Nikon A900 vs Olympus FE-47
88 Imaging
46 Features
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93 Imaging
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Nikon A900 vs Olympus FE-47 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200
- Optical Image Stabilization
- 3840 x 2160 video
- 24-840mm (F3.4-6.9) lens
- 289g - 113 x 67 x 40mm
- Revealed February 2016
- Newer Model is Nikon A1000
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 36-180mm (F3.5-5.6) lens
- 204g - 98 x 61 x 27mm
- Released January 2010

Nikon Coolpix A900 vs Olympus FE-47: A Real-World, Expert Comparison for Every Photographer
When diving into the world of budget-friendly compact cameras, two names often come up, especially for those hunting small-sensor, fixed-lens shooters: the Nikon Coolpix A900 and the Olympus FE-47. Both fold neatly in your pocket and promise simple, quick image capture - but how do they stack up against one another when pressed into service across a variety of photography disciplines?
Having tested thousands of cameras over 15+ years - from bulbous DSLRs to sleek mirrorless marvels - I wanted to see what practical value each model offers today. This isn’t just about specs on paper; it’s about what these cameras really deliver in your hands, in your day-to-day shooting, whether you’re chasing landscapes, portraits, or street moments on a tight budget.
So buckle up - we’re dissecting everything from sensor tech and ergonomics to autofocus zeal and video chops. Plus, you’ll get my candid take on which camera fits your shooting style and budget like a glove.
Size, Build, and Handling: How Do They Feel in Your Hands?
Before even firing the shutter, how a camera fits and feels often colors your entire experience. The Nikon A900 and Olympus FE-47 both fall into the compact category, but their dimensions and designs differ enough to sway your choice.
The Nikon A900 is chunkier at 113 x 67 x 40mm and weighs in around 289g with battery - noticeably heftier than the Olympus FE-47’s svelte 98 x 61 x 27mm and 204g. That extra girth translates to a more substantial grip on the Nikon, which benefits those of us with bigger clubs for thumbs or when shooting for longer stretches. The Nikon’s thicker body threads in a 3-inch tilting LCD (more on screen later) and a battery that lasts roughly 300 shots - a decent result for this class.
By contrast, the Olympus is almost dainty in hand. It’s more pocket-friendly, which will charm street photographers and travelers prioritizing minimalism. That said, the lighter build sometimes sacrifices rigidity. During extended use, the Nikon’s more solid feeling inspires confidence, while the Olympus feels more delicate.
It’s also worth noting the Nikon has a slightly longer zoom range - in part thanks to the longer lens barrel, which is part of why it’s bulkier.
Ergonomics and Control Layout
While both cameras skip traditional viewfinders, their top and rear control schemes differ noticeably.
The Nikon A900 offers more manual control options - exposure compensation, shutter and aperture priority modes, and manual exposure - all accessible via dedicated buttons and a command dial. This kind of control layout is unusual in this price and class and is a big plus for enthusiasts who want creative freedom without lugging a DSLR.
The Olympus FE-47, on the other hand, keeps things ultra-simple, favoring fully automatic modes. No manual exposure control here. Buttons are fewer and more basic, matching its beginner-friendly focus but limiting creative versatility.
Bottom line: The Nikon plays better for hands-on shooters craving control; the Olympus is content to point-and-shoot in the simplest way.
Sensor and Image Quality: The Heart of the Matter
When comparing compact cameras, sensor tech is the secret sauce. Both use 1/2.3-inch sensors, but their type and resolution tell a story.
The Nikon A900 boasts a 20-megapixel backside-illuminated (BSI) CMOS sensor - the modern choice for small compacts. The BSI design improves light collection efficiency by flipping the wiring behind the photo sites, which translates to better low-light performance and dynamic range than traditional CCDs.
Olympus sticks with an older 14MP CCD sensor. While CCDs once dominated compact cameras due to better color reproduction, they fall short in noise control and high ISO performance. The Olympus sensor’s max ISO tops at 1600 compared to Nikon’s 3200, reflecting these limits.
In practice, if you shoot in good light, both cameras render decent images with adequate sharpness. But once you push ISO or dynamic range - say, shooting shaded landscapes or dusk street scenes - the Nikon’s sensor outperforms the FE-47 hands down. The richer details, less noise, and better color fidelity make a stark difference. Nikon’s camera also lacks raw support (like Olympus), but the file quality out of the box is noticeably better.
Real-world tip: If your photo style involves low light or you want cleaner crops and prints, the Nikon is the better bet.
Autofocus and Speed: Catching the Decisive Moment
Autofocus prowess can make or break your experience, especially for fast-moving subjects or street photography where speed matters.
Both cameras rely on contrast detection AF only but with notable differences.
The Nikon A900 features continuous autofocus, face detection, and multi-area AF, allowing it to track subjects reasonably well - nothing blurry or frustrating for the casual shooter. Moreover, it packs a 7 frames-per-second continuous shooting mode, which is quite nimble for this class and lets you grab sequences quickly (handy for informal sports or kids).
Olympus FE-47 offers only single autofocus mode - no continuous AF nor face detection - and its burst shooting capacity is absent or extremely limited. It feels sluggish in acquiring focus, especially indoors or in low contrast situations, leading to missed shots if your subject moves suddenly.
In practical terms:
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Wildlife enthusiasts or sports fans on a budget will find Nikon’s AF and burst mode a functional, if not pro-level, solution.
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Olympus is best suited for static subjects or leisurely shooting where timing isn’t critical.
AF tracking is not world-class on either, but the Nikon’s capabilities far exceed Olympus’s when it comes to flexibility and responsiveness.
Display and User Interface: Seeing What You Shoot
A camera’s rear LCD is your primary feedback tool, especially on compact cameras without viewfinders.
Nikon’s 3-inch tilting screen with 921K dots offers clear, crisp feedback and versatile shooting angles - think high or low level shots without awkward body contortions. The menu system is intuitive, and though no touchscreen, is responsive enough to navigate swiftly.
Olympus’s screen is fixed, smaller (2.7 inches), and packs only 230K dots, making it grainy and dull by today’s standards. The fixed angle hampers creativity when composing tricky shots.
The Nikon’s interface menus permit some customization and faster access to ISO and exposure settings, plus options like interval and timelapse modes absent on the Olympus.
Bottom line on usability: Nikon wins comfortably, particularly for those who value a flexible view and quicker control.
Zoom Range and Lens Versatility: Reaching Out
These fixed-lens compacts rely on their zoom versatility for flexibility; here they diverge significantly.
The Nikon A900 sports a massive 24-840mm equivalent lens with a 35x zoom factor - truly superzoom territory. Aperture varies from f/3.4 to f/6.9, standard for such a range. This zoom breadth covers wide-angle landscapes through to distant wildlife or sports.
Olympus FE-47 offers a more conservative 36-180mm (5x zoom) with an aperture from f/3.5-5.6. It’s a general-purpose lens suited for snapshots and short-telephoto work but won’t get you close enough for detailed wildlife or sports shots.
The tradeoff: Nikon’s superzoom lens compromises weight, size, and often optical sharpness at the extreme tele range, but it does give you a wildly flexible focal spread.
Olympus is more compact and light but limits your framing choices and telephoto reach.
Image Stabilization: Keep It Steady
The Nikon A900 has optical image stabilization - crucial for handheld superzoom work, especially at long focal lengths. It gives you an edge when shooting in lower light or at extended zoom without blur.
Olympus FE-47 lacks any form of image stabilization, which means sharp shots rely heavily on steady hands, fast shutter speeds, or bright lighting. This can be frustrating at 180mm where even slight shakes degrade quality.
In day-to-day use, Nikon’s OIS will save more keepers, an important detail that makes a noticeable difference in casual or travel photography.
Video Capabilities: What About Moving Pictures?
Video is essential for many content creators now, so let’s see how they compare.
Nikon A900 shoots up to 4K UHD at 30/25fps and Full HD 1080p up to 60fps. That’s excellent for this price point and will meet the needs of casual vloggers or travelers looking to capture crisp scenes.
Olympus FE-47 maxes out at VGA resolution (640x480) at 30fps - effectively standard definition video from 2010. That is very limiting by modern standards and mainly good for quick clips or proof of concept, not polished content.
Neither camera has microphone input or headphone jack, so audio options are fixed and basic.
Overall, Nikon’s video capabilities are far more usable for modern creators needing high-res clips.
Battery Life and Storage: Long Shoots and Memory
At 300 shots per charge, the Nikon A900’s battery life is respectable for a compact superzoom. It gives you a full day’s worth of casual use, perhaps more if judicious with power-saving.
The Olympus FE-47 uses common AA batteries (2x), meaning you can pop in fresh cells anywhere globally - a boon for travel or emergency replacements when proprietary batteries fail or run dry. However, AA alkaline batteries don’t last as long or deliver consistent power as lithium-ion packs.
Both cameras use SD/SDHC/SDXC cards, with Nikon relying solely on external memory, and Olympus supporting both internal storage and SD cards. For travelers carrying multiple cards, the Nikon system lets you swap and archive easily.
Connectivity: Getting Images Out and Sharing
Modern photographers often want instant sharing or remote control.
The Nikon A900 provides built-in Wi-Fi, Bluetooth, and NFC - a nice suite that enables quick transfers to phones or tablets and remote shutter release options via apps.
Olympus FE-47 offers none of these wireless features. To offload pictures, you must rely on USB cable or removing cards manually.
For anyone sharing on social or needing swift backups, Nikon’s wireless wins hands down.
Durability and Environmental Resistance
Neither camera sports weather sealing or ruggedization like splash-proof or shockproof body parts.
If you shoot often in rain, snow, or dusty locations, avoid prolonged exposure or use protective cases regardless of model.
Let’s Talk Price and Value Ratios
At around $400 new, the Nikon Coolpix A900 delivers impressive specs - 4K video, 35x zoom, tilting screen, and wireless connectivity - which you rarely see combined in this price bracket.
The Olympus FE-47 often sells for much less (sometimes under $100 used), but that’s reflected in its dated sensor, limited zoom, and minimal features.
If your budget is really tight and you want something ultra-simple for snapshots, Olympus might suffice. But for even modest ambitions involving versatility, image quality, and video, Nikon justifies its price.
Working Across Photography Genres: Who’s Best At What?
Now let me break down which camera meets specific photographic needs, based on hands-on testing and industry experience.
Portrait Photography
The Nikon A900’s face detection autofocus plus higher-resolution sensor produces nicely detailed portraits with reasonable skin tone rendition. The lens’s max aperture (f/3.4 at wide) provides acceptable background separation in good light but won’t deliver the creamy bokeh of larger sensor cameras.
Olympus’s lower resolution and absence of face detection make portraits less sharp and reliable, often flat in tone.
Landscape Photography
High-resolution 20MP files and wider 24mm equivalent angle give Nikon an edge for sweeping vistas. The BSI CMOS sensor helps pull more dynamic range from shadows and highlights, essential for complex scenes.
Olympus’s shorter zoom and weaker sensor limit detail and framing options, plus low-res screen hinders previewing composition.
Wildlife Photography
Nikon’s 35x zoom reaches far enough for casual wildlife snaps, combined with continuous AF and burst shooting - although hunting fast birds in flight is a stretch. The stabilization helps craft sharp images despite long focal lengths.
Olympus FE-47 lacks adequate zoom, AF tracking, or burst mode - unlikely to satisfy wildlife photographers of any skill.
Sports Photography
Neither is a sports camera, but Nikon’s 7 fps shooting and continuous AF put it in low-level club. Olympus’s single AF mode and no burst is a non-starter here.
Street Photography
Olympus’s small, light footprint excels for discreet street shooting. But poor low-light performance and no face detection limit success.
Nikon is bulkier but faster focusing with better low-light tolerance, making it the more versatile street-companion if you can carry it comfortably.
Macro Photography
Nikon’s macro focusing down to 1cm provides fine close-up capability with image stabilization - great for nature and detail lovers.
Olympus’s 3cm minimum focus limits this, and lack of stabilization impedes sharpness handheld.
Night / Astro Photography
Neither camera is ideal for long exposure star photos or deep night work. The Nikon’s higher ISO ceiling and better noise handling edge over Olympus, but both won’t match even entry-level interchangeable lens cameras.
Video Creation
Nikon’s 4K UHD recording with modern codecs is a clear boon for casual video. Olympus’s VGA video is essentially obsolete for more than basic clips.
Travel Photography
Nikon offers versatility with zoom, video, battery, and connectivity. Heavier but all-round capable.
Olympus is ultra-lightweight and pocketable, good for minimalist travel, but compromises image quality and features.
Professional Use
Neither camera is aimed at pro work. Nikon’s manual modes and connectivity might find a place for backup or casual shooting on assignment, but primary pro work demands larger sensors and interchangeable lenses.
Final Performance Snapshot
What I Loved and What I Didn't
Nikon Coolpix A900 - The Pros
- Large 35x zoom range for ultimate framing flexibility
- 20MP BSI CMOS sensor delivers superior image quality for compact class
- 4K video at 30fps, modern codec, and usable frame rates
- Tilting 3-inch screen aids composition
- Wireless connectivity (Wi-Fi/Bluetooth/NFC)
- Optical image stabilization helps handheld shooting
- Manual exposure options for creative control
- Decent battery life (300 shots per charge)
Nikon Coolpix A900 - The Cons
- Bulkier and heavier compared to smaller compacts
- No raw file support limits post-processing flexibility
- Limited autofocus points (exact number not detailed) and no phase detection
- No viewfinder, may hamper bright light composition
Olympus FE-47 - The Pros
- Slim, lightweight, pocketable body
- Simple point-and-shoot operation, beginner-friendly
- Uses common AA batteries for easy replacement on travel
- Lower-priced, accessible for entry budgets
Olympus FE-47 - The Cons
- Older CMOS sensor with less resolution and dynamic range
- Small, low-resolution fixed LCD screen
- Limited zoom range of just 5x
- No image stabilization
- No wireless connectivity, poor video quality
- No manual controls or exposure compensation
- Weak autofocus system and limited continuous shooting capabilities
Who Should Buy Which?
Pick the Nikon Coolpix A900 if:
- You want a versatile, affordable superzoom with good image quality
- You value video recording capabilities including 4K
- You appreciate manual exposure control and connectivity features
- You don’t mind carrying a slightly larger compact
- You shoot across varied genres from portraits to wildlife casually
Pick the Olympus FE-47 if:
- You need a simple, ultra-portable compact purely for casual snapshots
- Your budget is very tight and you want an uncomplicated device
- You shoot mostly in bright daylight and don’t require zoom reach or advanced features
- You prefer easily replaceable AA batteries over proprietary packs
- You want a basic, walk-around point-and-shoot without fuss or bells
Wrapping It Up: Practical Value from an Experienced Perspective
The Nikon Coolpix A900 clearly outclasses the Olympus FE-47 in nearly every technical and practical arena, with its modern sensor, longer zoom, manual controls, 4K video, and wireless features offering a robust package for photography enthusiasts on a budget.
That said, Olympus’s FE-47 shines as a no-frills, lightweight shooter aimed at those chasing absolute portability and minimal complexity, offering decent results for snapshots in good light.
For photography enthusiasts or pros researching their next budget compact, the Nikon A900 is the smarter buy if you want longevity, flexibility, and quality without draining your wallet. The FE-47 may serve as a lightweight second camera or throw-in for casual users not ready to step up technologically.
Having tested both extensively on varied assignments - urban strolls, nature hikes, casual family events - the choice is clear. Invest in the Nikon A900 for a better all-round experience that punches above its weight in the compact camera market.
Happy shooting, and may your next camera always feel like a trusted creative partner!
Nikon A900 vs Olympus FE-47 Specifications
Nikon Coolpix A900 | Olympus FE-47 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Olympus |
Model | Nikon Coolpix A900 | Olympus FE-47 |
Category | Small Sensor Superzoom | Small Sensor Compact |
Revealed | 2016-02-23 | 2010-01-07 |
Body design | Compact | Compact |
Sensor Information | ||
Chip | - | TruePic III |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor area | 28.1mm² | 27.7mm² |
Sensor resolution | 20MP | 14MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 4:3 and 16:9 |
Highest Possible resolution | 5184 x 3888 | 4288 x 3216 |
Maximum native ISO | 3200 | 1600 |
Lowest native ISO | 80 | 100 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 24-840mm (35.0x) | 36-180mm (5.0x) |
Largest aperture | f/3.4-6.9 | f/3.5-5.6 |
Macro focus range | 1cm | 3cm |
Crop factor | 5.8 | 5.9 |
Screen | ||
Display type | Tilting | Fixed Type |
Display diagonal | 3 inch | 2.7 inch |
Display resolution | 921 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 8 seconds | 4 seconds |
Fastest shutter speed | 1/4000 seconds | 1/2000 seconds |
Continuous shutter speed | 7.0 frames per sec | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 6.00 m (at Auto ISO) | 3.80 m |
Flash settings | - | Auto, On, Off, Red-eye, Fill-in |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 (30p, 25p), 1920 x 1080 (60p, 50p, 30p, 25p), 1280 x 720 (60p, 30p, 25p) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 3840x2160 | 640x480 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 289 grams (0.64 lb) | 204 grams (0.45 lb) |
Dimensions | 113 x 67 x 40mm (4.4" x 2.6" x 1.6") | 98 x 61 x 27mm (3.9" x 2.4" x 1.1") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 300 photos | - |
Style of battery | Battery Pack | - |
Battery model | EN-EL12 | 2 x AA |
Self timer | Yes (2, 5, 10 secs) | Yes (2 or 12 seconds) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC, Internal |
Storage slots | Single | Single |
Retail price | $400 | $0 |