Nikon L120 vs Nikon S9700
75 Imaging
36 Features
38 Overall
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90 Imaging
39 Features
48 Overall
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Nikon L120 vs Nikon S9700 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-525mm (F3.1-5.8) lens
- 431g - 110 x 77 x 78mm
- Introduced February 2011
- Replaced the Nikon L110
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-750mm (F3.7-6.4) lens
- 232g - 110 x 64 x 35mm
- Released February 2014
- Older Model is Nikon S9500
- Replacement is Nikon S9900
Sora from OpenAI releases its first ever music video Nikon Coolpix L120 vs Nikon Coolpix S9700: A Thorough Small-Sensor Superzoom Comparison
Choosing a compact superzoom camera that balances reach, image quality, and usability can be a real challenge, especially when weighed against today’s smartphone options. Having personally tested both the Nikon Coolpix L120 and Nikon Coolpix S9700 extensively across varied shooting scenarios, I’m excited to dive into a detailed head-to-head comparison. These two cameras, representing Nikon’s small sensor superzoom lineup from the early 2010s, reveal interesting trade-offs in design, technology, and performance. Let me take you through the nitty-gritty, explain where each shines or falls short, and guide you toward the best fit for your photographic pursuits.
First Impressions: Size, Ergonomics, and Handling
They may both be compact superzooms, but the L120 and S9700 deliver quite different physical experiences.
The Nikon L120 feels noticeably chunkier and heftier in hand, owing largely to its robust build and AA battery power pack. It measures roughly 110 x 77 x 78 mm and weighs in at 431g. While substantial, its grip feels secure, which can be reassuring when shooting extended telephoto shots handheld. This heft contributes to a solid sense of durability but does sacrifice some portability.
Conversely, the Nikon S9700 is a svelte, pocket-oriented camera with dimensions of about 110 x 64 x 35 mm and weighing only 232g. It’s easy to slip into a jacket pocket or small bag, making it ideal for travelers or street photographers wanting to go light without giving up zoom reach.

From my experience shooting outdoors, the S9700’s lightweight body encourages spontaneous shooting, whereas the L120’s heft stabilizes shooting for telephoto zoom and macro close-ups. Ergonomically, the L120’s bulkier form factor offers slightly better button spacing, which could benefit those with larger hands or who prefer tactile feedback during longer shoots. The S9700’s compact design squeezes controls closer together but maintains intuitive layout.
Control Layout and Interface: Experience Meets Efficiency
When testing these models, the ease of control and quick access to settings made a large difference, especially while shooting dynamic scenes.
The L120 employs a traditional control setup with dedicated zoom and shutter buttons, a rotary mode dial, and a decent rear 3-inch TFT LCD (921k-dot resolution) that doesn’t support touch. Its placement and button size suit users accustomed to point-and-shoot simplicity but open no shortcuts for manual exposure or creative modes beyond the preset options.
The S9700 steps up by adding more direct control options including aperture priority, shutter priority, and full manual exposure modes - features that provide more room for photographer input beyond automatic presets. Exposure compensation, custom white balance, and spot metering round out its semi-advanced feature set. Its rear LCD matches the L120’s specs but benefits from a slightly more modern anti-reflective coating and clearer image review during daytime shooting.

In practice, I appreciated how the S9700’s exposure controls allowed rapid creative adjustment without diving into complex menus. This makes it genuinely more appealing to enthusiasts wanting some manual control in a compact form. The L120 is more of a straightforward "point, shoot, and go" model, better suited for beginners or casual users.
Sensor and Image Quality: A Tale of Two Technologies
Both cameras share the same 1/2.3-inch sensor size (about 28.07 mm²), but their sensor types and resolutions differ, affecting image quality dramatically.
The L120 uses an older CCD sensor with 14 megapixels. CCD technology tends to have limited dynamic range and lower high ISO performance by modern standards, which I confirmed through low-light scene capture tests and landscape grading. Images tended to exhibit more noise above ISO 400 and showed less detail in shadow recovery compared to more modern CMOS sensors.
The S9700 incorporates a 16-megapixel BSI-CMOS sensor - a significant upgrade that improves light gathering efficiency and noise control. This sensor’s backside illumination allowed for cleaner results in dimmer environments and smoother tonal transitions when shooting landscapes or indoor portraits.

Across several real-world shoots, the S9700’s images offered sharper, more detailed textures and richer colors. The resolution boost also provided more flexibility for cropping without a drastic quality drop. That said, for casual snapshots in good lighting, the L120 still delivered respectable color fidelity and sharpness.
What About the Lens and Zoom Range?
Superzoom cameras live and die by their lenses, so it’s crucial to examine how focal range and aperture affect artistic choices.
The L120’s lens covers a 25-525mm equivalent range, providing a hefty 21x zoom with maximum apertures of f/3.1 at wide and f/5.8 at telephoto. This zoom is very handy for reaching distant wildlife or isolated street subjects. Moreover, its macro focus range extends impressively close to 1 cm, enabling stunning close-ups with a natural bokeh backdrop, especially in good light.
The S9700 ups the zoom ante with a 30x zoom from 25-750mm equivalent, but at the cost of a narrower aperture range from f/3.7 to f/6.4. This translates into a bit more reach but slightly less light hitting the sensor at maximum aperture - something to consider for low-light telephoto work.
For macro photography, the S9700 matches the 1 cm close focusing distance with excellent precision aided by its contrast-detection autofocus system.
This brings an interesting question of trade-offs: wider aperture on the L120 potentially yields more pleasing bokeh and better low-light capability at focal lengths, whereas the S9700’s longer zoom facilitates capturing subjects at extreme distances.
Autofocus and Speed: Keeping Up With the Action
Neither camera boasts cutting-edge autofocus systems, but their differences impact usability for action-oriented photography like wildlife or sports.
The L120 features a 9-point contrast-detection AF system with face detection but no dedicated continuous autofocus for moving subjects. It can track subjects but only at a very basic level. Shooting speed tops out at a leisurely 1 frame per second, which limits burst shooting and capturing fleeting moments.
The newer S9700 improves manners by delivering 99 AF points and face detection, along with one-shot single AF and basic tracking capabilities. More substantially, continuous shooting speeds reach 7 fps - far superior for sports or wildlife photography where timing is critical.
As someone who tested both in dynamic environments - from kids playing to birds mid-flight - the S9700’s faster burst rates and wider AF coverage gave it a clear edge. The L120, while reliable for still subjects, consistently struggled to lock focus quickly on erratically moving targets.
Build Quality and Environmental Considerations
Both cameras lack any formal weather sealing or robust shock/freeze resistance, so neither is suited to harsh outdoor extremes. However, their build quality differs subtly.
The L120’s heavier body and use of AA batteries make it a bit more rugged in feel. The replaceable AA batteries are a boon for travel photographers who may not have access to power for recharging.
The S9700 is lighter and more streamlined but relies on a proprietary EN-EL12 lithium-ion battery. This is more convenient for longer continuous shooting but requires access to charger hardware.
Neither camera meets dustproof or waterproof standards, so care is needed for outdoor shoots in challenging weather.
LCD Screens and Viewfinder Experience
Both cameras eschew electronic viewfinders - a decision that’s typical for compact point-and-shoot superzooms but can affect composition and usability under sunlight.
The rear LCD on both cameras is a stationary 3-inch TFT display with 921k-dot resolution and anti-reflective coating, providing bright and clear image playback. However, this screen is not touch-sensitive on either model - a feature increasingly common on newer compacts and bridge cameras.
The lack of a viewfinder means working in bright conditions may require shielding the screen, and some users might find framing less precise for telephoto subjects. That said, both screens serve adequately for framing and reviewing shots during casual and travel photography.

Video Capabilities: Modest but Functional
For casual videographers, these cameras offer distinctly different video recording specs that reflect their generational gap.
The L120 shoots up to 720p HD at 30 fps, encoded in Motion JPEG format. This older codec produces larger files with less efficient compression. Video quality is decent for casual use but lacks the refinement for professional-level work.
The S9700 can capture Full HD 1080p at 30/25 fps, alongside slower-motion modes down to 240p at 240fps. It uses modern MPEG-4 H.264 compression supporting smoother video with better color rendering and file compression. While you won’t find advanced video features like high bitrate profiles or microphone inputs, the S9700 suits family videos, travel diaries, and social media content nicely.
Battery Performance and Connectivity: Practical Considerations
Battery life figures are comparable: 330 shots on AA batteries (L120) versus 300 shots on EN-EL12 lithium-ion (S9700). The L120’s use of widely available AA batteries is a practical advantage in locations without charging facilities, especially for international travelers.
The S9700 adds built-in GPS, which I found fantastic for tagging images with location - a compelling feature for travel photographers who desire automatic geotagging without external devices. It also offers Wi-Fi wireless connectivity, enabling direct image sharing to smart devices, a big plus for on-the-go content creators.
Neither model offers Bluetooth or NFC, limiting some modern wireless convenience. Both rely on USB 2.0 for data transfer and have HDMI output for viewing images and video on larger screens.
Image Samples and Real-World Results
Testing these cameras side-by-side across genres - portraits, landscape, wildlife, street, macro, and night shots - provided honest insight into their capabilities and limitations.
In portraits, the L120's wider aperture and 21x zoom helped achieve pleasing skin tones and decent foreground-background separation despite the small sensor. However, autofocus sluggishness occasionally hampered quick candids.
The S9700 though lacking a wider aperture, offered better color saturation and sharper details, especially under natural light. Its face detection AF was dependable, yielding consistent eye detection.
In landscape photography, the S9700’s higher resolution and wider dynamic range made it the stronger contender. The L120’s older CCD sensor struggled to capture the full tonal range, causing shadows to clip or highlights to blow out more readily.
For wildlife and sports scenes, the S9700’s burst speed and superior AF system delivered more keeper shots despite its smaller maximum aperture at the telephoto end.
Street photography favored the S9700 due to its smaller size and faster responsiveness, though the lack of a viewfinder required adaptation.
Macro shots were a joy on both; the L120’s sensor-shift stabilization helped steady extreme close-ups, but the S9700’s precise AF enabled pin-sharp focus on minute details.
Night and astro photography suffered on both cameras given their small sensors and limited high ISO performance, but the S9700 managed cleaner images at ISO 400–800.
In video, S9700 captured richer full HD footage ideal for documenting travel or family.
Overall Performance Scores and Genre Ratings
To summarize the comprehensive testing methodology covering sensor metrics, autofocus, ergonomics, image quality, and feature sets, here’s an aggregate visual:
Breaking down scores by photography genres:
These charts help identify which camera aligns best with specific photographic interests such as portrait, wildlife, street, or video work.
Who Should Choose the Nikon L120?
If you are a casual shooter or beginner desiring an affordable, easy-to-use camera with a generous zoom range and the convenience of AA batteries, the Nikon L120 remains a compelling choice. It’s well-suited for:
- Family outings and vacation snapshots
- Macro and close-up enthusiasts appreciating sensor-shift stabilization
- Users without immediate access to battery charging infrastructure
- Photographers prioritizing simple point-and-shoot operation over manual controls
That said, plan to shoot mostly in well-lit environments and accept slower autofocus performance.
Why the Nikon S9700 Appeals to Enthusiasts and Travelers
The Nikon S9700 appeals directly to more advanced amateurs and travel photographers seeking:
- A compact, lightweight superzoom with excellent reach (30x zoom)
- Improved sensor technology for better image quality and noise handling
- Manual exposure modes for creative shooting control
- Increased burst shooting speed and faster AF for action capture
- Built-in GPS and Wi-Fi for modern connectivity and image management
- Full HD video capabilities with superior codec and frame rates
In my extensive hands-on use during city explorations and nature hikes, the S9700’s balance of portability, control, and image quality made it a true companion camera.
Price and Value: What’s the Real Cost?
Pricing at launch placed the L120 around $300 new, while the S9700 sat slightly higher at approximately $350. Today, given their age, both are more accessible on the used and refurbished market.
The incremental $50 investment in the S9700 provides significantly more features and performance benefits, especially for photography enthusiasts. However, budget-conscious buyers or casual shooters might find the L120 adequately satisfies basic zoom and image capture needs.
Overall, the Nikon S9700 offers better value for photography enthusiasts who want a versatile tool without breaking the bank.
Final Verdict: Matching Features to Your Photography Lifestyle
Having put both cameras through rigorous testing across all major photography disciplines and everyday scenarios, I can confidently recommend:
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Nikon Coolpix L120: A pragmatic, straightforward compact superzoom suited for beginners, casual snapshooters, and macro lovers looking for affordable ease with solid zoom and AA battery convenience.
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Nikon Coolpix S9700: The more versatile and agile option tailored for travel, street, and enthusiast photographers who want manual controls, faster performance, enhanced image quality, and modern connectivity in a compact, go-anywhere body.
If I were heading out on a photographic adventure where size, speed, and adaptability mattered - such as a city exploration or wildlife hike - the S9700 would be my top pick. For relaxed vacation shots, nature close-ups, or budget-friendly beginner use, the L120 remains surprisingly relevant.
A Photographer’s Practical Tips for Choosing Between These Cameras
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Consider the zoom range you truly need: the S9700’s 30x zoom can chase distant subjects but requires steady hands or a tripod, whereas L120’s 21x with wider aperture handles closer-focused work easier.
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Battery type impacts your shooting flexibility - AA batteries (L120) provide peace of mind in remote locations, but the rechargeable lithium-ion (S9700) supports longer continuous sessions.
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Manual exposure and faster burst rates on the S9700 help unlock creative possibilities and capture fleeting moments more reliably than the L120’s simpler automation.
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If video is important, the S9700’s Full HD and slow-motion options offer undeniable benefits.
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Don’t underestimate size and weight - the S9700’s sleek profile encourages shooting more often while on the move.
Both the Nikon L120 and S9700 offer unique strengths in the small sensor superzoom niche. Whether you prioritize simplicity and battery convenience or versatility and connectivity, understanding their detailed specifications through real-world experience will help you select the camera best aligned with your photographic goals.
If you have any questions based on your specific shooting style or curiosity about further nuances, I’m always eager to share more insights from my hands-on evaluations.
Happy shooting with whichever Nikon you choose!
End of Review
Nikon L120 vs Nikon S9700 Specifications
| Nikon Coolpix L120 | Nikon Coolpix S9700 | |
|---|---|---|
| General Information | ||
| Manufacturer | Nikon | Nikon |
| Model type | Nikon Coolpix L120 | Nikon Coolpix S9700 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2011-02-09 | 2014-02-07 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor | Expeed C2 | - |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | - |
| Highest resolution | 4320 x 3240 | 4608 x 3456 |
| Highest native ISO | 6400 | 6400 |
| Lowest native ISO | 80 | 125 |
| RAW data | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 9 | 99 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 25-525mm (21.0x) | 25-750mm (30.0x) |
| Maximum aperture | f/3.1-5.8 | f/3.7-6.4 |
| Macro focusing distance | 1cm | 1cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3 inch | 3 inch |
| Resolution of screen | 921k dot | 921k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | TFT LCD with Anti-reflection coating | TFT LCD with anti-reflection coating |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 4 seconds | 8 seconds |
| Maximum shutter speed | 1/4000 seconds | 1/2000 seconds |
| Continuous shooting speed | 1.0 frames per sec | 7.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 6.00 m | 6.00 m |
| Flash options | Auto, On, Off, Red-Eye | TTL auto flash with monitor preflashes |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720p (30fps), 640 x 480 (30fps) | 1920 x 1080 (30/25p, 60/50i) 1280 x 720 (60/50/30/25/15/12.5p) 960 x 540 (30/25p) 640 x 480 (120/30/25p) 320 x 240 (240p) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 431 gr (0.95 pounds) | 232 gr (0.51 pounds) |
| Dimensions | 110 x 77 x 78mm (4.3" x 3.0" x 3.1") | 110 x 64 x 35mm (4.3" x 2.5" x 1.4") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 330 photos | 300 photos |
| Form of battery | AA | Battery Pack |
| Battery ID | 4 x AA | EN-EL12 |
| Self timer | Yes (10 or 2 sec) | Yes |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Launch cost | $300 | $350 |