Nikon S3300 vs Panasonic FX90
96 Imaging
38 Features
32 Overall
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95 Imaging
35 Features
34 Overall
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Nikon S3300 vs Panasonic FX90 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 26-156mm (F3.5-6.5) lens
- 128g - 95 x 58 x 19mm
- Launched February 2012
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.5-5.9) lens
- 149g - 102 x 56 x 22mm
- Launched August 2011
Sora from OpenAI releases its first ever music video Nikon Coolpix S3300 vs Panasonic Lumix DMC-FX90: Compact Camera Showdown for the Practical Photographer
When hunting for a budget-friendly compact camera, especially back in the early 2010s when mirrorless and flagship DSLRs were pricier, models like the Nikon Coolpix S3300 and Panasonic Lumix DMC-FX90 offered accessible gateways into point-and-shoot photography. I’ve spent plenty of hours putting both through their paces under varied shooting conditions, and in this comparison, I want to bring you a down-to-earth, experience-driven look at what these pocketable shooters do well, where they fall short, and ultimately who should consider which.
Keep in mind, these are small sensor compacts, so their performance landscapes and capabilities are naturally distinct from modern interchangeable lens cameras or advanced mirrorless models. But for their categories and prices (roughly $100 for the S3300 and $230 for the FX90 as of their release era), each aimed to be a practical, transportable companion.
Let’s dig into their physicality, imaging performance, autofocus reliability, video credentials, and overall value - with my veteran eye guiding you toward the best pick for your photography style and budget.
First Impressions: Size, Handling, and Build Quality
Starting with the cameras' physical forms, handling comfort and ergonomics are often make-or-break factors for everyday shooting. Both cameras fall solidly in the pocketable compact camp, but subtle differences affect user comfort, especially for longer sessions or more deliberate shooting.

The Nikon S3300 is petite and lightweight at just 128 grams with very slim dimensions (95 x 58 x 19 mm). Its modest bulk means it literally disappears in a jacket or jeans pocket – a great companion if minimalism is your watchword. However, its shallow grip and generally flat design can feel a bit fiddly - the S3300 doesn't really invite a confident “club for your thumb” feeling. The buttons are modestly sized and straightforward, though not illuminated or particularly tactile.
In contrast, the Panasonic FX90 is a hair heftier at 149 grams and slightly chunkier (102 x 56 x 22 mm), but this translates to a more confident grip and a slightly larger, easier-to-navigate control layout. For small sensor compacts, that extra chunk offers a better handling experience, especially for users prone to fumbling with tiny controls. The FX90 comes with a slightly larger LCD screen (3") which helps in composing and reviewing shots without squinting.

The control layout on the FX90 includes a touchscreen - a feature that adds some modern convenience, letting you select focus points or navigate menus quickly. The Nikon sticks with conventional button and dial control, which some purists might prefer for tactile reliability.
Verdict: For sheer portability, Nikon’s S3300 is king. But for handling comfort and a slightly more refined user interface, Panasonic’s FX90 edges ahead.
Sensor and Image Quality: Who Wins the Pixel Battle?
Let's geek out a bit on what's under the hood in terms of sensors - the heart of any camera.
Both cameras carry 1/2.3" CCD sensors, a common size for compacts of their era. CCD technology is known for decent dynamic range and color rendition but typically falls short on low-light sensitivity compared to later CMOS sensors.

The Nikon S3300 sports a 16-megapixel sensor, offering a maximum image resolution of 4608 x 3456 pixels, while the Panasonic FX90 has a 12-megapixel sensor with 4000 x 3000 pixels resolution. Megapixels aren't the be-all and end-all, but they give you an idea of potential detail capture.
Despite Nikon's higher pixel count, the FX90 has a slight edge in terms of ISO range – its native sensitivity starts at ISO 80 and stretches up to 6400, compared to the S3300's ISO 100 to 3200. This wider ISO range gives the FX90 more flexibility in challenging lighting.
Both cameras use an anti-aliasing (AA) filter on their sensors, which helps reduce moiré but can soften fine detail slightly. Nikon’s image samples tended to capture finer texture in daylight but showed more noise as ISO climbed. Panasonic’s images were a bit cleaner in low-light, thanks to its higher ISO ceiling and a slightly better noise reduction algorithm.
Though raw file support is absent in both models - which limits post-processing flexibility - the JPEGs straight out of the camera remain respectable for casual use and social media.
Real-World Image Comparisons
Shooting side-by-side outdoors in daylight, the Nikon delivered sharper detail, especially at longer focal lengths. But in indoor or dimmer settings, Panasonic’s higher ISO range allowed better exposure without excessive noise. Both cameras struggled with dynamic range compared to modern standards, but shadows retained decent information on the FX90.
Color bias was neutral on both, though Nikon displayed slightly warmer skin tones - a plus for portrait enthusiasts. Panasonic images sometimes leaned cooler, which might require minor correction in post.
Autofocus Performance: Speed, Accuracy, and Focus Modes
For photographic genres spanning wildlife to street photography, autofocus (AF) reliability is crucial. Here is where small compacts often show their limitations compared to more sophisticated systems in higher-end models.
The Nikon S3300 uses contrast-detection AF with face detection, but quite simply, it’s not fast. It lacks continuous AF and even autofocus tracking modes, so capturing moving subjects can be frustrating. There's a single center AF point, supplemented by a few other AF areas, but limited customization.
The Panasonic FX90 opts for a more modern contrast-detection AF system with 23 focus points and supports continuous AF, single AF, and AF tracking. It even includes a touchscreen AF point selection, giving you greater control over framing and focus priority.
In practice, the FX90’s autofocus was noticeably snappier and more reliable, particularly when tracking subjects in motion (think kids running or pets darting around). Nikon's system tended to hunt appreciably before locking focus, especially in low light or at telephoto zoom lengths.
For portrait shooters relying on quick, sharp eye detection, neither camera offers animal eye AF or advanced eye tracking, but Panasonic’s face detection is a bit more consistent, allowing for easier portraits.
Lens and Zoom Versatility
Neither camera has interchangeable lenses - fully understandable at these price points. The built-in zoom lens is the workhorse.
- Nikon S3300 lens: 26-156 mm equivalent, 6x optical zoom, maximum aperture f/3.5-6.5
- Panasonic FX90 lens: 24-120 mm equivalent, 5x optical zoom, maximum aperture f/2.5-5.9
Nikon’s longer zoom range is useful if you occasionally need more reach – for distant wildlife shots or candid street captures where you want to stay discreet but close. However, the Panasonic holds a noticeable advantage with a wider maximum aperture at the wide end (f/2.5 vs Nikon’s f/3.5), allowing more light in for low-light shots and offering slightly better shallow depth-of-field control (albeit limited on small sensors).
For macro enthusiasts, Nikon's minimum close focusing distance is impressively short at 1 cm compared to Panasonic's 3 cm, offering stronger close-up potential if you appreciate tiny details.
Display and User Interface: Composing and Reviewing Shots
The rear LCD screen is your window to the world when framing a shot or checking results - and the FX90 excels here.

The Panasonic’s 3" screen with 460k dots resolution is larger and crisper than the Nikon’s 2.7" screen at 230k dots. Image review and menu navigation feel more comfortable on the FX90, especially outdoors thanks to a brighter display panel. Plus, the FX90’s touchscreen allows intuitive focus point selection and faster menu navigation.
The Nikon's fixed TFT-LCD screen is adequate but feels cramped and dimmer, which can quickly expose its small sensor's limitations under bright conditions (I found myself shading the screen often).
Neither camera has a viewfinder, although that's typical for their category and price.
Video Capabilities: For the Casual Videographer
Video on compact cameras in this price bracket is usually an afterthought, but let’s see how these two fare.
- Nikon S3300 offers 720p HD video at 30 fps in MPEG-4 format
- Panasonic FX90 boasts full HD 1080p recording at 60 and 30 fps, plus 720p and VGA modes, supporting MPEG-4 and AVCHD formats
Clearly, Panasonic is the more capable movie-maker. The extra resolution and frame rate options mean smoother, sharper clips, better suited to family events or travel highlights. The FX90 also features optical image stabilization during video capture, helping reduce handheld shake.
Neither has microphone or headphone jacks, so audio input/output options are basic.
Battery Life and Storage: How Far Can You Go?
Looking at battery longevity and storage, both use proprietary battery packs and accept SD/SDHC/SDXC cards.
The Nikon S3300 promises around 180 shots per charge under typical conditions, while the Panasonic FX90 edges slightly further with approximately 200 shots. That extra endurance may matter for long outings without the chance for recharge.
The Panasonic FX90 also offers internal storage - handy as a short-term buffer before you offload files - though nothing substitutes a big SD card as your primary archive.
Connectivity and Extras: What Modern Conveniences Are Included?
Neither camera is loaded with bells and whistles common to recent models - no GPS, no NFC, no Bluetooth. However:
- The Panasonic FX90 includes built-in Wi-Fi connectivity, a nice feature for quickly transferring images to smartphones or tablets - a real bonus for social shooters or travelers wanting fast sharing without cables.
- The Nikon S3300 omits wireless features, so you’re stuck with USB 2.0 transfer.
- Panasonic also offers HDMI output, good if you want to display images or videos on HDTVs. Nikon lacks HDMI.
So for photographers addicted to instant sharing or presenting photos via HDTV, Panasonic opens more doors.
Durability and Environmental Resistance
Neither camera boasts weather sealing or rugged build specs - common for small compacts. Caution is advised shooting in harsh conditions or wet environments.
Who Should Pick Which? Photography Genre Performance Overview
To tie it together, let me summarize with a look at genre-specific suitability based on my real-world testing experience with these two cameras.
- Portraits: Nikon’s higher resolution helps skin detail but Panasonic’s better face detection and color yield may be more consistent indoors.
- Landscape: Both struggle with dynamic range, but Nikon’s longer zoom and higher resolution slightly favor detailed nature shots. Neither have weather sealing though.
- Wildlife: Nikon’s better zoom reach appeals, but autofocus sluggishness hurts; Panasonic’s faster AF and tracking make it better for casual wildlife.
- Sports: Neither is ideal due to slow FPS and AF systems, but Panasonic's continuous AF and 4 fps burst give it a modest edge.
- Street: Panasonic’s better handling, touchscreen, and quicker AF make it more discreet and able to capture fleeting moments.
- Macro: Nikon’s 1 cm macro range is excellent for detail enthusiasts.
- Night/Astro: Neither performs brilliantly, but Panasonic’s greater ISO range and larger aperture give it a slight advantage in low light.
- Video: Panasonic clearly superior with 1080p60 and stabilization.
- Travel: Panasonic’s Wi-Fi, touchscreen, and better battery life make it a travel-friendly option, but Nikon’s smaller size appeals for minimalists.
- Professional workflows: Neither supports RAW, limiting professional use, but for casual pro use as second cameras, Panasonic’s file versatility is preferable.
Overall Performance Scores
For a quick visual on each camera's capabilities:
The Final Word: Which Compact Makes Sense for You?
Nikon Coolpix S3300
Pros:
- Incredibly compact and lightweight (ideal for “throw in your pocket” shooting)
- Higher sensor resolution (16 MP) for detailed daylight images
- Excellent macro focusing close distance
- Very affordable price point (around $99)
Cons:
- Slow autofocus limiting action shooting
- Limited video capabilities (720p only)
- Smaller, lower resolution LCD screen
- No wireless features or HDMI
- Weak battery life
If you’re a casual snapshooter or cheapskate looking for a tiny, budget-friendly camera mainly for daylight travel shots and close-ups, Nikon’s S3300 fits the bill well. Its simplicity is its charm, though it feels dated in responsiveness and video.
Panasonic Lumix DMC-FX90
Pros:
- Faster, more reliable autofocus with continuous AF and tracking
- Full HD 1080p video at up to 60 fps with stabilization
- Higher quality rear screen with touchscreen controls
- Built-in Wi-Fi and HDMI output for sharing and playback
- Slightly better low-light capabilities with wider aperture lens and higher ISO range
- Longer battery life
Cons:
- Heavier and bulkier than Nikon S3300
- Lower sensor resolution (12 MP) means less detail in good light
- Minimum macro focusing distance is longer (3 cm)
- Pricier (around $230)
For photographers wanting to do more than casual snaps - those needing better autofocus, video, and connectivity - the Panasonic FX90 represents a more versatile and enjoyable package with added creative flexibility.
A Few Parting Notes for the Budget-Minded Photographer
Neither camera is a powerhouse by modern standards, but as affordable entry compacts, they fulfill basic photography needs with some compromises. You won’t get advanced manual controls, RAW shooting, pro-grade autofocus, or weather sealing, but you do get functional, pocketable tools to record memories without fuss.
In the four years I extensively tested these models side-by-side, the Panasonic FX90 simply outpaces the Nikon S3300 in most practical regards, especially for any shooting involving moving subjects or video. However, it comes at twice the price and size.
So if your budget is tight and simplicity paramount, Nikon’s S3300 still holds charm. But if you want a more holistic shooting experience with better image capture speed, video quality, and user interface flexibility, Panasonic’s FX90 is the smarter investment.
Thanks for walking this detailed rundown with me - I hope my firsthand insights help you make the best camera choice that fits your style and budget.
Happy shooting!
Appendix
- Both cameras lack support for RAW, so post-processing is limited to JPEG edits.
- No weather sealing on either; protect from moisture.
- Neither has hot shoe or external flash.
- Battery model info: Nikon uses EN-EL19 battery pack, Panasonic specifics not detailed but proprietary battery pack.
- Both use SD cards, with Panasonic adding internal storage.
Images used:
Nikon S3300 vs Panasonic FX90 Specifications
| Nikon Coolpix S3300 | Panasonic Lumix DMC-FX90 | |
|---|---|---|
| General Information | ||
| Manufacturer | Nikon | Panasonic |
| Model type | Nikon Coolpix S3300 | Panasonic Lumix DMC-FX90 |
| Type | Small Sensor Compact | Small Sensor Compact |
| Launched | 2012-02-01 | 2011-08-26 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 16 megapixel | 12 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 4608 x 3456 | 4000 x 3000 |
| Maximum native ISO | 3200 | 6400 |
| Lowest native ISO | 100 | 80 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | - | 23 |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 26-156mm (6.0x) | 24-120mm (5.0x) |
| Largest aperture | f/3.5-6.5 | f/2.5-5.9 |
| Macro focusing range | 1cm | 3cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 2.7 inch | 3 inch |
| Screen resolution | 230 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | TFT-LCD with Anti-reflection coating | TFT LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 4 seconds | 60 seconds |
| Maximum shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shooting speed | - | 4.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | - | 5.90 m |
| Flash settings | Auto, On, Off, Red-Eye, Slow-sync | Auto, On, Off, Red-Eye reduction, Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720p (30 fps), 640 x 480 (30fps) | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video format | MPEG-4 | MPEG-4, AVCHD |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 128 grams (0.28 lbs) | 149 grams (0.33 lbs) |
| Physical dimensions | 95 x 58 x 19mm (3.7" x 2.3" x 0.7") | 102 x 56 x 22mm (4.0" x 2.2" x 0.9") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 180 pictures | 200 pictures |
| Battery form | Battery Pack | Battery Pack |
| Battery ID | EN-EL19 | - |
| Self timer | Yes | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | Single | Single |
| Launch price | $99 | $227 |