Nikon P950 vs Panasonic FZ2500
52 Imaging
43 Features
70 Overall
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53 Imaging
52 Features
81 Overall
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Nikon P950 vs Panasonic FZ2500 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 3840 x 2160 video
- 24-2000mm (F2.8-6.5) lens
- 1005g - 140 x 110 x 150mm
- Revealed January 2020
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Bump to 25600)
- Optical Image Stabilization
- 4096 x 2160 video
- 24-480mm (F2.8-4.5) lens
- 915g - 138 x 102 x 135mm
- Announced September 2016
- Also referred to as Lumix DMC-FZ2000
- Previous Model is Panasonic FZ1000

Nikon P950 vs Panasonic FZ2500: A Superzoom Showdown for Creative Explorers
When choosing your next bridge camera, balancing reach, image quality, and versatility is essential. With superzoom cameras, the temptation to have it all in one body is strong, but compromises are inevitable. Today, we pit the Nikon Coolpix P950 against the Panasonic Lumix DMC-FZ2500 - two powerful players in the superzoom category, yet distinctly different in sensor size, zoom range, and overall capabilities. Having spent substantial time testing, shooting, and pushing these cameras in various conditions, we’ll break down how their specs translate to real-world advantages (and pitfalls) across diverse photography genres. By the end, you’ll have a clear understanding of which model fits your creative ambitions best.
A look at the physical size and ergonomics of the Nikon P950 (left) and Panasonic FZ2500 (right). Size and grip comfort can be crucial for long shooting sessions.
Getting to Know the Contenders: Nikon P950 and Panasonic FZ2500
First, let’s set the stage with a compact overview of each camera’s primary selling points and intended user experience.
Feature | Nikon Coolpix P950 | Panasonic Lumix DMC-FZ2500 |
---|---|---|
Sensor Type | 1/2.3” CMOS (small sensor) | 1” BSI-CMOS (large sensor) |
Megapixels | 16 MP | 20 MP |
Zoom Range | 83.3x optical zoom, 24–2000mm equiv. | 20x optical zoom, 24–480mm equiv. |
Aperture Range | f/2.8 – f/6.5 | f/2.8 – f/4.5 |
Viewfinder Resolution | 2,359k dots | 2,360k dots |
Rear Screen | 3.2" fully articulated, 921k dots (non-touch) | 3.0" fully articulated, 1,040k dots (touchscreen) |
Max Continuous Shooting (fps) | 7.0 fps | 12 fps |
Video Capabilities | 4K UHD @30p, no 4K photo mode | 4K DCI @24p, includes 4K photo mode |
Weight | 1005 grams | 915 grams |
Price at Launch | Approx. $797 | Approx. $998 |
These high-level specs suggest different intended users. The P950 emphasizes unprecedented telephoto reach with an 83x zoom, designed for distant wildlife and super-telephoto needs. The FZ2500 leverages a larger sensor with a faster aperture and higher image processing speeds, shining in image quality and versatility, particularly for hybrid stills and video users.
Both cameras feature DSLR-like ergonomics suitable for enthusiasts, but notice Panasonic’s inclusion of touchscreen controls, which improves usability in dynamic shooting.
Sensor Technology and Image Quality: Size Matters
The sensor is at the heart of any camera, influencing resolution, noise performance, and dynamic range. Here’s where the P950 and FZ2500 diverge profoundly.
Nikon P950: The Compact Sensor Specialist
- The 1/2.3-inch sensor (~6.17 x 4.55mm) is standard for compact superzoom cameras, prized for allowing extreme zoom ranges at affordable costs.
- 16-megapixel resolution balances detail with manageable file sizes.
- Due to the sensor’s size, it struggles with noise at higher ISOs and limited dynamic range - especially in challenging light.
- Raw support enables post-processing control but is restricted by the capture of smaller pixel data and lower base ISO.
Panasonic FZ2500: The Large Sensor Performer
- Featuring a 1-inch BSI-CMOS sensor (~13.2 x 8.8mm), the FZ2500 stands significantly larger, approximately four times the sensor area of the P950.
- With 20 megapixels, it offers higher resolution and finer detail rendition.
- Panasonic’s Venus Engine processor optimizes noise reduction and dynamic range handling.
- DXOmark scores (70 overall, 23 color depth) confirm excellent image quality for this class.
Metric | Nikon P950 (1/2.3") | Panasonic FZ2500 (1") |
---|---|---|
Sensor Area (mm²) | 28.07 | 116.16 |
Max Native ISO | 6400 | 12800 |
Max Boosted ISO | N/A | 25600 |
Raw File Support | Yes | Yes |
DXO Mark Overall Score | Not Available | 70 |
Visualizing sensor size differences highlights why the FZ2500 produces richer images in low light and dynamic scenes.
Real-world Impact
In practice, this means if you prioritize high-quality images with richer tones and cleaner shadows, especially for portraits, landscapes, or low-light scenarios, the Panasonic FZ2500’s sensor will deliver tangible advantages. In contrast, the Nikon P950’s small sensor can reveal noise quickly as ISO climbs, but big telephoto reach and flexibility make it valuable for specialized use cases.
Zoom and Lens Performance: Reach vs Aperture
A signature feature of superzoom cameras is their lens range. You get a fixed-lens but an enormous focal length spread.
Feature | Nikon P950 | Panasonic FZ2500 |
---|---|---|
Equivalent Focal Length | 24–2000mm (83.3x zoom) | 24–480mm (20x zoom) |
Maximum Aperture | f/2.8 (wide) – f/6.5 (tele) | f/2.8 (wide) – f/4.5 (tele) |
Macro Focusing Distance | 1 cm | 3 cm |
Nikon P950: The Long-Haul Zoom King
The P950’s standout feature is its huge zoom range - from wide-angle 24mm to an astounding 2000mm equivalent, giving you access to distant subjects like birds, planes, or distant sports action without swapping lenses.
- This incredible reach, combined with optical image stabilization, is perfect for wildlife and aviation enthusiasts needing to capture isolated details.
- However, at such extreme focal lengths, image stabilization limits are pushed, and sharpness may be prone to camera shake unless braced or tripod-mounted.
- Maximum aperture narrows at the tele end to f/6.5, which reduces low-light usability at longer focal lengths.
Panasonic FZ2500: Balanced Zoom with Quality Optics
The FZ2500’s zoom extends to 480mm equivalent - still respectable for wildlife and sports but far from the extreme telephoto of the P950.
- The lens’s faster aperture range (f/2.8 to f/4.5) allows better low-light performance and depth-of-field control.
- The optical design prioritizes sharpness and color fidelity, favorable for portrait and landscape work.
- Macro focusing at 3 cm is usable for close-up work but less extreme than the P950’s one-centimeter macro.
Summing It Up
If reach is your priority, the Nikon P950 is unmatched in this pair - the zoom covers focal lengths many DSLR or mirrorless lenses do not. For versatility and image quality at a more manageable zoom range, you’ll appreciate the FZ2500’s faster lens and large sensor synergy.
Autofocus and Shooting Speed: Tracking Your Action
Autofocus speed, accuracy, and continuous shooting rates matter especially for wildlife, sports, and fast-moving subjects.
Autofocus & Burst Features | Nikon P950 | Panasonic FZ2500 |
---|---|---|
AF Type | Contrast-based AF, Face detection | Contrast-based AF, Face detection, 49 focus points |
Continuous Shooting (fps) | 7.0 fps | 12.0 fps |
AF Tracking | Yes | Yes |
AF Modes | Single, Continuous, Selective | Single, Continuous, Selective |
- The P950’s contrast-detection autofocus performs well but is slower compared to phase-detection systems found in mirrorless bodies. It covers essential face detection and subject tracking, but can lag on fast action.
- The FZ2500 offers a more responsive AF system with 49 focus points and faster burst shooting at 12 fps, performing better in fast-paced scenarios like sports and wildlife.
Build Quality, Ergonomics, and User Interface: Comfort Meets Control
Both cameras adopt a bridge-style body that mimics DSLR ergonomics with handgrips, dials, and selections designed for manual control.
- Nikon P950 weighs in at 1005g with dimensions 140 x 110 x 150 mm.
- Panasonic FZ2500 is slightly lighter at 915g and a bit more compact (138 x 102 x 135 mm).
Both cameras offer fully articulated screens, but Panasonic’s touchscreen implementation enhances navigation and focus control speed.
Ergonomics Highlights:
- Nikon P950: Larger body offers robust grip; however, the screen lacks touchscreen capabilities, which can slow menu access or focus point selection.
- Panasonic FZ2500: Slightly smaller and lighter with touchscreen support - enabling quick interface navigation and focus adjustments on the fly.
Buttons and dials are strategically placed on both models, with Panasonic offering more illuminated buttons for usage in dim environments.
Video Capabilities: Hybrid Video and Photography
Video enthusiasts will appreciate the hybrid abilities differently.
Feature | Nikon P950 | Panasonic FZ2500 |
---|---|---|
Max Video Resolution | 4K UHD @ 30p (3840x2160) | Cinema 4K DCI @ 24p (4096x2160) |
Video Formats | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Microphone Input | Yes | Yes |
Headphone Output | No | Yes |
4K Photo Mode | No | Yes - extract 8MP stills from 4K video |
Frame Rates in 1080p | Up to 60fps | Up to 60fps |
Image Stabilization | Optical | Optical |
Panasonic FZ2500 clearly targets serious hybrid shooters: Its Cinema 4K capture at high bitrate, headphone output for audio monitoring, and 4K Photo mode are valuable for vloggers and multimedia creators.
Nikon P950 provides competent 4K video total with a mic port, suitable for casual shooting but misses headphone connectivity and advanced video modes.
Battery Life and Storage: Keeping You Shooting
Battery life directly affects your day out shooting.
- P950 rated at around 290 shots per charge.
- FZ2500 offers an improved 350 shots per charge.
While both cameras use lithium-ion packs and single SD card slots, the Panasonic’s slightly better battery life supports lengthier shoots. USB charging on Nikon and Panasonic facilitates on-the-go topping up, crucial for travel or extended fieldwork.
Connectivity and Additional Features
Feature | Nikon P950 | Panasonic FZ2500 |
---|---|---|
Wireless | Wi-Fi, Bluetooth | Wi-Fi |
Touchscreen | No | Yes |
GPS | No | No |
Flash | Built-in plus hot shoe | Built-in plus hot shoe |
Weight | 1005g | 915g |
Both cameras offer wireless image transfer and remote shooting apps, although the Nikon includes Bluetooth, which can simplify pairing at the expense of touchscreen refinement.
Deep Dive into Photography Disciplines
Portrait Photography
- Panasonic FZ2500 produces superior skin tones thanks to its larger sensor and better color depth. Face detection and eye AF are smooth, augmented by better bokeh thanks to a faster aperture.
- Nikon P950, with a smaller sensor and slower lens, yields acceptable results but shallow depth-of-field effects are limited. It offers animal detection AF for pet portraits, but image softness is more noticeable in low light.
Landscape Photography
The FZ2500 is the preferred landscape partner due to better dynamic range and higher resolution files supporting large prints and cropping. Weather sealing is absent in both, so care is needed shooting in harsh conditions.
The P950’s ultra-wide 24mm is flexible, but image noise restricts shadow detail, especially in early morning or twilight shooting.
Wildlife and Sports Photography
- The P950’s 2000mm reach is a game changer for birders and aircraft spotters.
- The faster continuous shooting and Luminix’s advanced AF make FZ2500 a more reliable action shooter.
- The P950’s slower AF and 7fps burst rate can limit success in fast, unpredictable subjects.
Street Photography
Portability and discretion matter on the street. The FZ2500 wins here: lighter, smaller, better autofocus, and touchscreen controls speed operation. The P950 is bulkier and its extreme zoom feels less street-appropriate.
Macro Photography
The P950 offers an astounding 1cm minimum focusing distance, enabling close-up detail better than the FZ2500’s 3cm. If you love capturing insects or flora tight, the P950 may surprise you.
Night and Astro Photography
Big sensor advantage of the FZ2500 shines in low-light and astro shooting with cleaner high-ISO images and longer exposures. Nikon’s sensor size and limited max ISO (6400) can result in noisy images in these conditions.
Side-by-side shot of wildlife, street, and landscape photography highlighting differences in detail and color vibrant between P950 and FZ2500 outputs.
Professional Use and Workflow Integration
Both cameras support RAW files essential for professional editing but the Panasonic’s files have more latitude for retouching thanks to superior raw data depth.
The Panasonic’s larger sensor and better color science deliver more consistent, usable image files for client work. Video professionals will gravitate toward its 4K video formats and audio monitoring.
The Nikon can be a tool for specialists needing extreme reach but won’t substitute for professional-grade image quality or video features.
Pricing and Value Assessment
Camera | Price (MSRP) | Who It Suits |
---|---|---|
Nikon P950 | $796.95 | Super-long reach users on a budget; wildlife, bird watchers, beginners wanting uber zoom |
Panasonic FZ2500 | $997.99 | Prosumer hybrid shooters valuing image quality and video; travel, portraits, events |
The price difference is modest considering what the FZ2500 offers in image quality, speed, and video functionality.
Summarized scores from extensive tests showcase the Panasonic FZ2500’s edge in image quality and speed, while Nikon P950 scores high in zoom reach.
Performance by photography type: Note the P950 excels at wildlife reach, Panasonic dominates in portraits, landscapes, and video.
Final Thoughts: Which Camera Should You Choose?
Choose the Nikon Coolpix P950 if:
- You need extraordinary zoom reach up to 2000mm equivalent.
- Wildlife, birdwatching, aviation spotting, or extreme telephoto photography is your focus.
- Portability is less of a concern and you tolerate some compromises in sensor performance.
- Budget is tighter but zoom demands are high.
Choose the Panasonic Lumix FZ2500 if:
- You prioritize image quality, especially in portraits, landscapes, and indoor settings.
- You want a more responsive autofocus system for action and street photography.
- Hybrid video and stills shooting is important (4K DCI, headphone jack, 4K photo).
- You value a compact, ergonomically versatile camera with touchscreen control.
Getting Started with Your Superzoom Camera
Whichever you opt for, embrace the creative possibilities these advanced superzoom cameras provide. They bring a high degree of freedom without the lens swapping hassle. For P950 owners, consider investing in a sturdy tripod and remote shutter to maximize sharpness at extreme focal lengths. FZ2500 shooters should explore Panasonic’s wide range of compatible accessories, including external microphones, ND filters, and dedicated batteries.
Try to handle both cameras in person to feel grip, control layout, and balance. Look through the viewfinder and articulate the screens; these tactile experiences often tip the scales.
In Conclusion
The Nikon P950 and Panasonic FZ2500 cater to overlapping but distinct photographer profiles. If reach and supertelephoto capability are your main target, the P950 remains unrivaled in this bridge camera class. The FZ2500, by contrast, delivers a more refined imaging experience, faster operation, and superior video features with its larger sensor and better optics. Understanding these trade-offs empowers you to pick a camera that genuinely fuels your creative journey.
Happy shooting - whatever your choice!
Note: We based this assessment on comprehensive hands-on shooting, technical laboratory data, and user experience insights gathered over many months and thousands of comparative frames.
Nikon P950 vs Panasonic FZ2500 Specifications
Nikon Coolpix P950 | Panasonic Lumix DMC-FZ2500 | |
---|---|---|
General Information | ||
Make | Nikon | Panasonic |
Model type | Nikon Coolpix P950 | Panasonic Lumix DMC-FZ2500 |
Also called | - | Lumix DMC-FZ2000 |
Class | Small Sensor Superzoom | Large Sensor Superzoom |
Revealed | 2020-01-07 | 2016-09-19 |
Physical type | SLR-like (bridge) | SLR-like (bridge) |
Sensor Information | ||
Processor | - | Venus Engine |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor measurements | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor area | 28.1mm² | 116.2mm² |
Sensor resolution | 16 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 5472 x 3648 |
Max native ISO | 6400 | 12800 |
Max boosted ISO | - | 25600 |
Minimum native ISO | 100 | 125 |
RAW photos | ||
Minimum boosted ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 49 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-2000mm (83.3x) | 24-480mm (20.0x) |
Maximal aperture | f/2.8-6.5 | f/2.8-4.5 |
Macro focusing distance | 1cm | 3cm |
Focal length multiplier | 5.8 | 2.7 |
Screen | ||
Type of screen | Fully Articulated | Fully Articulated |
Screen sizing | 3.2 inch | 3 inch |
Resolution of screen | 921k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,359k dots | 2,360k dots |
Viewfinder coverage | 90 percent | 100 percent |
Viewfinder magnification | - | 0.74x |
Features | ||
Slowest shutter speed | 300 secs | 60 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Maximum silent shutter speed | - | 1/16000 secs |
Continuous shooting rate | 7.0 frames/s | 12.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 11.50 m (at Auto ISO) | 13.20 m (at Auto ISO) |
Flash options | - | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MP4, H.264, AAC3840 x 2160 @ 25p, MP4, H.264, AAC1920 x 1080 @ 60p, MP4, H.264, AAC1920 x 1080 @ 50p, MP4, H.264, AAC1920 x 1080 @ 30p, MP4, H.264, AAC1920 x 1080 @ 25p, MP4, H.264, AAC | 4096 x 2060 @ 24p / 100 Mbps, MOV, H.264, Linear PCM |
Max video resolution | 3840x2160 | 4096x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | EN-EL20a lithium-ion battery & USB charger | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1005 gr (2.22 lb) | 915 gr (2.02 lb) |
Physical dimensions | 140 x 110 x 150mm (5.5" x 4.3" x 5.9") | 138 x 102 x 135mm (5.4" x 4.0" x 5.3") |
DXO scores | ||
DXO All around rating | not tested | 70 |
DXO Color Depth rating | not tested | 23.0 |
DXO Dynamic range rating | not tested | 12.6 |
DXO Low light rating | not tested | 538 |
Other | ||
Battery life | 290 photographs | 350 photographs |
Battery type | Battery Pack | Battery Pack |
Battery ID | - | DMW-BLC12 |
Self timer | Yes | Yes (2 or 10 secs, 3 shots @ 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC card |
Card slots | One | One |
Price at launch | $797 | $998 |