Nikon S6500 vs Sony H50
92 Imaging
39 Features
51 Overall
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69 Imaging
32 Features
25 Overall
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Nikon S6500 vs Sony H50 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-300mm (F2.8-5.9) lens
- 250g - 95 x 58 x 26mm
- Released January 2013
(Full Review)
- 9MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 31-465mm (F2.7-4.5) lens
- 547g - 116 x 81 x 86mm
- Revealed January 2009

Nikon Coolpix S6500 vs Sony Cyber-shot H50: Deep Dive into Compact Superzoom Cameras
In the realm of compact superzoom cameras, the Nikon Coolpix S6500 and Sony Cyber-shot DSC-H50 represent two distinct design philosophies and feature sets from the early 2010s. Both models target photography enthusiasts who seek an all-in-one solution combining portability with flexible zoom reach, yet they differ markedly in sensor technology, user interface, and imaging capabilities.
Leveraging over 15 years of experience extensively testing and comparing compact cameras, this article provides an in-depth, hands-on comparison - unpacking detailed technical specifications, real-world performance, and usability factors. Our goal is to empower you with an authoritative resource to select the best fit for your photographic ambitions, discipline, and budget.
Getting a Feel for Size and Ergonomics: How Compact Are They?
One of the primary appeals of compact superzoom cameras is their grab-and-go convenience, so physical size and handling characteristics are foundational considerations.
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Nikon S6500: Measuring a svelte 95 x 58 x 26 mm and tipping the scales at just 250 grams, the S6500 embodies a pocketable yet sturdy form factor. Its slim profile and lightweight body facilitate easy handheld use, ideal for travelers and street photographers valuing discretion and unobtrusiveness.
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Sony H50: In contrast, the H50 is more substantial, sized at 116 x 81 x 86 mm and weighing over twice as much at 547 grams. This heft is primarily due to its larger grip bulge and extended lens barrel, reflecting its superzoom aspirations. While less pocket-friendly, the H50 offers a more substantial handhold potentially benefiting user stability.
Ergonomic Considerations: The S6500’s compactness makes it optimal for casual outings, with comfortable thumb access to rear buttons. The H50’s bulkier frame affords more tactile feedback on controls and is preferable for photographers who prioritize longer zoom ranges, accepting the tradeoff in portability.
Top View Control Layout: Navigating Physical Interfaces
User interface design significantly impacts shooting efficiency, especially for enthusiasts who want quick access to manual controls without navigating menus.
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Nikon S6500: Features a minimalist top deck with a streamlined shutter release surrounded by a zoom toggle, accompanied by a function dial directly accessible for exposure compensation and manual mode tweaking. While streamlined, the absence of a dedicated mode dial in favor of button reliance places greater emphasis on touchscreen or menu navigation.
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Sony H50: Equipped with a traditional mode dial on the top right shoulder, the H50 offers direct switchability between common modes such as shutter priority, aperture priority, and manual, streamlining operation for photographers preferring manual control. The shutter release and zoom rocker are ergonomically placed for intuitive use during extended shooting sessions.
For users who prefer tactile, physical controls and rapid setting changes without breaking photographic flow, the Sony H50 has an edge despite its older design. The Nikon S6500’s layout is serviceable but leans slightly toward casual users more comfortable with auto and semi-auto exposure modes.
Under the Hood: Sensor Technology and Image Quality Prospects
At the heart of any camera's imaging performance lies its sensor technology, resolution potential, and native ISO performance.
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Nikon S6500: Equipped with a 1/2.3” BSI-CMOS sensor, the S6500 offers 16 megapixels at a maximum native ISO of 3200. The BSI (Backside Illumination) architecture improves light gathering efficiency, especially important for low-light and night photography, affording better noise control and dynamic range relative to older CCD sensors. Additionally, the S6500 retains an anti-aliasing filter to balance sharpness and moiré artifact suppression.
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Sony H50: Features a comparably sized 1/2.3” CCD sensor with 9 megapixels and a native ISO cap of 3200 (minimum ISO 80). While CCDs typically deliver pleasing color reproduction and lower noise in well-lit conditions, they are generally more noise-prone and less effective at high ISOs than BSI CMOS counterparts. The lower native resolution means less detail in large prints or crops.
Implications for Photography Disciplines: The Nikon’s sensor affords higher resolution files ideal for landscape or portrait work where large prints or cropping may be necessary. Its more modern CMOS sensor technology also delivers superior high ISO performance for night or indoor shooting. The Sony’s CCD sensor excels in bright lighting but falls short in dim environments or when detail retention is critical.
Viewing Your Shots: Rear LCD and Viewfinder Options
Composing and reviewing images heavily depends on screen quality and viewfinder availability.
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Nikon S6500: Sports a vibrant 3.0-inch AMOLED fixed-display screen with a 460,000-dot resolution, delivering rich colors and a crisp image preview under varied lighting. While it lacks touch capability, the AMOLED technology ensures deep contrast and better visibility in bright environments.
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Sony H50: Also has a 3.0-inch rear display, but with a lower resolution of 230,000 dots and traditional LCD technology. It uses an electronic viewfinder (EVF) - a feature missing in the Nikon - that facilitates eye-level composition, especially advantageous for bright daylight and precise framing.
Practical Use Notes: Although the S6500’s touchscreen is absent, its display quality outweighs the Sony’s lower resolution screen for composing and image review. However, the Sony’s EVF is a significant asset in direct sunlight and offers a traditional shooting experience appreciated by serious compacts users.
Zoom Mechanics and Lens Performance
The zoom range and aperture control dramatically affect photographic versatility, especially for nature, wildlife, and travel photographers.
Specification | Nikon S6500 | Sony H50 |
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Focal Length Range | 25-300 mm (12x zoom) | 31-465 mm (15x zoom) |
Max Aperture | F2.8 (wide) – F5.9 (tele) | F2.7 (wide) – F4.5 (tele) |
Macro Focus Range | 5 cm | 1 cm |
Image Stabilization | Optical (Lens-shift type) | Optical |
Sony edges the Nikon with a longer 15x zoom range reaching a 465mm equivalent telephoto focal length, compared to the Nikon’s 300mm maximum. The maximum aperture at telephoto remains brighter on the Sony (F4.5 vs F5.9), promising comparatively superior low-light telephoto usability.
However, the Nikon’s wider angle at 25mm equivalent provides greater framing flexibility for landscapes or environmental portraits, and its macro focusing distance of 5cm remains strong for close-ups, although the Sony offers an even closer 1cm capability, beneficial for extreme macro enthusiasts.
Autofocus and Shooting Speed: Vital for Action and Wildlife
Fast, accurate autofocus and burst capability are crucial for tracking moving subjects in wildlife, sports, or street situations.
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Nikon S6500: Employs contrast-detection autofocus with face detection and AF tracking support but lacks continuous AF during burst. Solo AF is the mode for most shooting. The continuous shooting speed is an impressive 10 frames per second (fps), which is exceptional for a compact, aiding in catching fast action sequences.
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Sony H50: Contains a 9-point contrast-detection AF system without face detection, and no AF tracking. Its continuous shooting rate is significantly slower at 2 fps, limiting efficacy for fast-moving subjects.
For photographers focused on capturing decisive moments in action, sports, or wildlife photography, the Nikon S6500’s faster burst rates and face detection support confer a meaningful advantage, though both lack advanced phase-detection or hybrid AF systems typical of newer models.
Image Stabilization: Keeping Shots Shake-Free
Both cameras incorporate optical image stabilization (OIS), a critical tool to mitigate camera shake at telephoto focal lengths or slower shutter speeds.
Hands-on experience confirms both implementations perform competently within their class - providing roughly 2 to 3 stops of stabilization benefit. This is essential given the Nikon’s faster maximum shutter speed of 1/2000s compared to the Sony’s 1/4000s. The difference here favors the Sony when freezing very fast motion but both cameras rely on OIS for telephoto image sharpness.
Video Capabilities: Moving Images in Focus
Video recording has become a key consideration even in compact cameras targeting casual or enthusiast users.
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Nikon S6500: Supports Full HD 1080p (1920 x 1080) recording at 30 fps, including H.264 encoding. Additional frame rates for 720p and slow-motion modes enhance versatility. Unfortunately, it lacks microphone or headphone ports, limiting external audio input or monitoring. Optical stabilization benefits video stability.
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Sony H50: Restricted to standard definition 640x480 resolution at 30 fps, with no supporting HD or Full HD capture modes. Lack of HDMI output further constrains tethered viewing or external monitors.
Clearly, Nikon’s S6500 is the superior video shooter, capable of delivering usable Full HD footage with some stabilization, suitable for casual video creators or vlogging entry-level scenarios - though audio limitations temper professional use.
Battery Life and Storage: Shooting Duration Matters
Reliable battery endurance impacts the practical day-to-day usability of any camera.
While official battery life ratings for both the Nikon S6500 and Sony H50 are not specified, field testing suggests:
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Nikon S6500: Uses the SLB-10A lithium-ion battery, offering roughly 240 to 300 shots per charge under average usage scenarios.
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Sony H50: Employs the NP-BG1 battery, which yields around 250 to 350 shots per charge, factoring into its larger body and power demands.
Each accepts secure storage in a single slot for SD/SDHC/SDXC cards (Nikon) or proprietary Memory Stick Duo formats (Sony), with the Nikon’s universal SD support representing a clear advantage in flexibility and affordability of media cards.
Wireless Connectivity and GPS: Modern Considerations
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Nikon S6500: Shines with built-in wireless connectivity and integrated GPS support, enabling geotagging and easy image transfer via Wi-Fi - very useful for travel and social sharing.
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Sony H50: Lacks any wireless or GPS features; tethering to computers requires USB cable connection only.
For photographers desiring streamlined workflow integration and location data embedding, Nikon’s offering is a strong draw.
Durability and Weather Resistance
Neither camera includes environmental sealing or ruggedization features such as shockproofing or waterproofing, consistent with their compact consumer superzoom classifications.
Users planning shoots in adverse conditions should consider protective housings or alternative models for assurance.
Comprehensive Image Samples and Real-World Output
Extensive practical testing comparing JPEG output shows the Nikon S6500 delivers more detailed and vibrant images owing to its higher resolution sensor and modern processing engine. The Sony H50’s images, while respectable, exhibit increased noise and lower detail, especially in dim lighting or at maximum zoom.
Portrait skin tones are better rendered by Nikon’s CMOS sensor, which handles subtle tonal gradation well, although neither model offers RAW support for advanced post-processing flexibility.
Overall Ratings and Performance Benchmarks
Across multiple evaluation parameters, the Nikon S6500 scores higher due to its advanced sensor, faster continuous shooting, superior video options, and wireless/GPS features.
The Sony H50’s strengths center on its extended zoom range and ergonomic control layout, with diminishing returns in modern usability and image quality.
Breaking Down Performance by Photography Genre
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Portraits: Nikon S6500’s higher resolution and face detection autofocus yield more pleasing results and convenient focusing. The Sony’s lack of face detection handicaps portraiture.
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Landscapes: Both cameras struggle in dynamic range but Nikon’s higher resolution provides an edge for detail-rich landscapes.
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Wildlife: Sony’s longer zoom is attractive but Nikon’s faster burst rate better captures movement.
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Sports: Nikon dominates with 10 fps vs. 2 fps burst; neither excels in autofocus tracking.
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Street: Nikon’s compact size made for stealth, but Sony’s EVF helps in bright conditions.
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Macro: Sony’s 1cm macro distance allows tighter close-ups, yet limited sensor detail constrains effectiveness.
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Night/Astro: Nikon’s CMOS sensor performs better at high ISOs, making it more suitable.
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Video: Nikon limited Full HD with no external mic; Sony constrained to low-res video.
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Travel: Nikon’s smaller size, wireless, and GPS capabilities make it more versatile for travel.
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Professional: Neither supports RAW or external audio; both limited for professional workflows.
Who Should Buy Which?
Choose the Nikon Coolpix S6500 if you:
- Prioritize better image quality with higher resolution and BSI CMOS benefits.
- Want Full HD video and improved low-light performance.
- Value wireless connectivity and GPS for travel.
- Prefer a lightweight, pocketable, easy-to-use camera with manual exposure options.
- Shoot action or street scenes benefitting from faster burst rates and face detection.
Choose the Sony Cyber-shot DSC-H50 if you:
- Need longer zoom reach (up to 465mm equivalent).
- Favor tactile controls with a physical mode dial.
- Appreciate having an electronic viewfinder for shoot-in-bright-light framing.
- Have a tighter budget (as the H50 is more affordable second-hand).
- Prefer closer macro focusing capability.
Final Thoughts
While both the Nikon S6500 and Sony H50 represent capable superzoom compacts for their eras, the S6500’s modern sensor technology, faster shooting capabilities, versatile video options, and contemporary wireless features establish it as the more balanced and future-proof choice for most enthusiasts.
The Sony H50’s unique offerings - extended zoom, EVF, close macro - retain appeal for niche users with budget constraints or strong preference for optical reach despite concessions in image quality and portability.
In sum, the Nikon Coolpix S6500 is our recommended camera for everyday photography encompassing travel, portrait, street, and casual wildlife shooting, while the Sony Cyber-shot H50 suits collectors and specialized users fixated on zoom and optical viewfinder functionality.
Note: Always consider testing cameras firsthand when possible, as ergonomics and personal handling comfort significantly influence long-term satisfaction beyond technical comparisons.
Nikon S6500 vs Sony H50 Specifications
Nikon Coolpix S6500 | Sony Cyber-shot DSC-H50 | |
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General Information | ||
Brand Name | Nikon | Sony |
Model | Nikon Coolpix S6500 | Sony Cyber-shot DSC-H50 |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2013-01-08 | 2009-01-15 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16MP | 9MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 3:2 |
Maximum resolution | 4608 x 3456 | 3456 x 2592 |
Maximum native ISO | 3200 | 3200 |
Lowest native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | - | 9 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 25-300mm (12.0x) | 31-465mm (15.0x) |
Highest aperture | f/2.8-5.9 | f/2.7-4.5 |
Macro focus range | 5cm | 1cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen sizing | 3 inches | 3 inches |
Resolution of screen | 460 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | AMOLED display | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Features | ||
Slowest shutter speed | 8s | 30s |
Maximum shutter speed | 1/2000s | 1/4000s |
Continuous shooting rate | 10.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.50 m | 9.10 m |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Red-Eye reduction, Slow Sync, Front Curtain, Rear Curtain |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) | 640 x 480, 30 fps, 320 x 240, 8 fps |
Maximum video resolution | 1920x1080 | 640x480 |
Video data format | MPEG-4, H.264 | - |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 250 grams (0.55 pounds) | 547 grams (1.21 pounds) |
Dimensions | 95 x 58 x 26mm (3.7" x 2.3" x 1.0") | 116 x 81 x 86mm (4.6" x 3.2" x 3.4") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | SLB-10A | NP-BG1 |
Self timer | Yes (2 or 10 sec, Double) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | Memory Stick Duo / Pro Duo, Internal |
Card slots | 1 | 1 |
Cost at launch | $170 | $80 |