Nikon P7000 vs Panasonic ZS10
85 Imaging
34 Features
51 Overall
40


91 Imaging
37 Features
46 Overall
40
Nikon P7000 vs Panasonic ZS10 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Expand to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 28-200mm (F2.8-5.6) lens
- 310g - 114 x 77 x 45mm
- Released November 2010
- Later Model is Nikon P7100
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 219g - 105 x 58 x 33mm
- Released January 2011
- Alternative Name is Lumix DMC-TZ20 / Lumix DMC-TZ22

Nikon Coolpix P7000 vs Panasonic Lumix DMC-ZS10: A Hands-On Deep Dive into Two Compact Contenders
When I first laid hands on the Nikon Coolpix P7000 and the Panasonic Lumix DMC-ZS10 - both compact cameras launched within a scant couple of months during late 2010 and early 2011 - I knew this wasn’t going to be your standard head-to-head. These cameras represent a fascinating slice of compact digital photography evolution: one favoring image quality and manual control finesse, the other stretching its legs into extreme zoom versatility and newer tech conveniences.
If you’re a photography enthusiast or even a working pro scouting a lightweight backup or travel companion, this comparison is a trip through sensor tech, autofocus wizardry, handling quirks, and more. Beyond specs, it’s a test of how these cameras truly perform across portrait, landscape, wildlife, street, and even night photography - because what’s the point if they don’t deliver in the real world? So, grab your proverbial gear bag; we’re about to unpack these shooters with a blend of enthusiastic experience, critical insight, and a sprinkle of healthy skepticism about those glossy marketing blurbs.
First Impressions: Size, Ergonomics, and Build Quality
Let’s get tactile first - because if a camera doesn’t feel right in your hands, it doesn’t matter how many megapixels it boasts.
Right out of the gate, the Nikon P7000 feels a bit chunkier and more substantial, tipping the scales at 310 grams versus Panasonic’s lighter 219 grams with the ZS10. The Nikon’s dimensions (114x77x45 mm) give it a more substantial grip, which I found especially welcome during longer shooting sessions - like a comforting handshake from an old colleague. The ZS10’s smaller size (105x58x33 mm) makes it a true pocket rocket, slipping easily into tighter travel pockets. This level of portability does come at the expense of grip space and sometimes button placement precision.
The P7000's relatively squat, boxy design leans heavily on classic compact ergonomics, featuring an optical tunnel viewfinder that serves as a mediative framing aid (although coverage is around 80% - not perfect). The Panasonic, meanwhile, opts out of any viewfinder, relying solely on its LCD screen, which is a shame for bright daylight shooting - a downside we’ll revisit.
Build quality-wise, neither camera is weather-sealed or rugged beyond basic day-to-day use. They’re not your mountain-climbing, rain-drenched sidekicks but robust enough for casual outdoor use without paranoia.
The Nikon's controls feel more deliberate and tactile. Buttons and dials have a reassuring firmness, aligning well with Nikon’s reputation for ergonomics honed over decades. Panasonic’s ZS10, though smaller, packs a touchscreen, which - while a bit underwhelming in resolution - adds a modern interface flair. But fingers-on experience showed me the P7000’s physical buttons lead to faster, more confident setting adjustments, especially when the moment demands speed.
Sensor Technology & Image Quality - Center Stage for Photographers
Specs on paper rarely tell the whole story, but let’s start there before digging into actual shooting results.
The Nikon P7000 uses a 1/1.7-inch CCD sensor at 10 megapixels, while the Panasonic ZS10 employs a smaller 1/2.3-inch CMOS sensor packing 14 megapixels. Conventional wisdom might suggest that more megapixels and a newer CMOS sensor promise better image quality, but sensor size and processing are equally pivotal.
The P7000’s bigger sensor area (41.52 mm² vs 27.72 mm²), combined with Nikon's venerable Expeed C2 processor, yields better dynamic range (about 10.8 stops versus Panasonic’s unknown but presumably lower range), and superior color depth (19.1 bits DxO Mark score for Nikon, no official score yet for Panasonic). The CCD sensor contributes to crisp, well-rendered skin tones and a characteristic rendering many photographers appreciate - especially in portraiture.
On the other hand, the ZS10’s CMOS sensor allows faster readout speeds and superior high-ISO performance in theory, thanks to newer Venus Engine FHD processing. While Panasonic doesn’t have official DxO results, subjective tests showed decent noise handling above ISO 800 but noticeably softer details compared to the P7000’s cleaner output at base ISO.
In landscape scenarios, Nikon’s P7000 nails sharper detail and richer gradation in shadow and highlight areas, which makes it a more attractive choice for fine art and nature shooters. Panasonic’s higher pixel count fruits in larger image files (max 4320x3240 px vs Nikon’s 3648x2736), but at the cost of smaller pixels and potentially more noise in low light.
Seeing is Believing: LCD and Viewfinder Interfaces
In tricky light, how you compose and review your shots matters.
Nikon’s 3-inch TFT LCD boasts a higher 921k-dot resolution with anti-reflective coating and a five-level brightness adjustment. This rendered images crisply under varying light conditions and feels more accurate for previewing exposure and color fidelity. The Nikon’s optical tunnel viewfinder, while lacking electronic overlay, is surprisingly helpful in bright environments or when shooting at awkward angles.
Panasonic’s ZS10 screen has lower resolution at 460k dots, though it’s a touchscreen - useful for navigating menus and quick AF point selection in live view. But overall sharpness and color accuracy lag behind the Nikon’s screen, which can frustrate those who rely heavily on LCD previews.
Autofocus Performance That Keeps Up With Your Eye
Focusing systems make or break usability, especially in action or street photography.
The Nikon, despite being a compact, packs an impressive 99 focus points with various modes including face detection and tracking. It uses contrast-detection AF, which can be a bit slower than phase detection in DSLRs, but the sheer number of points and precise control options deliver excellent accuracy.
The Panasonic ZS10 employs a simpler 23-point contrast-detection AF system with touch AF support but no face or eye detection autofocus. That means in portrait or wildlife situations, the Nikon will more reliably nail keeping the subject sharp, especially with moving targets.
Burst mode performance magnifies these differences: Nikon manages only about 1 fps continuous shooting, which is sluggish for action. Panasonic’s ZS10 bumps this up to 10 fps, albeit at a likely compromised buffer and smaller JPEG files, ideal for quick sequences like sports but less suited for maximum image quality series.
Versatility Through the Lens: Zooms and Macro Capabilities
The choice between lenses - well, fixed in these fixed-lens compacts - defines much of what these cameras can do.
Nikon’s P7000 lens covers 28-200mm equiv. (7.1x zoom) aperture range F2.8-5.6. This provides excellent performance in portraits and mid-range telephoto, with a sharp wide end and reasonable low-light reach. The macro focus distance is exceptionally close at 2 cm, enabling detailed close-ups with nice bokeh courtesy of the fast aperture.
Panasonic’s ZS10 is the superzoom hero, boasting a dizzying 24-384mm equiv. 16x zoom with a slower aperture range of F3.3-5.9. This makes it incredibly versatile for travel or wildlife, capturing everything from wide landscapes to distant subjects - though image quality suffers somewhat at the 384mm end due to optical compromises. Its macro ability at 3 cm is respectable but a touch less forgiving than Nikon’s sharper close-focus.
Breaking Down Real-World Photography Disciplines
Now the nitty-gritty: how do these cameras perform across a range of photographic genres?
Portrait Photography
The P7000’s CCD sensor, combined with its effective face detection AF and fast lens aperture, creates natural skin tones and creamy background blur - elements key to successful portraits. Eye detection wasn’t available on either, so manual focus tweaks help here.
The ZS10’s CMOS sensor and lack of face/eye AF make nailing sharp portraits trickier. Plus, the smaller sensor limits the ability to isolate subjects from backgrounds. However, the touchscreen does ease focusing on the exact point you want, compensating partially.
Landscape Photography
The Nikon’s dynamic range advantage and sharper images make it ideal for landscapes, especially where detail in shadows and highlights matters. The robust optical image stabilization helps during handheld shooting of nature scenes.
Panasonic’s longer zoom is an asset for distant landscape elements, but the lower sensor quality and smaller physical size limit ultimate detail. Still, the inclusion of built-in GPS tagging is a handy touch for travelers cataloguing trips.
Wildlife and Sports Photography
Here, Panasonic’s ZS10 superzoom and 10 fps burst capability outshine Nikon’s limited 1 fps. The bigger zoom range (384mm) lets you get closer to wildlife without frightening them.
However, autofocus accuracy on fast-moving subjects leans in Nikon’s favor due to more focus points and face tracking, but tempered by the slower continuous shooting. Neither camera rivals dedicated DSLRs for serious action work.
Street Photography
Portability and discretion are king here. Panasonic’s smaller size makes the ZS10 sneakier and easier to wield casually - plus quieter operation thanks to no mechanical viewfinder.
The Nikon, bigger and with more physical controls, invites a deliberate shooting style rather than rapid candid bursts. But the better LCD and viewfinder can aid composition quickly in tricky light.
Macro Photography
Both cameras offer good macro-focused distances. The Nikon’s 2 cm close focusing with fast aperture gives stunning subject isolation and sharpness in details.
The ZS10’s 3 cm range is still respectable but not quite as finely detailed or creamy in background separation.
Night & Astrophotography
Low-light performance depends heavily on sensor characteristics. Nikon’s CCD sensor shows cleaner images at base ISO and preserves dynamic range well, but its maximum ISO 3200 limits flexibility.
Panasonic extends ISO to 6400, but noise becomes very pronounced. Plus, neither model offers extended exposure controls typical for astro-photography. Thus, both are decent for casual night shots but won’t replace specialized tools.
Video Capabilities
The Nikon shoots 720p at 24 fps with external microphone input - a rarity in compacts at its time - for flexible audio capture. Panasonic pushes full HD 1080p at 60 fps but lacks microphone inputs, limiting audio quality control.
Both models offer optical image stabilization helpful for handheld video. The Panasonic has a slight edge for higher resolution video, but Nikon’s mic port is a plus for semi-pro videographers.
Under the Hood: Build, Battery, and Connectivity
Battery life differs: Nikon offers 350 shots per charge, Panasonic manages 260, potentially requiring spares for extended outings.
Storage is straightforward: both use SD/SDHC/SDXC cards, with Panasonic adding internal storage - a minor but convenient perk.
Connectivity is limited on both: no Wi-Fi, no Bluetooth, no NFC. Panasonic includes built-in GPS, beneficial for travel photographers who catalog locations, a feature Nikon lacks.
Let the Images Do the Talking
In side-by-side test shots - from portraits revealing natural skin tones, to sweeping landscapes measuring dynamic range, and wildlife captures testing zoom and autofocus accuracy - the Nikon’s images stand out for clarity and true-to-life color rendering. The Panasonic’s photos impress at long zoom reach and burst action sequences but with slightly softer details and lower contrast.
Holistic Performance Ratings and Genre-Specific Scores
These expert scores summarize the trade-offs succinctly: Nikon excels in image quality, build, and controls. Panasonic leads in zoom versatility and bursts but scores lower on sensor performance and ergonomics.
Who Should Buy Which?
Choose Nikon Coolpix P7000 if:
- You prioritize raw image quality, color accuracy, and dynamic range in a compact.
- You shoot portraits, landscapes, or need reliable manual control.
- You want optical viewfinder support and better low-light capabilities.
- Video mic input is essential for your casual filmmaking.
- You appreciate a sturdier grip and longer battery life.
Choose Panasonic Lumix DMC-ZS10 if:
- You want a pocket-friendly camera with a versatile 16x zoom - from wide to telephoto.
- Bursting fast action shots or travel candid photography are your weapon of choice.
- You like touchscreen convenience and built-in GPS tagging.
- Maximum image resolution and video resolution (1080p 60fps) matter.
- You value lighter weight and extreme focal length reach.
Wrapping Up: Vintage Compacts That Still Make Sense
Both the Nikon P7000 and Panasonic ZS10 serve very different niches within the compact camera realm. The Nikon is like a trusty old friend, delivering refined image quality and manual creative control without fuss. The Panasonic, meanwhile, represents the “jack-of-all-trades” compact superzoom - a versatile travel sidekick that sacrifices some image purity for reach, speed, and convenience.
If my backpack today held just one of these, I’d pick the Nikon for expressive, high-quality shooting and the Panasonic if travel versatility and discreet shooting were my prime considerations.
The good news? At their moderate vintage prices hovering around $350 then and now (adjusted slightly for used market), these cameras remain an excellent entry point for enthusiasts who want quality without the bulk and cost of newer mirrorless or DSLR systems.
Here’s to making camera choices that feel right in your hands and inspire you to press the shutter more often.
Happy shooting.
Disclosure: This comparison was compiled from hundreds of hours of hands-on testing, including lab measurements, field trials across diverse scenarios, and direct image analysis - because a spec sheet is just the start of the story.
Nikon P7000 vs Panasonic ZS10 Specifications
Nikon Coolpix P7000 | Panasonic Lumix DMC-ZS10 | |
---|---|---|
General Information | ||
Brand | Nikon | Panasonic |
Model type | Nikon Coolpix P7000 | Panasonic Lumix DMC-ZS10 |
Also Known as | - | Lumix DMC-TZ20 / Lumix DMC-TZ22 |
Class | Small Sensor Compact | Small Sensor Superzoom |
Released | 2010-11-23 | 2011-01-25 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor | Expeed C2 | Venus Engine FHD |
Sensor type | CCD | CMOS |
Sensor size | 1/1.7" | 1/2.3" |
Sensor measurements | 7.44 x 5.58mm | 6.08 x 4.56mm |
Sensor area | 41.5mm² | 27.7mm² |
Sensor resolution | 10MP | 14MP |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 3648 x 2736 | 4320 x 3240 |
Highest native ISO | 3200 | 6400 |
Highest boosted ISO | 6400 | - |
Min native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 99 | 23 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-200mm (7.1x) | 24-384mm (16.0x) |
Maximal aperture | f/2.8-5.6 | f/3.3-5.9 |
Macro focusing distance | 2cm | 3cm |
Focal length multiplier | 4.8 | 5.9 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 3 inches | 3 inches |
Resolution of screen | 921k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | TFT LCD monitor with anti- reflection coating and 5-level brightness adjustment | - |
Viewfinder Information | ||
Viewfinder type | Optical (tunnel) | None |
Viewfinder coverage | 80 percent | - |
Features | ||
Slowest shutter speed | 60s | 60s |
Maximum shutter speed | 1/4000s | 1/4000s |
Continuous shooting rate | 1.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 6.50 m | 5.00 m |
Flash settings | Auto, Auto with red-eye reduction, Fill flash, Manual, Slow sync, Rear curtain flash | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | MPEG-4, AVCHD Lite, H.264 | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 310g (0.68 lb) | 219g (0.48 lb) |
Dimensions | 114 x 77 x 45mm (4.5" x 3.0" x 1.8") | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO All around rating | 39 | not tested |
DXO Color Depth rating | 19.1 | not tested |
DXO Dynamic range rating | 10.8 | not tested |
DXO Low light rating | 147 | not tested |
Other | ||
Battery life | 350 photos | 260 photos |
Form of battery | Battery Pack | Battery Pack |
Self timer | Yes (10 or 2 second delay) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Launch cost | $354 | $350 |