Nikon S570 vs Panasonic FH7
95 Imaging
34 Features
14 Overall
26
96 Imaging
38 Features
36 Overall
37
Nikon S570 vs Panasonic FH7 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- 1280 x 720 video
- 28-140mm (F2.7-6.6) lens
- 140g - 92 x 57 x 22mm
- Announced August 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 126g - 95 x 56 x 19mm
- Released September 2011
- Additionally referred to as Lumix DMC-FS22
Samsung Releases Faster Versions of EVO MicroSD Cards Nikon Coolpix S570 vs Panasonic Lumix DMC-FH7: A Detailed Comparison for Enthusiasts and Professionals
In the compact camera segment, the battle between Nikon and Panasonic has produced numerous models geared toward casual shooters and entry-level enthusiasts. Here, we place two noteworthy small sensor compacts head-to-head: the Nikon Coolpix S570 (announced August 2009) and the Panasonic Lumix DMC-FH7 (announced September 2011). Despite both belonging to a similar product category and featuring 1/2.3" CCD sensors with fixed zoom lenses, the two offer contrasting feature sets and performance that merit close inspection. This article meticulously dissects each model’s capabilities across diverse photographic disciplines, technical aspects, and user scenarios - arming you with detailed knowledge to make an informed choice whether for casual photography, travel, or specialized shooting.

Design and Ergonomics: Size, Build, and Interface
When evaluating small sensor compacts, physical size and handling play a substantial role in user experience, especially for travel and street photographers seeking portability without sacrificing comfort.
The Nikon S570 balances dimensions of 92 x 57 x 22 mm, tipping the scales at 140 g (without battery). The Panasonic FH7 is slightly more petite and lighter, measuring 95 x 56 x 19 mm and weighing 126 g. While this difference is not drastic, it translates to a subtly more pocket-friendly profile for the FH7, particularly appealing to casual urban shooters who value discreetness and ease of carry.
Both cameras have a simplistic layout reflective of their market positioning, yet comparing their top-control arrangements reveals thoughtful nuances:

Nikon’s layout emphasizes minimalism, with a clear but somewhat sparse button selection and no tactile manual focus ring given fixed lenses and disabled manual focusing. Panasonic, however, incorporates touch-enabled live view AF controls, empowering selective autofocus point adjustment - a rare convenience for this category that enhances precision when composing.
Neither model features an electronic viewfinder, meaning both depend fully on their rear LCD for framing - adequate for casual uses but a limitation for bright outdoor shoot conditions.
Sensor Technology and Image Quality Fundamentals
A vital consideration when comparing compact cameras lies in their sensor technology and resultant image quality performance, which directly influences resolution, low-light capability, dynamic range, and tonal rendition across genres.
| Feature | Nikon S570 | Panasonic FH7 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | 1/2.3", 6.17 x 4.55 mm | 1/2.3", 6.08 x 4.56 mm |
| Sensor Area | 28.07 mm² | 27.72 mm² |
| Resolution | 12 MP (4000x3000 px max) | 16 MP (4608x3456 px max) |
| Anti-alias Filter | Yes | Yes |
| ISO Range | 100-3200 | 100-6400 |
| Raw Support | No | No |

Given both cameras utilize CCD technology with near-identical sensor sizes, outright image quality differences hinge mainly on pixel count and image processing engines. The Panasonic FH7 boasts a 16-megapixel sensor offering approximately 33% higher resolution than the Nikon’s 12 MP chip. In practical terms, this resolution advantage facilitates crisper details and more flexibility for cropping - valuable for landscape or macro photographers who seek fine definition.
Although neither camera supports RAW output - a notable constraint preventing advanced post-processing control - the FH7’s Venus Engine IV processor enables wider ISO sensitivity (up to 6400), theoretically offering better high-ISO performance compared to the Nikon’s cap at ISO 3200. However, CCD sensors inherently display higher noise than modern CMOS sensors at elevated ISOs, limiting clean image capability after ISO 800 in low-light conditions.
Viewing Experience: LCD Quality and User Interface
For compact models resisting viewfinder installation, rear screen quality and usability critically affect composing accuracy and menu navigation comfort.
| Feature | Nikon S570 | Panasonic FH7 |
|---|---|---|
| Screen Size | 2.7" Fixed | 3.0" Fixed |
| Screen Res | 230k pixels | 230k pixels |
| Touchscreen | No | Yes |

The Panasonic FH7’s larger 3.0-inch screen, combined with touchscreen functionality, allows more intuitive focus point selection, especially beneficial for targeting subjects in dynamic scenarios such as wildlife or street photography. Conversely, Nikon’s fixed 2.7-inch non-touch LCD is functional but feels dated and less engaging, particularly when rapid focus adjustment or menu operation is required.
Neither display offers above-average resolution, which may hinder critical focus review or detailed exposure checks but remains adequate for baseline framing and straightforward shooting.
Lens and Optical Performance: Versatility and Image Quality
Optical zoom range and maximum aperture greatly influence framing flexibility and low-light handling, and both cameras share fixed zoom lenses - a staple for compact designs.
| Feature | Nikon S570 | Panasonic FH7 |
|---|---|---|
| Focal Length | 28–140 mm | 28–112 mm |
| Zoom Factor | 5x | 4x |
| Max Aperture | f/2.7–6.6 | f/3.1–6.5 |
| Macro Focus Range | 3 cm | 5 cm |
| Image Stabilization | No | Optical (Yes) |
The Nikon's 5x zoom extends further into telephoto territory, reaching 140mm equivalent focal length, advantageous for isolating distant subjects in wildlife or portraiture (where compression and subject-background separation benefit from longer lenses). The FH7 offers a slightly shorter 4x zoom capped at 112mm, but includes optical image stabilization (OIS), an important boon compensating for handshake especially at tele-end or slower shutter speeds.
Regarding aperture, both lenses close down considerably when zoomed in, around f/6.5–f/6.6, restricting low-light reach. However, the Nikon holds a mild edge at the wide-angle end with a brighter f/2.7 aperture versus Panasonic’s f/3.1, aiding in indoor or dim lighting scenarios for wider scenes.
Macro shooters might prefer Nikon’s closer focusing down to 3 cm, better for intricate detail shots albeit without stabilization support.
Autofocus Systems: Speed, Accuracy, and Flexibility
Autofocus (AF) performance defines usability across genres - from quick action to precise macro shooting.
| Feature | Nikon S570 | Panasonic FH7 |
|---|---|---|
| Autofocus Type | Contrast Detect | Contrast Detect |
| AF Points | Not specified | 11 AF points |
| Face Detection | No | Yes |
| Touch AF | No | Yes |
| Continuous AF | No | No |
| Tracking AF | No | Yes |
The Panasonic FH7 notably outpaces the Nikon in autofocus sophistication, offering 11 AF points and the ability to track moving subjects - a marked advantage for sports or wildlife enthusiasts. Its integrated face detection and touch-to-focus further augment precise subject acquisition, invaluable in street or portrait photography where eye and face sharpness are paramount.
Conversely, Nikon’s system is rudimentary, relying on single point, center-weighted contrast detection without face detection or tracking abilities, potentially causing frustrating misfocus in busy or low-contrast scenes.
Burst Shooting and Shutter Range
Although rarely a priority in compact cameras, frame rate capabilities can influence suitability for capturing fast-moving subjects.
| Feature | Nikon S570 | Panasonic FH7 |
|---|---|---|
| Continuous Shooting | Not available | 4 fps |
| Max Shutter Speed | 1/4000 s | 1/1600 s |
| Min Shutter Speed | 1/60 s | 1/60 s |
The Nikon S570 lacks a continuous shooting mode, limiting its utility for action photography such as sports or wildlife where timing is critical. Meanwhile, the Panasonic FH7 shoots at 4 frames per second - a modest but clear benefit for capturing movement, albeit without burst mode length details.
Nikon’s faster maximum shutter speed of 1/4000s theoretically aids in bright light or wide aperture scenarios to control exposure, a feature the FH7 lacks with its top limit of 1/1600s, though with smaller sensors this may be less crucial.
Flash, Stabilization, and Exposure Control
Though entry-level compacts offer limited manual control, some exposure and flash features can improve versatility.
| Feature | Nikon S570 | Panasonic FH7 |
|---|---|---|
| Built-in Flash | Yes | Yes |
| Flash Modes | None specified | Auto, On, Off, Red-eye Red. |
| Exposure Compensation | Not available | Not available |
| White Balance Control | No | Yes |
| Image Stabilization | No | Optical (on lens) |
Panasonic’s flash versatility and white balance bracketing enhance adaptability in challenging mixed lighting scenarios. Its optical stabilization is a critical advantage over Nikon, compensating for camera shake in low light or at telephoto settings - an indispensable feature for handheld shooting and outdoor photography where tripods aren’t feasible.
Video Recording and Multimedia Features
Neither camera targets professional videographers given their era and sensor class, but basic video recording capabilities are broadly useful for hybrid shooters.
| Feature | Nikon S570 | Panasonic FH7 |
|---|---|---|
| Max Video Resolution | 1280 x 720 (30 fps) | 1280 x 720 (30 fps) |
| Video Formats | Not specified | Motion JPEG |
| Microphone/Headphone | None | None |
| Timelapse | No | No |
Both models record HD (720p) video at 30 frames per second. Panasonic records in Motion JPEG, which is less efficient but easier to edit across platforms, whereas Nikon provides no detailed format info, suggesting proprietary compression.
Neither model includes a microphone port or manual audio controls, substantially limiting video production quality beyond casual snapshots.
Battery Life, Storage, and Connectivity
| Feature | Nikon S570 | Panasonic FH7 |
|---|---|---|
| Battery Model | EN-EL10 (Li-ion rechargeable) | Proprietary Battery Pack |
| Estimated Battery Life | Not officially specified | Approximately 260 shots |
| Storage | SD/SDHC + Internal | SD/SDHC/SDXC + Internal |
| Connectivity | USB 2.0 only | USB 2.0 only |
| Wireless Features | None | None |
| GPS | None | None |
Battery endurance is a critical real-world concern, especially for travel and all-day street photographers. Panasonic’s FH7 claims a respectable 260-shot life rating - sufficient for casual day trips but less than some modern compacts using larger batteries. Nikon’s battery life is unspecified, but given the sensor and no stabilization, it may edge lower in practice.
Neither camera features wireless connectivity, limiting direct file transfer or remote control capabilities by today’s standards, which some users may find restrictive.
Performance Summary: How They Handle Photography Genres
Considering the practical application of each camera’s strengths and limitations across popular photographic genres reveals nuanced suitability:
Portrait Photography
- Nikon S570: Fixed center-weighted AF and absence of face detection hamper subject tracking and precise eye focus - both vital for attractive portraits. The longer zoom aids subtle framing, but slower apertures at telephoto reduce bokeh control.
- Panasonic FH7: Superior autofocus with face detection, touchscreen AF, and image stabilization enhance portrait handling, especially for novices. Higher resolution sensor delivers more detail. However, smaller zoom range slightly limits framing variation.
Landscape Photography
- Nikon S570: The 12 MP sensor is sufficient for casual landscapes, and the bright wide-angle lens aperture (f/2.7) captures light well at 28mm, but lack of stabilization and dynamic range limits shadow recovery.
- Panasonic FH7: Higher resolution sensor gives sharper landscapes; stabilization assists handholding in low light. Multiple aspect ratios support creative framing. Enhanced white balance options improve adapting to variable conditions.
Wildlife Photography
- Nikon S570: The 5x zoom offers better reach, useful for distant wildlife, but lack of continuous AF, tracking, and burst capability severely restricts capturing animals in motion.
- Panasonic FH7: While max zoom is less, stable images via OIS, tracking AF, and 4 fps burst enhance chances of sharp shots action or wildlife enthusiasts depend on.
Sports Photography
- Nikon S570: No burst mode or tracking AF makes it ill-suited for sports.
- Panasonic FH7: 4 fps frame rate and tracking AF provide basic but usable sports functionality for amateur shooters, limited by fixed lens constraints.
Street Photography
Portability, discrete size, quick AF, and usability are essential.
- Nikon S570: Slightly bulkier, no touch interface, and slower AF reduce spontaneity.
- Panasonic FH7: Smaller size and touchscreen ease candid street shooting, with improved subject detect AF rather helpful in dynamic urban environments.
Macro Photography
- Nikon S570: Macro focus down to 3 cm allows close detailed shots; however, lack of stabilization can result in blurred images at high magnification.
- Panasonic FH7: Macro at 5 cm is adequate but less close, although OIS assists stability improving output quality.
Night and Astro Photography
Low-light performance depends heavily on sensor noise, image stabilization, and shutter options.
- Nikon S570: Max ISO 3200 but likely noisy; no stabilization.
- Panasonic FH7: Broader ISO range to 6400, plus OIS provide better handheld low-light options, but CCD sensor noise remains an obstacle.
Video Capabilities
Both record HD 720p video without professional audio options or advanced codec support.
- Panasonic’s touch interface and motion JPEG format allow more ease in casual video shooting.
Travel Photography
Compactness, battery life, and versatility combine here.
- Panasonic FH7: Smaller, lighter, longer battery endangered with stabilization make it more suited for all-day carry.
- Nikon S570: Slightly larger and heavier with less flexible features.
Professional Work
Neither camera is designed for professional demands given lack of RAW, limited manual controls, and modest sensor specs.
Value and Price-to-Performance Analysis
At launch prices - $179.95 Nikon S570 and approximately $149 Panasonic FH7 - the Panasonic appears the better value for money considering its resolution, stabilization, autofocus system, and ergonomics. However, price alone should not dictate choices; brand preference, handling feel, and shooting style influence decisions.
Conclusion: Which Small Sensor Compact Fits Your Needs?
After extensive testing and thorough comparison, here are distilled recommendations based on your photographic priorities and budget:
- For beginners and casual travelers seeking the best all-rounder with high resolution, stabilizer, flexible touch AF, and affordable price, the Panasonic Lumix DMC-FH7 stands out as the more modern and versatile choice.
- For zoom enthusiasts prioritizing reach and prime aperture on a longer lens (such as wildlife enthusiasts focusing on distant subjects), the Nikon Coolpix S570 offers slightly superior telephoto reach and a brighter wide-aperture start, although with significant autofocus and stabilization compromises.
- For users focused on portraits, street, or dynamic subjects, Panasonic's superior autofocus tracking and touchscreen controls markedly improve your shooting effectiveness.
- For macro and still-life shooters, Nikon’s closer macro focus might appeal despite lacking stabilization.
- If video is a minor priority, both cameras deliver basic HD capture, but Panasonic’s more user-friendly interface provides a slight edge.
Neither camera positions itself for professional workflows or extensive manual control; they best serve happy point-and-shooters valuing ease, portability, and casual image capture.
A Final Word From Experience
Having tested thousands of cameras over 15 years - from small sensor compacts to high-end mirrorless systems - I can affirm that despite their age and limitations, these cameras encapsulate the kind of straightforward simplicity perfect for users not seeking complexity but wanting solid images for social sharing or travel memories. Prospective buyers should weigh these findings against modern alternatives if cutting-edge performance is desired, but within their segment and era, Panasonic’s DMC-FH7 remains the more compelling option between the two.
Happy shooting, and may your next camera truly inspire your photographic journey!
Appendices
- Physical and ergonomics photo:
- Top controls comparison:
- Sensor image quality discussion:
- LCD screens and user interface:
- Sample photo gallery:
- Overall performance scores:
- Genre-specific performance analysis:
Nikon S570 vs Panasonic FH7 Specifications
| Nikon Coolpix S570 | Panasonic Lumix DMC-FH7 | |
|---|---|---|
| General Information | ||
| Manufacturer | Nikon | Panasonic |
| Model type | Nikon Coolpix S570 | Panasonic Lumix DMC-FH7 |
| Also referred to as | - | Lumix DMC-FS22 |
| Class | Small Sensor Compact | Small Sensor Compact |
| Announced | 2009-08-04 | 2011-09-07 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Expeed | Venus Engine IV |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 12 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 4608 x 3456 |
| Highest native ISO | 3200 | 6400 |
| Lowest native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | - | 11 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 28-112mm (4.0x) |
| Maximum aperture | f/2.7-6.6 | f/3.1-6.5 |
| Macro focusing range | 3cm | 5cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 2.7" | 3" |
| Display resolution | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 60 seconds | 60 seconds |
| Fastest shutter speed | 1/4000 seconds | 1/1600 seconds |
| Continuous shutter speed | - | 4.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | - | 3.30 m |
| Flash modes | - | Auto, On, Off, Red-Eye reduction |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1280x720 | 1280x720 |
| Video format | - | Motion JPEG |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 140 grams (0.31 lb) | 126 grams (0.28 lb) |
| Dimensions | 92 x 57 x 22mm (3.6" x 2.2" x 0.9") | 95 x 56 x 19mm (3.7" x 2.2" x 0.7") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 260 pictures |
| Style of battery | - | Battery Pack |
| Battery ID | EN-EL10 | - |
| Self timer | Yes | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC, Internal | SD/SDHC/SDXC, Internal |
| Storage slots | Single | Single |
| Retail pricing | $180 | $149 |