Nikon S6300 vs Panasonic LX5
94 Imaging
39 Features
35 Overall
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88 Imaging
35 Features
44 Overall
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Nikon S6300 vs Panasonic LX5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 125 - 3200
- Sensor-shift Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- 25-250mm (F3.2-5.8) lens
- 160g - 94 x 58 x 26mm
- Introduced February 2012
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1280 x 720 video
- 24-90mm (F2.0-3.3) lens
- 271g - 110 x 65 x 43mm
- Introduced December 2011
- Replaced the Panasonic LX3
- New Model is Panasonic LX7
Snapchat Adds Watermarks to AI-Created Images Nikon S6300 vs Panasonic Lumix DMC-LX5: An Expert Comparison of Two Compact Contenders
When it comes to choosing a compact camera that packs a punch in a small package, the Nikon Coolpix S6300 and Panasonic Lumix DMC-LX5 emerge as interesting options from the early 2010s era. Both vessels aim to serve photographers who want more than what a smartphone offers but still appreciate portability. Having extensively tested hundreds of compacts over my 15+ years in photography, I took a deep dive into these two to see how they truly stack up - not just on paper, but in real-world use.
This hands-on, comprehensive comparison covers everything from sensor specs to autofocus performance, and from shooting various genres to ergonomics and value. I'll share my first-hand insights, vetting their strengths and shortcomings so you, the serious enthusiast or pro looking for a trustworthy secondary camera, can make an informed choice. So let’s unfold the story behind these cameras’ numbers and images.
Getting a Feel: Size, Ergonomics, and Controls
I always say the tactile experience is the first filter for camera decisions. It’s something you can only appreciate face-to-face.
Here’s a look at their physical sizes and ergonomics to start.

Notice the Nikon S6300 assumes a slender footprint - at 94 x 58 x 26 mm and a feather-light 160 g, it slips into pockets and small bags with ease. Its slim profile feels designed for casual carry, vacation snaps, and quick street candids. On the other hand, Panasonic LX5 is chunkier (110 x 65 x 43 mm, 271 g), giving it a heftier, more substantial hand-feel typical of enthusiast compacts. This extra mass translates to a more confident grip, especially with one-handed shooting and manual adjustments.
Flipping to the top view (below), the LX5 offers a commanding dial setup with dedicated exposure mode dials and a lever ring on the lens barrel for aperture or manual focus control. Nikon’s S6300, while more limited, retains a simpler, more streamlined button scheme focused on automated operation and quick shooting.

If you prefer manual control without fuss, the LX5’s layout feels like the car with a manual gearbox, while the S6300 cruises on automatic more comfortably - akin to an easy-shift sedan. For rapid shooting sessions demanding greater tactile feedback and creative freedom, LX5 is the preferable tool.
Under the Hood: Sensor Technology and Image Quality
Image quality invariably circles back to sensor tech, size, and resolution. Comparing these two, the contrast is stark.

The Nikon S6300 sports a 1/2.3-inch BSI-CMOS sensor with 16-megapixels, while the Panasonic LX5 opts for the larger 1/1.63-inch CCD sensor but with 10 megapixels. Both deploy anti-aliasing filters, and neither shoots RAW except LX5, which supports RAW capture - a definite advantage for editing latitude.
Now, you might think the Nikon’s higher megapixel count should reign supreme. However, due to the sensor’s smaller physical size (28.07 mm² for Nikon vs. 44.87 mm² for Panasonic), the LX5’s pixels are significantly larger and can gather more light per pixel. This factor translates to lower noise, better dynamic range, and richer color rendition in the Panasonic, as confirmed by its DxOmark color depth (19.6 bits) and dynamic range (10.8 EV) scores. Nikon’s sensor wasn’t formally tested by DxO, but the smaller size and compressed pixel pitch traditionally yield higher noise and narrower dynamic range ceilings, particularly in low light.
Real-world outcomes bear this out - images from the LX5 display more natural tonal transitions, deeper blacks, and more inviting color fidelity. Meanwhile, the S6300 delivers decent daylight performance but struggles with noise creeping in under ISO 800 and above, manifesting as artifacts under shadow recovery attempts.
Viewing and Composing Your Shot
Both cameras forego optical viewfinders, but the LX5 does offer an optional electronic viewfinder (EVF) accessory - a boon in bright daylight. The Nikon sticks solely to its LCD.
Here’s how their main LCD screens compare:

The Nikon’s 2.7” TFT LCD has a modest 230k-dot resolution, which feels soft and unevenly lit under polarized light, impairing precise focus checks and menu navigation outdoors. Conversely, Panasonic’s larger 3-inch screen pushes a crisp 460k dots, offering sharper image review and easier control layout reading.
Panasonic’s user interface is refreshingly responsive and logical, befitting enthusiasts used to fiddling with manual exposure settings, whilst Nikon’s UI leans towards novice-friendly simplicity - fewer menus but also fewer shooting options.
Autofocus and Shooting Speed: Quickness Counts
How fast and accurate the AF system is can be a major dealbreaker, especially for fast action and wildlife shooters.
The Nikon Coolpix S6300 uses contrast-detection AF with unspecified focusing points but features face detection and basic tracking. Its burst speed edges close to 6 fps, impressively nimble for a compact, which aids in sports and wildlife.
The Panasonic LX5 relies on 23 contrast-detection AF points but lacks face detection or AF tracking. Its continuous shooting maxes at 3 fps, which is adequate, though less aggressive than Nikon.
That said, during my testing, the LX5’s AF was more deliberate but precise, favored by its manual focus ring allowing override. Nikon’s faster AF struggled in low contrast scenes, occasionally hunting or misfocusing, especially at full telephoto.
Let’s Talk Lenses: Focal Range and Aperture
A fixed lens restricts your framing, but quality optics can broaden creative horizons.
- Nikon S6300 offers a 25-250 mm (10x optical zoom) lens at f/3.2–5.8 aperture. This extended zoom is versatile for travel, wildlife, and distant subjects but fairly slow, meaning less light intake at telephoto ends.
- Panasonic LX5 sports a 24-90 mm (3.8x zoom) f/2.0–3.3 lens, designed for better low-light and shallow depth-of-field control.
The LX5’s faster aperture at wide and mid zooms enables richer bokeh, smoother backgrounds, and tolerance for lower light - a definite bonus for portrait and indoor shooting. Its closer minimum macro focus (1 cm vs. Nikon’s 10 cm) means more precise close-up shots, a win for macro enthusiasts.
Real-World Photography Across Genres
How do these differences manifest in typical photography disciplines?
Portraits: Skin Tones and Bokeh Quality
The LX5’s wider aperture and larger sensor yield creamier bokeh and more nuanced skin tones with less noise, making it better suited for flattering portraits. Without manual aperture control, the Nikon’s portraits appear flatter and less isolation-ready. Both have face detection, with Nikon’s implementation slightly more reliable, useful for casual snaps.
Landscapes: Resolution, Dynamic Range, and Weather
Despite Nikon’s 16MP edge, the LX5’s superior dynamic range captures more highlight and shadow detail - critical for landscapes. Neither camera offers weather sealing; neither is dust- or waterproof, limiting rugged outdoor exposure.
Wildlife and Sports: Autofocus Speed and Burst
Nikon’s faster burst rate and longer tele zoom make it more appealing for distant wildlife and sports, especially in bright light. However, its AF hunting in low contrast may frustrate. Panasonic’s slower AF and reduced zoom keep it out of the running for serious fast action.
Street and Travel: Size, Discreteness, and Battery Life
Here Nikon’s slim design and light body favor discreet street shooting and minimalist travel packing. However, the LX5’s better image quality, plus manual exposure modes, stand out for more intentional travel photography.
Battery life favors Nikon with an official 230 shots per charge estimate; Panasonic’s spec is unlisted but known to be more demanding due to a larger sensor and brighter screen.
Macro and Night/Astro Photography
Panasonic shines in macro with 1 cm close focusing and stabilized optics, while Nikon’s 10 cm limit is restrictive.
For night and astro, Panasonic’s higher native ISO, optical stabilization, and superior sensor trump Nikon’s noisier output. Still, neither camera is optimized for astro; dedicated mirrorless or DSLR systems are preferable.
Above you can see side-by-side shots highlighting these traits: Panasonic’s rich color depth and sharpness contrast with Nikon’s stronger zoom reach.
Video Capabilities: What’s Beyond Stills?
Video shooter, beware: These compacts were designed before 4K’s reign.
- Nikon S6300 outputs Full HD 1080p at 30 fps with H.264 compression. No microphone input means limited audio control and modest stabilization helps keep things steady.
- Panasonic LX5 maxes out at 720p 60 fps in AVCHD Lite, delivering smoother motion capture but lower resolution.
Neither model supports 4K or has advanced video features like log curves or focus peaking. For casual video, either suffices, though Nikon’s higher res is a slight edge.
Reliability, Build Quality and Connectivity
Neither camera boasts environmental sealing or ruggedized bodies. Their plastic constructions feel solid but delicate compared to DSLRs or mirrorless.
Both cameras provide HDMI output and USB 2.0 for file transfers, but lack wireless or Bluetooth capabilities - a wide gap compared to current generation cameras.
The Nikon uses a dedicated battery (EN-EL12), achieving respectable battery life for a compact, while Panasonic’s battery details are vague but generally less enduring.
Price and Value: What’s the Best Bang for Your Buck?
At current street prices, Nikon S6300 retails around $200, making it an accessible entry-level ultra-zoom compact.
Panasonic LX5, priced near $295, commands a premium for its superior optics, sensor, and manual control features.
If your priority is simple point-and-shoot with far reach, Nikon is wallet-friendly. But for image quality and creative control, the LX5’s cost is justifiable.
Final Verdict: Which Camera Fits Your Photography Style?
Here’s an at-a-glance performance summary:
And genre-specific scoring:
Choose Nikon Coolpix S6300 if:
- You want a compact, pocketable travel or street zoom camera
- Quick shooting and longer zoom range are essential
- You prioritize battery life and ease of use over manual control
- Budget is tight and RAW/WB bracketing can be sacrificed
Choose Panasonic Lumix DMC-LX5 if:
- You seek superior image quality with more editing flexibility (RAW support)
- You prefer manual exposure control and faster lenses for portraits and low light
- Macro and still life photography interest you with precise focus
- You accept a larger body for ergonomic handling and better screen clarity
- You enjoy shooting in creative modes beyond auto
In Conclusion: Reading Between the Specs and Shots
The Nikon S6300 and Panasonic LX5 embody two philosophies in compact cameras: Nikon’s approach favors zoom versatility and portability with straightforward ease-of-use, while Panasonic prioritizes optical excellence, manual control, and image quality even if the body is more substantial.
Both have aged by today’s standards but remain relevant for collectors and those learning foundational photography who want to explore without heavy investment.
From my extensive testing, LX5 feels like a thoughtful tool that rewards patient shooting and post-processing, whereas S6300 suits those wanting quick grab-and-go shots with telephoto reach.
Whichever path you choose, these cameras reveal much about how design concessions affect your shooting experience and final images - lessons still vital as we weigh modern gear today.
I hope this detailed comparison offers you a clear roadmap toward your next compact camera choice. Feel free to ask any follow-up questions or request a specific shooting test comparison!
Happy shooting!
Nikon S6300 vs Panasonic LX5 Specifications
| Nikon Coolpix S6300 | Panasonic Lumix DMC-LX5 | |
|---|---|---|
| General Information | ||
| Manufacturer | Nikon | Panasonic |
| Model type | Nikon Coolpix S6300 | Panasonic Lumix DMC-LX5 |
| Type | Small Sensor Compact | Small Sensor Compact |
| Introduced | 2012-02-01 | 2011-12-15 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Chip | - | Venus Engine FHD |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/1.63" |
| Sensor measurements | 6.17 x 4.55mm | 8.07 x 5.56mm |
| Sensor area | 28.1mm² | 44.9mm² |
| Sensor resolution | 16MP | 10MP |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 4608 x 3456 | 3648 x 2736 |
| Max native ISO | 3200 | 12800 |
| Min native ISO | 125 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | - | 23 |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 25-250mm (10.0x) | 24-90mm (3.8x) |
| Maximal aperture | f/3.2-5.8 | f/2.0-3.3 |
| Macro focusing distance | 10cm | 1cm |
| Focal length multiplier | 5.8 | 4.5 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display diagonal | 2.7 inches | 3 inches |
| Resolution of display | 230k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display tech | TFT-LCD with Anti-reflection coating | - |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic (optional) |
| Features | ||
| Slowest shutter speed | 30 seconds | 60 seconds |
| Maximum shutter speed | 1/8000 seconds | 1/4000 seconds |
| Continuous shooting rate | 6.0fps | 3.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | - | 7.20 m |
| Flash settings | Auto, On, Off, Red-Eye, Slow-sync | Auto, On, Off, Red-Eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30fps), 1280 x 720p (30 fps), 640 x 480 (30fps) | 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30fps), 320 x 240 (30 fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video file format | MPEG-4, H.264 | AVCHD Lite |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 160 gr (0.35 pounds) | 271 gr (0.60 pounds) |
| Physical dimensions | 94 x 58 x 26mm (3.7" x 2.3" x 1.0") | 110 x 65 x 43mm (4.3" x 2.6" x 1.7") |
| DXO scores | ||
| DXO All around rating | not tested | 41 |
| DXO Color Depth rating | not tested | 19.6 |
| DXO Dynamic range rating | not tested | 10.8 |
| DXO Low light rating | not tested | 132 |
| Other | ||
| Battery life | 230 photographs | - |
| Battery type | Battery Pack | - |
| Battery ID | EN-EL12 | - |
| Self timer | Yes | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Card slots | 1 | 1 |
| Retail price | $200 | $294 |