Leica V-Lux 40 vs Olympus FE-45
92 Imaging
37 Features
48 Overall
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95 Imaging
32 Features
14 Overall
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Leica V-Lux 40 vs Olympus FE-45 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 210g - 105 x 59 x 28mm
- Introduced May 2012
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 64 - 1600
- Digital Image Stabilization
- 640 x 480 video
- 36-108mm (F3.1-5.9) lens
- 142g - 94 x 62 x 23mm
- Introduced January 2009

Leica V-Lux 40 vs. Olympus FE-45: An In-Depth Comparison for Photography Enthusiasts
When comparing compact cameras, especially those from reputable brands like Leica and Olympus, the choices can get surprisingly nuanced. Today, I’m diving deep into two intriguing models - Leica’s V-Lux 40, a small sensor superzoom, and the Olympus FE-45, a small sensor compact. Both occupy entry-level price points but deliver very different experiences and capabilities. Drawing on years of hands-on testing - yes, I’ve pushed hundreds of cameras to their limits - this comparison will unpack their real-world performance, covering photographic styles from portraiture to wildlife, and equally so their technical makeup, ergonomics, and value. Grab a coffee, and let’s get into it.
First Impressions and Ergonomics: Handling the Leica V-Lux 40 and Olympus FE-45
Starting with the basics: how these cameras feel in your hand and their physical footprint. The Leica V-Lux 40 measures 105 x 59 x 28 mm and weighs 210 grams, while the Olympus FE-45 is more petite at 94 x 62 x 23 mm and lighter at 142 grams. Seen in the image above, the V-Lux 40 commands presence with a chunkier grip and slightly thicker body - a hint at its ambitious zoom lens and enhanced features. The Olympus, conversely, feels ultra pocketable and discreet.
I found the Leica to be more comfortable for thorough shooting sessions. Its fixed lens design at 24-480mm equivalent focal length gives serious versatility, but you’ll appreciate the more substantial grip and dedicated buttons when navigating menus or toggling modes (though illumination is absent here). The FE-45’s slimmer build makes it easy for street or travel photography where size and weight are paramount, but the compact form factor does sacrifice tactile feedback.
Looking from above, the V-Lux 40 offers a clearer command layout, including tactile dials for aperture and shutter priority modes - features the Olympus lacks altogether. For photographers who crave control and quick adjustments, Leica’s top plate design feels more professional despite the camera’s compact category.
Beyond the Shell: Sensor Tech and Image Quality
Both cameras sport a 1/2.3-inch sensor measuring roughly 6.08 x 4.56 mm with an area near 27.72 mm² - standard fare for compacts of their generation. However, the Leica utilizes a 14-megapixel CMOS sensor, while the Olympus carries a 10-megapixel CCD sensor, a significant difference considering sensor generation and technology.
CMOS sensors generally handle noise better and offer faster readout speeds compared to CCD, especially crucial in dynamic environments or video. At base ISOs (100 for Leica, 64 for Olympus), you’ll get sharp and clean images from either camera. Yet, push beyond ISO 400 and the Leica retains more detail with less color shift and noise visible - a testament to its sensor and processing pipeline.
Image resolution also tilts in Leica’s favor at 4320 x 3240 pixels compared to Olympus’s 3648 x 2736, giving you slightly more headroom for cropping or large prints. Color depth and dynamic range figures aren’t officially tested for these cameras, but subjective assessments reveal Leica’s files deliver more natural skin tones and richer color gradation, particularly useful in portrait and landscape work.
Screen and Interface: How You See Matters
LCD technology and responsiveness influence your shooting interface experience significantly. The Leica V-Lux 40 offers a fixed 3-inch touchscreen with 461k dots resolution, while Olympus’s FE-45 settles for a smaller 2.5-inch screen at 230k dots.
I prefer the Leica’s display for framing and previewing images - it can even accept touch inputs, enhancing menu navigation and focus point selection. Conversely, the FE-45’s screen feels dim and less detailed, which makes composing under bright ambient light challenging. Neither camera has an electronic viewfinder, which limits outdoor usability, especially for daylight composition.
Portrait Photography: Nailing Skin Tones and Eye Detection
Portrait shooting demands precise autofocus and believable skin tone reproduction. Here, the V-Lux 40 pulls ahead thanks to its faster 23-point contrast-detection AF system with face detection enabled. Eye tracking is absent, understandably, but the camera smartly locks onto faces in single or continuous autofocus modes.
The Olympus’s single AF point with contrast detection and no face detection means manual framing and focus accuracy is tougher, especially with moving subjects. Its CCD sensor renders images with slightly flatter skin tones - oversaturated reds can appear on occasion in warm lighting - making skin tone fidelity less natural.
The Leica’s lens aperture ranges from f/3.3 at wide angle to f/6.4 at telephoto, offering reasonable bokeh at longer focal lengths. While it won’t rival an interchangeable lens camera’s creamy out-of-focus backgrounds, it’s definitely more capable than the FE-45’s f/3.1-5.9, shorter zoom, and weaker depth separation.
Landscape Photography: Dynamic Range and Weather Resilience
Landscape shooters often prize high dynamic range (DR), resolution, and environmental resilience. Both cameras suffer from limited weather sealing - none are dust or moisture resistant - so you’ll want to shield them during inclement conditions.
The Leica’s 14MP CMOS sensor delivers better dynamic range, capturing subtle highlight details and shadow nuances more effectively. The superzoom lens (24-480mm equivalent) also means sweeping wide vistas or tightly framed nature details are achievable without changing gear.
Olympus’s smaller sensor and 10MP resolution limit the detail and DR achievable, making it more suited for casual landscape snaps. The FE-45’s FOV stops short at 108mm equivalent, forcing you to crop or miss distant elements.
Wildlife and Sports Photography: AF Systems and Burst Performance
Photographing fast, erratic subjects demands quick, reliable autofocus and burst shooting capabilities. Here, Leica’s V-Lux 40 exhibits clear advantages:
- Continuous shooting at 10 fps is impressive at this sensor size, ideal for capturing rapid sequences.
- Its 23 contrast-detection AF points with tracking help maintain focus on moving subjects.
- The extensive 24-480mm zoom range covers telephoto needs adequately.
Olympus’s FE-45 lacks continuous AF and burst modes, making it poorly suited for sports or wildlife photography. Its maximum shutter speed of 1/2000s is the same as Leica, but the absence of tracking hampers follow-focus capabilities.
That said, the Leica’s autofocus, while faster, is not in the league of modern mirrorless systems with hybrid phase-detection. It falters somewhat in low contrast or poor lighting situations - common traits with contrast detection alone. However, the Leica’s optical image stabilization, combined with its lens reach, often salvages sharpness where Olympus’s digital stabilization cannot.
Street and Travel Photography: Discretion, Portability, and Battery Life
Street shooters want cameras that are quick, discreet, and lightweight. Olympus’s FE-45 shines here thanks to its super-compact form factor and lower weight, easing extended carry and inconspicuous shooting.
The Leica, on the other hand, weighs more and is bulkier - a price for greater zoom flexibility and stronger feature set. For travel, the V-Lux 40’s versatility from 24mm wide up to 480mm telephoto makes it a capable all-arounder; you can go from landscapes to detail shots without swapping lenses, useful when you want to pack light without sacrificing creativity.
Battery life is another practical consideration: Leica rates around 210 shots per charge, while Olympus’s spec is unspecified but generally lower due to smaller battery size. From experience, smaller compacts like the FE-45 are less endurance champions, draining quickly with active use of stabilization and LCD.
Macro and Close-Up Styles: How Close Can You Get?
Macro enthusiasts seek tight focusing distances and precise AF. Leica’s macro range begins at 3 cm, while Olympus starts at 5 cm - a meaningful difference when framing flowers or insects.
The Leica’s optical image stabilization also assists handholding close-up shots, reducing blur even at slower shutter speeds. Olympus uses digital stabilization, less effective in macro contexts, potentially degrading image quality.
Night and Astrophotography: ISO Performance and Exposure Control
Astro and low-light photographers demand cameras that manage high ISO sensitively and allow manual control.
Leica’s ISO ranges from 100 to 6400, CMOS sensor advantages manifest here with improved noise control, making it better suited for night scenes and astrophotography, although low-light autofocus remains challenging. The availability of manual exposure mode and shutter priority offers creative flexibility for long exposures.
The Olympus’s maximum ISO is capped at 1600; coupled with the older CCD sensor, images quickly show noise above ISO 400. Without manual exposure modes, your hands are somewhat tied for astrophotography workflows.
Video Capability: Recording Specs and Stabilization
While neither camera is a dedicated video shooter, the Leica V-Lux 40 supports 1080p Full HD recording at 60 fps in MPEG-4 and AVCHD formats, providing decent clarity and smoothness for casual b-roll or travel footage. The optical image stabilization aids handheld stability, which is a significant asset.
In contrast, the Olympus caps video at 640 x 480 resolution at 30 fps, using Motion JPEG compression - considerably outdated and low quality by today’s standards. As such, Olympus is ill-suited for video hobbyists.
Neither camera offers external microphone inputs or headphone jacks, limiting audio recording control. Additionally, Leica supports HDMI output, enhancing monitoring options, while Olympus lacks this feature.
Professional Considerations: File Handling and Workflow
Neither camera offers RAW capture, a major limitation for professional or serious enthusiasts wanting maximum post-processing latitude. Both manufacturers omitted this to streamline consumer usability, but it hampers flexibility in color grading and exposure correction.
Leica’s larger images with richer color depth partially compensate, but professionals will find both models restrictive, better suited as compact secondaries or casual shooters in a workflow primarily based on RAW-enabled interchangeable lens bodies.
USB 2.0 connectivity and offline storage via SD or SDHC cards complete their modest specs, with Olympus uniquely supporting xD-Picture Cards and microSD, which remain niche formats today.
Connectivity and Other Features
Neither camera includes Wi-Fi, Bluetooth, or NFC connectivity - features common in modern models for instant sharing and remote control. Leica does have built-in GPS, useful for geotagging travel and wildlife shots. Olympus offers no GPS.
The inclusion of optical image stabilization on Leica versus digital on Olympus is another practical difference for image sharpness. Leica’s optical approach enhances overall image fidelity, while Olympus’s digital stabilization can introduce artifacts.
Summing Up: How Do They Rate Overall?
A holistic view weighs Leica V-Lux 40 notably above Olympus FE-45 across core criteria: image quality, zoom range, autofocus sophistication, video capabilities, and ergonomics. However, the Olympus’s lightweight form and simplicity keep it appealing where budget and size dominate priorities.
Performance across Photography Genres
- Portrait: Leica’s face detection and color fidelity make it a clear winner.
- Landscape: Leica’s dynamic range and wider zoom triumph.
- Wildlife: Leica only, for reach and autofocus.
- Sports: Leica’s burst and tracking vastly outperform Olympus.
- Street: Olympus’s form factor appeals strongly here; Leica feels bulky.
- Macro: Leica’s closer focusing distance and better stabilization favor macro.
- Night/Astro: Leica’s ISO range and manual modes enable more creative control.
- Video: Leica supports HD video; Olympus limited to VGA.
- Travel: Leica for trip versatility; Olympus for minimalism and portability.
- Professional Use: Neither is a pro’s primary workhorse but Leica extends more options.
Sample Images to See the Difference for Yourself
In side-by-side image comparisons, Leica’s files show higher detail, more natural colors, and better noise control, especially at longer focal lengths and higher ISOs. Olympus images capture decent detail up to ISO 200 but degrade quickly beyond that.
Final Recommendations: Who Should Buy Which?
If you want a compact camera that punches well above its weight - versatile zoom, solid image quality, manual controls, and video capability - the Leica V-Lux 40 at around $700 remains a sensible choice for enthusiasts on a budget. Its limitations in AF speed compared to modern mirrorless systems are evident but understandable for the class.
On the other hand, if ultra-portability, snapping simple snapshots, and an entry-level price point near $130 are your priority, the Olympus FE-45 will satisfy casual photographers and beginners who want straightforward operation without extra bells and whistles. However, don’t expect stellar performance in challenging lighting or demanding genres like wildlife or sports.
Closing Thoughts: A Tale of Two Compacts
Choosing between these two means balancing ambition with convenience. Leica’s V-Lux 40 offers a surprising amount of creative control and image quality within a modestly sized fixed-lens package. Olympus’s FE-45 trails behind technologically but presents a budget-friendly, pocketable option.
Both cameras stand as solid representatives of their release periods - the V-Lux reflecting more advanced sensor and image processing technologies from 2012, and the FE-45 echoing simpler, earlier compact design philosophies from 2009.
Whether you lean toward the multifaceted Leica or favor the stripped-back Olympus will depend on your photographic priorities and how much weight (literally!) you want to carry on your adventures.
If you want to explore similar models with more advanced features, do let me know! I’ve also tested the newer Leica V-Lux 5 and Olympus Tough TG-6 for more rugged or higher performance options.
Happy shooting!
Leica V-Lux 40 vs Olympus FE-45 Specifications
Leica V-Lux 40 | Olympus FE-45 | |
---|---|---|
General Information | ||
Make | Leica | Olympus |
Model type | Leica V-Lux 40 | Olympus FE-45 |
Class | Small Sensor Superzoom | Small Sensor Compact |
Introduced | 2012-05-10 | 2009-01-07 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.08 x 4.56mm |
Sensor surface area | 27.7mm² | 27.7mm² |
Sensor resolution | 14 megapixel | 10 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
Peak resolution | 4320 x 3240 | 3648 x 2736 |
Highest native ISO | 6400 | 1600 |
Min native ISO | 100 | 64 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 23 | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 24-480mm (20.0x) | 36-108mm (3.0x) |
Maximum aperture | f/3.3-6.4 | f/3.1-5.9 |
Macro focusing range | 3cm | 5cm |
Crop factor | 5.9 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inches | 2.5 inches |
Display resolution | 461k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 15s | 4s |
Fastest shutter speed | 1/2000s | 1/2000s |
Continuous shutter rate | 10.0 frames per sec | - |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 6.40 m | - |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, Fill-in, Red-Eye reduction, Off, On |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Highest video resolution | 1920x1080 | 640x480 |
Video format | MPEG-4, AVCHD | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 210g (0.46 lb) | 142g (0.31 lb) |
Physical dimensions | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") | 94 x 62 x 23mm (3.7" x 2.4" x 0.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 210 pictures | - |
Style of battery | Battery Pack | - |
Self timer | Yes (2 or 10 sec) | Yes (12 seconds) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | xD-Picture Card, microSD, internal |
Card slots | Single | Single |
Price at release | $699 | $130 |