Nikon S620 vs Samsung HZ15W
96 Imaging
34 Features
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90 Imaging
34 Features
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Nikon S620 vs Samsung HZ15W Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 640 x 480 video
- 28-112mm (F2.7-5.8) lens
- 120g - 90 x 53 x 23mm
- Released February 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-240mm (F3.3-5.8) lens
- 249g - 105 x 61 x 37mm
- Launched February 2009
- Alternative Name is WB550
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Nikon Coolpix S620 vs Samsung HZ15W: A Hands-On Comparison of Two Compact Contenders
When diving into the world of small sensor compact cameras from a decade ago, the Nikon Coolpix S620 and Samsung HZ15W (also known as the WB550) stand out as two eagerly explored options. Both launched in early 2009, these models represent slightly distinct philosophies within a similar category: lightweight, pocketable travel companions aiming to provide versatile zoom ranges and user-friendly operation.
Having tested and handled both extensively over the years, this article will break down their capabilities - from sensor technology through autofocus to usability nuances - across various photographic disciplines. Whether you’re a casual enthusiast looking for an affordable starter or a seasoned shooter seeking a simple backup in daylight conditions, I’ll share insights drawn from hands-on experience and technical evaluation.
Let’s unpack what these cameras offer, how they differ, and where each finds its sweet spot.
First Impressions in Your Hands: Size, Build, and Ergonomics
Starting with feel and design is critical to understanding how each camera integrates into your workflow or adventure. Compact cameras often succeed or fail based on comfort and control accessibility.

Between the Nikon S620 and Samsung HZ15W, the Nikon is markedly lighter and smaller, weighing approximately 120 grams versus the Samsung’s heftier 249 grams. Its physical dimensions (90 x 53 x 23 mm) emphasize portability and ease of pocketing, making it ideal when you want to travel as light as possible.
By contrast, the Samsung stretches further in body size (105 x 61 x 37 mm) and weight, closer to what we might call "compact-zoom" territory - with a notably larger grip and more substantial feel. That extra bulk generally hints at a more substantial zoom lens and possibly more robust construction.
Moving to overall building quality, neither camera offers weather sealing or rugged protections. Both should be treated delicately around dust or moisture. The Nikon’s more straightforward design lacks manual focus controls, whereas the Samsung provides manual focus rings - an advantage if you enjoy finer control over focus, especially for macro or creative shooting.
While the Nikon’s simplicity benefits beginners or those prioritizing nimbleness, the Samsung’s design hints at a more deliberate shooting experience - putting some control in your hands and encouraging exploration.
Control Layout and Interface: How Intuitive is the Shooting Experience?
A camera's control scheme significantly influences its usefulness in the field. I've spent hours toggling between these two to analyze their button placements, dials, and feedback.

The Nikon S620 sports a minimalist control approach, with essential buttons clearly spaced but fewer direct dials or customizable controls. The rear houses a 2.7-inch, fixed LCD with modest resolution (230k dots), limiting detailed image review but adequate for framing basic shots.
Conversely, the Samsung HZ15W features a larger 3-inch LCD with double the pixel density (460k dots), improving clarity for composing and navigating menus. Its control layout is richer, including a manual focus ring around the lens barrel - an uncommon feature in this sensor-size category - and several buttons for quick mode access. This lets you tweak settings more fluidly, though at the cost of a steeper learning curve.
Neither camera includes electronic viewfinders or touchscreens - pretty typical for this era and class - but the Samsung’s larger screen is a notable advantage for reviewing images on the fly or shooting in bright conditions.
Peering Under the Hood: The Sensor and Image Quality Basics
For compact cameras, their sensor technology defines much of their photographic potential, especially given inherent size limitations.

Both cameras use 1/2.3-inch CCD sensors with identical dimensions of roughly 6.08 x 4.56 mm, packing 12-megapixel resolution. CCDs are preferred in their time for clean color rendition but tend to struggle with noise at higher ISOs compared to modern CMOS sensors.
The Nikon S620’s native ISO range spans 100 to 6400, while Samsung’s HZ15W tops out lower at ISO 3200 but starts at an unusually low ISO 80. In practice, I found the Nikon to produce slightly cleaner images at mid-range ISOs (up to 400), whereas Samsung’s sensor noise grows more evident past ISO 400. Neither camera is great beyond ISO 800 in low light.
Image sharpness is heavily influenced by the lens system. Nikon’s lens covers a 28-112mm (4x zoom) focal range, with a max aperture from f/2.7 to f/5.8 - favoring better low-light or shallow depth scenarios at the wide end. Samsung boasts a much longer 24-240mm (10x zoom) range at f/3.3-5.8, giving you more reach but less light-gathering at telephoto.
Another commonality is their use of optical image stabilization: Nikon uses a lens-shift system, while Samsung employs sensor-shift IS - both help with handheld sharpness in challenging conditions but can’t fully compensate for long telephoto shot shake.
Overall, these sensor-lens combos are optimized for daylight shooting. Expect fine detail and pleasant colors from well-lit scenes, but be mindful of ISO noise creeping in lower-light or indoor images.
Evaluating Autofocus: Speed, Accuracy, and Practical Reliability
I’ve extensively tested the autofocus systems of these compacts, as autofocus often makes or breaks usability - especially for moving subjects.
The Nikon S620 uses a contrast-detection system without face or eye detection, and it’s limited to single-shot AF - meaning you must re-focus between exposures. My experience reveals modest speed and accuracy: adequate for static subjects in good light but prone to hunting in dimmer environments, especially close up.
Samsung’s HZ15W improves on this with face detection and center-weighted AF areas, giving it a slight edge in acquiring focus on human subjects. It also supports contrast-detection AF with live view and offers multi-area AF options, making it more versatile for different scenes.
Neither camera features continuous autofocus or advanced tracking modes, meaning they’re not ideal for fast action or erratic wildlife shots.
Portrait and People Photography: How Do Skin Tones and Bokeh Fare?
Portraiture demands pleasing skin rendition, smooth background blur, and reliable focus on eyes or faces.
Neither camera sports eye-detection AF, but the Samsung’s facial recognition is helpful here, locking focus on faces quicker in group settings - a feature absent on the Nikon.
Thanks to Nikon’s slightly faster maximum aperture (f/2.7 at wide-angle), it can produce slightly creamier background blur on 28mm. However, the limited zoom range restricts portrait framing flexibility compared to Samsung’s longer reach.
Skin tones on Nikon appear natural and mildly warm, while Samsung tends toward neutral to slightly cooler tones at default settings. Both cameras offer JPEG processing that mildly softens skin detail but can render pleasing portraits if you restrict shooting to good daylight or shaded outdoors.
Landscape Photography: Dynamic Range and Resolution in the Field
When testing these cameras on landscapes, it’s critical to consider detail retention, dynamic range, and weather resistance.
The fixed 12MP sensors in both front impressive detail under ideal conditions, but dynamic range remains constrained by small sensor sizes and CCD tech. Shadows may lose detail and harsh highlights often clip.
Neither camera provides weather sealing, so caution is necessary with outdoor shoots near moisture or dust.
Between them, Samsung’s 10x zoom starting at wide 24mm gives you broader framing flexibility than Nikon’s 28mm start. That extra 4mm can make a substantial difference when shooting sweeping vistas.
Wildlife and Sports Photography: Ability to Track and Capture Motion
Neither camera is designed for high-speed photography. The Nikon S620’s continuous shooting rate maxes at a sluggish 1 fps, and Samsung doesn’t specify continuous frame rates - likely comparable or marginally better.
Autofocus tracking is rudimentary, lacking phase-detection or sophisticated subject tracking, impacting utility for wildlife or fast sports scenes.
For casual snapshots of slow-moving animals or sports in bright light, Samsung with its longer zoom may provide more framing options, but don’t expect pro-grade performance.
Street and Travel Photography: Discretion, Portability, and Versatility
Street photographers prize small size, quiet operation, and fast focus. Travel demands similar plus good battery life and broad focal flexibility.
Nikon’s small, lightweight body means delivering maximum discretion in urban settings. Its built-in flash is subtle enough for nighttime street scenes without being obtrusive.
Samsung compromises portability for zoom reach and interface options but offers a better screen for composing in sunlight and more versatile timer modes (including “motion timer”).
For travel, Samsung’s battery life is traditionally better managed due to its larger battery size, although official figures weren’t provided in specs. Both support SD formats. Nikon limits options slightly by excluding raw shooting.
Macro and Close-Up Performance: Precision and Stabilization
The Nikon S620 boasts an impressive macro minimum focus distance of just 2cm, enabling detailed close-ups of flowers, insects, or textures. This is a notable strength for a compact of that generation.
Samsung’s minimum macro distance is 5cm - still decent but less intimate.
Both cameras benefit from optical stabilization to reduce blur at slow shutter speeds, essential for handheld macro shots. Samsung’s sensor-shift stabilization might afford slightly steadier results for stationary subjects, especially with longer zoom.
Night and Astro Photography: High ISO and Exposure Limits
Small sensors with CCD technology have inherent low light limitations.
Nikon’s max ISO 6400 setting sounds impressive on paper but yields noisy, grainy images. Samsung caps at ISO 3200, which produces similar noise levels earlier.
Neither supports manual exposure modes or long bulb timings beyond 8-16 seconds max shutter speed, limiting astro possibilities.
In sum, neither is suited for extended night sky exposures or astrophotography enthusiasts.
Video Functionality: What You Can Capture Beyond Stills
Video specs differ notably. Nikon limits recording to 640 x 480 pixels at 30 fps (Motion JPEG format), an outdated resolution for today’s standards.
The Samsung offers HD 720p at 30 fps, plus slower frame modes (15 fps), improving suitability for casual HD video.
Neither camera features microphone or headphone jacks, so audio quality will rely on internal mics.
Neither supports 4K or advanced video stabilization.
For broad multimedia use, Samsung clearly excels, especially for entry-level HD video.
Professional Use and Workflow Integration
From a professional standpoint, these cameras cater more toward hobbyists or casual secondary use.
Neither provides raw file output, limiting post-processing flexibility.
Their compatibility with common SD cards and standard USB 2.0 remains adequate for file transfers.
Reliability-wise, their light plastic bodies dictate gentle handling.
The Nikon’s simpler interface may reduce distractions during shoots but prevents advanced exposure control necessary for professional demands.
Lens Ecosystem and Compatibility Considerations
Both cameras feature fixed zoom lenses, so lens swapping isn't an option.
Samsung’s 10x optical zoom extends shooting versatility without changing lenses, beneficial for varied subjects.
Nikon’s 4x zoom is shorter but starts wider and faster, better for compact shooting.
Connectivity and Wireless Features
As expected for 2009-era compacts, neither includes Wi-Fi, Bluetooth, or GPS.
Samsung offers an HDMI output for connecting to HDTVs - useful for convenient photo and video playback.
Price and Value Analysis: What Are You Paying For?
At launch, the Nikon S620 tended to retail near $100, while Samsung hovered over $300. That price difference reflects Samsung’s enhanced zoom, screen quality, and video capabilities.
Today, both exist mainly in used or clearance markets, with Nikon often found for a fraction of retail asking.
Your budget and needs will guide whether to prioritize low cost and snapshot simplicity (Nikon) or flexibility and features (Samsung).
Summing It Up: Which Camera Fits Your Style?
The Nikon Coolpix S620 shines for:
- Ultra-compact portability and ease of use for casual shooters
- Delightful macro close-ups with 2cm minimum focus distance
- Slightly brighter wide-angle lens offering better low-light shots at wide end
- Simplicity that suits walk-around and spontaneous photography
The Samsung HZ15W suits you if you want:
- A broader zoom range for diverse scenarios, from wide landscapes to telephoto frames
- Face-detection autofocus catering to portraits and street photography
- Better HD video recording capability and a sharper, larger LCD screen
- Manual focus control and additional timer modes for more creative shooting
Neither camera offers cutting-edge performance in autofocus speed, low-light noise, or professional control, but both embody the strengths and compromises of entry-level compacts from their era.
Final Thoughts from My Experience
As someone who has tested thousands of cameras, I find these models represent snapshots of a transitional moment in compact camera evolution. They may no longer compete with current smartphones or modern mirrorless designs, but for hobbyists wanting an introduction to zoom versatility in a pocketable package, they still serve a purpose.
If you prioritize sheer portability and easy macro work, Nikon’s S620 is worthy. But if you want more framing flexibility and better video, Samsung’s HZ15W edges ahead despite its bulkier shell.
Whichever you choose, understanding their quirks and strengths will empower you to make the most of what these little machines can deliver.
Happy shooting!
Nikon S620 vs Samsung HZ15W Specifications
| Nikon Coolpix S620 | Samsung HZ15W | |
|---|---|---|
| General Information | ||
| Brand Name | Nikon | Samsung |
| Model | Nikon Coolpix S620 | Samsung HZ15W |
| Other name | - | WB550 |
| Class | Small Sensor Compact | Small Sensor Compact |
| Released | 2009-02-03 | 2009-02-23 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.08 x 4.56mm |
| Sensor area | 27.7mm² | 27.7mm² |
| Sensor resolution | 12 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 16:9, 4:3 and 3:2 |
| Full resolution | 4000 x 3000 | 4000 x 3000 |
| Max native ISO | 6400 | 3200 |
| Min native ISO | 100 | 80 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-112mm (4.0x) | 24-240mm (10.0x) |
| Largest aperture | f/2.7-5.8 | f/3.3-5.8 |
| Macro focus distance | 2cm | 5cm |
| Focal length multiplier | 5.9 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 2.7 inches | 3 inches |
| Resolution of screen | 230k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 8s | 16s |
| Maximum shutter speed | 1/2000s | 1/2000s |
| Continuous shooting rate | 1.0 frames per sec | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | - | 4.70 m |
| Flash settings | Auto, Red-Eye reduction, Off, On, Slow sync | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off, Red eye fix |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) |
| Max video resolution | 640x480 | 1280x720 |
| Video data format | Motion JPEG | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 120g (0.26 lbs) | 249g (0.55 lbs) |
| Dimensions | 90 x 53 x 23mm (3.5" x 2.1" x 0.9") | 105 x 61 x 37mm (4.1" x 2.4" x 1.5") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | EN-EL12 | - |
| Self timer | Yes (3 or 10 sec) | Yes (10 sec, 2 sec, Double, Motion Timer) |
| Time lapse feature | ||
| Storage type | SD/SDHC, Internal | SC/SDHC/MMC/MMCplus, internal |
| Card slots | 1 | 1 |
| Launch price | $37 | $330 |