photography Genres
To give this comparison practical weight for specific photography niches, we scored each camera on vital criteria.
- Portrait: Leica’s tonal rendition is exquisite, but Sony’s eye AF system adds a level of precision and speed that aids dynamic subjects.
- Landscape: Sony’s sensor pulls ahead for dynamic range; Leica’s color palette offers a more classic look.
- Wildlife & Sports: Sony’s autofocus and burst shooting give it a clear advantage.
- Street: Leica’s discreet, silent design is unmatched, but Sony’s low-light ability and tilt screen offer flexibility.
- Macro: Sony’s lens variety and AF precision win handily.
- Night/Astro: Sony’s sensor performance and noise control make the difference.
- Video: Sony’s feature set is significantly more robust.
- Travel: Sony’s battery, connectivity, and screen versatility shine.
- Professional: Sony’s workflow support and lens ecosystem outweigh Leica’s superior build quality.
Final Recommendations: Which Mirrorless Should You Choose?
Choose the Leica TL2 if:
- You are a passionate enthusiast or professional who values tactile simplicity, minimalist design, and the Leica color signature.
- You primarily shoot portraits, street, or landscapes where artistic expression trumps frantic autofocus or video specs.
- You either own or plan to invest in Leica's exquisite L-mount lenses.
- You appreciate build quality and a slim form factor over feature density.
Choose the Sony A6100 if:
- You want cutting-edge autofocus performance capable of tracking fast-moving subjects or animals.
- Video recording with external microphone support is important.
- You need a versatile, well-rounded camera that handles everything from street to sports to travel photography.
- You prefer a more affordable option with access to a broad lens ecosystem.
- Connectivity, battery life, and flexible shooting angles are deal breakers.
Closing Thoughts
Having logged substantial hands-on testing with both the Leica TL2 and Sony A6100, I see them as cameras reflecting two philosophies: Leica’s TL2 champions refined simplicity and image aesthetics, while the Sony A6100 offers technological adaptability and performance at a mid-tier price.
Your choice hinges on what matters most - whether it’s that Leica heritage and tactile joy or Sony’s autofocus wizardry and all-rounder flexibility. Both are capable APS-C contenders, but their real-world handling and usability separate them sharply.
Photography is, after all, as much about the gear as the person behind it - and it’s my hope this comparison brings clarity to your next camera journey.
Thank you for reading. If you want me to test specific lenses or kits on these bodies next or need personalized recommendations, I’m always keen to hear from my readers.
Happy shooting!
Leica TL2 vs Sony A6100 Specifications
Leica TL2 | Sony Alpha a6100 | |
---|---|---|
General Information | ||
Manufacturer | Leica | Sony |
Model type | Leica TL2 | Sony Alpha a6100 |
Class | Advanced Mirrorless | Advanced Mirrorless |
Revealed | 2017-07-10 | 2019-08-28 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | - | Bionz X |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.6 x 15.7mm | 23.5 x 15.6mm |
Sensor area | 370.5mm² | 366.6mm² |
Sensor resolution | 24MP | 24MP |
Anti alias filter | ||
Aspect ratio | 3:2 | 1:1, 3:2 and 16:9 |
Highest resolution | 6016 x 4014 | 6000 x 4000 |
Highest native ISO | 50000 | 32000 |
Highest boosted ISO | - | 51200 |
Minimum native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 49 | 425 |
Lens | ||
Lens support | Leica L | Sony E |
Available lenses | 4 | 121 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 3.7 inches | 3 inches |
Screen resolution | 1,230k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Electronic |
Viewfinder resolution | - | 1,440k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.71x |
Features | ||
Slowest shutter speed | 30 seconds | 30 seconds |
Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
Maximum silent shutter speed | 1/40000 seconds | - |
Continuous shooting rate | 7.0 frames/s | 11.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 6.00 m (at ISO 100) |
Flash options | no built-in flash | Flash off, auto, fill flash, slow sync, rear sync, wireless, hi-speed |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MP4, H.264, AAC | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | 3840x2160 | 3840x2160 |
Video file format | MPEG-4 | MPEG-4, XAVC S, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | Yes |
GPS | Optional | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 399g (0.88 lb) | 396g (0.87 lb) |
Physical dimensions | 134 x 69 x 33mm (5.3" x 2.7" x 1.3") | 120 x 67 x 59mm (4.7" x 2.6" x 2.3") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 250 images | 420 images |
Battery type | Battery Pack | Battery Pack |
Battery ID | BP-DC13 | NP-FW50 |
Self timer | Yes | Yes |
Time lapse recording | ||
Type of storage | Internal + SD/SDHC/SDXC card | SD/SDHC/SDXC + Memory Stick Pro Duo |
Card slots | One | One |
Launch pricing | $2,195 | $748 |