Nikon S9700 vs Panasonic F5
90 Imaging
40 Features
48 Overall
43


96 Imaging
37 Features
23 Overall
31
Nikon S9700 vs Panasonic F5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-750mm (F3.7-6.4) lens
- 232g - 110 x 64 x 35mm
- Revealed February 2014
- Superseded the Nikon S9500
- Newer Model is Nikon S9900
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- 1280 x 720 video
- 28-140mm (F3.2-6.5) lens
- 121g - 97 x 58 x 22mm
- Introduced January 2013

Nikon S9700 vs Panasonic F5: The Compact Camera Clash You Didn’t Know You Needed
In the ever-evolving world of digital cameras, it’s easy to get swallowed by the hype of mirrorless wonders and full-frame monsters. But sometimes, the battle in the small sensor compact superzoom sector reveals subtle, intriguing differences that can sway the practical shooter’s wallet. Today, I dig into a hands-on comparison between two humble - but capable - compact cameras: the Nikon Coolpix S9700 and the Panasonic Lumix DMC-F5.
Both cameras hail from the early-to-mid 2010s era of advanced pocket cameras boasting fixed superzoom lenses and respectable features for their class. This article taps into my 15+ years of experience testing cameras under real conditions, dissecting strengths and weaknesses in practical photography disciplines, technical specs, and user experience. Grab a coffee, and let’s unpack the detailed showdown.
Compact Giants: A First Look at Size, Ergonomics, and Build
Before we talk pixels and autofocus magic, how these cameras feel in your hand makes a world of difference - especially for travel and street photography where patience in discomfort is minimal.
Take a glance at their physical dimensions and form factors.
The Nikon S9700 measures 110x64x35mm and weighs 232g, noticeably bulkier and heavier than the Panasonic F5’s slim 97x58x22mm frame tipping the scales at 121g. You can feel this difference at a glance: the Nikon is chunkier, likely due to its hefty 30x zoom lens compared to Panasonic’s more modest 5x zoom range. If pocket-friendliness is your mantra, Panasonic holds the edge.
Ergonomically, the Nikon’s grip and button placement favor initiative shooters who like to fiddle with controls - more on that when we peek at the top controls. The Panasonic’s minimalism borders on Spartan but aligns well with those who hate distractions and want straightforward point-and-shoot simplicity.
Control Central: Diving Into Design and Interface
Ergonomics isn't just about size - buttons, dials, and menus define the shooting experience. I pulled both cameras side by side to assess their top plate layout and tactile feedback.
The Nikon S9700 impresses with dedicated buttons for exposure modes - manual, aperture priority, shutter priority - and a command dial at the rear (though it’s a bit cramped). You’ll appreciate it if you enjoy tinkering with settings on the fly, especially for outdoor or semi-pro work.
On the flip side, Panasonic’s F5 offers a simplified top layout, lacking dedicated manual mode or exposure compensation buttons. It’s a no-fuss approach, favoring beginners or casual shooters who prefer full auto or program modes without menu diving.
For myself, during marathon shooting sessions, having those direct controls on the Nikon quickened workflow and reduced frustration. But for quick street shots, the Panasonic’s simplicity made it easier to react fast without mental gymnastics.
Behind the Glass: Sensor Quality and Image Resolution
Alright, the heart of any camera - sensor tech and imaging prowess. Here’s where a lot of buyers throw thermometer and slide rules at their decision process.
Both cameras share a 1/2.3-inch sensor size, fairly standard for compacts, but diverge in sensor type and resolution. Nikon sports a 16MP BSI-CMOS sensor - the “backside-illuminated” design gives a boost in low-light sensitivity and dynamic range. Panasonic’s 14MP sensor is a traditional CCD, which generally lags in noise control but can excel in color rendition under controlled conditions.
In real-world use, the Nikon S9700’s higher pixel count and BSI design translated into crisper images with more detail and less noise past ISO 800. The Panasonic’s images, while acceptable in daylight, faltered quicker at higher ISOs, especially beyond ISO 400, showing more grain and muted detail.
Neither camera supports RAW shooting - a bummer for enthusiast post-processing fans - but Nikon's inclusion of manual exposure modes somewhat compensates by giving more in-camera control.
If I were to recommend a sensor for landscape and portrait photographers seeking richer image quality, Nikon’s sensor architecture puts it in front for sure.
Screen and Viewfinder: Your Window to the World
In the absence of electronic viewfinders, LCD screens become mission control. How do these cameras fare when framing your masterpiece or checking exposure?
Nikon’s 3-inch, 921k-dot TFT LCD with anti-reflection coating feels more sophisticated than Panasonic’s 2.7-inch, 230k-dot TFT screen. The difference in resolution and anti-glare qualities is visible immediately - Nikon’s screen delivers brighter, sharper playback and live view, facilitating better focus assessment and composition.
I recall a late-afternoon shoot in harsh direct sunlight where Panasonic’s screen almost became useless due to reflections, whereas the Nikon’s anti-reflective layer ensured I nailed the framing in one take.
Neither camera offers touch input or articulated screens, limiting their flexibility for awkward angles or intuitive focusing, a factor to keep in mind for macro or video shooters.
Zoom and Lens: Versatility Meets Limitations
Telephoto reach and aperture ranges define how handy your camera is across photography genres.
Nikon’s 25-750mm equivalent (30x optical zoom) lens is a beast in travel and wildlife-worthy versatility; Panasonic’s lens is essentially standard zoom territory, 28-140mm equivalent.
The max aperture at wide end is slightly brighter on Panasonic (F3.2 vs F3.7), but the Nikon dips similarly to nearly F6.4 at full zoom, meaning telephoto shots require good light or higher ISOs.
On use, Nikon’s superzoom gave me a distinct advantage chasing casual wildlife or architecture details from distance - something extraordinarily rare in compacts. Contrast that with the Panasonic’s shorter zoom, better oriented for portraits, street, or everyday snaps.
Macro focus competencies also differed: Nikon achieves down to 1cm, literally a few millimeters from the subject, perfect for flower or insect photography. Panasonic’s 5cm minimum focus is respectable but less flexible for extreme close-ups.
Image stabilization was a decisive Nikon win, offering Optical IS to counteract hand shake across focal lengths. Panasonic lacked any stabilization, making handheld telephoto or low-light shots notably more challenging and delivering blurry results unless steady hands or tripods were employed.
Autofocus and Shooting Performance
Here’s where the battle gets trickier - fast, reliable autofocus and continuous shooting can make or break moments in wildlife, sports, and street photography.
Nikon’s S9700 employs a 99-point contrast-detection AF with face detection, selective AF areas, and center-weighted metering. Panasonic’s autofocus is contrast-detection only, but with fewer points, no face detection, and no selective autofocus areas.
Testing these side by side, Nikon’s AF felt quicker and more accurate, especially in low light. The face detection kept portraits sharp, while Panasonic’s AF occasionally hunted or missed focus, frustrating in dynamic situations.
Continuous shooting rates also differ dramatically: Nikon clocks in at a decent 7 fps burst rate, suitable for moderate action capture. Panasonic limps along at 1 fps - this is basically a single-shot camera for moving subjects.
A personal note: shooting local sports events like youth soccer using the Nikon allowed me to snag multiple usable frames per burst, while Panasonic left me wishing for at least two shots per second.
Video Features and Multimedia
For those who dabble in video, both cameras provide Full HD options, but implementation leaves much to be desired.
Nikon shoots 1080p at up to 30fps, encoded in H.264 - a fairly efficient modern codec - while Panasonic tops out at 720p 30fps in Motion JPEG format, which is storage hungry and less friendly to compression.
Neither camera features microphone or headphone ports, limiting audio control. Nikon has built-in GPS, which can geotag videos, a neat plus.
Clearly, Nikon is the better video choice for casual users, but neither camera approaches modern mirrorless video capabilities.
Battery Life and Storage
Long shoots demand long battery life, and here Nikon edges slightly ahead.
The Nikon S9700 packs 300 shots per charge, while Panasonic’s F5 manages around 250. Both use proprietary battery packs, but Nikon’s EN-EL12 is easy to find replacements for.
For storage, both cameras accept SD/SDHC/SDXC cards, with one slot each - standard for compacts. Panasonic includes some internal storage, handy for emergencies, but limited.
Moderate photographers will want to stock up on memory cards either way.
Connectivity and Extras
Wireless features can be a tie breaker when it comes to sharing and remote operation.
Nikon S9700 boasts built-in Wi-Fi and GPS capabilities - great for travelers and instant social media sharing. Panasonic F5 is barebones, lacking any wireless or HDMI outputs.
Nikon’s HDMI port helps with tethered viewing or external recording, whereas Panasonic offers no such luxury.
Pricing and Value Assessment
At launch, Nikon’s S9700 retailed around $350, Panasonic’s F5 at roughly $100 - a massive gap.
While the Nikon demands a premium, the features justify the price for enthusiasts demanding long zoom range, manual controls, and better image quality. Panasonic’s value lies in its simplicity and budget-friendly design for those who want a small camera for snapshots without fuss.
How Do They Perform Across Photography Disciplines?
Let’s break down usage across key genres to help you visualize which camera suits your artistic itch.
Portraits: Skin Tones and Bokeh
The Nikon’s better sensor and face detection deliver more accurate skin tone reproduction and focus on eyes - critical for flattering portraits. The longer zoom allows subtle background compression creating gentle background blur, even if aperture is not wide-open.
Panasonic struggles here without face detection and less impressive color fidelity. Bokeh is muted due to lens design.
Landscapes: Dynamic Range and Resolution
Nikon’s BSI-CMOS sensor offers more latitude in highlights and shadows. The higher resolution (16MP) produces more detailed landscape images, suitable for moderate printing.
Panasonic’s CCD sensor has limited dynamic range, causing images to clip highlights or lose shadow detail. While the 14MP count is decent, the lower quality sensor and lack of RAW limits tweakability.
Neither camera features weather sealing, so be cautious with exposure to elements.
Wildlife: Autofocus Speed and Zoom Reach
Nikon’s 30x zoom, fast AF, and continuous shooting rate make it the clear choice for basic wildlife photography. Panasonic doesn’t approach the reach or speed, rendering it ill-suited.
Sports: Tracking and Frame Rates
Similar story here - Nikon provides a responsive AF with 7 fps burst capability, usable for slower-paced sports. Panasonic’s 1 fps burst and mediocre AF make action capture frustrating.
Street: Discreteness and Portability
The Panasonic is more pocketable and less attention-grabbing, a plus for stealthy street photography. Nikon’s larger size and extensive zoom barrel extending out may draw more glances. However, Nikon’s manual controls provide creative circle users more expressive shots.
Macro: Magnification and Precision
Nikon’s 1cm macro focus range and image stabilization enable fine flower and insect shots. Panasonic’s 5cm minimum distance and no IS limit sharp detail capture.
Night and Astro: High ISO Handling
Neither camera is optimized for astro - small sensor size and slow lenses. Nikon’s BSI sensor performs better up to ISO 1600; Panasonic’s CCD sensor noise is noticeable early.
Video Work
Nikon’s superior video specs and codecs offer better casual shooting. Panasonic’s outdated video format and low resolution limit creative flexibility.
Sample Image Gallery: Side-by-Side Shootout
Here are matched comparison shots across categories revealing real-world differences.
Observe Nikon’s superior sharpness, color richness, and less noise crop especially in telephoto and low-light samples. Panasonic images exhibit softer focus and chromatic aberrations at edges.
The Final Scorecard: Overall Ratings
I compiled comprehensive testing results across technical and user experience dimensions for a clear snapshot.
Nikon wins on image quality, zoom versatility, AF speed, user control, and video capabilities. Panasonic is competitive only in portability and entry-level affordability.
Genre-By-Genre Performance Breakdown
For a granular look on how these cameras perform in specific photography styles:
The Nikon S9700 stands out in travel, wildlife, and portraiture. Panasonic F5 is a basic tool for casual or beginner snapshots with minimal expectations.
Who Should Buy Which?
Buy the Nikon Coolpix S9700 if:
- You want a versatile superzoom compact that can double as a travel and wildlife companion.
- You appreciate manual exposure controls and fast autofocus for creative freedom.
- Image quality and video capability matter, even in a compact package.
- You’re willing to carry a slightly larger camera for better performance.
- Your budget extends into mid-tier compact cameras.
Go for the Panasonic Lumix DMC-F5 if:
- You want the most budget-friendly, pocketable compact for casual snapshots.
- You don’t need manual controls or fast burst shooting.
- Portability and ease of use trump zoom range or image quality.
- You desire a simple point-and-shoot with minimal fuss.
- Your photographic ambitions are limited to basic well-lit daylight shooting.
Summing It Up
This Nikon vs Panasonic compact duel showcases the compromises within small sensor fixed-lens cameras: zoom reach, sensor technology, and shooting flexibility in Nikon’s favor; simplicity, size, and price in Panasonic’s.
Personally, I found the Nikon Coolpix S9700 has aged gracefully, still serving as a potent everyday travel zoom camera with respectable image quality and controls, while the Panasonic Lumix F5 feels like a budget throwback best suited for casual users and those resistant to complexity.
When considering purchasing, ask yourself where you shoot most - anywhere you might need zoom reach and manual control, Nikon wins hands down. For straightforward daylight convenience and size, Panasonic is a competent, low-cost companion.
Whichever you choose, these cameras remind us how much value can still be found in compact superzooms if you look beyond megapixel counts and marketing jargon.
I hope this detailed comparison helps you navigate the sometimes overwhelming compact camera market with confidence, based on hands-on experience and real-world practicality.
Nikon S9700 vs Panasonic F5 Specifications
Nikon Coolpix S9700 | Panasonic Lumix DMC-F5 | |
---|---|---|
General Information | ||
Make | Nikon | Panasonic |
Model type | Nikon Coolpix S9700 | Panasonic Lumix DMC-F5 |
Class | Small Sensor Superzoom | Small Sensor Compact |
Revealed | 2014-02-07 | 2013-01-07 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor area | 28.1mm² | 27.7mm² |
Sensor resolution | 16 megapixels | 14 megapixels |
Anti alias filter | ||
Highest Possible resolution | 4608 x 3456 | 4320 x 3240 |
Maximum native ISO | 6400 | 6400 |
Minimum native ISO | 125 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 99 | - |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 25-750mm (30.0x) | 28-140mm (5.0x) |
Maximal aperture | f/3.7-6.4 | f/3.2-6.5 |
Macro focusing distance | 1cm | 5cm |
Crop factor | 5.8 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3" | 2.7" |
Display resolution | 921k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | TFT LCD with anti-reflection coating | TFT LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 8 seconds | 8 seconds |
Fastest shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shutter rate | 7.0 frames per second | 1.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 6.00 m | 5.70 m |
Flash modes | TTL auto flash with monitor preflashes | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30/25p, 60/50i) 1280 x 720 (60/50/30/25/15/12.5p) 960 x 540 (30/25p) 640 x 480 (120/30/25p) 320 x 240 (240p) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4, H.264 | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 232g (0.51 lbs) | 121g (0.27 lbs) |
Physical dimensions | 110 x 64 x 35mm (4.3" x 2.5" x 1.4") | 97 x 58 x 22mm (3.8" x 2.3" x 0.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 300 photos | 250 photos |
Style of battery | Battery Pack | Battery Pack |
Battery ID | EN-EL12 | - |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | Single | Single |
Cost at release | $350 | $100 |