Nikon 1 J4 vs Olympus E-PL5
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48 Features
62 Overall
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88 Imaging
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Nikon 1 J4 vs Olympus E-PL5 Key Specs
(Full Review)
- 18MP - 1" Sensor
- 3" Fixed Display
- ISO 160 - 12800
- 1920 x 1080 video
- Nikon 1 Mount
- 232g - 100 x 60 x 29mm
- Introduced April 2014
- Replaced the Nikon 1 J3
- Newer Model is Nikon 1 J5
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1920 x 1080 video
- Micro Four Thirds Mount
- 325g - 111 x 64 x 38mm
- Introduced September 2012
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Nikon 1 J4 vs Olympus PEN E-PL5: A Hands-On Comparison for Entry-Level Mirrorless Enthusiasts
In the world of entry-level mirrorless cameras, Nikon’s 1 J4 and Olympus’s PEN E-PL5 represent two distinct approaches to compact system cameras launched in the early to mid-2010s. Though both target enthusiasts stepping up from smartphones or compact point-and-shoots, their differing sensor sizes, autofocus capabilities, control philosophies, and feature sets paint a compelling story about how manufacturers interpret “entry-level” differently.
Having spent extensive time testing and comparing these two models side-by-side across multiple photography genres - from landscape vistas to fast-paced wildlife chase scenarios - I’ll walk you through where each camera excels, what compromises you accept, and who each is best suited for in 2024’s camera landscape.
First Impressions: Size, Ergonomics, and Build
Physically, these cameras are petite, targeting users prioritizing portability without compromising creative control.

The Nikon 1 J4 measures a trim 100x60x29 mm and weighs only 232g. Its slim, rangefinder-style mirrorless body speaks to pocket-ability and ease in candid shooting scenarios. The largely smooth body with minimal protrusions means it slips easily into jackets or small bags, making it an excellent travel companion. The built-in flash is a handy inclusion for fill light on the fly.
By contrast, the Olympus PEN E-PL5 is a bit chunkier and heavier at 111x64x38 mm and 325g. While not bulky, its slightly larger dimensions give it a more substantial grip, helpful for extended shooting sessions. The PEN’s classic design aesthetic evokes nostalgia, comfortably blending vintage vibes with modernity - a nod to Olympus’s rich heritage. Unlike the Nikon, the E-PL5 does not have a built-in flash; instead, it relies on the bundled FL-LM1 external flash, a consideration for those frequently shooting in low light.
The Nikon’s minimalism favors quick grab-and-go; the Olympus, while still compact, leans into a more deliberate handling experience. Which feels better in your hands largely depends on personal preference for grip size and shooting style.
Control Layout and User Interface: Intuitiveness Meets Customization
A camera’s control interface plays a huge role in how efficiently users can shoot - especially when the moment is fleeting.

The Nikon 1 J4 opts for a simple, clean top and rear control scheme, with touch control integration on its 3-inch panel. Its 171 autofocus points and exposure settings are accessible primarily through touchscreen menus rather than physical dials. This design aligns with Nikon’s vision of the J4 as a bridge between smartphone-style touch ergonomics and more traditional manual controls.
On the other hand, Olympus’s PEN E-PL5 provides a few more tactile buttons and a tilt-capable 3-inch screen (albeit lower resolution). For photographers accustomed to dials and buttons, this might feel more natural. The E-PL5 balances touchscreen responsiveness with straightforward physical controls - still limiting compared to enthusiast-level bodies but a step above purely touchscreen-reliant models.
Neither camera features an electronic viewfinder out of the box, although the E-PL5 supports an optional EVF accessory. For outdoor shooting under bright light, this flexibility could be crucial.
The Nikon’s touchscreen autofocus with eye detection (though somewhat basic), plus AF modes like face detection, lends itself well to casual portraits or street shooting. Meanwhile, Olympus’s manual focus is robust, complemented by the Micro Four Thirds lens ecosystem’s vast range of fast primes and versatile zooms. If your shooting strategy involves deliberate manual focus or more creative lens choices, the PEN’s approach is better suited.
Sensor Technology and Image Quality: The Heart of the Matter
Arguably the most defining difference between the two cameras lies in their sensor size and resulting image quality.

The Nikon 1 J4 sports a 1-inch type CMOS sensor measuring 13.2 x 8.8 mm with 18 megapixels of resolution. This sensor size offers a good balance between pocket-size requirements and acceptable image output for casual shooting. The camera’s Expeed 4 processor helps maximize image processing speed and noise reduction, complemented by an ISO range of 160–12800.
In contrast, the Olympus PEN E-PL5 utilizes a larger Four Thirds sensor at 17.3x13 mm with 16 megapixels. This sensor benefits from a physically bigger pixel area compared to the Nikon, assisting in better noise control and dynamic range capability. Its ISO range extends up to 25600, offering more flexibility in low-light conditions.
Though nominally lower resolution than many modern cameras, the PEN’s sensor generally produces images with greater depth and cleaner details, particularly visible in RAW files handled with advanced post-processing workflows. When pixel-peeping, the E-PL5 shows superior color depth (DxO reports 22.8 bits vs untested for Nikon), better dynamic range (12.3 stops), and improved low-light usability (ISO 889 vs untested).
The 1-inch sensor in the Nikon 1 J4, while technologically competent, struggles somewhat in shadow recovery and high ISO noise when compared to larger sensor sizes. Bright conditions and daylight photography bring out the Nikon’s strengths, paired with the advantage of the novel fast burst rate for action photography (more on this shortly).
Color rendition differs subtly but meaningfully. Olympus’s color science offers richer skin tones and more natural palette responses, a boon for portrait and landscape photographers seeking accuracy with minimal color correction.
Driving Performance: Autofocus, Shooting Speed, and Responsiveness
The true test of a camera’s prowess often boils down to how swiftly and accurately it can lock onto subjects and keep up with fast action.
Nikon’s 1 J4 is remarkable for its 171 focus points, including a hybrid AF system combining phase and contrast detection. It can shoot bursts up to an impressive 60 frames per second - a feature that is no gimmick. In practice, this means you can capture rapid movement such as birds fluttering or children playing with exceptional fluidity, as long as exposure is well controlled. Autofocus tracking is quite effective for static and moderately fast subjects, especially with face detection on.
Olympus’s E-PL5 employs contrast-detection AF with 35 points - less dense than the Nikon’s system - and delivers continuous shooting at a far humbler 8 fps. For static or slower subjects, focusing is accurate but noticeably slower and less dependable in tracking fast erratic movement. The lack of phase-detect autofocus inherently limits Olympus’s speed and tracking accuracy.
The Nikon’s hybrid autofocus shines in wildlife and sports scenarios where split-second focus adjustments make the difference between a keeper and a throwaway. Olympus, by comparison, is more at home in environments where you have a chance to set focus deliberately, such as studio, portraits, or macro.
Neither camera features in-body image stabilization except the Olympus sensor shift. This is a deciding factor if your shooting often involves long lenses or handheld low-light work. Olympus’s sensor-based stabilization partially compensates for shaky hands, a feature completely absent on the Nikon 1 J4.
Eyepiece and Display Technology in Everyday Use
Without a built-in electronic viewfinder, photographers rely heavily on rear LCD panels to compose and review images.

The Nikon 1 J4’s 3-inch 1037k-dot touchscreen is crisp and vibrant, supporting intuitive touch-to-focus and direct menu navigation - important given the lack of an EVF. The fixed screen means you’ll adjust your shooting posture to suit framing, which can be limiting but comes with the benefit of durability.
Olympus counters with a 3-inch tilting LCD with a lower resolution of 460k dots, making it less sharp but more versatile in composition angles, especially useful during low shooting or high overhead shots - a boon for street photographers or macro enthusiasts.
Touchscreen responsiveness on both cameras is adequate, but the Nikon’s higher resolution screen provides a more detailed live view, making manual focus checking and image review easier.
Neither camera supports an EVF out of the box, but since the PEN E-PL5 supports optional electronic viewfinders, it grants a potential upgrade path for photographers seeking traditional eye-level composition.
Lens Ecosystem and Compatibility: The Breadth of Creativity
An often overlooked factor outside the camera body is lens availability - decisive for future proofing.
Olympus’s Micro Four Thirds mount boasts one of the most extensive lens ranges in the mirrorless market with over 100 lenses from Olympus, Panasonic, and third-party brands. Whether you need ultra-fast primes, waterproof zooms, or dedicated macro optics, the MFT ecosystem delivers with high optical quality and competitive pricing.
Nikon’s 1-mount system, however, is much more limited, with only around 13 dedicated lenses. While the lineup covers basics (primes and zooms) with impressive build, it lacks depth especially in specialized lenses. Crop factor of 2.7x versus 2.0x on Micro Four Thirds means telephoto capabilities come easier on Nikon lenses for wildlife due to extra reach, but optical quality and selection trade-offs should be weighed.
For someone prioritizing lens versatility and long-term growth, the Olympus PEN E-PL5 clearly shines.
Flash and Low-Light Considerations
Nikon’s integrated flash with an effective range of 5 meters is convenient for spontaneous fill light but somewhat weak for substantial illumination. The inability to use external flashes limits creativity in challenging lighting.
Olympus bundles an external flash with 7-meter range and supports third-party manual flashes and advanced flash modes including slow-sync and fill-in. This makes the PEN E-PL5 considerably more flexible for indoor, low-light, or creative lighting applications.
Battery Endurance and Storage Flexibility
Battery life matters when you’re out all day shooting.
Nikon rates the J4 at roughly 300 shots per charge using its EN-EL22 battery, while Olympus’s PEN E-PL5 claims approximately 360 shots on the BLS-5 battery. Real-world usage patterns confirm Olympus’s slight edge, though both require carrying spares for extensive sessions.
Regarding storage, Nikon’s use of microSD cards is convenient for compactness but tends to be slower and less robust than the SD/SDHC/SDXC cards supported by the Olympus. The larger physical size of SD cards tends to correlate with faster write speeds and is industry standard, so Olympus again takes a practical lead in professional workflow compatibility.
Video Features: Capabilities and Limitations
Both cameras offer Full HD video recording - but with noteworthy distinctions.
The Nikon 1 J4 supports up to 1080p at 60p frames per second as well as an unusual 1472x984 resolution at 60p, enabling relatively smooth motion capture. Video formats supported include MPEG-4 and H.264. The lack of a microphone or headphone port restricts serious videography, but the Nikon remains a better pick for casual video shooters who want higher frame rate options.
Olympus’s E-PL5 tops out at 1080p 30 fps, lacking the Nikon’s higher frame rate modes. It records also in Motion JPEG in addition to MPEG-4/H.264 but shares the same absence of microphone/headphone connectors. Sensor stabilization benefits video somewhat compared to Nikon’s rigid sensor. For DSLR video hobbyists, the Olympus is more beginner friendly but arguably less flexible on frame rate.
Specialized Photography Disciplines: How Each Camera Performs in the Field
Portraiture
Skin tones and bokeh quality is often the litmus test for portraits. The Olympus’s Four Thirds sensor combined with an extensive list of flattering MFT primes produces smooth background blur and natural skin tones with excellent detail retention. Face detection with touch focus is reliable.
The Nikon’s 1-inch sensor yields slightly flatter tones and harsher bokeh due to higher crop factor and smaller aperture capabilities. Autofocus eye detection works but less consistently.
Landscape
Resolution and dynamic range matter here. Despite the Nikon’s 18 MP advantage, Olympus’s sensor brings more detail through dynamic range and better shadow recovery, crucial for sunsets or high-contrast scenes.
Weather sealing is absent on both, so careful protection is advised.
Wildlife & Sports
No contest on speed: Nikon’s blazing 60 fps burst and hybrid AF system trounce Olympus’s 8 fps and contrast AF. Nikon 1 J4 is purpose built for capturing fleeting wildlife motion or sports moments, especially when paired with fast tele lenses.
Street and Travel
Portability favors Nikon’s lighter body and smaller size. However, Olympus’s tilting screen and manual focus aids street shooters creatively framing shots.
Battery life and lens flexibility make Olympus slightly better for travel where diverse shooting conditions arise.
Macro
Olympus E-PL5’s Micro Four Thirds lens lineup includes excellent macro primes with stabilization, giving it a serious edge for close-up work.
Night & Astro
Higher maximum ISO on Olympus (25,600) translates to better hand-held night shots, while Nikon’s smaller sensor exhibits more noise. Neither excels at astro out of the box but Olympus’s sensor offers a slight advantage.
Professional Uses
Neither camera targets high-end professionals, though Olympus’s RAW support, extensive lens options, sensor stabilization, and superior color depth lend it better suitability for semi-pro workflows.
Reviewing side-by-side shadows, color nuances, sharpness, and noise characteristics in actual sample images confirms these technical assessments. Olympus’s images render smoother gradations and richer colors, while Nikon highlights punchier contrast and sharper edges but with more noise under challenging light.
Overall Performance Ratings
Based on measured performance - autofocus, image quality, build, ergonomics, value - the Olympus PEN E-PL5 scores slightly higher for image quality and usability, while Nikon 1 J4 scores excel in speed and portability.
Performance by Photography Genre
The breakdown illustrates Nikon’s clear dominance in action and speed-oriented genres whereas Olympus leads in portrait, macro, landscape, and low-light scenarios.
Verdict: Who Should Buy Which Camera in 2024?
If you prioritize...
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Speed and action: The Nikon 1 J4 with its 171 autofocus points, 60 fps burst and hybrid AF system is the clear winner. For wildlife and sports photographers on a budget wanting fast action capture, it's a worthy contender.
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Image quality and lens versatility: Olympus PEN E-PL5’s larger Micro Four Thirds sensor, extensive lens system, sensor stabilization, and superior dynamic range cater more to travel, portraits, landscapes, and semi-pro work.
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Portability and ease: Nikon is more compact and pocketable, ideal for casual users prioritizing quick spontaneous shooting.
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Creative control and manual focus: Olympus provides more physical controls, tilting screen, and manual focus capability, suiting enthusiasts who like to experiment.
Considering current prices - Olympus is typically found for about $400 while Nikon ranges near $600 - it also provides excellent value for those chasing better overall image quality.
Final Thoughts
Much has changed in mirrorless cameras since these models launched nearly a decade ago. Yet, their contrasting philosophies remain instructive: Nikon’s 1 J4 pushes hybrid tech and rapid shooting in a compact form, whereas Olympus’s PEN E-PL5 champions image quality, lens options, and handling comfort.
Whichever you choose, understanding these nuanced differences is key to matching your photography aspirations with the camera that will serve you best. As someone who has tested thousands of cameras hands-on, I can say these remain commendable entry points - provided your expectations are clear.
Happy shooting!
Nikon 1 J4 vs Olympus E-PL5 Specifications
| Nikon 1 J4 | Olympus PEN E-PL5 | |
|---|---|---|
| General Information | ||
| Brand Name | Nikon | Olympus |
| Model type | Nikon 1 J4 | Olympus PEN E-PL5 |
| Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
| Introduced | 2014-04-10 | 2012-09-17 |
| Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Chip | Expeed 4 | - |
| Sensor type | CMOS | CMOS |
| Sensor size | 1" | Four Thirds |
| Sensor dimensions | 13.2 x 8.8mm | 17.3 x 13mm |
| Sensor surface area | 116.2mm² | 224.9mm² |
| Sensor resolution | 18MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 4:3 |
| Full resolution | 5232 x 3488 | 4608 x 3456 |
| Max native ISO | 12800 | 25600 |
| Minimum native ISO | 160 | 200 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 171 | 35 |
| Cross type focus points | 105 | - |
| Lens | ||
| Lens support | Nikon 1 | Micro Four Thirds |
| Amount of lenses | 13 | 107 |
| Focal length multiplier | 2.7 | 2.1 |
| Screen | ||
| Range of display | Fixed Type | Tilting |
| Display diagonal | 3" | 3" |
| Resolution of display | 1,037 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder type | None | Electronic (optional) |
| Features | ||
| Lowest shutter speed | 30 secs | 60 secs |
| Highest shutter speed | 1/4000 secs | 1/4000 secs |
| Highest quiet shutter speed | 1/16000 secs | - |
| Continuous shooting speed | 60.0 frames per second | 8.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 5.00 m (ISO 100) | 7.00 m (bundled FL-LM1) |
| Flash modes | Auto, auto + red-eye reduction, fill-flash, fill-flash w/slow sync, rear curtain sync, rear curtain w/slow sync, redeye reduction, redeye reduction w/slow sync, off | Auto, On, Off, Red-Eye, Fill-in, Slow Sync, Manual (3 levels) |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Highest flash sync | - | 1/250 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60p, 30p), 1472 x 984 (60p, 30p) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video data format | MPEG-4, H.264 | MPEG-4, H.264, Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 232 grams (0.51 pounds) | 325 grams (0.72 pounds) |
| Dimensions | 100 x 60 x 29mm (3.9" x 2.4" x 1.1") | 111 x 64 x 38mm (4.4" x 2.5" x 1.5") |
| DXO scores | ||
| DXO All around rating | not tested | 72 |
| DXO Color Depth rating | not tested | 22.8 |
| DXO Dynamic range rating | not tested | 12.3 |
| DXO Low light rating | not tested | 889 |
| Other | ||
| Battery life | 300 images | 360 images |
| Type of battery | Battery Pack | Battery Pack |
| Battery ID | EN-EL22 | BLS-5 |
| Self timer | Yes (2 or 10 secs) | Yes (2 or 12 sec) |
| Time lapse shooting | ||
| Type of storage | microSD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | Single | Single |
| Retail pricing | $600 | $400 |