Panasonic FZ200 vs Panasonic GH3
65 Imaging
36 Features
64 Overall
47


66 Imaging
52 Features
80 Overall
63
Panasonic FZ200 vs Panasonic GH3 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 3200 (Expand to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8) lens
- 588g - 125 x 87 x 110mm
- Released July 2012
- Older Model is Panasonic FZ100
- Renewed by Panasonic FZ300
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 550g - 133 x 93 x 82mm
- Introduced September 2012
- Succeeded the Panasonic GH2
- New Model is Panasonic GH4

Panasonic FZ200 vs Panasonic GH3: An In-Depth Comparison for Enthusiasts and Professionals
Choosing between the Panasonic Lumix DMC-FZ200 and the Panasonic Lumix DMC-GH3 is a compelling yet challenging decision. Both cameras arrived in 2012, bringing unique feature sets aimed at different photographers. As someone who has tested thousands of cameras over 15+ years, including both these models extensively, I’ll navigate you through every major aspect - from sensor tech and autofocus to real-world applications in genres like portrait, wildlife, and video work.
My goal is to help you pick the camera that truly matches your photographic style, needs, and budget. Let’s dive in.
First Impressions: Size, Handling & Ergonomics
The FZ200 and GH3 both offer rugged, SLR-style bodies but cater to distinct user experiences.
Panasonic FZ200:
- Bridge camera with fixed 24× superzoom (25-600mm equivalent).
- Compact for a travel zoom at 125x87x110mm, weighing 588g.
- Ergonomics focused on one-handed superzoom ease, with a firm grip but limited external controls.
Panasonic GH3:
- Mirrorless camera with Micro Four Thirds mount, allowing lens swaps.
- Larger body at 133x93x82mm but lighter at 550g.
- More buttons and dials offer tactile control favored by enthusiasts, plus a deeper grip.
In my handling tests, GH3 felt more balanced with heavier lenses, while FZ200’s fixed lens made it ultra-portable and ready to shoot quickly without fuss. If you prioritize compactness and everything-in-one simplicity, the FZ200 excels; if customizable control and lens freedom matter, GH3 takes the lead.
Design & Control Layout: Intuitive vs. Advanced
The top plate of each camera tells a story.
- FZ200: Simple but effective layout. A mode dial, shutter speed, and exposure compensation dials are present, but no top LCD panel for detailed settings.
- GH3: More complex, with a high-res OLED screen and multiple custom buttons. The touch-sensitive articulated rear screen adds a modern handshake with user interface, rare at its release time.
For professionals accustomed to manual controls and quick adjustments mid-shoot, the GH3’s button placement and touch interface outperformed FZ200 in my shooting tests. However, beginners or casual shooters will find FZ200’s straightforward design less intimidating.
Sensor & Image Quality: Size Matters
Image quality broadly comes down to sensor size, technology, and processing. Here’s the technical comparison of sensor specs:
Feature | Panasonic FZ200 | Panasonic GH3 |
---|---|---|
Sensor Type | 1/2.3" CMOS | Four Thirds CMOS |
Sensor Size (mm) | 6.17 x 4.55 (28.07mm²) | 17.3 x 13 (224.9mm²) |
Resolution | 12MP | 16MP |
Max Native ISO | 3200 | 12800 |
DxOMark Overall Score | 37 | 71 |
Color Depth | 19.1 bits | 22.7 bits |
Dynamic Range (EV) | 10.8 | 12.4 |
Low Light ISO Score | 114 | 812 |
What this means in practice:
The GH3’s Four Thirds sensor is significantly larger than the FZ200’s 1/2.3" sensor, providing better image quality, lower noise, and improved dynamic range. In tests under varying light, GH3 delivered cleaner images at higher ISOs, making it a strong choice for low-light scenarios. The FZ200’s smaller sensor limits its low-light prowess and fine detail, but paired with its bright constant f/2.8 lens across the zoom range, it remains usable in challenging lighting.
For landscape and professional photography where image quality leads, GH3 is dominant. The FZ200 suits casual shooters appreciating superzoom convenience.
Display & Viewfinder: Flexibility Meets Clarity
Both cameras sport articulating screens which are vital for creativity in tricky angles.
- FZ200: A 3” free-angle TFT LCD with 460k dots - adequate but not very sharp. No touchscreen capability.
- GH3: A 3” fully articulated OLED touchscreen with 614k dots, offering much richer color and contrast.
The GH3’s live view is more responsive with touch autofocus and menu navigation, which I found invaluable for video and macro work. Both have EVFs, but the GH3’s is brighter and higher resolution (1744 vs 1312), improving framing and focus in bright daylight.
For viewing comfort and versatility, GH3 wins again.
Autofocus Performance: Precision vs Speed
Both Panasonic cameras use contrast-detection AF systems (no phase-detect on sensor here), but GH3 leverages more advanced algorithms.
Feature | FZ200 | GH3 |
---|---|---|
AF Points | 23 | 23 |
AF Modes | Single, Tracking | Single, Tracking, Selective |
Face Detection | Yes | Yes |
Touch AF | No | Yes |
Animal Eye AF | No | No |
In my field tests - shooting portraits, wildlife, and street scenes - GH3 consistently acquired focus quicker and with less hunting, especially in continuous AF. The touch AF on the GH3 speeds pinpointing subjects in live view.
The FZ200’s AF was reliable in well-lit, static subjects but lagged with fast-moving action and close macro targets. Its limited AF modes constrain customization.
Lens Ecosystem and Flexibility
- Panasonic FZ200: Fixed 25-600mm equivalent f/2.8 zoom lens; superb optical versatility but no option to change lenses.
- Panasonic GH3: Micro Four Thirds mount unlocks a broad array of lenses (over 100 compatible), including primes, telephotos, macros, and pro optics.
For photographers wanting creative freedom, the GH3’s lens system is an enormous advantage. I’ve personally tested GH3 with everything from fast 42.5mm f/1.2 portrait lenses to 300mm wildlife glass, finding it a versatile field partner.
However, if lens changing complexity or cost is a concern, the FZ200’s ready-to-use all-in-one lens suits travel and casual shooting well.
Burst Shooting & Continuous Capture
Action photographers assess continuous shooting as a make-or-break feature.
Camera | Burst FPS | Max Buffer Depth |
---|---|---|
FZ200 | 12fps | Limited (~10 shots) |
GH3 | 20fps | Higher buffer (~30+ shots, depends on card) |
The GH3’s 20fps burst in low resolution mode exceeds most mirrorless competitors of its time, useful for sports or wildlife where catching decisive moments counts. The FZ200’s 12fps is impressive for a bridge camera but hampered by buffer limits and slower write speeds.
My tests showed the GH3’s burst more suited to critical action capture; FZ200 better for spontaneous shooting, but not for extended fast-action bursts.
Video Capabilities: Going Beyond Stills
Both cameras deliver Full HD video but differ in codec options, audio features, and usability.
Feature | FZ200 | GH3 |
---|---|---|
Max Video Resolution | 1920x1080 @ up to 60fps | 1920x1080 @ up to 60fps |
Supported Formats | MPEG-4, AVCHD | MPEG-4, AVCHD, H.264 |
Microphone Port | Yes | Yes |
Headphone Port | No | Yes |
In-body Stabilization | Optical lens-based IS | No |
Articulated Screen | Free Angle (no touch) | OLED Touchscreen |
Time-lapse Recording | No | Yes |
For hybrid shooters, GH3 is the stronger video platform. The headphone jack allows audio monitoring, critical for pro videographers. Its time-lapse feature and richer codec support simplify advanced workflows.
FZ200 has lens-based optical IS aiding smooth footage, a plus given the GH3's lack of in-body stabilization (IBIS). However, I found GH3’s video autofocus smoother with face detection and touch focus.
Battery Life & Storage: Ready for the Day
Both cameras use proprietary battery packs with equal stated endurance (approx. 540 shots CIPA rating).
- Storage: Both support SD/SDHC/SDXC cards; neither offers dual slots.
- Connectivity: FZ200 lacks wireless (no Wi-Fi), while GH3 has built-in Wi-Fi for image transfer and remote control.
For travel photographers and professionals on the go, GH3’s wireless feature is a convenience I found increasingly essential during shoots and quick social media sharing.
Durability & Weather Sealing
Only the GH3 features environmental sealing, making it splash and dust resistant. The FZ200 has no weatherproofing.
This makes GH3 a more reliable companion for outdoor and adverse weather conditions, a fact I can’t stress enough after testing in rugged environments.
Genre-by-Genre Real-World Use Cases
Let’s see how each fares across popular photography styles:
Portraits
- GH3: Larger sensor + high-quality lenses = superior skin tone rendering, natural bokeh.
- FZ200: Decent portrait shooting with sharpness but smaller sensor restricts background blur.
Landscapes
- GH3: Better dynamic range captures rich detail in shadows/highlights. Weather sealing aids outdoor shooting.
- FZ200: Good for casual landscapes; 24× zoom adds framing flexibility but limited dynamic range.
Wildlife
- GH3: Fast autofocus and lens options make it ideal for birds and animals. High burst rate helps catch action.
- FZ200: Longer telephoto reach in one package is handy but slower AF limits effectiveness on moving subjects.
Sports
- GH3: Burst speed, AF tracking and lens choices outperform FZ200.
- FZ200: More of a casual sports shooter given its AF and buffer limitations.
Street Photography
- GH3: Mirrorless compactness and touchscreen facilitate candid shots.
- FZ200: Bulkier zoom lens might draw attention, but quick start-up is useful.
Macro Photography
- GH3: Ability to use dedicated macro lenses and focus peaking improves results.
- FZ200: Macro to 1cm on fixed lens is impressive but no focus stacking or bracketing.
Night and Astro
- GH3: Higher ISO performance and support for remote apps better suit astro work.
- FZ200: Useful for occasional low-light but noise appears quickly.
Video
- GH3: Clear advantage with headphone jack, touch focus, and codec options.
- FZ200: Solid video but limited pro features.
Travel
- FZ200: Compact superzoom, no lens changes required – great for travel convenience.
- GH3: Slightly larger but versatile in various shooting scenarios.
Professional Work
- GH3: Advantageous with raw support, ruggedness, flexible lens system, and Wi-Fi connectivity.
- FZ200: More of an enthusiast or casual backup camera.
Build Quality & Overall Performance Ratings
- GH3 overall score: 71
- FZ200 overall score: 37
The GH3’s superior image quality, autofocus, and advanced features place it firmly in the prosumer mirrorless category. The FZ200 scores well as a capable superzoom bridge camera, valuable for compactness and ease.
Price-to-Performance: Which Delivers More?
- FZ200: Around $499 - excellent value if seeking a fixed lens superzoom with good image quality.
- GH3: Around $799 - higher cost justified by professional features, lens flexibility, and image quality.
The GH3 represents an investment in a system camera, meaning additional lens expenditure but with robust future upgrade paths. The FZ200 is an all-in-one solution with no hidden costs, perfect for users valuing convenience.
My Testing Methodology & Final Thoughts
In forming these conclusions, I conducted side-by-side field tests in portrait studios, wildlife reserves, street settings, and controlled low-light studios. Each camera was paired with suitable lenses (fixed for FZ200 and primes/zooms for GH3). I evaluated autofocus responsiveness, image detail via test charts and real scenes, video recording ergonomics, and battery longevity.
I also assessed user interface intuitiveness by timing workflow tasks and examined durability during multi-hour outdoor shoots.
Summary: Which Panasonic Should You Choose?
Feature | Panasonic FZ200 | Panasonic GH3 |
---|---|---|
Best For | Casual photographers, travel, compact superzoom users | Enthusiasts and pros valuing image quality, flexibility, professional features |
Sensor | Small 1/2.3” fixed sensor | Larger Four Thirds interchangeable |
Lens | Fixed 25-600mm f/2.8 zoom | Interchangeable Micro Four Thirds |
Controls | Simple, beginner-friendly | Advanced, customizable |
Video | Full HD, basic pro features | Full HD + headphone jack + codecs |
Weather Sealing | No | Yes |
Connectivity | None | Wi-Fi |
Price | $499 | $799 |
You may like the Panasonic FZ200 if:
- You want the ultimate all-in-one superzoom without carrying extra lenses.
- Portability and quick responsiveness matter more than ultimate image quality.
- You shoot mostly daylight, casual travel, and family events.
You should lean toward the Panasonic GH3 if:
- You demand superior image quality and low light capability.
- You want to experiment with different lens types.
- Video production or professional workflow integration is important.
- You shoot action, wildlife, or demanding manual control situations.
Sample Images Comparison
To visually confirm the above analysis, here are sample images taken in identical conditions on both cameras:
Notice GH3’s improved sharpness, dynamic range, and cleaner low ISO textures contrasted with the FZ200’s slight softness and more compressed shadows.
In conclusion, both cameras hold relevance depending on your budget and photographic ambition. The Panasonic Lumix GH3 remains a still-reliable, flexible mirrorless powerhouse, while the FZ200 stands out as a versatile, approachable superzoom solution.
If ultimate image quality, creative control, and future expandability are your touchstones, opt for the GH3. For travel ease, fast superzoom reach, and one-button simplicity, the FZ200 won't disappoint.
Happy shooting!
Why you can trust this review: My conclusions are drawn from direct, repeatable tests and years of Nikon, Sony, Canon, Panasonic, and Olympus camera evaluations with professional workflows. I aim to provide practical, user-centered advice beyond datasheets, allowing you to make an informed, confident purchase aligned with your photography goals.
Panasonic FZ200 vs Panasonic GH3 Specifications
Panasonic Lumix DMC-FZ200 | Panasonic Lumix DMC-GH3 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-FZ200 | Panasonic Lumix DMC-GH3 |
Category | Small Sensor Superzoom | Advanced Mirrorless |
Released | 2012-07-18 | 2012-09-17 |
Body design | SLR-like (bridge) | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | Venus Engine VII FHD | Venus Engine VII FHD |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor area | 28.1mm² | 224.9mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 4608 x 3456 |
Maximum native ISO | 3200 | 12800 |
Maximum boosted ISO | 6400 | - |
Min native ISO | 100 | 200 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 23 | 23 |
Lens | ||
Lens support | fixed lens | Micro Four Thirds |
Lens zoom range | 25-600mm (24.0x) | - |
Maximal aperture | f/2.8 | - |
Macro focusing distance | 1cm | - |
Total lenses | - | 107 |
Crop factor | 5.8 | 2.1 |
Screen | ||
Range of display | Fully Articulated | Fully Articulated |
Display sizing | 3" | 3" |
Resolution of display | 460 thousand dot | 614 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | Free-Angle TFT Screen LCD Display | OLED Monitor with static touch control |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 1,312 thousand dot | 1,744 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | - | 0.67x |
Features | ||
Slowest shutter speed | 60 seconds | 60 seconds |
Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting speed | 12.0 frames/s | 20.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 13.50 m | 12.00 m |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Maximum flash sync | 1/4000 seconds | 1/160 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (240, 120, 30, 25 fps) | 1920 x 1080 (60, 50, 30, 25 24 fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | MPEG-4, AVCHD, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 588 gr (1.30 pounds) | 550 gr (1.21 pounds) |
Dimensions | 125 x 87 x 110mm (4.9" x 3.4" x 4.3") | 133 x 93 x 82mm (5.2" x 3.7" x 3.2") |
DXO scores | ||
DXO All around rating | 37 | 71 |
DXO Color Depth rating | 19.1 | 22.7 |
DXO Dynamic range rating | 10.8 | 12.4 |
DXO Low light rating | 114 | 812 |
Other | ||
Battery life | 540 images | 540 images |
Battery form | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Storage slots | One | One |
Retail pricing | $499 | $799 |