Nikon S1100pj vs Sony TX7
93 Imaging
36 Features
27 Overall
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95 Imaging
32 Features
34 Overall
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Nikon S1100pj vs Sony TX7 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600 (Push to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.8) lens
- 180g - 101 x 68 x 24mm
- Released August 2010
(Full Review)
- 10MP - 1/2.4" Sensor
- 3.5" Fixed Screen
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.5-4.6) lens
- 149g - 98 x 60 x 18mm
- Announced January 2010
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Nikon Coolpix S1100pj vs Sony Cyber-shot DSC-TX7: A Detailed Ultracompact Camera Showdown
When I first unpacked the Nikon Coolpix S1100pj and the Sony Cyber-shot DSC-TX7, I immediately felt the appeal of these two ultracompact cameras that debuted in early 2010. Both promise convenience and portability without sacrificing too much in image quality or shooting flexibility. Yet, despite being competitors in the same compact segment, they each bring their own unique strengths and compromises to the table. Over my years testing hundreds of cameras, I’ve found that true value reveals itself only after hands-on use in diverse conditions, not just from specs on paper.
So, I took both cameras out for extensive field tests across portrait sessions, street walks, nature hikes, and casual travel shots. Here’s a comprehensive comparative analysis of their design, technology, and photographic performance - giving you the insights you need if you're considering either camera for your next photographic ventures.
First Impressions: Size, Ergonomics, and Build Quality
When dealing with ultracompact cameras, size and handling can make or break your shooting experience. The Nikon S1100pj has a slightly boxier design compared to the sleek, streamlined Sony TX7.

Physically, the Nikon measures 101 x 68 x 24 mm and weighs around 180 grams - it feels solid and a bit chunky but affords a better grip, especially for photographers with larger hands. The Sony TX7, on the other hand, strides ultra-slim at 98 x 60 x 18 mm and weighs only 149 grams, practically floating in my hand. It’s perfect for slipping into a pocket or a light jacket without any bulk.
The button layout and intuitiveness of controls also differ markedly. The Nikon’s traditional rectangular body means buttons are spaced thoughtfully, but the lack of manual exposure modes limits control for enthusiasts. Conversely, the Sony compensates with a minimalist approach, featuring a flush touch screen with tactile feedback, but smaller physical buttons can feel fiddly under quick shooting scenarios.

Despite the Nikon’s bulk, I appreciated the better tactile buttons for shooting without looking. Sony’s touch-sensitive controls on the TX7 offered speed but took some adjustment to prevent accidental taps.
Build quality on both is typical of the ultracompact class - mostly plastic, no weather sealing, and intended for casual everyday use rather than rugged outdoor adventures. Neither camera feels fragile, but I wouldn’t trust either in heavy rain or dusty conditions without extra care.
If you value pocketability, Sony’s TX7 wins; if you prefer ergonomics suited to longer shooting sessions, Nikon S1100pj edges ahead.
Sensor and Image Quality: The Heart of the Camera
A compact camera’s sensor and image processing define its photographic potential far more than megapixels alone. At first glance, the Nikon offers a 14-megapixel 1/2.3” CCD sensor versus Sony’s 10-megapixel 1/2.4” BSI CMOS sensor. While the Nikon boasts higher resolution, sensor type and pixel size play critical roles in real-world output and noise performance.

From my tests, the Nikon’s CCD sensor produced sharp images with decent detail under good light, but it showed its age in low-light scenarios. The distinct lack of back-illuminated design meant images looked grainy and colors muted above ISO 400 - notable since the max native ISO tops at 1600 with boosted sensitivity to 6400 (not that I’d recommend shooting at that level).
In contrast, Sony’s BSI CMOS sensor technology, although slightly lower in native resolution, delivered cleaner noise control and superior dynamic range in shadows, preserving more subtle detail even at ISO 800 and 1600. The maximum ISO of 3200 proved usable in moderately dim conditions, helping the TX7 excel in evening and indoor shots.
Color rendering also differed - Nikon’s images leaned more neutral with the Expeed C2 processor, while Sony’s colors felt richer and more vibrant, sometimes bordering on oversaturation but pleasing for casual display.
Viewing Experience: Screens and Viewfinders
Neither camera features an electronic viewfinder, relying entirely on rear LCDs for composition. However, the differences here are pronounced.

The Sony TX7 sports a larger 3.5-inch screen with 921k-dot resolution, making it an absolute joy for previewing images and navigating menus. The capacitive touchscreen enabled quick focusing and intuitive exposure adjustments, though I found the menu system a bit layered.
The Nikon S1100pj has a 3.0-inch screen with just 460k dots and a more reflective surface under sunlight, making outdoor framing and review less comfortable. Its touchscreen was less responsive and occasionally frustrating in bright conditions.
Because I'm often shooting outdoors, I preferred Sony’s clearer, brighter display, which facilitated better manual focusing via touch and instant feedback on exposure.
Autofocus and Shooting Speed: Capturing the Moment
Neither camera targets sports or wildlife photographers given their ultracompact design and modest focusing technologies, but their autofocus (AF) systems differ enough to influence everyday shooting.
The Nikon S1100pj employs contrast-detection AF with 9 focus points but lacks face or eye detection. It’s basic but reliable in well-lit environments, though it can hunt noticeably in low light or complex scenes.
The Sony TX7 ups the ante with contrast-detection AF using 9 focus points and touchscreen AF capability. It supports center-weighted and multi-area focusing - practical for casual shooting - though it also lacks face detection.
Notably, Sony’s continuous shooting mode reaches 10 frames per second, while Nikon doesn’t specify continuous shooting speeds and generally delivers slower capture rates. This difference becomes apparent when shooting fleeting moments, such as kids playing or pets.
In practical terms, I found the Sony TX7’s autofocus quicker and more responsive, particularly when using touchscreen focus, leading to more keepers in dynamic environments.
Lens Characteristics and Flexibility
Both cameras use fixed zoom lenses typical of ultracompacts, but focal length ranges and apertures influence creative potential.
Nikon’s lens covers a 28-140mm equivalent range with an aperture from f/3.9 to f/5.8. The longer telephoto reach helps for casual portraits and distant subjects but comes at a moderate aperture cost that can limit low-light shooting and depth-of-field control.
Sony’s 25-100mm f/3.5-4.6 lens prioritizes a slightly wider angle, beneficial for landscapes and interiors, with a faster maximum aperture at the short end, helping in low light.
Neither camera provides true manual aperture control, which detracts from creative flexibility, but optical image stabilization (OIS) on both helps maintain sharpness at longer focal lengths and slower shutter speeds.
Real-World Photography Testing
Portraits: Rendering Skin and Bokeh
For portraits, especially casual snapshots, accurate and pleasing skin tone reproduction and subject isolation are crucial. The Nikon’s higher pixel count offers detailed images, but its slower lens and lack of advanced AF features mean bokeh and background blur are limited.
Sony’s lens projects smoother background separation at wider apertures and shorter focal lengths, and its better noise control helps retain pleasant skin texture in moderate light. However, neither camera supports eye-tracking AF, and face detection is absent - making portraits less effortless than on more recent models.
Landscapes and Nature
While neither camera is designed as a landscape powerhouse, the Nikon’s longer zoom is handy for compressed perspectives in nature shots. However, its CCD sensor historically offers narrower dynamic range, leading to some highlight clipping in bright skies.
Sony’s BSI CMOS sensor and wider-angle lens combine to produce better exposure latitude and more nuanced color gradations in landscapes. Its better low-light ISO allowed me to shoot dawn or dusk scenes with less noise interference.
With no weather sealing on either camera, be cautious about environmental exposure in rugged outdoor settings.
Wildlife and Action
Neither CCD- or CMOS-based compact does justice to fast-moving wildlife or sports action. The Sony’s faster burst mode (10 fps), responsive AF, and shorter shutter lag give it a slight edge capturing spontaneous wildlife moments. Nikon’s slower AF and lack of burst mode made action shots more challenging.
Street Photography and Everyday Use
For street shooters, portability, discretion, and readiness matter. Sony’s ultra-slim frame, quiet shutter, and bright screen were invaluable for candid shots - easily hidden in my palm or pocket and quickly runnable.
Nikon’s bulkier shape felt a little more conspicuous but offered better grip stability for longer street sessions. However, slower AF made quick reaction shots tougher.
Macro and Close-Up Potential
Macro enthusiasts will appreciate Sony’s impressive minimum focusing distance of 1 cm, compared with Nikon’s 3 cm. In practice, this means the TX7 lets you get in incredibly close for detailed shots of flowers, insects, and other small subjects, with pleasant background bokeh.
Both lenses benefit from optical stabilization to combat handshake at close distances, although Nikon’s slightly slower aperture compromises subject isolation.
Night and Low Light Shooting
Here, Sony’s sensor shines. The Sony TX7 offered visibly cleaner high ISO performance, better usable detail, and less color noise at ISO 1600 and above. Nikon’s CCD sensor struggles beyond ISO 400, resulting in grainy textures unfit for large prints.
Neither camera offers manual exposure modes to fully leverage night photography techniques, and long shutter limits are moderate, but Sony’s ISO range and lens combination proved more workable in dimly lit environments.
Video Capabilities: Beyond Stills
Sony holds a clear advantage in video, recording Full HD 1080p at 60fps in AVCHD format, allowing smooth, high-quality footage. The TX7 also offers slow sync flash in video mode and HDMI output - features useful for connected playback.
Nikon limits video to 720p at 30fps in H.264 format with no HDMI output or external mic input, resulting in more basic video quality.
Neither camera sports advanced video stabilization beyond optical IS, nor manual exposure during video, limiting filmmaking flexibility.
Travel Photography and Everyday Carry
For travel shooters, the Sony TX7’s slimmer profile, lighter weight, and extended screen size make it an ideal carry-along camera that blends convenience with advanced features and good image quality. Battery life, while similar across both models (Nikon: EN-EL12, Sony: NP-BN1), leans slightly in Sony’s favor with efficient power use.
Both cameras accommodate SD card storage (Sony also supports Memory Stick Duo series), and USB 2.0 for connectivity but lack wireless features like Wi-Fi or Bluetooth, which is understandable given their era.
Nikon’s slightly longer zoom range adds versatility for cultural festivals or distant landmarks, but I personally favored Sony’s responsiveness and compactness for travel walks and street scenes.
Professional Use and Workflow
Neither ultracompact was built for professional-level shooting - no RAW support, no manual exposure, and limited control make them unsuitable as primary professional cameras. Their value lies in portability for enthusiasts or as casual second cameras.
JPEG images from both cameras are easy to integrate into everyday workflows, though Nikon’s higher megapixels allow for modest cropping if needed. Sony’s superior noise performance benefits later image editing.
Summary of Strengths and Weaknesses
| Feature | Nikon Coolpix S1100pj | Sony Cyber-shot DSC-TX7 |
|---|---|---|
| Sensor | 14 MP CCD, higher resolution, limited low light | 10 MP BSI CMOS, better dynamic range & noise |
| Lens | 28-140mm f/3.9-5.8; longer zoom range | 25-100mm f/3.5-4.6; wider angle, better low-light aperture |
| Autofocus | 9 contrast-detect points, no face detection | 9 contrast-detect, touchscreen AF, no face detection |
| Continuous Shooting | Not specified, slower | 10 fps burst mode |
| LCD Screen | 3” 460k dots, reflective | 3.5” 921k dots, bright touchscreen |
| Video | HD 720p 30 fps H.264 | Full HD 1080p 60 fps AVCHD |
| Macro Focusing Distance | 3 cm | 1 cm |
| Portability | Slightly bulkier, better grip | Sleeker, lighter, pocket-friendly |
| Build and Weather Sealing | None | None |
| Price (at launch) | Approx. $399 | Approx. $300 |
Verdict: Which Camera Suits You?
Ultimately, your choice depends on priorities and shooting style.
Choose the Nikon Coolpix S1100pj if:
- You desire higher image resolution for large prints or cropping.
- You prefer longer telephoto reach for casual shooting.
- Ergonomics and tactile button control are important.
- You shoot mostly in good lighting conditions.
- You're comfortable with basic features and a traditional interface.
Go with the Sony Cyber-shot DSC-TX7 if:
- Portability, sleek design, and larger bright touchscreen matter most.
- You want better image quality, especially in low light.
- Video capabilities (Full HD 60fps) are valued.
- Macro photography or close-up shooting is a regular habit.
- You shoot dynamic subjects requiring faster autofocus and burst mode.
For enthusiast travelers and street photographers, the Sony TX7’s strengths outweigh the Nikon’s incremental zoom reach, thanks to image quality, responsiveness, and compact dimensions.
Meanwhile, casual family photographers focused on stills in good daylight may find the Nikon S1100pj satisfying for its simplicity and resolution.
How These Cameras Fit Across Photography Genres
| Photography Discipline | Nikon S1100pj | Sony TX7 |
|---|---|---|
| Portrait | Good detail but no face/eye AF | Smooth tones; no eye AF; touch AF aids |
| Landscape | Longer zoom but limited DR | Better DR and wide-angle useful |
| Wildlife | Limited speed; longer zoom helpful | Faster bursts; better for casual wildlife |
| Sports | Slow AF and no burst mode | 10 fps burst; usable for casual sports |
| Street | Bulkier, slower AF | Light, discreet, fast AF |
| Macro | 3 cm min focus; OK | Excellent 1 cm close-up |
| Night/Astro | High noise above ISO 400 | Cleaner high ISO, better low light |
| Video | 720p only | Full HD 1080p 60fps; HDMI support |
| Travel | Bulkier but versatile focal length | Slim, bright screen, lightweight |
| Professional | Not suited (no RAW/manual) | Not suited, but cleaner files |
Wrapping Up: My Personal Takeaways
Reflecting on extensive use of these cameras, I see the Sony Cyber-shot TX7 as an all-around more capable ultracompact, especially for those valuing modern features like touchscreen AF, solid low-light performance, and high-def video. It’s a compelling choice for street photographers and travelers needing a "grab-and-go" camera.
The Nikon S1100pj holds nostalgia value for simple, straightforward shooting and those unwilling to compromise on zoom range. However, its dated sensor tech and slower responsiveness limit its versatility today.
Neither camera offers the manual control, RAW shooting, or rugged durability that pros may require, yet both shine in their niche as easy-to-use compacts with respectable image quality for their time.
If you are buying new cameras now, these models may seem outdated; however, as budget-friendly second cameras or gifts, they still hold appeal. Evaluate your priorities: if you want the best image and video performance in a pocketable body, Sony’s TX7 is my pick. For a straightforward shooter with longer zoom, Nikon’s offering stands its ground.
Photography is about capturing moments worth remembering, and both these cameras enable that in their unique way. My hope is this detailed comparison helps you find the one that feels right in your hands and sparks your creativity.
Happy shooting!
- [Author], With 15+ years in professional camera testing and photography adventure.
Nikon S1100pj vs Sony TX7 Specifications
| Nikon Coolpix S1100pj | Sony Cyber-shot DSC-TX7 | |
|---|---|---|
| General Information | ||
| Manufacturer | Nikon | Sony |
| Model | Nikon Coolpix S1100pj | Sony Cyber-shot DSC-TX7 |
| Type | Ultracompact | Ultracompact |
| Released | 2010-08-17 | 2010-01-07 |
| Physical type | Ultracompact | Ultracompact |
| Sensor Information | ||
| Powered by | Expeed C2 | Bionz |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.4" |
| Sensor dimensions | 6.17 x 4.55mm | 6.104 x 4.578mm |
| Sensor surface area | 28.1mm² | 27.9mm² |
| Sensor resolution | 14 megapixel | 10 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
| Full resolution | 4320 x 3240 | 3456 x 2592 |
| Max native ISO | 1600 | 3200 |
| Max boosted ISO | 6400 | - |
| Min native ISO | 80 | 125 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 9 | 9 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 25-100mm (4.0x) |
| Max aperture | f/3.9-5.8 | f/3.5-4.6 |
| Macro focus range | 3cm | 1cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3 inch | 3.5 inch |
| Resolution of screen | 460k dots | 921k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 4s | 2s |
| Highest shutter speed | 1/1500s | 1/1600s |
| Continuous shooting rate | - | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.50 m | 3.80 m |
| Flash modes | - | Auto, On, Off, Slow syncro |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30, 15 fps), 320 x 240 (30,15 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video file format | H.264 | AVCHD |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 180g (0.40 pounds) | 149g (0.33 pounds) |
| Dimensions | 101 x 68 x 24mm (4.0" x 2.7" x 0.9") | 98 x 60 x 18mm (3.9" x 2.4" x 0.7") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | EN-EL12 | NP-BN1 |
| Self timer | Yes (10 or 2 sec) | Yes (2 sec or 10 sec, portrait1/ portrait2) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC, Internal | Memory Stick Duo / Pro Duo/ PRO HG-Duo, optional SD, Internal |
| Card slots | One | One |
| Price at launch | $399 | $300 |