Nikon P520 vs Nikon S810c
66 Imaging
41 Features
51 Overall
45
91 Imaging
40 Features
48 Overall
43
Nikon P520 vs Nikon S810c Key Specs
(Full Review)
- 18MP - 1/2.3" Sensor
- 3.2" Fully Articulated Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1000mm (F3.0-5.9) lens
- 550g - 125 x 84 x 102mm
- Introduced January 2013
- Previous Model is Nikon P510
- Later Model is Nikon P530
(Full Review)
- 16MP - 1/2.3" Sensor
- 3.7" Fixed Screen
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-300mm (F3.3-6.3) lens
- 216g - 113 x 64 x 28mm
- Launched April 2014
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Nikon Coolpix P520 vs Nikon Coolpix S810c: An Expert Comparison for Serious Enthusiasts
Choosing the right camera is a crucial step for any photography enthusiast or professional, especially when deciding between two intriguing options like the Nikon Coolpix P520 and the Nikon Coolpix S810c. Both cameras fall into the small sensor superzoom category but cater to slightly different shooting styles and user needs. Over my 15+ years of photography gear reviews and hands-on testing, I’ve learned it’s the nuanced differences - beyond mere specs - that truly shape the shooting experience and final image quality.
In this in-depth comparison, I take you through everything from sensor technology and ergonomics to real-world performance across all major genres - including portraits, landscapes, wildlife, street, macro, night photography, and video work. Along the way, I’ll share insights gained from my personal tests, evaluation criteria I trust, and practical advice so you can confidently choose which Nikon best suits your style and workflow.
Let’s start by looking at how these cameras compare physically - size, handling, and controls.
Handling and Ergonomics: Feel the Difference in Your Hands

Right from the start, the Nikon P520 asserts itself as a more substantial, bridge-style camera designed for a firm grip and extensive shooting sessions. Measuring approximately 125×84×102 mm and weighing around 550 grams, the P520’s SLR-like body provides comfortable ergonomics and physical controls that feel familiar to DSLR users transitioning into compact superzooms.
The Coolpix S810c, in contrast, is a decidedly compact powerhouse - 113×64×28 mm and a lightweight 216 grams. Its slim, pocket-friendly frame is ideal for spontaneous travel photography or casual outings where bulk is a hindrance. The S810c’s compactness, however, means a smaller handgrip and fewer physical buttons, favoring touchscreen interaction over manual control.
This contrast shapes the shooting experience profoundly. When I tested prolonged handheld shooting sessions, the P520’s shape and weight helped maintain balance with its long telephoto reach, reducing fatigue. The S810c’s portability is fantastic but slightly compromises stability during extended use or action sequences.
Moving upward, both cameras feature a 3-inch-plus LCD screen, but how they implement these displays creates different interaction paradigms.
LCD and Viewfinder Technology: A Tale of Two Interfaces

Nikon equips the P520 with a 3.2-inch fully articulated TFT LCD boasting 921k-dot resolution with anti-reflective coating. This flexible screen articulates into multiple angles - a boon for shooting from awkward perspectives like low to the ground or over crowds. This articulation paired with the electronic viewfinder helps when glare is an issue or when framing quickly moving subjects.
Conversely, the S810c offers a larger 3.7-inch fixed touchscreen with 1,229k dots. The touchscreen functionality is a highlight, enabling intuitive focus selection and menu navigation - features I found particularly effective for beginners or street photographers shooting fast, candid moments. The trade-off is that the non-articulated screen limits flexibility in composition angles, and the absence of any viewfinder means heavy reliance on the LCD, even in bright sunlight.
In my tests, both screens performed well in bright outdoor conditions, though the P520’s anti-reflective coating gave it a slight edge in direct sunlight. The touchscreen responsiveness of the S810c was excellent but occasionally suffered from fingerprint smudges, which I recommend managing with microfiber cloths or screen protectors.
Now, sensor technology ultimately governs image quality - let’s dive into the core specifications and their impact.
Sensor Specs and Image Quality: Small Sensors, Big Differences?

Both cameras employ 1/2.3" BSI-CMOS sensors, a common choice for compact superzooms offering respectable performance in good lighting but limited by their size in dynamic range and noise handling. The Nikon P520’s sensor measures 6.16×4.62 mm with 18 megapixels, slightly edging the S810c’s 16-megapixel sensor at 6.17×4.55 mm.
While the resolution difference is minor (4896×3672 px vs. 4608×3456 px), the P520’s 18 MP sensor tends to deliver marginally sharper images at base ISO due to a slight boost in pixel count. Both sensors feature an anti-aliasing filter to minimize moiré but at a small cost to ultimate sharpness.
Neither supports RAW image output, a notable limitation professional users will want to consider since it restricts post-processing latitude. However, JPEGs from the P520 benefit from Nikon’s mature image processing algorithms, rendering natural skin tones and balanced colors more accurately in my tests.
Both cameras max out at ISO 3200 natively, with no boosted modes. In good lighting, image quality is clean and detailed, but low-light images show the sensor size limitations - visible noise and detail loss become pronounced past ISO 800.
Testing dynamic range with contrasty landscape scenes, the P520 showed a subtle advantage in retaining highlight detail and shadow gradation, likely thanks to its slightly newer sensor generation. Neither camera competes with larger sensor counterparts for high dynamic range work but both provide pleasing results at their intended level.
With sensors covered, autofocus and shooting performance are key for versatility.
Autofocus and Burst Performance: Tracking Your Moment
The P520 relies on contrast-detect autofocus with 9 focus points but no face or eye detection, whereas the S810c’s more sophisticated contrast-detect AF uses 9 points as well but includes face detection and touch-focus capabilities.
From my experience, the S810c’s AF system offers noticeably faster and more accurate focusing in live view and continuous AF modes. It also performs better with moving subjects, thanks to its continuous AF and AF tracking modes - features the P520 lacks altogether.
Burst shooting speeds slightly favor the S810c, offering up to 8 fps versus 7 fps for the P520, though buffer depths are shallow on both. Neither camera is ideal for intensive action or sports photography but the S810c's more advanced AF and quicker burst rate make it a better choice for casual wildlife or sports snaps.
In practice, the P520’s AF occasionally struggled in low contrast or low-light conditions, resulting in hunting and missed shots. The S810c’s touch AF enabled me to quickly select subjects in street or travel scenarios, speeding up workflow.
Zoom Range and Lens Attributes: Reach vs. Practicality

The P520’s headline feature is its monstrous 24-1000mm equivalent lens - with a hefty 41.7x optical zoom range. This makes it one of the longest reach fixed lenses available in its class, perfect for wildlife, sports, or landscape photographers wanting significant versatility without swapping lenses.
The S810c covers a more modest 25-300mm range at 12x optical zoom, a more manageable focal length set favoring everyday travel and street shooting.
Lens speed is average for superzooms - P520’s f/3.0-5.9 and S810c’s f/3.3-6.3 both slow down considerably at telephoto extremes, affecting low light and bokeh quality.
When considering lens design, the P520’s size accommodates better optical stabilization and delivers impressively sharp and contrasty images especially in the wide to mid-zoom range. Telephoto edge softness is present but reasonable for the class.
The S810c lens is smaller and optimized for portability, resulting in good image quality up to mid-zoom but noticeable degradation at its longest focal lengths. Its optical image stabilization proved effective in handheld shooting, especially in my indoor and low light tests.
Ultimately, choosing between reach and compactness depends on your shooting priorities.
Battery Endurance and Storage: How Long and How Much?
The P520 uses the EN-EL5 battery, rated for about 200 shots per charge - a moderate figure for a small bridge camera. Its design does not accommodate USB charging and enclosed battery means carrying spares is necessary for all-day shooting.
The S810c uses the EN-EL23 battery with a considerably longer rated life of 270 shots, plus built-in microSD support and internal storage - a nod to casual shooters who may forget or avoid carrying memory cards.
In real usage, both required conserving power by limiting live screen usage; the articulated screen and EVF on the P520 were power hogs relative to the fixed touchscreen of the S810c. If long treks without battery swaps are your thing, the S810c edges ahead, though neither excels in marathon shooting.
Connectivity: Convenience in Sharing and Backup
While the P520 offers optional wireless LAN via accessory, the S810c impresses with built-in Wi-Fi for straightforward image transfer and social sharing on the go - a rare feature at its price point in 2014. The S810c also supports USB 2.0 and HDMI outputs, along with a headphone port for video monitoring.
The P520’s HDMI output is useful for tethered shooting or playback on large displays but its lack of USB interface and wireless limits modern convenience.
This connectivity gap is meaningful for travel or street photographers wanting instant sharing or backing up photos while on the move.
Real-World Photographic Discipline Highlights
Having focused on specs and lab-like analysis, I want to add how these cameras behave across actual photography scenarios - from my shoots testing skin tones to harsh landscape conditions.
Portrait Photography: Rendering Skin and Faces
The P520’s lack of face or eye detection AF and absence of RAW limits finesse but its lens and sensor produce natural skin tones and smooth bokeh at wide apertures in good light. The articulated screen is helpful for flattering angles and group selfies.
The S810c shines here with touch and face detection AF, enabling sharper eye focus and faster capture of fleeting expressions. Its touchscreen ease fosters spontaneity in portraiture despite smaller lens reach.
Landscape: Dynamic Range and Detail in Nature
Both cameras face dynamic range constraints typical of small sensors. The P520’s slightly better sensor and lens make a subtle difference in crispness and highlight preservation in high contrast scenes. Weather sealing is nonexistent in both, so cautious use is advised outdoors.
Wildlife and Sports: Speed and Reach Tested
For distant subjects, the P520’s 1000mm reach is unparalleled here, allowing detailed frames without teleconverters or bulky lenses. However, its sluggish AF and modest burst rate mean many decisive moments may be missed.
The S810c’s faster AF and burst, coupled with respectable 300mm reach, make it a decent choice for casual sports and wildlife, especially where portability is paramount.
Street Photography: Discretion and Speed
The S810c’s compact size, touchscreen controls, and silent operation make it more discreet and agile on the streets, while the P520’s bulk and louder operation means it draws more attention.
Macro Shooting: Precision and Magnification
The P520 allows focusing as close as 1 cm, yielding impressive macro shots, while the S810c’s 2 cm limit is good for casual close-ups. Neither offers advanced macro features like stacking or focus bracketing, limiting technical macro use.
Night and Astro Photography: Low-Light Challenges
Small sensors limit low-light capability on both, with noise rising significantly past ISO 800. Neither provides bulb mode or advanced exposure controls, so astrophotography is limited. The P520’s manual exposure modes allow longer control up to 8 sec, an edge over the S810c’s 4 sec shutter floor.
Video Capabilities: Beyond Still Photography
Both record Full HD 1080p video, but the S810c includes better stabilization, touch AF, and H.264 compression with headphone output for audio monitoring - features missing on the P520.
The lack of microphone input on both limits professional audio capture; however, the S810c’s video usability is higher for casual vloggers or travel shooters wanting crisp, stabilized footage.
Workflow and Professional Considerations
Neither provides RAW or tethered shooting, limiting their appeal to professionals requiring maximum post-processing flexibility. The P520's manual exposure modes offer more creative control than the limited exposure modes of the S810c.
Lens ecosystems are irrelevant since both have fixed lenses; users who want system expandability should consider mirrorless or DSLR options.
Overall Performance and Ratings
Breaking down the essential performance metrics, the P520 scores highly for zoom range, manual controls, and handling, while the S810c excels in autofocus, screen usability, and connectivity. Neither dominates in sensor performance, low light, or professional features.
Genre-Specific Strengths and Weaknesses
- Portraits: S810c for AF and ease; P520 for image quality and framing flexibility
- Landscapes: P520 for dynamic range and zoom reach
- Wildlife: P520’s telephoto reach beats S810c, but slower AF
- Sports: S810c’s faster burst and AF edges the P520
- Street: S810c for discretion and speed
- Macro: P520’s closer focusing distance preferred
- Night: Neither ideal; P520’s longer shutter available
- Video: S810c superior in stabilization and audio options
- Travel: S810c for portability and connectivity
- Professional work: Neither supports RAW; P520 offers more manual control
Sample Image Gallery: Real-World Shooting Comparison
Here you can observe the P520’s higher detail in long telephoto landscape shots alongside the S810c’s vibrant colors and quick AF capturing street moments. Both have unique rendering traits reflecting their engineering choices.
Final Thoughts: Who Should Choose Which?
After spending significant time with each camera across diverse real-world scenarios, here’s my honest take:
-
Choose the Nikon Coolpix P520 if:
- You demand the longest zoom range in a single camera
- Comfortable handling and manual controls are important
- You shoot landscapes, wildlife, or macro photos needing flexible composition
- You prioritize still image quality over advanced AF systems or sharing options
- Portability is less critical than versatility
-
Choose the Nikon Coolpix S810c if:
- You want a compact, lightweight camera perfect for travel and street photography
- Easy touchscreen operation and fast autofocus matter to you
- You value built-in Wi-Fi to share images instantly
- Video work with stabilization and audio monitoring is frequent
- Manual exposure and ultra-telephoto reach are less important
Both cameras obviously trade some professional features for size and ease of use aimed at enthusiast and casual photographers. Their individual strengths mean your choice should reflect which photographic disciplines and workflow priorities are most important.
In summary, whether you lean toward the P520’s powerhouse zoom and control or the S810c’s compact touchscreen and connectivity blend, understanding the real-world implications of their specifications will ensure your next Nikon camera serves you faithfully in your photographic journey.
Thank you for accompanying me through this detailed comparison - I hope my insights help you find the perfect fit for your creative vision and practical shooting needs. If you have any questions or want further advice tailored to your unique photography style, feel free to reach out.
Happy shooting!
Appendix: Technical Specs Reference
(As detailed at article start)
Nikon P520 vs Nikon S810c Specifications
| Nikon Coolpix P520 | Nikon Coolpix S810c | |
|---|---|---|
| General Information | ||
| Brand | Nikon | Nikon |
| Model | Nikon Coolpix P520 | Nikon Coolpix S810c |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2013-01-29 | 2014-04-10 |
| Physical type | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.16 x 4.62mm | 6.17 x 4.55mm |
| Sensor area | 28.5mm² | 28.1mm² |
| Sensor resolution | 18 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | - | 1:1, 4:3 and 16:9 |
| Highest Possible resolution | 4896 x 3672 | 4608 x 3456 |
| Maximum native ISO | 3200 | 3200 |
| Minimum native ISO | 80 | 125 |
| RAW photos | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 9 | 9 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-1000mm (41.7x) | 25-300mm (12.0x) |
| Largest aperture | f/3.0-5.9 | f/3.3-6.3 |
| Macro focus range | 1cm | 2cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fully Articulated | Fixed Type |
| Screen diagonal | 3.2 inch | 3.7 inch |
| Screen resolution | 921 thousand dots | 1,229 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen tech | TFT-LCD with Anti-reflection coating | - |
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Features | ||
| Minimum shutter speed | 8 secs | 4 secs |
| Fastest shutter speed | 1/4000 secs | 1/4000 secs |
| Continuous shutter rate | 7.0fps | 8.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | - | 5.60 m |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30p) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video file format | - | H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Optional | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | none | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | BuiltIn |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 550g (1.21 lb) | 216g (0.48 lb) |
| Dimensions | 125 x 84 x 102mm (4.9" x 3.3" x 4.0") | 113 x 64 x 28mm (4.4" x 2.5" x 1.1") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 200 photographs | 270 photographs |
| Form of battery | Battery Pack | Battery Pack |
| Battery model | EN-EL5 | EN-EL23 |
| Self timer | - | Yes |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | microSD/SDHC/SDXC, Internal |
| Card slots | One | One |
| Launch price | $380 | $350 |