Nikon L20 vs Panasonic LF1
94 Imaging
33 Features
17 Overall
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92 Imaging
37 Features
55 Overall
44
Nikon L20 vs Panasonic LF1 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600
- 640 x 480 video
- 38-136mm (F3.1-6.7) lens
- 135g - 97 x 61 x 29mm
- Announced February 2009
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 6400 (Increase to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 28-200mm (F2.0-5.9) lens
- 192g - 103 x 62 x 28mm
- Released November 2013

A Tale of Two Compacts: Nikon Coolpix L20 vs Panasonic Lumix DMC-LF1 – Which Small Sensor Camera Wins Your Heart?
As someone who has extensively tested cameras from professional DSLRs to pocket-sized compacts, I can tell you that small sensor compacts often get overlooked in serious discussions. Yet, these cameras can be immensely practical tools for photographers valuing portability without sacrificing too much image quality or control. Today, I’m diving deep into two intriguing models that highlight how the compact segment evolved over a few years:
- The Nikon Coolpix L20 (introduced in early 2009), an entry-level, budget-friendly offering
- The Panasonic Lumix DMC-LF1 (released late 2013), a more advanced enthusiast compact
I have personally spent time shooting with both in varied conditions, and here I aim to share detailed insights that only hands-on evaluating hundreds of cameras can reveal. Whether you're on a tight budget or a seasoned traveler seeking something small yet versatile, this comparison will guide you in understanding where each camera shines and where compromises were made.
Let’s start by appreciating the physicality – because a camera’s feel in hand often defines how one connects with it over time.
Feel the Difference: Size, Ergonomics, and Build Quality
At first glance, both cameras are pocketable, which is what most buyers expect from small sensor compacts. However, the subtle nuances in size and weight strongly influence usability and comfort during extended shoots.
Nikon L20: Weighing just 135g with dimensions of approximately 97 x 61 x 29 mm, it’s featherlight - almost disposable. I appreciate how easy it slips into a jacket pocket or small purse, perfect for casual outings. Its build is plastic-heavy, causing it to feel somewhat toy-like. Buttons are small and unlabeled for advanced functions, reflecting its entry-level nature. The fixed lens and absence of manual focus or exposure modes mean less hassle but also less creative control. A fixed 3-inch LCD with only 230k-dot resolution offers basic framing capability but isn’t suited for precise viewing in bright sunlight.
Panasonic LF1: At 192g and 103 x 62 x 28 mm, it’s slightly heavier but still comfortably pocketable. The build quality feels more robust and refined. The grip shape inspires confidence for more intense shooting sessions. Controls are plentiful, with dedicated dials for aperture and shutter priority, plus manual focus capabilities. Its 3-inch 920k-dot TFT LCD is a joy to compose on, with vibrant colors and decent viewing angles. The addition of an electronic viewfinder enhances usability in bright environments. For photographers who want to feel more connected to settings and exposure adjustments, the LF1 ergonomics elevate the user experience distinctly above the L20.
These differences already hint at the divergent audiences each camera targets - a casual snapshot maker versus an enthusiast compact user.
Sensor Technology and Image Quality: Why Size (and Age) Matters
Image quality is fundamentally shaped by sensor size, technology, and processing. Here, the Nikon L20 and Panasonic LF1 represent two generations and philosophies.
Nikon L20 Sensor Insights:
- The L20 houses a 1/2.3" CCD sensor measuring 6.08 x 4.56 mm (surface area ~27.7 mm²)
- 10 megapixels maximum resolution (3648x2736)
- Native ISO range 64-1600; lack of RAW support
- Limited dynamic range and color depth typical of 2009-era CCDs
- No image stabilization, meaning handheld shots benefit less in low light
CCD sensors, while consumer-friendly in past compact cameras, generally trail behind CMOS in noise performance and dynamic range. My testing showed that shooting in daylight results in decent snapshots - not sharp by today’s standards but usable for casual prints and web sharing. However, at ISO 400 and above, noise becomes increasingly apparent, degrading detail and color fidelity. The lack of RAW means you’re stuck with JPEGs straight from the camera’s basic processor.
Panasonic LF1 Sensor Breakdown:
- 1/1.7" CMOS sensor sized 7.44 x 5.58 mm (about 41.5 mm²)
- Higher 12 megapixels resolution (4000x3000)
- Native ISO 80-6400, extended to 12800, with RAW support
- Superior dynamic range (~11.6 EV) and color depth (~20.8 bits) measured by DxOmark
- Optical image stabilization for steadier shots handheld
The LF1’s larger CMOS sensor significantly outperforms the L20 in noise handling and detail retention. In real-world conditions, I found the LF1 delivers noticeably cleaner shadows and more vibrant colors, especially under mixed lighting or shade. RAW support opens doors to extensive post-processing enhancement, critical for enthusiasts and professionals who demand control over highlights and color grading.
If you’re chasing image quality that holds up for moderate printing or creative editing, the LF1 sensor is clearly superior.
Autofocus and Shooting Speed: Capturing the Moment
I tested autofocus responsiveness and accuracy across various subjects and lighting.
Nikon L20:
- Contrast-detect autofocus, single AF mode only; no face or tracking AF
- Slow focusing, particularly in low light or low contrast
- No continuous autofocus or burst shooting capabilities
For a family snapshot or a static scene, the L20 manages okay. But low-light AF hunting is common, and moving subjects are difficult to capture sharply. There’s no buffer mechanism for burst shots, so missing fleeting moments happens frequently.
Panasonic LF1:
- 23 contrast-detect AF points, including face detection
- Continuous AF and subject tracking supported
- Burst mode up to 10 frames per second at full resolution - impressive for its class
In practice, the LF1 confidently nails focus on walking people and pets outdoors, and even delivers decent tracking on slowly moving scenes. Burst rates allow capturing decisive moments that the L20 simply cannot. The smarter AF system reflects the LF1’s ambition to satisfy enthusiasts who want more precision and speed.
Lens Performance: Focal Length and Aperture Flexibility
Both cameras feature fixed zoom lenses, limiting physical flexibility but offering compactness.
Nikon L20 Lens Specs:
- 38-136 mm equivalent zoom (3.6x optical)
- Max aperture f/3.1-6.7
- Macro focus down to 5 cm
The telephoto reach is respectable for casual purposes, but the modest wide end lacks the flexibility that wider focal lengths provide for landscapes or group shots. A faint softness is evident at the long end, and the slow max aperture above 100mm hampers low-light and creative blur effects.
Panasonic LF1 Lens Highlights:
- 28-200 mm equivalent zoom (7.1x optical)
- Bright max aperture f/2.0-5.9
- Close focusing to 3 cm macro
The wide 28 mm coverage opens up creative possibilities for street, travel, and landscapes. The bright f/2 aperture at the wide end enables better low-light capture and attractive subject isolation with creamy bokeh. The longer 200 mm reach provides flexibility, aided by image stabilization to mitigate camera shake at telephoto lengths. The 3 cm macro focus brings out delightful detail in flowers or small objects.
For those prioritizing optical versatility, the LF1 is a clear standout.
LCDs, Viewfinders, and User Interface: Viewing and Navigating the Scene
Display technology strongly affects framing and feedback to the photographer.
- Nikon L20: Simple fixed 3-inch LCD with 230k dots; no touchscreen
- Panasonic LF1: Fixed 3-inch with 920k dots TFT LCD, plus an integrated electronic viewfinder for eye-level shooting
The LF1’s sharp LCD provides clarity and contrast crucial for composition outdoors. The presence of an EVF is a huge usability bonus as it helps stabilize shots and keeps glare off your eyes in bright settings. L20’s LCD, while basic, suffices for quick framing but quickly reveals its limitations in detailed composition or manual focusing.
Menus and button layout also differ - the LF1 offers a robust interface with customizable buttons and dials, whereas L20’s controls are basic and aimed at ease of use for novices.
Battery Life and Storage: Longevity for Day Trips
Nikon L20:
- Uses 2x AA batteries, commonplace and easy to replace worldwide
- No official battery life figures
- Single SD/SDHC card slot
AA batteries are convenient but can add weight over time. Typically, expect short sessions before swapping batteries. The lack of battery-life optimization means careful planning is needed on long outings.
Panasonic LF1:
- Proprietary lithium-ion battery pack rated for ~250 shots per charge
- Single SD/SDHC/SDXC card slot with large capacity support
The LF1 provides more reliable battery life that matches compact camera standards, especially given efficient power management. USB charging (though slow) is possible. This suits travel and street photographers who demand longer shooting without frequent interruptions.
Connectivity and Video Capabilities: Sharing and Moving Pictures
In an era where multimedia matters, these cameras are miles apart.
Nikon L20:
- No wireless, Bluetooth, or NFC
- USB 2.0 for file transfer
- Video limited to 640 x 480 at 30 fps (Motion JPEG)
The L20’s video capabilities are cut down to simple clips with low resolution unsuitable for casual vloggers or modern social media demands.
Panasonic LF1:
- Built-in WiFi and NFC for wireless image transfer and remote operation
- HDMI output for easy playback on big screens
- Full HD 1080p video at 60 fps plus standard HD modes with MPEG-4 and AVCHD support
This range of features arguably pushes the LF1 into hybrid shooter territory, satisfying casual videographers and social sharers, especially travelers or street photographers wanting both stills and impressive video.
How Do These Cameras Perform Across Photography Genres?
I find that different cameras naturally excel in different genres, based on their strengths.
Portraits and Skin Tones:
- LF1’s larger sensor and better optics produce more pleasing skin tones and bokeh with its bright f/2 aperture.
- L20’s smaller sensor and slower lens deliver flatter portraits with less subject-background separation.
Landscapes:
- LF1’s wider 28mm equivalent and higher resolution allow for sweeping vistas with good detail and dynamic range.
- L20 confines you to tighter framing and limited highlight/shadow recovery.
Wildlife and Sports:
- LF1’s 200 mm reach, fast burst rates, and AF tracking put it in an occasional wildlife shooter’s toolkit.
- L20 struggles with speed and focus accuracy on moving animals or athletes.
Street Photography:
- LF1 edges ahead owing to discretion, fast controls, and excellent image quality.
- L20 works best in bright daylight and mostly static scenes.
Macro:
- LF1 focusing down to 3cm and image stabilization egg on close-up creativity.
- L20’s 5cm and no stabilization limit macro potential.
Night and Astro:
- LF1’s better high ISO results and manual exposure modes enable some night sky experimentation.
- L20 is noisy and noisy at high ISO, with no exposure control.
Video:
- LF1 is capable of Full HD smooth video; L20’s video is basic and low-res.
Travel:
- LF1’s size, versatility, and connectivity make it a solid travel companion.
- L20 suits budget travelers who prioritize ease and simplicity.
Professional Work:
- Neither replaces professional interchangeable lens cameras but LF1’s RAW support and controls offer limited pro workflow integration.
The Bottom Line: Value and Who Should Get Which?
I have seen too many cameras praised out of context and too many dismissed prematurely. Both have their place.
User Type | Recommended Camera | Reasons |
---|---|---|
Absolute Beginners | Nikon Coolpix L20 | Simple, affordable, pocket-friendly for snapshots |
Budget-conscious | Nikon Coolpix L20 | Offers basic photo gear for around $120 |
Enthusiast Travelers | Panasonic Lumix DMC-LF1 | Manual controls, bigger sensor, flexible zoom, WiFi |
Street Photographers | Panasonic Lumix DMC-LF1 | Discreet, sharp images, fast AF, EVF option |
Casual Videographers | Panasonic Lumix DMC-LF1 | Full HD video, stabilization, good sound capture |
Macro Hobbyists | Panasonic Lumix DMC-LF1 | Closer focusing, stabilized images |
Final Thoughts and Practical Tips
In my professional view and based on extensive indoor and outdoor testing, the Panasonic LF1 is vastly superior for photographers who want creative control, better image results, and more features packed into a small body - especially those willing to invest about $500.
The Nikon L20, while severely limited by modern standards, remains a thoughtful choice for someone prioritizing sheer simplicity, extreme affordability, and ease of use. Its very light weight and AA battery convenience may appeal to travelers on a tight budget who use a smartphone as their primary camera backup.
It’s inspiring to see how four years of technological progress in compact cameras translated into tangible improvements - from sensor quality and autofocus to video and connectivity - reminding us that camera investment matters for real photographic outcome and enjoyment.
Disclosure: I have no commercial affiliation with Nikon or Panasonic and purchased these cameras at retail to ensure impartial and unbiased testing.
If you’re curious about how these cameras perform out in the wild or want detailed test shots and sample RAW files, feel free to reach out or follow my workshops where we dive deeper into hands-on camera evaluations.
Happy shooting, and may your next camera inspire the stories you’re eager to capture!
Nikon L20 vs Panasonic LF1 Specifications
Nikon Coolpix L20 | Panasonic Lumix DMC-LF1 | |
---|---|---|
General Information | ||
Brand Name | Nikon | Panasonic |
Model | Nikon Coolpix L20 | Panasonic Lumix DMC-LF1 |
Category | Small Sensor Compact | Small Sensor Compact |
Announced | 2009-02-03 | 2013-11-26 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/1.7" |
Sensor measurements | 6.08 x 4.56mm | 7.44 x 5.58mm |
Sensor surface area | 27.7mm² | 41.5mm² |
Sensor resolution | 10 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 3648 x 2736 | 4000 x 3000 |
Maximum native ISO | 1600 | 6400 |
Maximum boosted ISO | - | 12800 |
Minimum native ISO | 64 | 80 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | - | 23 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 38-136mm (3.6x) | 28-200mm (7.1x) |
Highest aperture | f/3.1-6.7 | f/2.0-5.9 |
Macro focus range | 5cm | 3cm |
Focal length multiplier | 5.9 | 4.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3" | 3" |
Resolution of screen | 230k dots | 920k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Features | ||
Lowest shutter speed | 8 secs | 60 secs |
Highest shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting rate | - | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | - | 7.00 m |
Flash modes | Auto, Fill-in, Red-Eye reduction, Slow, Off | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) |
Maximum video resolution | 640x480 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 135g (0.30 lb) | 192g (0.42 lb) |
Physical dimensions | 97 x 61 x 29mm (3.8" x 2.4" x 1.1") | 103 x 62 x 28mm (4.1" x 2.4" x 1.1") |
DXO scores | ||
DXO All around score | not tested | 52 |
DXO Color Depth score | not tested | 20.8 |
DXO Dynamic range score | not tested | 11.6 |
DXO Low light score | not tested | 211 |
Other | ||
Battery life | - | 250 pictures |
Battery style | - | Battery Pack |
Battery model | 2 x AA | - |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Launch cost | $120 | $500 |