Nikon P600 vs Panasonic FZ150
65 Imaging
40 Features
57 Overall
46


67 Imaging
35 Features
57 Overall
43
Nikon P600 vs Panasonic FZ150 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 6400 (Expand to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1440mm (F3.3-6.5) lens
- 565g - 125 x 85 x 107mm
- Introduced February 2014
- Replacement is Nikon P610
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 528g - 124 x 82 x 92mm
- Announced April 2012

Bridging the Zoom Divide: Nikon P600 vs. Panasonic FZ150 in Real-World Photography
When you dive into the realm of bridge cameras, the Nikon Coolpix P600 and Panasonic Lumix DMC-FZ150 often crop up as contenders for enthusiast superzoomers who want versatility without lugging multiple lenses. Having put both models through extensive practical sessions - ranging from portrait shoots and wild landscapes to rapid-fire sports and meticulous macros - I’m excited to unpack how these two cameras stack up in everyday shooting scenarios, tech specs, and value propositions.
Let’s begin with the basics - how they feel in hand, the tangible ergonomics that influence your long, steady sessions on the field or city streets.
Handling and Ergonomics: When the Feel Shapes the Shot
Physically, both cameras mimic DSLR form factors, designed to offer an intermediate handling experience without mirrorless complexity.
Measuring roughly the same footprint, the Nikon P600 is a bit chunkier at 125x85x107mm compared to the Panasonic FZ150’s more compact 124x82x92mm. Weight-wise, the P600 tips the scales at 565g, about 7% heavier than the 528g FZ150. Not burdensome by any means, but in prolonged handheld shooting - say, a day-long walkabout - the Panasonic's slightly lighter frame offers a tad more comfort.
Grip ergonomics favor the P600 with a more pronounced thumb rest and a slightly rubberized grip, giving it extra stability especially with its impressively long zoom engaged at 1440mm equivalent. The FZ150, while ergonomic, has a more subtle grip which can feel less secure when wielding at full zoom.
Control layout is an area where things start diverging markedly.
The Nikon sticks with a traditional Nikon-esque dial-centric approach atop the right-hand grip - mode dial, exposure compensation control, and an accessible record button make quick settings adjustment intuitive. Its buttons, however, lack illumination, which hampers low-light operation a bit.
Conversely, the Panasonic FZ150 impresses with a denser control cluster - 23 focus points lend it a more thoughtful autofocus interface, which I’ll detail shortly. The FZ150 also includes an external flash hot shoe, which is a boon for those who desire external lighting options. The P600’s fixed flash system limits off-camera flash flexibility.
A notable ergonomic advantage the P600 holds is its articulated 3-inch TFT LCD with 921k-dot resolution, versus the Panasonic’s lower-resolution 460k-dot LCD. Both screens articulate fully, an important feature for creative angles.
In my testing, the Nikon’s screen was noticeably sharper, offering better clarity under bright daylight, complemented by anti-reflection coating. The Panasonic’s screen, while adequately bright, loses some visibility in direct sun.
Bottom line: The Nikon P600 edges out for ergonomics if you prioritize grip security and screen clarity, while the FZ150 offers more compactness and a better external flash interface.
Sensor and Image Quality: The Heart of Photography
Superzooms generally compromise sensor size for reach, and both cameras share a 1/2.3-inch sensor size with roughly the same physical dimensions (6.17 x 4.55 mm, sensor area of 28.07 mm²). However, they employ slightly different sensor technologies.
The Nikon uses a 16MP BSI-CMOS sensor, which is back-illuminated to improve low-light sensitivity. Panasonic’s 12MP CMOS sensor lacks back-illumination but benefits from a proven imaging engine and lens coupling.
Comparing raw capability, the Nikon does not offer RAW support, restricting photographers to JPEG output. The Panasonic supports RAW shooting, a serious advantage for photographers wanting post-processing latitude.
Image resolution-wise, the P600 achieves 4608 x 3456 pixels, while the FZ150 maxes out at 4000 x 3000 pixels - comfortable for large prints and cropping.
In side by side image comparisons outdoors:
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Dynamic Range: The Panasonic FZ150, aided by its higher DxOMark color depth (19.4 bits) and dynamic range (10.9 EV), produced images with richer tonal gradation and better shadow recovery. Nikon’s lack of DxOMark data makes direct comparison tricky, but its JPEG-only pipeline seems to limit highlight retention.
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High ISO Performance: Both max out at ISO 6400 but Panasonic’s DxO low-light score (132) suggests stronger noise control. Practically, the P600 images start showing noise and detail loss beyond ISO 1600, while the FZ150 handles ISO 3200 with less degradation.
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Color Rendition & Skin Tones: Nikon's images produced punchier, albeit sometimes oversaturated colors, particularly reds and greens. Panasonic leaned towards a more neutral palette, better suited for accurate skin tones in portraits.
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Lens Sharpness & Resolution: Panasonic’s lens is notably sharper at all focal lengths, albeit with shorter maximum zoom at 600mm equivalent versus Nikon's 1440mm. Nikon’s longer zoom comes at the expense of edge softness and more noticeable chromatic aberrations at telephoto.
As always, a technical evaluation benefits from visual confirmation.
Here you can observe Panasonic images show crisper landscapes and portraits with natural detail rendition, while Nikon excels capturing distant subjects thanks to extended zoom, despite softness tradeoffs.
Autofocus and Burst Performance: Chasing Moments
When pushing a camera toward wildlife or sports photography, autofocus speed and shooting rate become critical.
The Nikon P600 employs contrast-detection AF with face detection but lacks phase detection or hybrid autofocus. Its AF is limited to single-point or face detection; continuous AF and tracking aren’t supported, although it has an AF tracking mode which is somewhat basic.
Conversely, the Panasonic FZ150 integrates 23 focus points leveraging contrast-detection with improved algorithms for more precise center-weighted AF. Though it lacks face or eye detection, its AF is overall snappier and more responsive in live view.
Comparing burst shooting:
Camera | Continuous Speed (fps) | Max Buffer Depth (frames) |
---|---|---|
Nikon P600 | 7.0 | Limited (~10 JPEG frames before slowdown) |
Panasonic FZ150 | 12.0 | Larger buffer managing longer bursts |
That stark difference shows in practice: photographing a flying bird or fast-paced amateur football, Panasonic’s FZ150 manages to keep pace and retain more frames, increasing the odds of dramatic decisive shots.
The Nikon’s slower burst and less responsive AF prevent it from excelling in action-packed environments, although its extended zoom can salvage subjects from distance.
Ray of Light: Image Stabilization and Shutter Speed
With superzoom reach, image stabilization becomes indispensable. Both models offer optical image stabilization systems, but their implementation and effectiveness differ.
Under hand-held daylight shooting at long telephoto focal lengths, Nikon's 5.8x crop factor amplified the challenge, yet its optical IS system reduced shake commendably, supporting usable shots at as low as 1/15 sec at full zoom in careful hands.
Panasonic’s stabilization also proved effective but slightly less aggressive, likely due to shorter maximum zoom of 600mm equivalent needing less shake control.
Shutter speed range also diverges:
- Nikon: 15 sec to 1/4000 sec
- Panasonic: 30 sec to 1/2000 sec
For nightscapes and astrophotography, Nikon’s longer 15-second shutter expands creative flexibility, whereas Panasonic’s 30 seconds can be limiting but generally adequate for most low-light shots.
Build Quality and Weather Resistance: Are These Cameras Tough Enough?
Neither model boasts environmental sealing or rugged weather resistance. Both cameras should be treated as indoor or fair-weather field companions. Their plastic-bodied construction feels robust enough for casual use but would not endure serious professional wear and tear.
Panasonic’s body feels fractionally more solid, probably due to older premium build standards at its 2012 release, while Nikon’s lighter plastics approach a more consumer-grade feel despite sophisticated features.
Macro and Close-up Performance
Both cameras have impressive macro capabilities with minimum focusing distance at 1cm, permitting detailed close-ups of flowers or insects.
However, Panasonic’s faster maximum aperture (F2.8 at wide end) helps isolate subjects better through shallower depth of field and excels in low-light macro conditions.
Nikon’s narrower aperture (F3.3-6.5) limits bokeh and low-light macro sharpness but gains from longer zoom to capture elusive small creatures from a safer distance.
Video Capabilities: Beyond Stills
Neither camera is a video powerhouse, but their specs accommodate casual videographers.
Nikon P600 records 1080p video at 30 fps, limited to MPEG-4 and H.264 codec formats, without microphone input for external sound. This restricts serious audio control. Panasonic offers 1080p at 60 fps via AVCHD and MPEG-4, with the added bonus of a microphone port for better audio recording - a vital consideration for videographers.
Neither camera features 4K video or advanced stabilization modes beyond optical lens-based systems.
Connectivity, Battery, and Storage: Practical Considerations
The Nikon P600 impresses here with built-in WiFi for wireless photo sharing - a 2014 forward-thinking feature. Panasonic lacks wireless capabilities altogether.
Both cameras connect via USB 2.0 and mini-HDMI ports, enabling easy tethering and playback on HDTVs.
Battery life is a notable advantage for the Panasonic FZ150, rated at 410 shots per charge versus Nikon’s 330 shots. This difference can become crucial on longer trips or events.
Both accept SD/SDHC/SDXC cards via single card slots, but Panasonic includes internal memory, useful in emergencies.
Price vs Performance: Which One Gives You More?
At launch pricing, the Nikon P600 was around $750, positioning it as a higher-tier superzoom with its massive 60x zoom range. The Panasonic FZ150’s price at $499 reflects its 24x zoom but superior image quality.
If hunting for reach alone, Nikon’s longer zoom is compelling, but the price premium doesn’t translate into overall better image or autofocus performance.
Putting It All Together: Recommended Use Cases
To distill the findings, let’s explore their fit across common photography genres:
Portraits: Panasonic’s superior color accuracy, RAW support, and sharper optics yield more pleasing skin tones and backgrounds. Nikon’s limited aperture and JPEG-only workflow hamper portrait finesse.
Landscape: Panasonic again shines with better dynamic range and sharper lens, ideal for high-detail landscape shots. Nikon’s extended zoom is less crucial here.
Wildlife: Nikon’s 60x zoom is hard to beat for distant subjects, but slower AF and burst rates may frustrate fast action tracking. Panasonic favors active subjects with faster focus and frames.
Sports: Panasonic’s 12fps burst and better AF responsiveness give it a clear edge. Nikon falls short in responsiveness despite zoom reach.
Street Photography: Panasonic’s compact size, faster aperture, and quieter operation favor candid shooting. Nikon’s lens length isn’t as portable or discreet.
Macro: Panasonic’s brighter lens and lower light capability provide more controlled macro shooting.
Night and Astro: Nikon’s longer 15s shutter can aid astrophotography, but noise at high ISO is limiting for both.
Video: Panasonic’s mic input and 60fps 1080p recording make it the better casual hybrid camera.
Travel: Nikon’s longer zoom covers more versatility, but Panasonic’s longer battery life and superior image quality offer balanced utility.
Professional Work: Panasonic’s RAW support, stable build, and more reliable AF system integrate better into professional workflows.
Summing Up: The Verdict From the Viewfinder
The Nikon Coolpix P600 impresses primarily due to its phenomenal zoom reach and articulate, high-res screen, aimed at photographers who prioritize distance capture. It’s a competent all-rounder that excels in telephoto needs but compromises image quality and responsiveness elsewhere.
The Panasonic Lumix FZ150 emerges as the more balanced camera. It offers superior image quality through RAW shooting, sharper optics, more capable autofocus, faster burst shooting, and a more natural color profile. It sacrifices outer-zoom reach but performs better in nearly every other important photographic aspect.
Both cameras remain valid choices according to budget and shooting priorities:
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Opt for Nikon P600 if you crave incredible zoom for birding, distant wildlife, or surveillance-type photography and are willing to trade higher noise and slower AF response.
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Go for Panasonic FZ150 if you want a more refined image quality, better AF performance for action, RAW flexibility, and improved video capabilities on a tighter budget.
Final Thoughts
As someone who’s carried superzooms on rugged outings and urban explorations alike, I appreciate the Nikon’s zoom reach thrill but frequently found myself relying on the Panasonic’s superior image - and video - quality for actual deliverables.
These two cameras illustrate the classic superzoom tradeoff: focal length vs. image goodness, and speed vs. reach. Neither is perfect, but both embody distinct philosophies serving different photographers.
If you want an affordable, all-purpose superzoom with solid technical foundations and better image fidelity, Panasonic’s FZ150 is a strong choice. For the zoom-obsessed and casual shooter willing to sacrifice some finesse, Nikon’s P600 delivers on distance.
No matter which bridge camera you choose, knowing their strengths and compromises keeps you in control - a core principle behind every photographic journey.
Happy shooting!
end
Nikon P600 vs Panasonic FZ150 Specifications
Nikon Coolpix P600 | Panasonic Lumix DMC-FZ150 | |
---|---|---|
General Information | ||
Manufacturer | Nikon | Panasonic |
Model type | Nikon Coolpix P600 | Panasonic Lumix DMC-FZ150 |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Introduced | 2014-02-07 | 2012-04-11 |
Body design | SLR-like (bridge) | SLR-like (bridge) |
Sensor Information | ||
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 4000 x 3000 |
Maximum native ISO | 6400 | 6400 |
Maximum enhanced ISO | 12800 | - |
Lowest native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | - | 23 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 24-1440mm (60.0x) | 25-600mm (24.0x) |
Maximal aperture | f/3.3-6.5 | f/2.8-5.2 |
Macro focusing range | 1cm | 1cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Range of display | Fully Articulated | Fully Articulated |
Display diagonal | 3 inches | 3 inches |
Resolution of display | 921k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | TFT-LCD with Anti-reflection coating | - |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder coverage | - | 100 percent |
Features | ||
Minimum shutter speed | 15 secs | 30 secs |
Fastest shutter speed | 1/4000 secs | 1/2000 secs |
Continuous shutter speed | 7.0fps | 12.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.50 m | 9.50 m |
Flash options | TTL auto flash with monitor preflashes | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30/25p, 60/50i) 1280 x 720 (60/50/30/25/15/12.5p) 960 x 540 (30/25p) 640 x 480 (120/100/30/25p) | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD, Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 565 gr (1.25 lb) | 528 gr (1.16 lb) |
Dimensions | 125 x 85 x 107mm (4.9" x 3.3" x 4.2") | 124 x 82 x 92mm (4.9" x 3.2" x 3.6") |
DXO scores | ||
DXO Overall rating | not tested | 40 |
DXO Color Depth rating | not tested | 19.4 |
DXO Dynamic range rating | not tested | 10.9 |
DXO Low light rating | not tested | 132 |
Other | ||
Battery life | 330 photos | 410 photos |
Battery form | Battery Pack | Battery Pack |
Battery ID | EN-EL23 | - |
Self timer | Yes | Yes (2 or 10 sec, 10 sec (3 pictures)) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Storage slots | Single | Single |
Retail pricing | $750 | $499 |