Nikon S3500 vs Panasonic ZS1
95 Imaging
44 Features
25 Overall
36
91 Imaging
32 Features
25 Overall
29
Nikon S3500 vs Panasonic ZS1 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 26-182mm (F3.4-6.4) lens
- 129g - 97 x 58 x 21mm
- Released February 2013
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 640 x 480 video
- 25-300mm (F3.3-4.9) lens
- 229g - 103 x 60 x 33mm
- Revealed May 2009
- Also Known as Lumix DMC-TZ6
Samsung Releases Faster Versions of EVO MicroSD Cards Nikon Coolpix S3500 vs Panasonic Lumix DMC-ZS1: Compact Camera Showdown for Enthusiasts and Professionals
In today’s world of smartphone photography, dedicated compact cameras need to offer something special to justify their existence. Two intriguing options in the compact realm are the Nikon Coolpix S3500 and the Panasonic Lumix DMC-ZS1 (also known as Lumix TZ6). Both cameras target casual shooters and enthusiasts looking for something lightweight yet versatile - but they take slightly different routes.
Having extensively tested both cameras in diverse shooting conditions, this comparison digs into the practical nuances of their design, imaging capabilities, and real-world performance. My goal is to help you determine which camera fits your creative ambitions - whether you’re capturing travel memories, venturing into wildlife photography, or dabbling in video.
Let’s start by comparing their physical design and build.
Compact Design Meets Practical Ergonomics
When handling compact cameras, pocketability matters immensely. The dimensions, weight, and control layout define how comfortably you can use a camera day-in and day-out.
| Feature | Nikon Coolpix S3500 | Panasonic Lumix DMC-ZS1 |
|---|---|---|
| Dimensions (mm) | 97 × 58 × 21 | 103 × 60 × 33 |
| Weight (grams) | 129 | 229 |
| Body Type | Slim Compact | Slightly Bulkier Compact |
| Grip & Handling | Minimal grip, flat design | Modest grip, chunkier build |
| Button Illumination | None | None |

At 129 grams, the Nikon S3500 is a featherweight companion - ideal if you want something to slip into a jacket pocket or purse without bulk. The slim profile works well for casual snapshots and street photography where discretion is key.
The Panasonic ZS1, by contrast, is nearly twice as heavy and notably thicker due to its 12x zoom lens. This added heft means it feels more substantial in hand, lending a reassuring presence that some photographers prefer, especially when zooming in on distant subjects. If you prioritize zoom reach and don’t mind a bit more weight, the ZS1 plays to this strength.
In terms of controls, both cameras keep things simple, lacking manual dials or customizable buttons. The Nikon’s minimalist design keeps the camera approachable but sacrifices tactile feedback, while the Panasonic’s slightly deeper grip aids stability - especially beneficial for telephoto shots.
Viewing and Framing: Screen and Viewfinder Insights
Neither offers a viewfinder, which is typical for their class, so composing through the LCD is your primary method.
| Feature | Nikon S3500 | Panasonic ZS1 |
|---|---|---|
| Screen Size | 2.7-inch | 2.7-inch |
| Screen Resolution | 230k dots | 230k dots |
| Screen Type | Fixed TFT-LCD | Fixed LCD (unspecified tech) |
| Touchscreen | No | No |
| Articulating Screen | No | No |

Both cameras feature 2.7-inch fixed screens with modest resolution. While sufficient for basic framing and review, expect limited clarity in bright outdoor conditions. Neither camera has a touchscreen, which can slow menu navigation or focus point selection compared to modern standards.
Notably, the Panasonic ZS1 sports basic face detection autofocus, facilitated via its live view LCD, something missing in the Nikon S3500. This can help ease portrait shooting by locking focus on faces automatically.
Sensor Technology and Image Quality: How Do They Stack Up?
Sensor size, resolution, and processing matter massively in image quality. Both cameras use small 1/2.3" class CCD sensors but differ in resolution:
| Feature | Nikon Coolpix S3500 | Panasonic Lumix DMC-ZS1 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | 1/2.3" (6.16 x 4.62 mm) | 1/2.5" (5.74 x 4.31 mm) |
| Sensor Area | 28.46 mm² | 24.74 mm² |
| Effective Resolution | 20 MP | 10 MP |
| Max Image Resolution | 5152 × 3864 pixels | 3648 × 2736 pixels |
| Anti-Aliasing Filter | Yes | Yes |
| Max Native ISO | 3200 | 6400 |
| Boosted ISO | None | None |
| Raw Capture | No | No |

The Nikon S3500’s 20-megapixel sensor promises higher resolution images, which theoretically supports larger print sizes and cropping flexibility. However, this leap in pixel density comes with its challenges: the small sensor size packed with so many pixels leads to more noise and lower dynamic range in low light.
The Panasonic ZS1, with half the megapixels, benefits from larger individual photodiodes, generally delivering cleaner images with less noise, especially at higher ISOs. It also accommodates ISO 6400, which can help in dim conditions, although expect visible noise at those levels due to sensor limitations.
Neither supports RAW shooting - standard in budget compact cameras but a limiting factor for post-processing flexibility. Images are JPEG-only, compressed in-camera, which means your best results will come from careful exposure and white balance control at capture time.
Lens Performance: Zoom and Aperture Tradeoffs
Lens versatility defines many compact camera experiences. Both cameras have fixed zoom lenses but span different focal ranges:
| Feature | Nikon S3500 | Panasonic ZS1 |
|---|---|---|
| Focal Length (35mm equiv.) | 26–182 mm (7× zoom) | 25–300 mm (12× zoom) |
| Maximum Aperture | f/3.4 – f/6.4 | f/3.3 – f/4.9 |
| Macro Focusing | Not specified | Yes, down to 3 cm |
| Optical Stabilization | Yes | Yes |
The Nikon’s lens covers wide-angle to medium telephoto range (26–182 mm), solid for everyday photography but lacking super-telephoto reach. Its slower aperture at the telephoto end (f/6.4) could challenge low-light or shallow depth-of-field shooting.
Panasonic’s ZS1 extends to 300 mm telephoto with a faster maximum aperture at the long end (f/4.9), offering better reach for wildlife, sports, or distant street photography. Notably, the ZS1 includes a 3 cm macro focusing distance, enabling tight close-ups - a feature the Nikon lacks.
Both cameras include optical image stabilization (OIS), highly beneficial for minimizing blur at longer focal lengths or slower shutter speeds. This feature is a must-have when zooming deep to stabilize your shots handheld.
Autofocus Systems: Speed and Accuracy in Real-World Use
Fast, accurate autofocus is a lifeline during spontaneous shooting, especially for moving subjects.
| Feature | Nikon S3500 | Panasonic ZS1 |
|---|---|---|
| Autofocus Type | Unknown (likely contrast-detect) | Contrast-detect AF |
| AF Points | Unknown (~no phase-detect) | 11 points |
| Face Detection | No | Yes |
| Continuous AF | No | No |
| AF Tracking | No | No |
Due to limited official info, we can infer from practical testing:
-
The Nikon S3500 uses a basic contrast-detect AF system without face recognition. Autofocus can feel noticeably slow and hunt in dim lighting, making it less suited for fast-paced situations like sports or wildlife.
-
Panasonic’s ZS1 provides an 11-point AF array with contrast detection and adds face detection in live view. This enables quicker lock-on for portraits and steady focus in controlled lighting. While it lacks continuous AF or tracking, its autofocus is moderately reliable for casual subjects.
Neither can be described as speed demons - both cameras are best applied in deliberate shooting rather than action-heavy photography.
Burst Shooting and Shutter Mechanics
Burst mode and shutter speed flexibility are essential for capturing fleeting moments:
| Feature | Nikon S3500 | Panasonic ZS1 |
|---|---|---|
| Continuous Shooting | Not specified (likely limited) | 3 fps |
| Min Shutter Speed | 4 sec (minimum exposure) | 60 sec |
| Max Shutter Speed | 1/2000 sec | 1/2000 sec |
The Nikon lacks continuous shooting specs but likely offers very limited burst performance, restricting its appeal in action photography.
The Panasonic’s 3 fps burst, while modest, can help catch movement better. The Panasonic’s slower minimum shutter speed of 60 seconds lets you explore long exposures for night photography - a definite creative plus compared to the Nikon’s 4-second minimum.
Video Capabilities: Resolution and Usability
Video is increasingly important across genres from vlogging to event coverage.
| Feature | Nikon S3500 | Panasonic ZS1 |
|---|---|---|
| Max Video Resolution | 1280 × 720 (HD) @ Probably 30 fps | 640 × 480 (SD) @ 30 fps |
| Video Format | Not specified (likely MJPEG or AVI) | Motion JPEG |
| External Mic Input | No | No |
| Video Stabilization | Optical (lens-based) | Optical (lens-based) |
The Nikon captures HD 720p video - a limited but respectable offering for casual clips. The Panasonic's maximum video resolution is 640x480 (standard definition), lagging far behind modern standards and even Nikon’s HD.
Neither supports external microphones; this omission limits their use for serious video production or run-and-gun vlogging where sound quality is critical.
For casual videos to complement photos, Nikon’s HD video provides a slight edge, though neither camera is ideal for video-centric creators.
Storage, Connectivity, and Battery Life Fundamentals
Managing your data and connectivity contributes to the overall experience.
| Feature | Nikon S3500 | Panasonic ZS1 |
|---|---|---|
| Storage Types | SD card (type unspecified) | SD/SDHC/MMC, plus internal storage |
| Wireless Connectivity | Eye-Fi card supported (Wi-Fi via card) | None |
| Bluetooth / NFC | No | No |
| HDMI Output | No | No |
| USB | USB 2.0 | USB 2.0 |
| Battery Life | Not specified | Not specified |
Nikon supports Eye-Fi cards, allowing wireless image transfer, a useful albeit niche feature today. Panasonic lacks wireless connectivity, requiring physical connection for transfers. Neither offers HDMI or modern USB-C for direct video capture or quick downloads.
Battery life specs are unavailable, a gap that’s unfortunate but common for these older compacts. Expect moderate endurance suited for a few hundred shots before a recharge or battery change.
Shooting Across Genres: Matching Cameras to Styles and Needs
Now let’s address how these cameras perform practically across popular photography styles. This will help you decide according to your interests.
Portrait Photography
- Nikon S3500: High megapixel count is attractive for detail-rich portraits. Unfortunately, lack of face detection AF and no manual exposure limit control over skin tones and focus precision.
- Panasonic ZS1: Face detection aids focusing on eyes; better aperture range allows some background separation at telephoto. Lower resolution may limit cropping.
Recommendation: For casual portraits, Panasonic’s AF system is friendlier. For non-moving subjects and daylight, Nikon’s resolution shines.
Landscape Photography
- Nikon: Higher resolution sensor captures plenty of detail - good for large prints. However, CCD sensor dynamic range limitations may affect highlight/shadow retention.
- Panasonic: Lower pixel count but better ISO range helps with low light or twilight landscapes. Lens offers longer focal length to isolate details.
Recommendation: Nikon edges out for large, detailed landscapes in bright light while Panasonic offers more shooting flexibility at dusk.
Wildlife and Sports Photography
- Nikon: No continuous AF or burst mode makes it impractical for action.
- Panasonic: 3 fps burst and longer zoom supports casual wildlife shooting; autofocus is limited but usable in good light.
Recommendation: Panasonic ZS1 is the better choice here but expect limitations - these are not professional action cameras.
Street Photography
- Nikon: Small, light, and discreet. Easy to carry all day.
- Panasonic: Bulkier but longer lens lets you shoot candidly from a distance.
Recommendation: If discretion and portability are your priority, Nikon is ideal. For telephoto reach, Panasonic is worth tolerating the extra size.
Macro Photography
- Nikon: No specified macro focusing.
- Panasonic: 3 cm macro focusing supports closeups of insects or textures.
Recommendation: Panasonic wins hands-down for macro enthusiasts.
Night and Astro Photography
- Nikon: ISO up to 3200 helps in moderate low light; minimum shutter speed 4 seconds limits long exposures.
- Panasonic: ISO extends to 6400; minimum shutter speed 60 seconds enables cleaner star trail or night shots.
Recommendation: Panasonic’s longer exposure capability and higher ISO range open creative night photography doors.
Video Shooters
- Nikon: 720p HD video lets you capture shareable clips.
- Panasonic: Lower video specs limit quality and versatility.
Recommendation: Nikon is clearly preferable for casual video.
Travel Photography
- Nikon: Slim, reliable, and lightweight.
- Panasonic: Versatile zoom lens makes it a travel workhorse despite size.
Recommendation: Nikon for lightweight travel; Panasonic for zoom versatility.
Professional Usage
Neither camera was built for professional workflows. No RAW support, limited controls, and small sensors restrict their utility in demanding environments. For casual secondary bodies, they might fill a niche, but serious professionals should look elsewhere.
Final Thoughts: Which Compact Camera Is Right For You?
| Aspect | Nikon Coolpix S3500 | Panasonic Lumix DMC-ZS1 |
|---|---|---|
| Strengths | Light weight, high res images, simple operation | Telephoto reach, macro mode, better low light range, face detection AF |
| Weaknesses | Limited zoom, no face detection, slow AF, no RAW | Lower resolution, no video beyond SD, heavier body |
| Best For | Casual point-and-shoot and travelers valuing portability | Enthusiasts needing zoom, macro, and more creative flexibility |
If your photography calls for a lightweight companion to capture everyday moments, the Nikon S3500’s 20 MP sensor and ease of use provide good value for casual shooters with a light budget (around $85 new). The 7x zoom and simple interface are approachable, though limitations in autofocus and video exist.
The Panasonic ZS1 is better suited to those who want more reach and versatility in a slightly larger package. The 12x zoom, macro mode, face detection, and long exposure capabilities extend creative control, albeit at a higher price, and with a lower sensor resolution. It’s a camera for the enthusiast traveler or hobbyist willing to forego ultra-high resolution for shooting flexibility.
Putting It All Together: Your Next Steps
- Try Before You Buy: If possible, handle both models in-store to feel their ergonomics and experiment with menus.
- Consider Your Priorities: Portability vs zoom range? Resolution vs low-light ability? Match features to your shooting style.
- Look for Accessories: Spare batteries (info not always listed!), compatible memory cards, and protective cases can enhance your experience.
- Explore Upgrade Paths: Neither camera supports RAW or advanced controls. If you find these limiting, consider stepping into mirrorless or DSLR territory for more creative potential.
In summary, these two compacts represent classic approaches to small-sensor photography. Their designs and features mirror their eras - neither breaking new ground by today’s standards, but each having appeal within specific user niches. Understanding their technical strengths and practical weaknesses positions you well to make an informed, satisfying choice.
Get started capturing your world, knowing you’ve chosen a tool aligned with your vision - whether that’s the sleek Nikon S3500 or the versatile Panasonic ZS1. Happy shooting!
Nikon S3500 vs Panasonic ZS1 Specifications
| Nikon Coolpix S3500 | Panasonic Lumix DMC-ZS1 | |
|---|---|---|
| General Information | ||
| Brand | Nikon | Panasonic |
| Model type | Nikon Coolpix S3500 | Panasonic Lumix DMC-ZS1 |
| Otherwise known as | - | Lumix DMC-TZ6 |
| Type | Small Sensor Compact | Small Sensor Superzoom |
| Released | 2013-02-21 | 2009-05-14 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.5" |
| Sensor dimensions | 6.16 x 4.62mm | 5.744 x 4.308mm |
| Sensor surface area | 28.5mm² | 24.7mm² |
| Sensor resolution | 20 megapixels | 10 megapixels |
| Anti alias filter | ||
| Aspect ratio | - | 16:9, 4:3 and 3:2 |
| Full resolution | 5152 x 3864 | 3648 x 2736 |
| Max native ISO | 3200 | 6400 |
| Lowest native ISO | 80 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | - | 11 |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 26-182mm (7.0x) | 25-300mm (12.0x) |
| Maximum aperture | f/3.4-6.4 | f/3.3-4.9 |
| Macro focusing distance | - | 3cm |
| Focal length multiplier | 5.8 | 6.3 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display sizing | 2.7 inches | 2.7 inches |
| Resolution of display | 230 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | TFT-LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 4 secs | 60 secs |
| Maximum shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shooting rate | - | 3.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | - | 5.30 m (Auto ISO) |
| Flash settings | - | Auto, On, Off, Red-Eye reduction, Slow Sync |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1280x720 | 640x480 |
| Video data format | - | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 129g (0.28 lb) | 229g (0.50 lb) |
| Physical dimensions | 97 x 58 x 21mm (3.8" x 2.3" x 0.8") | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Self timer | - | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage type | - | SD/MMC/SDHC card, Internal |
| Card slots | Single | Single |
| Retail pricing | $85 | $0 |