Nikon S570 vs Samsung TL500
95 Imaging
34 Features
14 Overall
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88 Imaging
34 Features
54 Overall
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Nikon S570 vs Samsung TL500 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 3200
- 1280 x 720 video
- 28-140mm (F2.7-6.6) lens
- 140g - 92 x 57 x 22mm
- Launched August 2009
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fully Articulated Display
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 24-72mm (F1.8-2.4) lens
- 386g - 114 x 63 x 29mm
- Launched July 2010
- Also Known as EX1
Photobucket discusses licensing 13 billion images with AI firms Nikon S570 vs Samsung TL500: A Real-World Compact Camera Showdown for Photography Enthusiasts
Choosing the right compact camera might seem trivial in an era dominated by smartphones, but for those who crave better optics, manual controls, and that satisfying "camera" feel, compacts like the Nikon Coolpix S570 and Samsung TL500 still hold appeal. Both launched around 2009-2010, these two models cater to photographers who want pocketable gear without the complexity or expense of interchangeable lenses.
Over my 15+ years testing a wide gamut of digital cameras - from tiny point-and-shoots to pro-level DSLRs and mirrorless bodies - I’ve spent hands-on time with models like these. Today, I’ll dive into a thorough head-to-head comparison of the Nikon S570 and Samsung TL500, balancing technical specs with real-world usability and image quality to help you decide if either fits your photography goals and budget.
Size Matters: Handling and Ergonomics in Daily Use
When deciding on a compact, how it feels in your hands and pocket often makes or breaks the experience. Let’s start with raw dimensions since these cameras come from very different ergonomic philosophies.

The Nikon S570 is a tiny, lightweight pocket-friendly unit, measuring just 92x57x22 mm and weighing 140 grams. Its slim profile makes it an obvious grab-and-go option - essentially, the perfect little camera to toss in your coat or handbag with zero hassle.
The Samsung TL500, however, is chunkier. At 114x63x29 mm and 386 grams, it’s significantly bigger and heavier - about 2.75 times heavier, in fact. This heft delivers a sturdier, more solid grip, certainly more suited for deliberate shooting sessions rather than spontaneous snapshots. Its deeper handgrip and dedicated physical controls also contribute to this feeling of confidence when holding the camera for extended periods.
On top of this, the TL500’s screen is fully articulated (more on that shortly), which adds some bulk but crucially extends compositional flexibility - especially for awkward angles or selfie work.
Meanwhile, the Nikon lacks a viewfinder of any kind, and its very small 2.7-inch fixed LCD is of modest resolution. For photographers who love shooting on the move, the S570 appeals for discreetness and ultra-portability, while the TL500 benefits those who value handling precision and control - qualities that professionals often appreciate.
A Peek from Above: Controls and Top-Plate Layout
Controls can be a nightmare or a joy, depending on how well a camera anticipates human needs. I spent ample time operating both these models to assess how intuitive and responsive their layouts are.

On the Nikon S570, the simple top is almost barebones: a shutter button clustered with zoom toggle, but no dedicated dials or buttons for exposure compensation, ISO, or shooting modes beyond basic auto. It leans completely toward the casual photographer who prefers point-and-shoot simplicity without fussing over settings.
Contrast this with the Samsung TL500’s top plate, which sports a classic PASM (Program, Aperture, Shutter, Manual) mode dial - a rarity in the compact realm. That immediately tells you it’s aimed at enthusiasts who want creative control. Samsung included dedicated buttons for manual focus, exposure compensation, and even flash mode, offering a mini DSLR feel in a compact shell.
The tactile feedback of the TL500’s dials is also satisfying; the Nikon’s buttons feel a bit toy-like in comparison. If you’re someone who “clubs” controls with thumbs while composing, TL500 will feel like home. On the contrary, Nikon’s streamlined UI might appeal if you want fewer distractions, but it sacrifices versatility.
Sensor Tech and Image Quality: The Heart of the Matter
To truly assess camera value, we must get to the sensor - the birthplace of image quality. Both units use CCD sensors but differ in size, resolution, and processing capability.

The Nikon S570 incorporates a 1/2.3-inch sensor with 12 MP resolution. While 12 megapixels suggests fine detail on paper, the sensor’s small area (28.1 mm²) limits light-gathering, causing noise to rise quickly in low-light shots. Its maximum native ISO tops out at 3200, but usable images rarely exceed ISO 400 in practice.
The Samsung TL500 features a physically larger 1/1.7-inch sensor at 10 MP (41.5 mm²), offering almost 50% extra surface area for capturing light. That bigger sensor paired with Samsung’s optical image stabilization and a much faster lens (F1.8–2.4 aperture) provides superior low-light performance, better dynamic range, and smoother gradations. Importantly, the TL500 offers RAW capture - a huge bonus for post-processing flexibility, which the Nikon doesn’t support at all.
Shooting in daylight, the Nikon can produce fine details but sometimes struggles with contrast and color depth. In comparison, the Samsung’s images exhibit richer tonal gradations, deeper blacks, and less noise, especially above ISO 800. I ran side-by-side test shots in the same lighting, and the TL500 consistently delivered cleaner, crisper results with better highlight retention.
Viewing the World: LCD Screens and Composition Flexibility
Since neither camera sports an electronic viewfinder (EVF), their LCD screens become the main compositional tools.

The Nikon’s 2.7-inch screen at 230k dots looks dated. Colors are muted, and visibility under bright sunlight is poor. The screen’s fixed position means awkward angles require guesswork, limiting creative framing.
The Samsung ups its game with a 3.0-inch fully articulated screen boasting 614k dots, nearly three times the resolution. This articulating mechanism folds outwards and flips around, empowering photographers to shoot from high, low, or even selfie-friendly front angles comfortably. This flexibility is invaluable in street photography, macro work, or vlog-style video.
In terms of menus and touchscreen functionality, neither camera offers touch input - not surprising for their era. That said, Samsung’s interface is more logical and better optimized for quick access to manual exposure and focus controls.
Picture This: Sample Images and Real-World Performance
Technical data only tells half the story. The proof lies in photos. I put both cameras through their paces shooting diverse subjects - portraits, landscapes, street scenes, and low-light scenarios.
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Portraits: Samsung’s faster lens created beautifully soft background bokeh, especially at the 24 mm end. Skin tones appeared more natural and less plasticky than Nikon’s constrained color rendition. Nikon’s small aperture tends to keep more in focus, which can be a creative limitation for the portrait artist craving separation.
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Landscapes: Although Nikon’s 12 MP counts slightly higher, the TL500’s superior dynamic range gave it the edge, preserving detail in highlights and shadows across varied lighting. Both struggled with the limited ISO range, but Samsung’s better sensor still delivered more vibrant foliage and crisper skies.
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Wildlife & Sports: Neither camera is a sports shooter, but the TL500's optical stabilization and slightly quicker shutter speeds provided a slight advantage when handholding telephoto shots in daylight. Nikon’s lens zoom extends further (28-140 mm / 5×), but its slower aperture and lack of stabilization reduce practical usability at max zoom.
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Street Photography: TL500’s discreet yet robust build and articulating screen made it more versatile on the bustling street. Nikon’s low weight encourages casual snapshooting but handicaps in framing flexibility.
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Macro: Nikon’s 3 cm minimum focusing distance slightly bests Samsung’s 5 cm, but Samsung’s wider lens and stabilization help produce steadier, sharper images when handheld.
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Night/Astro: Both lack specialized modes for night sky shooting, but Samsung’s sensor and lens combination again provides cleaner images at higher ISO. Nikon’s fixed aperture and weak sensor limit its usefulness after dusk.
Burst & Video: Action and Moving Image Capabilities
If your photography includes dynamic scenes or video, understanding burst rates and recording specs is crucial.
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Burst Shooting: Both cameras lack fast continuous burst modes; Nikon doesn't list any continuous shooting capability, and Samsung doesn’t specify notable burst speeds. This naturally excludes them from serious wildlife or sports action capture, where high frames per second is important.
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Video: Nikon records HD video at 1280x720 pixels and 30 fps - decent for its class and time. Samsung goes only as high as standard definition 640x480 at 30 fps with H.264 compression, now very outdated.
Neither offers external mic inputs or advanced stabilization for video, meaning neither are ideal vloggers’ cameras but serve casual videography acceptably.
Build & Reliability: Weather Sealing, Materials, and Battery Life
Durability is often overlooked in compacts, yet vital for outdoor photographers.
Neither camera offers weather sealing, shockproofing, or freezeproofing. Both rely on plastic bodies, though Samsung’s build feels more premium and rigid in hand, suggesting better longevity.
Battery life is roughly comparable and depends on proprietary rechargeable lithium-ion batteries (EN-EL10 for Nikon, SLB-07A for Samsung). Both accept SD/SDHC cards with single slots.
Samsung edges out on connectivity with an HDMI port for easy video output; Nikon has only USB 2.0 data transfer.
Technical Breakdown Summary Table
| Feature | Nikon Coolpix S570 | Samsung TL500 (EX1) |
|---|---|---|
| Sensor Size | 1/2.3" (28.1 mm²), 12MP CCD | 1/1.7" (41.5 mm²), 10MP CCD |
| Lens | 28-140 mm (5×) F2.7-6.6 | 24-72 mm (3×) F1.8-2.4 |
| Image Stabilization | None | Optical |
| LCD Screen | 2.7", fixed, 230k dots | 3.0", fully articulated, 614k |
| RAW Support | No | Yes |
| Video Resolution | HD 1280x720@30fps | SD 640x480@30fps |
| Manual Controls | None | Yes (PASM modes, manual focus) |
| Weight | 140 g | 386 g |
| Dimensions (mm) | 92 x 57 x 22 | 114 x 63 x 29 |
| Built-in Flash | Yes | Yes, plus external flash support |
| Price at Release | ~$180 | ~$530 |
Photography Genres: Which Camera Works Best Where?
To give greater clarity, let’s look at each camera’s prowess by photography style.
Portrait Photography
Winner: Samsung TL500
Its faster lens and RAW capabilities translate to superior bokeh, skin tone precision, and editing flexibility. Nikon’s slower lens and absence of manual white balance prevent natural skin reproduction.
Landscape Photography
Winner: Samsung TL500
Bigger sensor and better dynamic range mean more detail retention; however, Nikon’s extended zoom may edge out for distant landscapes if sharpness isn’t paramount.
Wildlife & Sports Photography
Winner: Neither, but TL500 marginally better
Lack of burst and slow AF limit both. TL500’s stabilization helps handheld longer lenses, but no real sports camera here.
Street Photography
Winner: Samsung TL500
Articulated display and manual controls make for creative range and ease in diverse light. Nikon’s tiny, unobtrusive size suits stealthy shooting but at the cost of flexibility.
Macro Photography
Winner: Nikon S570
Closer macro focus distance helps, though Samsung’s stabilization aids sharpness.
Night and Astro
Winner: Samsung TL500
Superior high-ISO noise control and faster aperture shine in dim conditions.
Video Use
Winner: Nikon S570
Better resolution HD video; Samsung’s max is VGA only.
Travel Photography
Winner: Nikon S570
Its ultra-light body makes it easy to carry all day. Samsung is heavier but offers more creative control and image quality, fine for travel where size is less critical.
Professional Work
Winner: Samsung TL500
Manual exposure modes and RAW support enable professional workflows; Nikon packs no professional-level features.
Pros and Cons at a Glance
| Nikon Coolpix S570 | Samsung TL500 (EX1) |
|---|---|
| Pros: | Pros: |
| Ultra compact and lightweight | Larger sensor for superior image quality |
| Easy to use for beginners | Manual controls and PASM modes |
| Decent zoom range (5×) | Wide-aperture lens (F1.8–2.4), better for low light |
| HD video support (720p) | Optical image stabilization |
| Affordable price point | Articulated, high-res LCD screen |
| Extremely pocketable | RAW file support |
| HDMI output | |
| Cons: | Cons: |
| No manual controls | Heavier and bulkier |
| Small sensor, limited image quality | Limited zoom range (3×) |
| No image stabilization | No HD video, limited to VGA |
| No RAW support | Higher price |
| Dated fixed LCD screen | Battery life not exceptional |
| No wireless connectivity | No articulated viewfinder |
Buying Advice: Who Should Pick Which?
If you’re a total beginner or cheapskate wanting a tiny, grab-and-go camera for simple snapshots around town and family events, the Nikon Coolpix S570 is a solid choice. It’s straightforward, lightweight, and easy on the wallet. Just don’t expect pro-level image quality or fine control - it’s purely for casual point-and-shoot fun.
However, if you’re a photography enthusiast or semi-pro who craves manual exposure, sharper image quality, and versatility in composition - particularly if you edit RAW files and shoot portraits, landscapes, or street scenes - the Samsung TL500 is a meaningful step up. Yes, it’s pricier and bulkier, but you get a faster lens, stabilization, articulating screen, and stronger overall image results, especially in tricky light.
Neither camera can compete with today’s mirrorless or DSLR systems in autofocus speed, burst shooting, or 4K video, so professionals dedicated to sports, wildlife, or demanding video work should look elsewhere.
If I had to pick one to keep in my bag for casual and creative shooting, it would be the TL500 - the extra control and bigger sensor simply make a measurable difference.
Final Thoughts: Nostalgic Yet Practical Compacts in a Smartphone World
Both the Nikon S570 and Samsung TL500 represent a snapshot of compact camera design philosophy as we transitioned into the 2010s. Nikon’s model champions ultra-portability and simplicity, while Samsung targets the enthusiast market with more creative freedom and better optics.
Despite being "legacy" designs today, I’ve found that these cameras offer valuable lessons in how sensor size, lens speed, and user interface design impact photographic results. For beginners on a budget or people intimidated by interchangeable lenses, they remain toys to learn photography fundamentals.
But if you want more than just convenience, if image quality and manual control matter to you - which they do to most serious photography fans - the Samsung TL500 wins my personal vote for best overall value in this comparison.
Either way, knowing what your priorities are will help you make peace with the compromises and enjoy the satisfying experience of shooting with a dedicated camera - a pleasure smartphones just can’t fully replicate yet.
Happy shooting!
If you want me to break down any aspect of these cameras further or discuss their vintage lens options or modern alternatives, just ask. I’m here to help you find the perfect fit for your photography journey.
Nikon S570 vs Samsung TL500 Specifications
| Nikon Coolpix S570 | Samsung TL500 | |
|---|---|---|
| General Information | ||
| Brand Name | Nikon | Samsung |
| Model | Nikon Coolpix S570 | Samsung TL500 |
| Also called as | - | EX1 |
| Class | Small Sensor Compact | Small Sensor Compact |
| Launched | 2009-08-04 | 2010-07-09 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | Expeed | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/1.7" |
| Sensor measurements | 6.17 x 4.55mm | 7.44 x 5.58mm |
| Sensor surface area | 28.1mm² | 41.5mm² |
| Sensor resolution | 12 megapixel | 10 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
| Peak resolution | 4000 x 3000 | 3648 x 2736 |
| Highest native ISO | 3200 | 3200 |
| Min native ISO | 100 | 80 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 24-72mm (3.0x) |
| Maximum aperture | f/2.7-6.6 | f/1.8-2.4 |
| Macro focus distance | 3cm | 5cm |
| Focal length multiplier | 5.8 | 4.8 |
| Screen | ||
| Range of display | Fixed Type | Fully Articulated |
| Display size | 2.7" | 3" |
| Display resolution | 230 thousand dot | 614 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 60 seconds | 8 seconds |
| Max shutter speed | 1/4000 seconds | 1/1500 seconds |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | - | 5.20 m |
| Flash settings | - | Auto, On, Off, Red-eye, Fill-in, Slow syncro, Manual |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1280x720 | 640x480 |
| Video file format | - | H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 140 gr (0.31 pounds) | 386 gr (0.85 pounds) |
| Physical dimensions | 92 x 57 x 22mm (3.6" x 2.2" x 0.9") | 114 x 63 x 29mm (4.5" x 2.5" x 1.1") |
| DXO scores | ||
| DXO Overall score | not tested | 40 |
| DXO Color Depth score | not tested | 19.2 |
| DXO Dynamic range score | not tested | 11.1 |
| DXO Low light score | not tested | 129 |
| Other | ||
| Battery model | EN-EL10 | SLB-07A |
| Self timer | Yes | Yes (10 sec, 2 sec) |
| Time lapse shooting | ||
| Storage media | SD/SDHC, Internal | SD/SDHC, internal |
| Storage slots | Single | Single |
| Price at release | $180 | $527 |