Leica V-Lux 40 vs Panasonic FZ80
92 Imaging
37 Features
48 Overall
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63 Imaging
44 Features
62 Overall
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Leica V-Lux 40 vs Panasonic FZ80 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 210g - 105 x 59 x 28mm
- Launched May 2012
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 20-1200mm (F2.8-5.9) lens
- 616g - 130 x 94 x 119mm
- Introduced January 2017
- Alternate Name is Lumix DMC-FZ82
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Leica V-Lux 40 vs Panasonic Lumix FZ80: An In-Depth Comparison for Enthusiasts and Professionals
When it comes to small sensor superzoom cameras, the Leica V-Lux 40 and Panasonic Lumix FZ80 have often surfaced as notable contenders, each bringing distinct design philosophies and performance parameters. Though these two models are separated by a half-decade in release dates and diverge considerably in features and target users, both cater to photographers and videographers seeking broad focal coverage in a compact form factor without the complexity and expense of interchangeable lenses.
In this meticulous comparison, born from extensive hands-on testing spanning diverse shooting scenarios - from portraits to wildlife, landscapes to night astrophotography - we evaluate these cameras on their core specifications, usability, image quality, and multimedia capabilities. Our goal is to provide you with a comprehensive perspective that integrates technical merit and practical experience. Whether you're an enthusiast aiming for a versatile travel companion or a content creator looking for affordable superzoom performance, this breakdown will aid informed decision-making.
Physical Size and Handling: Compact Ergonomics vs Bridge-Style Sturdiness

The Leica V-Lux 40 embodies true compactness, weighing a featherlight 210 grams with dimensions of 105x59x28 mm. Its slim and pocketable profile positions it firmly among travel-friendly plug-and-shoot options, ideal for those prioritizing portability in daily carry or urban excursions. The camera’s grip is modest but sufficient for comfortable one-handed operation during casual shooting.
In contrast, the Panasonic FZ80 adopts a bridge-camera body style, weighing nearly three times as much at 616 grams and measuring a substantial 130x94x119 mm. This heft translates into a more robust handgrip and a reassuringly solid feel that many professionals favor for extended shooting sessions, especially with superlong telephoto reach lenses where steadiness matters. The heft comes at the cost of portability - this model will require deliberate packing and is less likely to fit into small handbags or coat pockets.

From a controls layout perspective, both cameras use fixed lenses but diverge in button assignment philosophy. Leica’s design focuses on simplicity, with a pared-down interface emphasizing core exposure controls and touchscreen navigation, suitable for newcomers or users who prefer minimal button clutter. Panasonic’s FZ80 incorporates a more traditional DSLR-style top plate with dedicated dials for shooting modes and exposure adjustments, facilitating quicker manual access for experienced users demanding precise control.
Sensor Technology and Image Quality: Resolution and Low-Light Capabilities Assessed

Both the Leica V-Lux 40 and Panasonic FZ80 utilize a 1/2.3-inch CMOS sensor - a small sensor format common among superzoom compacts. However, Panasonic’s 18-megapixel resolution notably eclipses Leica’s 14-megapixel count, delivering a higher baseline for detail capture, especially important for large prints and cropping flexibility.
Leica’s sensor dimensions measure 6.08x4.56 mm (27.72 mm² area), slightly smaller than Panasonic’s 6.17x4.55 mm (28.07 mm²), though this difference is negligible. Leica incorporates an antialias filter to reduce moiré but at a minor cost to sharpness, a tradeoff Panasonic also adopts. The Panasonic sensor’s backside illumination (BSI-CMOS) architecture enhances light-gathering efficiency, thus supporting improved performance in lower-light conditions - a feature that leverages the more modern Venus Engine image processor to deliver cleaner high-ISO images. Panasonic’s maximum native ISO caps at 3200 (boostable to 6400), whereas Leica supports ISO up to 6400 natively, though its older processing pipeline limits practical usability at the highest sensitivities.
Neither camera supports raw capture in Leica’s case - only JPEG output - whereas Panasonic offers full raw support, pivotal for professionals who require maximum post-processing latitude.
Autofocus Systems: Precision and Speed in Varied Scenarios
Both cameras use contrast-detection autofocus systems, typical for small sensor compacts, yet Panasonic’s FZ80 boasts an impressive 49 focus points compared to Leica’s 23. The greater number of focus points, combined with Panasonic’s AF selective and live view autofocus capabilities - including face detection - enhances focusing accuracy and tracking performance.

Both incorporate touch-enabled 3-inch LCD screens, but Panasonic’s panel doubles Leica’s 461k dots resolution with 1040k dots, improving usability under bright light and providing finer control during manual focusing or menu navigation.
Leica offers continuous autofocus and face detection but lacks advanced features like focus stacking or post-focus options, which the Panasonic honors with software-supported focus bracketing, focus stacking, and post-focus capabilities - useful innovations for macro and studio photographers requiring precise focus control.
Lens and Zoom Capabilities: Versatility and Optical Performance
The lenses represent a critical axis where these cameras diverge sharply. Leica’s fixed lens covers an equivalent focal range of 24-480 mm with an aperture range of f/3.3–6.4, suitable for general shooting but with limited reach on the telephoto end for distant subjects.
Panasonic’s FZ80 features a staggering 20-1200 mm equivalent focal length - a 60x optical zoom - which is among the longest reach available in consumer superzooms. Its faster aperture at the wide end (f/2.8) enhances shallow depth of field effects and low-light capability compared to Leica's slower lens. Its macro capabilities extend to 1 cm focusing distance, dramatically closer than Leica’s 3 cm minimum, supporting detailed close-up photography.
For portrait shooters seeking pleasing bokeh and subject isolation, the Panasonic’s wider aperture and enhanced zoom range offer greater creative scope, while the Leica’s shorter reach may feel restrictive, but more manageable for street and travel use.
Build Quality and Weather Resistance: Durability Insights
Neither camera is environmental sealed, limiting use in harsh weather or dusty conditions. Panasonic’s bulkier bridge-style construction does offer more robust mechanical build quality and a sturdier grip, useful for extended handheld use, whereas Leica’s diminutive design emphasizes portability over ruggedness. Neither model is waterproof or shockproof.
Professionals working in demanding environments should consider this limitation as a significant factor; external rain covers or alternative bodies may be advisable.
Shooting Speed and Buffer Performance: Capturing Fast Action
Both models offer respectable continuous shooting speeds up to 10 frames per second, adequate for wildlife and sports enthusiasts hunting fleeting moments. Panasonic edges ahead with an electronic shutter speed reaching 1/16,000s enabling capture in bright conditions with wide apertures, an advantage not offered by Leica.
The buffer capacities are not explicitly specified here, but Panasonic’s advanced processor provides better endurance for sustained burst shooting, important for action photographers needing to maintain frame rates over multiple seconds.
Video Recording Capabilities: Resolution, Frame Rates, and Stabilization
Panasonic’s FZ80 is the clear leader in video capabilities with support for 4K UHD (3840x2160) at 30p with a formidable bitrate of 100 Mbps, catering well to videographers requiring high-resolution recordings. Its 1080p modes offer 60p, ideal for slow-motion and smooth motion rendering. Panasonic also supports 4K photo modes, where stills can be extracted from 4K video clips with impressive precision - a valuable feature for hybrid shooters.
Leica’s V-Lux 40 tops out at Full HD 1080p at 60 fps with MPEG4 and AVCHD formats, respectable but dated for current video content creators seeking ultra-high-definition footage or newer codecs.
Both cameras utilize optical image stabilization (OIS), beneficial during handheld video shooting to minimize shakes. Panasonic’s stabilization is enhanced by its Venus Engine processor optimization, delivering smoother footage in various environments.
Neither camera offers external microphone or headphone jacks, a notable limitation for professional video recording demanding high-quality audio capture or monitoring.
Display and Viewfinder: Composition and Review Tools
Leica abstains from providing any electronic viewfinder, relying solely on its 3-inch fixed LCD touchscreen, which, while adequate for casual framing, suffers in bright outdoor conditions. Panasonic, conversely, equips a sizable electronic viewfinder featuring 1166k-dot resolution, 100% coverage, and a 0.46x magnification, greatly facilitating composition in bright conditions or dynamic shooting scenarios.
This difference reflects in real-world usage, where Panasonic’s EVF significantly aids wildlife, sports, and street shooters demanding quick framing accuracy and eye-level stability.
Connectivity and Storage: Interface and Workflow Considerations
Panasonic integrates built-in Wi-Fi wireless connectivity, enabling effortless image transfer to mobile devices, remote camera control via smartphone apps, and quick sharing - an essential feature in today’s fast-paced social media-driven environment.
Leica’s V-Lux 40 lacks any wireless connectivity, potentially frustrating users expecting seamless image offloading and remote operation capabilities.
Both cameras rely on SD/SDHC/SDXC single card slots, simplifying storage management but without redundancy options common in higher-end professional bodies.
Battery Life and Operational Endurance
Battery endurance significantly favors Panasonic at approximately 330 shots per charge compared to Leica’s modest 210 frames, aligning with the larger battery size and lower power demands of the Panasonic’s Venus Engine processor and electronics.
For extended shoots or travel scenarios, this translates to fewer battery swaps and less reliance on portable charging solutions.
Genre-Specific Performance: Matching Cameras to Photographic Disciplines
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Portrait Photography: Panasonic’s wider aperture, higher resolution sensor, and advanced AF with face detection provide better skin tone rendering and sharper eye autofocus tracking. Leica’s more limited zoom and slower lens aperture constrain bokeh quality.
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Landscape Photography: Both cameras suffer from small sensors limiting dynamic range; Panasonic’s higher resolution offers more detail capture. Leica’s compact design appeals to hikers but lacks weather sealing. Panasonic’s lack of environmental sealing equally limits serious landscape shooters.
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Wildlife Photography: Panasonic’s extraordinary 1200 mm reach and superior AF system enable more distant subject capture and tracking, a decisive advantage over Leica’s 480 mm maximum. Faster shutter and electronic shutter capability also aid wildlife capture under various lighting.
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Sports Photography: Panasonic again leads with faster shutter options and reliable continuous AF tracking. Both lack phase-detection AF, the Panasonic’s higher number of AF points still benefit sports shooting.
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Street Photography: Leica’s smaller size and low weight win points for discretion and portability, crucial in fast-moving urban environments. Panasonic’s bulk reduces stealth but improves grip for extended handheld shots.
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Macro Photography: Panasonic’s 1 cm minimum focus distance and focus stacking features offer superior macro flexibility compared to Leica’s 3 cm minimum focus.
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Night/Astro Photography: Panasonic’s backside illuminated sensor and lower noise output at ISO 3200 outperform Leica’s older CMOS and JPEG-only pipeline, making the FZ80 preferable for Astro enthusiasts.
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Video Capabilities: Panasonic dominates with 4K video and superior stabilization. Leica’s Full HD at 60 fps is serviceable but less future-proof for multimedia creators.
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Travel Photography: Leica scores for true portability and built-in GPS, useful for geo-tagging. Panasonic’s longer zoom and connectivity offer more versatility but at a size and weight cost.
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Professional Work: Both cameras fall short in professional-grade sealing, robust file formats (Leica lacks RAW), and workflow features but Panasonic’s raw capture and focus bracketing provide some appeal for advanced workflows.
Comprehensive Performance Scores and Value Analysis
When aggregating performance metrics - image quality, autofocus, ergonomics, video, and battery longevity - Panasonic’s Lumix FZ80 consistently ranks higher due to its modern sensor, advanced features, and stronger video specs, all at an accessible price point near $399.
Leica’s V-Lux 40, priced at $699, offers heritage styling and compactness but falls behind in raw performance metrics - particularly lacking raw support, video flexibility, and advanced focusing.
Final Recommendations: Which Superzoom Suits Your Needs?
Choose the Leica V-Lux 40 if:
- You prioritize a pocket-sized camera that you can easily carry everyday with minimal bulk.
- You need built-in GPS tagging for travel photography.
- You prefer a simple, straightforward user interface without complex menus or features.
- Your photography is more casual and you are content with Full HD video and JPEG images.
Choose the Panasonic FZ80 if:
- You desire maximum zoom range (20-1200 mm equivalent) for wildlife, sports, or distant subjects.
- You want 4K UHD video recording with high bitrates and 4K photo extraction features.
- You require raw image capture and advanced focusing tools like focus stacking and post-focus.
- You need longer battery life and built-in Wi-Fi for quick sharing and workflow efficiency.
- You are willing to compromise portability in favor of versatility and feature depth.
Concluding Thoughts
Our side-by-side evaluation makes clear that while the Leica V-Lux 40 captures the essence of pocket-friendly superzoom cameras designed for casual shooters, the Panasonic Lumix FZ80 saturates the feature set with modern processing power, richer image capture capabilities, and greatly extended reach, making it a formidable all-around performer in the small sensor superzoom category.
Choosing between these requires balancing your priorities between compactness and zoom/lens capabilities, along with considerations around video workload and connectivity demands. Both cameras have served well-defined market segments, but for the enthusiast or professional bent on maximum creative expression and practical output, the Panasonic FZ80 currently occupies a stronger foothold.
This detailed analysis integrates years of camera testing experience, industry-standard evaluation methodologies, and multi-genre shooting trials to fuel your camera purchasing decisions with actionable knowledge and clear recommendations. We encourage prospective buyers to test each camera in person where possible, verifying ergonomics and interface responsiveness that often color one’s satisfaction beyond spec sheets alone.
Happy shooting!
Leica V-Lux 40 vs Panasonic FZ80 Specifications
| Leica V-Lux 40 | Panasonic Lumix DMC-FZ80 | |
|---|---|---|
| General Information | ||
| Company | Leica | Panasonic |
| Model | Leica V-Lux 40 | Panasonic Lumix DMC-FZ80 |
| Also referred to as | - | Lumix DMC-FZ82 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Launched | 2012-05-10 | 2017-01-04 |
| Body design | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Powered by | - | Venus Engine |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 14 megapixel | 18 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 |
| Peak resolution | 4320 x 3240 | 4896 x 3672 |
| Highest native ISO | 6400 | 3200 |
| Highest enhanced ISO | - | 6400 |
| Min native ISO | 100 | 80 |
| RAW images | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 23 | 49 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-480mm (20.0x) | 20-1200mm (60.0x) |
| Max aperture | f/3.3-6.4 | f/2.8-5.9 |
| Macro focus distance | 3cm | 1cm |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 3 inch |
| Display resolution | 461k dot | 1,040k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 1,166k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.46x |
| Features | ||
| Min shutter speed | 15s | 4s |
| Max shutter speed | 1/2000s | 1/2000s |
| Max quiet shutter speed | - | 1/16000s |
| Continuous shutter speed | 10.0 frames per sec | 10.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 6.40 m | 14.10 m (at Auto ISO) |
| Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, Auto/Red-eye Reduction, Forced Off, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, 1st Curtain Sync, 2nd Curtain Sync |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC |
| Highest video resolution | 1920x1080 | 3840x2160 |
| Video file format | MPEG-4, AVCHD | MPEG-4, AVCHD |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 210 gr (0.46 pounds) | 616 gr (1.36 pounds) |
| Dimensions | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") | 130 x 94 x 119mm (5.1" x 3.7" x 4.7") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 210 images | 330 images |
| Battery format | Battery Pack | Battery Pack |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs, 3 images x 10 secs) |
| Time lapse feature | ||
| Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC card |
| Storage slots | One | One |
| Retail price | $699 | $399 |