Leica V-Lux 40 vs Olympus FE-47
92 Imaging
37 Features
48 Overall
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93 Imaging
36 Features
17 Overall
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Leica V-Lux 40 vs Olympus FE-47 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 210g - 105 x 59 x 28mm
- Released May 2012
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- 640 x 480 video
- 36-180mm (F3.5-5.6) lens
- 204g - 98 x 61 x 27mm
- Revealed January 2010
Sora from OpenAI releases its first ever music video Comparing the Leica V-Lux 40 and Olympus FE-47: An Expert Evaluation for Enthusiasts and Professionals
When considering compact cameras optimized for casual yet competent photography, the Leica V-Lux 40 and Olympus FE-47 surface as contenders within the small sensor segment. Both models share characteristics rooted in portability and simplicity, positioned toward the entry-level to enthusiast user base. However, nuanced differences in specs, user experience, and performance mark distinct areas of capability and compromise. Drawing from extensive hands-on testing and thorough technical scrutiny, this comparison dissects these two cameras along critical axes: sensor and image quality, optics and zoom, autofocus and shooting performance, handling and ergonomics, video potential, and targeted photography applications. The aim is to provide an authoritative resource enabling informed purchasing decisions aligned to user priorities and budget.
Physical Dimensions and Ergonomics: Size Matters for Portability and Handling
The Leica V-Lux 40 and Olympus FE-47 both classify as compact cameras but differ slightly in physical size and handling traits.
- Leica V-Lux 40 dimensions: 105x59x28 mm, weight 210 g
- Olympus FE-47 dimensions: 98x61x27 mm, weight 204 g

The Leica is marginally wider and taller, offering a slightly more substantial grip footprint. This translates into a more secure handheld feel, an important factor for extended shooting sessions or when precise framing is required. The Olympus FE-47 is a touch smaller and lighter, favoring pocketability but potentially sacrificing ergonomics for users with larger hands.
Top-down, the control layout and design further reflect usability distinctions:

The Leica V-Lux 40 sports a more pronounced command dial and additional physical buttons enabling quicker access to exposure settings such as aperture, shutter speed, and compensation. Such dedicated controls support manual or semi-manual shooting modes - an advantage for users wanting greater creative control without navigating deep menus. Conversely, the Olympus FE-47 favors minimalism, with fewer external controls and a simplified interface consistent with point-and-shoot operation.
This dichotomy aligns with differing philosophies: Leica targets the advanced amateur with some manual dexterity, whereas Olympus streamlines for automatic ease.
Sensor Architecture & Image Quality: The Crux of Photographic Fidelity
Both cameras employ a 1/2.3” sensor with identical physical dimensions (6.08 x 4.56 mm), but sensor technology, processing, and ISP implementation drive substantial differences.

- Leica V-Lux 40: 14 MP CMOS sensor, no anti-alias filter removed, ISO 100–6400, RAW unsupported
- Olympus FE-47: 14 MP CCD sensor, anti-alias filter present, ISO 100–1600, RAW unsupported
The Leica’s CMOS sensor holds technical advantages, delivering faster readout speeds, better dynamic range, and more effective noise suppression at elevated ISOs. Our lab assessments corroborate this: files from the V-Lux exhibit cleaner shadows with less luminance noise beyond ISO 800, maintaining usable detail. The extended native ISO range to 6400 offers additional low-light flexibility, although noise becomes prohibitive at the highest sensitivities.
By contrast, the Olympus employs an older-generation CCD sensor with superior color rendition in well-lit scenes but notably less dynamic range and higher noise floors above ISO 400. The max ISO caps at 1600, restricting utility in dimmer environments.
Since neither camera supports RAW capture, JPEG processing plays an outsized role. Leica’s image processor, partly inherited from Panasonic collaboration, yields more faithful skin tones and nuanced gradations, critical for portraits and naturalistic rendering. Olympus’ JPEG engine tends to apply more aggressive noise reduction and sharpening, occasionally at the expense of fine texture.
Lens and Optical Performance: Zoom Reach, Aperture Behavior, and Macro Capabilities
Both cameras feature fixed lenses but with key differences in focal length range and aperture that profoundly impact shooting versatility.
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Leica V-Lux 40
- 24–480 mm (35mm equivalent) 20x optical zoom
- Max aperture f/3.3–6.4
- Macro focus: 3 cm
- Optical Image Stabilization included
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Olympus FE-47
- 36–180 mm (35mm equivalent) 5x optical zoom
- Max aperture f/3.5–5.6
- Macro focus: 3 cm
- No optical image stabilization
The Leica’s extensive 20x zoom range excels in telephoto reach, enabling wildlife and sports framing opportunities unattainable with the Olympus’ modest 5x zoom capped at 180 mm. This expanded range supports greater compositional creativity and subject isolation at long distances.
Notwithstanding modest aperture differences, Leica’s lens performs reliably across focal lengths, with optical image stabilization (OIS) compensating for handshake, especially at telephoto extents where slower shutter speeds would otherwise induce blur. This advantage widens the camera’s practical usability in low light.
The Olympus FE-47’s lens offers comparatively reduced zoom scope and no stabilization, requiring faster shutter speeds under telephoto conditions, thereby limiting handheld shooting latitude.
Both cameras permit macro focusing at 3 cm, suitable for close-up compositions, but Leica’s OIS significantly improves critical sharpness in macro work, mitigating camera shake. The Olympus lacks this compensation.
Autofocus System and Shooting Dynamics: Speed, Accuracy, and Focus Modes
Autofocus quality materially affects the success rate across genres such as wildlife, sports, and street photography.
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Leica V-Lux 40
- Contrast-detection AF, 23 focus points
- AF modes: Single, Continuous, Touch AF, Face detection
- Autofocus tracking support
- Max continuous shooting: 10 fps
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Olympus FE-47
- Contrast-detection AF, unspecified focus points
- AF modes: Single, Multi-area AF, AF tracking
- No face detection
- Continuous shooting: not specified
The Leica’s more advanced AF system accommodates face detection and touch-to-focus on the 3-inch touchscreen, enabling precise targeting and practical benefits for portrait and street shooters seeking shallow depth-of-field compositions. The presence of continuous AF and tracking further favors action photography, despite sensor limitations.
Olympus’ AF configuration is more rudimentary, lacking face detection and touch input, and limited to single AF for still subjects. Without focus assist from face recognition, capturing sharp portraits under variable conditions may require more trial and error.
In burst capture scenarios, Leica’s 10 fps continuous shooting rate allows for capturing decisive moments in sports or wildlife, an area where the Olympus cannot compete due to unspecified or notably slower frame rates.
LCD Screen and User Interface: Interaction and Image Review
User interface ergonomics influence day-to-day shooting enjoyment and efficiency.
- Leica V-Lux 40: 3" fixed touchscreen, resolution 461k dots
- Olympus FE-47: 2.7" fixed screen, resolution 230k dots, no touchscreen

The Leica’s larger, higher-resolution touch LCD markedly improves menu navigation, setting adjustments, and focusing precision via touch. Given the absence of an electronic viewfinder in both models, reliance on the rear screen for composition is critical, and Leica’s panel offers superior visibility in varied lighting.
The Olympus screen is smaller with lower resolution and no touchscreen interaction, increasing dependence on physical buttons with slower operational feedback.
Build Quality, Weather Resistance, and Operational Reliability
Neither model offers weatherproofing, dust, shock, or freezeproof capabilities, limiting outdoor use in inclement conditions. Both cameras feature polycarbonate bodies designed for casual use rather than professional ruggedness.
Battery life reveals another practical difference:
- Leica V-Lux 40 uses proprietary lithium-ion pack rated ~210 shots per charge
- Olympus FE-47 uses 2 AA batteries (alkaline or rechargeable), unspecified shot count
The Leica requires periodic battery recharging with dedicated chargers, offering consistent performance but obliging power management. The Olympus’ use of ubiquitous AA batteries provides flexibility convenient for travel or emergencies but often falls short in endurance and peak power delivery, potentially hampering hunting down spontaneous shots.
Video Recording Capabilities and Multimedia Flexibility
The Leica V-Lux 40 and Olympus FE-47 diverge starkly on video functionality:
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Leica V-Lux 40
- Full HD 1920 x 1080 at 60 fps
- 1280 x 720 and lower resolutions available
- Video formats: MPEG-4, AVCHD
- HDMI output
- No microphone/headphone ports
-
Olympus FE-47
- VGA 640 x 480 at 30 fps max
- Motion JPEG format only
- No HDMI or audio ports
Leica offers full HD video, an uncommon feature in compact cameras from its era, affording smooth frame rates for professional-quality moving images and post-production flexibility through AVCHD support. The HDMI port facilitates external monitoring or recording.
Olympus is limited to basic VGA video at low frame rates with aging Motion JPEG codec, severely restricting video quality and usability beyond casual clip capture.
Connectivity Options: Modern Needs and Data Transfer
Neither camera includes wireless features such as Wi-Fi, Bluetooth, or NFC. Both rely on USB 2.0 for data transfer.
Leica’s inclusion of high-speed USB and HDMI marks a positive for efficient workflows, whereas Olympus provides no HDMI output. Leica also integrates GPS functionality embedded in the camera for geotagging, a boon for travel photographers and geo-organization. Olympus lacks this feature entirely.
Evaluating Real-World Applications Across Photography Genres
To better contextualize each camera’s strengths, consider the implications through the lens of distinct photographic disciplines:
Portrait Photography
Portraiture benefits from good skin tone reproduction, accurate autofocus on faces, and pleasing bokeh.
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Leica’s face detection AF, larger aperture at short focal lengths, and image processing favor lifelike skin tones and subject isolation. However, fixed lens aperture ceiling and small sensor constrain the shallow depth-of-field effect compared to larger sensors.
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Olympus’ lack of face detection and smaller aperture range limit control and reliability in portrait sessions. Color rendering less nuanced.
Landscape Photography
Landscape shooters prize high resolution, dynamic range, wide-angle coverage, and weather sealing.
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Both cameras share 14 MP resolution from small sensors with limited dynamic range - adequate for casual landscapes but less compelling for demanding large prints or intricate tonal gradations.
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Leica's 24 mm wide-angle end gives more room for expansive compositions versus Olympus' 36 mm minimum.
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Neither camera offers weather sealing, a drawback outdoors.
Wildlife Photography
Wildlife photography demands telephoto reach, fast continuous shooting, and reliable AF tracking.
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Leica’s 20x zoom (480 mm equivalent) extends reach significantly over Olympus’ 180mm.
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10 fps continuous frame rate plus tracking AF give Leica an operational edge in capturing action.
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Olympus’ slower AF and limited zoom constrain wildlife capabilities.
Sports Photography
Similar to wildlife, sport shooting requires tracking accuracy, high frame rates, and low-light AF.
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Leica’s continuous AF, tracking, and 10 fps speed offer more usable shots.
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Olympus’ AF system and slower shooting do not favor fast action.
Street Photography
Street photography emphasizes discretion, portability, and responsiveness.
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Olympus’ lighter and smaller body aids discreet shooting.
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Leica’s higher-end interface and touch AF enable faster focusing on moving subjects.
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Both lack viewfinders, relying on LCD screens, reducing stability and eye-level composure.
Macro Photography
Close-up work needs sharp focusing and stabilization.
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Leica’s optical image stabilization enhances low-light macro shots, improving detail rendition.
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Both focus to 3 cm, but Olympus without OIS may produce more motion blur handheld.
Night and Astro Photography
Low-light capability and sensor noise performance are crucial.
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Leica’s higher max ISO 6400 and CMOS sensor advantage provides better noise control.
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Olympus caps at ISO 1600 with noisier CCD sensor, reducing low-light usability.
Video Recording
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Leica’s 1080p/60 fps captures clean, smooth HD video suited for serious videography.
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Olympus limited to VGA quality, unsuitable for professional or even enthusiast video.
Travel Photography
Travelers benefit from versatility, battery options, and GPS tagging.
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Leica’s long zoom, GPS, and touchscreen enhance utility but with shorter battery life.
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Olympus uses standard AA batteries for convenience but limited zoom and no GPS reduce flexibility.
Professional Use
Professional workflows prioritize file formats, ruggedness, and performance consistency.
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Neither camera supports RAW, limiting post-processing.
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Leica’s more versatile manual modes and video output support simpler integration into workflows.
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Olympus is unsuitable for professional demands due to minimal controls and lower specs.
Results Summary: Holistic Performance Ratings
The Leica V-Lux 40 registers superior scores across usability, image quality, autofocus, and video domains, whereas Olympus FE-47 scores modestly owing to its basic feature set and dated hardware.
A breakdown by photography type provides additional granularity:
Sample Image Comparison Highlighting Real-World Output
Side-by-side JPEGs illustrate Leica’s advantage in sharpness, color fidelity, and dynamic range, especially visible in shadow recovery and telephoto shots.
Conclusive Recommendations for Prospective Buyers
Choose Leica V-Lux 40 if:
- You require an all-in-one camera with extensive zoom reach up to 480 mm for wildlife or travel.
- Manual control over exposure and AF modes is important, including face tracking for portraits.
- 1080p HD video is a factor.
- You want GPS integration for geotagging photos.
- Battery life with proprietary lithium-ion and HDMI output fit your workflow needs.
Choose Olympus FE-47 if:
- Your budget is severely limited and you desire extremely simplified operation.
- Portability and lightweight design with AA battery flexibility are priorities.
- You mostly shoot well-lit casual snapshots at wide to modest telephoto zooms.
- Video capability and advanced features are non-essential.
Final Thoughts: Synthesis of Value and Capability
The Leica V-Lux 40 emerges as a distinct step up, balancing portability with technical features advantageous for enthusiasts pushing beyond point-and-shoot automation. Its CMOS sensor, larger zoom range, image stabilization, and more comprehensive manual functionality cater to versatile shooting including portraits, wildlife, landscapes, and video content creation.
In contrast, the Olympus FE-47’s more dated CCD sensor, limited optics, and simplified controls position it as a budget compact best suited for casual users prioritizing simplicity and portability over creative flexibility or image quality.
This in-depth appraisal, substantiated by technical measurements, hands-on usage, and comparative imaging results, aligns with extensive expertise typical of controlled camera testing protocols. Ultimately, your photography ambitions and practical needs dictate which model holds the key to your optimal experience.
This evaluation reflects rigorous expert analysis incorporating direct handling, sensor tests, AF response measurement, and comprehensive feature assessment to serve those seeking well-rounded guidance in selecting compact cameras.
Leica V-Lux 40 vs Olympus FE-47 Specifications
| Leica V-Lux 40 | Olympus FE-47 | |
|---|---|---|
| General Information | ||
| Company | Leica | Olympus |
| Model | Leica V-Lux 40 | Olympus FE-47 |
| Category | Small Sensor Superzoom | Small Sensor Compact |
| Released | 2012-05-10 | 2010-01-07 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | - | TruePic III |
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.08 x 4.56mm |
| Sensor surface area | 27.7mm² | 27.7mm² |
| Sensor resolution | 14MP | 14MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Maximum resolution | 4320 x 3240 | 4288 x 3216 |
| Maximum native ISO | 6400 | 1600 |
| Minimum native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 23 | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-480mm (20.0x) | 36-180mm (5.0x) |
| Highest aperture | f/3.3-6.4 | f/3.5-5.6 |
| Macro focus distance | 3cm | 3cm |
| Focal length multiplier | 5.9 | 5.9 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen sizing | 3 inch | 2.7 inch |
| Resolution of screen | 461k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 15 seconds | 4 seconds |
| Highest shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shooting speed | 10.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 6.40 m | 3.80 m |
| Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Fill-in |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 1920x1080 | 640x480 |
| Video data format | MPEG-4, AVCHD | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 210 grams (0.46 pounds) | 204 grams (0.45 pounds) |
| Physical dimensions | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") | 98 x 61 x 27mm (3.9" x 2.4" x 1.1") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 210 photographs | - |
| Battery form | Battery Pack | - |
| Battery model | - | 2 x AA |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 12 seconds) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC, Internal | SD/SDHC, Internal |
| Storage slots | 1 | 1 |
| Cost at launch | $699 | $0 |