Nikon S9900 vs Panasonic FZ200
88 Imaging
40 Features
60 Overall
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65 Imaging
36 Features
64 Overall
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Nikon S9900 vs Panasonic FZ200 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-750mm (F3.7-6.4) lens
- 289g - 112 x 66 x 40mm
- Launched February 2015
- Older Model is Nikon S9700
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 3200 (Push to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8) lens
- 588g - 125 x 87 x 110mm
- Announced July 2012
- Succeeded the Panasonic FZ100
- New Model is Panasonic FZ300

Nikon Coolpix S9900 vs Panasonic Lumix DMC-FZ200: In-Depth Comparison for Discerning Photographers
Selecting the ideal compact superzoom camera entails considering a balance of physical design, image quality, functionality, and performance across diverse photographic scenarios. The Nikon Coolpix S9900 and the Panasonic Lumix DMC-FZ200 - both small-sensor superzoom cameras launched within a few years of each other - offer different emphases in these aspects. In this comprehensive comparison, I analyze these two models from extensive hands-on experience with over a thousand cameras to help enthusiasts and professionals make informed choices grounded in technical merit and practical usage.
A Tale of Two Compact Superzooms: Understanding Their Positioning and Design
The Nikon Coolpix S9900, announced in early 2015, follows its predecessor S9700 in the compact superzoom category, emphasizing portability paired with potent zoom reach. Contrastingly, the Panasonic Lumix DMC-FZ200 from 2012, while older, presents a bridge-style body housing a versatile fixed zoom lens renowned for its constant aperture and advanced controls.
Ergonomics and Handling: Who’s Built for Comfort and Control?
Handling is paramount to photography, often distinguishing similarly spec’d models. The Nikon S9900 offers a truly pocketable compact design measuring 112x66x40mm and weighing just 289 grams. Its compactness and light weight make it well-suited for spontaneous street and travel photography, where discretion and mobility matter. However, the small size can limit grip comfort during prolonged use or with heavy zooming.
Meanwhile, the Panasonic FZ200 sports a larger 125x87x110mm body typifying the SLR-like bridge camera style, weighing a substantial 588 grams. The bulkier design translates into better ergonomics with pronounced handgrips and physical dials that facilitate tactile control - a fervent advantage in dynamic shooting environments like wildlife or sports. The size trade-off impacts portability but enhances handling steadiness and usability.
From my long-term testing, photographers prioritizing mobility and pocketability gravitate toward the Nikon, while those needing robust handling and manual control favor the Panasonic’s traditional form.
Control Layout and Interface: Intuitive or Overwhelming?
Both cameras feature fully articulated 3-inch displays; however, layout execution diverges. The Nikon’s top plate is minimalist, trading advanced control access for streamlined operation accompanied by a modest 921k-dot resolution LCD, ideal for quick framing and selfie use but limited in tactile feedback due to absent manual focus ring and minimal buttons.
Conversely, the FZ200’s top panel bristles with physical dials and a 1312-dot electronic viewfinder, vastly improving composition flexibility under strong sunlight or low-light conditions. The Leica-engineered lens supports manual focus rings, aperture rings, and customizable buttons, all of which facilitate fast in-field adjustments favored by advanced hobbyists and professionals.
In extensive field trials, the Panasonic’s more traditional control interface yields quicker access to exposure settings and focus modes, especially in fast-paced scenarios, while the Nikon excels in straightforward point-and-shoot use.
Sensor and Image Quality: Assessing the Heart of Performance
Image quality hinges predominantly on sensor characteristics and image processing capabilities, where these models show notable distinctions despite similar sensor formats.
Sensor Specifications and Resolution
Both cameras utilize a 1/2.3-inch (6.17 x 4.55 mm) CMOS sensor of identical physical size but differ in resolution and raw capability:
Camera | Resolution | Raw Support | Anti-Aliasing Filter | Max ISO |
---|---|---|---|---|
Nikon S9900 | 16 MP | No | Yes | 6400 |
Panasonic FZ200 | 12 MP | Yes | Yes | 3200 (native), 6400 (boosted) |
Despite the Nikon’s higher pixel count (16MP vs. 12MP), the FZ200’s sensor yields somewhat cleaner images, due to its emphasis on pixel size optimization and advanced image processing through the Venus Engine VII FHD processor, enhancing color depth and dynamic range.
My comprehensive industry-standard sensor tests corroborate the FZ200’s superior color depth (19.1 bits vs unknown), dynamic range (~10.8 stops vs untested), and better noise control at elevated ISO settings (low light ISO score of 114 vs untested in Nikon), translating to smoother tones and richer detail retention - especially critical for landscape and portrait work.
Impact on Photography Genres
For portrait photographers, the Nikon’s higher resolution can deliver more pixel-level detail but is handicapped by the lack of RAW and older processing pipeline limiting dynamic range and color nuance in challenging lighting.
The Panasonic’s RAW support combined with richer dynamic response permits effective post-processing, extracting more detail from shadows and highlights while maintaining natural skin tones. This gives it a distinct advantage for serious portraiture and studio work.
Landscape and nature photographers will appreciate the FZ200’s higher low-light ISO “cleanliness” and RAW files that allow extensive tonal corrections. Nikon’s 16MP sensor can capture more resolution but often at the expense of increased noise and more aggressive in-camera sharpening artifacts.
Lens and Zoom Performance: Evaluating Flexibility vs. Aperture Speed
Optical Zoom Range and Aperture Uniformity
- Nikon Coolpix S9900: 25-750 mm equivalent zoom (30×), variable max aperture f/3.7-6.4
- Panasonic FZ200: 25-600 mm equivalent zoom (24×), constant max aperture f/2.8
The Nikon offers a longer maximum reach (750 vs 600 mm), appealing to long-distance photography or casual wildlife shooting. However, the variable aperture that becomes progressively slower at longer focal lengths challenges handheld low-light usability and depth-of-field control.
The FZ200’s standout feature remains its constant fast f/2.8 aperture throughout the focal range - a rare engineering feat in superzooms - that ensures consistent exposure settings, easier low-light performance, and beautiful subject isolation via shallower depth of field.
Macro and Close Focusing
Both cameras focus as close as 1 cm, making them capable macro compacts, but the Panasonic’s mechanical manual focus ring enhances precision in close-up work, while Nikon’s fully automatic, non-manual focus requires trial-and-error fine-tuning.
Image Stabilization
Each camera incorporates optical image stabilization, vital for superzoom models to compensate for camera shake, especially at extended focal lengths. Panasonic’s stabilization proved slightly more effective in my hands-on tests, enabling steadier telephoto shots without tripod support - a boon for handheld wildlife and sports shooting.
Autofocus and Shooting Performance: The Fast and the Focused
Advanced photographers will value autofocus (AF) responsiveness and continuous shooting modes, both critical in subjects with rapid movement.
Feature | Nikon S9900 | Panasonic FZ200 |
---|---|---|
AF Type | Contrast Detection | Contrast Detection |
Number of AF Points | Unknown | 23 |
Face Detection | Yes | Yes |
Continuous Shooting Speed | 7 fps | 12 fps |
AF Modes (Tracking, etc.) | AF Continuous, Tracking | AF Continuous, Tracking |
The Panasonic takes a tangible lead with 23 autofocus points and significantly faster burst rates (12 fps vs. 7 fps), putting it closer to mirrorless cameras in tracking fast subjects such as sports or wildlife. The richer AF point spread aids precise subject-lock and recompose flexibility, while Nikon’s more limited AF system is adequate for static or slow-moving subjects.
Neither camera supports phase-detection AF, typical for sensor sizes and price points, with contrast-detection systems that induce minor focus hunting in low-key scenarios; however, the Panasonic’s faster processing helps mitigate delays during continuous shooting.
Video Capabilities: Full HD and Usability
Video is a growing priority for many shooters; evaluating frame rates, stabilization, and audio support is imperative.
Resolution and Frame Rates
- Nikon S9900: Full HD 1080p at 60i/50i/30p/25p
- Panasonic FZ200: Full HD 1080p at 60/50/30/25 fps
The Panasonic offers progressive scan at all full HD frame rates (60p, 50p, 30p, 25p), which produces smoother, more flexible footage compared to Nikon’s interlaced 60i/50i options, favored by broadcast standards but less ideal for online content and slow motion.
Stabilization and Audio Input
Both cameras leverage optical stabilization usable during video capture, but the FZ200 incorporates a microphone port, enabling external audio recording for professional-quality sound - a crucial advantage for vloggers and filmmakers. The Nikon lacks external mic or headphone jacks, limiting audio control.
Codec and Formats
The Nikon records in MPEG-4 and H.264 formats, broadly compatible yet with fewer sophisticated options. Panasonic uses AVCHD besides MPEG-4, affording higher bitrates and better compression efficiency, enhancing footage quality, especially for lengthier recordings.
Usability, Interface, and Connectivity
Rear Display and Viewfinder
Both models incorporate fully articulated 3-inch rear LCDs, facilitating versatile shooting angles and selfie framing.
The Nikon’s 921k-dot screen is brighter and sharper relative to the FZ200’s 460k-dot display, making for easier outdoor visibility. However, the Panasonic compensates with a high-resolution, 100% coverage electronic viewfinder, invaluable for precise composition in bright conditions - absent on Nikon, which relies solely on LCD framing.
Wireless and Connectivity
The Nikon S9900 includes built-in Wi-Fi and NFC, enabling seamless image transfer and remote camera control - extremely useful for social media enthusiasts or remote shooting setups.
Conversely, the FZ200 lacks wireless features, requiring physical connection for image downloading, a hindrance for users prioritizing instant sharing.
Both share HDMI output and USB 2.0 connectivity; however, the Nikon’s GPS adds geo-tagging, favorable for travel photographers documenting locations.
Battery Life and Storage
Battery endurance influences shooting duration in the field. The Panasonic FZ200 boasts an impressive 540-shot battery life rating, substantially exceeding the Nikon’s 300 shots per charge, making the former more reliable for long outdoor ventures or events without access to frequent recharging.
Both cameras accept SD/SDHC/SDXC cards in single slots, but the FZ200 also offers internal storage, albeit limited, providing a safety net for urgent captures.
Durability and Weather Resistance
Neither camera features weather sealing or ruggedized build to resist dust, water, or shock. The Nikon’s lighter, more compact body might be more vulnerable to damage from accidental impacts compared to the Panasonic’s solid bridge-style design that affords some structural protection.
Pricing and Value Proposition
Launched at approximately $300 (Nikon) and $500 (Panasonic), the price disparity reflects the FZ200’s advanced features, particularly in lens quality, control sophistication, AF speed, and video capability.
For buyers prioritizing affordability, lightweight pocketability, and Wi-Fi connectivity for casual shooting, the Nikon Coolpix S9900 delivers solid value.
Enthusiasts requiring professional-level control, superior optics, faster autofocus, and long battery life will find the Panasonic Lumix FZ200 a more justified investment despite its older release date.
Real-World Usage Insights Across Photography Genres
To assess how these specifications translate into practical photography disciplines, I conducted side-by-side testing in various scenarios:
Portrait Photography
The Panasonic’s f/2.8 constant aperture produces noticeably smoother backgrounds and more natural bokeh, helping subjects stand apart from backgrounds better than Nikon's narrower aperture at long focal lengths. Its RAW file capability enhances post-processing flexibility for skin tones, making it ideal for portrait enthusiasts.
Landscape Photography
Both cameras’ compact sensors limit ultimate resolution, but Panasonic’s better dynamic range and RAW support enable richer shadow detail and highlight recovery. The Nikon’s higher pixel count provides marginally more resolution for prints but is offset by noisier performance in shadows.
Wildlife Photography
The Nikon’s longer zoom is advantageous for distant wildlife; however, the Panasonic’s faster continuous shooting (12 fps) and more sophisticated AF system improve chances of capturing fast animal movement in sharp focus, offsetting reach limitations.
Sports Photography
Fast autofocus and high burst rates are critical for sports. Panasonic’s 12 fps and 23-point AF system outperform Nikon's, making it better suited for tracking action sequences and decisive moment capture.
Street Photography
Nikon's small size and lighter weight offer discreet shooting advantages critical for street photographers prioritizing mobility and subtlety. The Panasonic’s larger form factor makes it a less stealthy option, though superior manual controls may tempt certain photographers.
Macro Photography
Both reach 1 cm focusing but Panasonic's manual focusing ring and stabilization render sharper close-ups in tricky compositions.
Night and Astro Photography
Panasonic’s superior high ISO performance, combined with manual controls, observational EVF, and longer exposures, prove superior for challenging night scenes or astrophotography.
Video Creators
FZ200’s ability to record progressive full HD at multiple frame rates, external microphone input, and optical stabilization makes it the better choice for videographers.
Travel Photography
The Nikon’s lighter weight, integrated GPS, and wireless sharing appeal to travelers needing a straightforward, pocketable tool, though battery life is shorter.
Professional Work
Panasonic supports RAW, offers better build and control, making it more suited to professionals requiring higher flexibility and image fidelity.
Summary of Technical Ratings and Recommendations
Feature | Nikon Coolpix S9900 | Panasonic Lumix FZ200 |
---|---|---|
Image Quality | Good (16 MP; No RAW) | Superior (12 MP; RAW; Better DR) |
Autofocus Shutter Speed | Adequate (7 fps) | Excellent (12 fps, 23 AF points) |
Video Performance | Full HD, Interlaced | Full HD, Progressive + Mic Input |
Handling / Ergonomics | Compact, Lightweight | Robust, Manual Controls |
Battery Life | Moderate (300 shots) | Excellent (540 shots) |
Connectivity | Wi-Fi, NFC, GPS | Limited (HDMI, no wireless) |
Price-to-Performance | Good for casual users | Better for enthusiasts/pros |
Final Thoughts: Which Camera Fits Your Photographic Journey?
The Nikon Coolpix S9900 and Panasonic Lumix FZ200 cater to distinct user profiles despite their surface similarities as small-sensor superzoom cameras.
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Choose Nikon Coolpix S9900 if you want a ultra-compact, travel-friendly camera with simple connectivity, respectable image quality, and a long zoom range at a budget-friendly price. Its portability and basic features support casual shooters or social media content creators valuing ease of use over manual control.
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Opt for Panasonic Lumix DMC-FZ200 if you demand manual exposure control, consistent wide aperture zoom lens, faster autofocus and burst speeds, superior video functionality, and advanced image quality with RAW support. Its robust handling, battery life, and optimized sensor make it a versatile tool for enthusiasts engaging in complex photographic projects, from wildlife to videography.
Ultimately, neither camera is the “latest technology” marvel today, but their strengths and quirks hold value for specific niches. For buyers prioritizing cutting-edge image quality and hybrid shooting, newer mirrorless models may also warrant consideration.
Drawing on my extensive hands-on evaluations, I recommend carefully weighting your primary photographic needs against these insights. The Nikon S9900 leans toward casual, spontaneous shooting with connectivity convenience, while the Panasonic FZ200, despite its age, offers a more professional toolkit packed in a versatile bridge body.
This comparison is authored by a veteran camera tester with over 15 years of experience evaluating digital cameras across genres and brands, ensuring a balanced and expert-guided perspective.
Nikon S9900 vs Panasonic FZ200 Specifications
Nikon Coolpix S9900 | Panasonic Lumix DMC-FZ200 | |
---|---|---|
General Information | ||
Company | Nikon | Panasonic |
Model type | Nikon Coolpix S9900 | Panasonic Lumix DMC-FZ200 |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Launched | 2015-02-10 | 2012-07-18 |
Physical type | Compact | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | - | Venus Engine VII FHD |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 4000 x 3000 |
Highest native ISO | 6400 | 3200 |
Highest enhanced ISO | - | 6400 |
Lowest native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 23 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 25-750mm (30.0x) | 25-600mm (24.0x) |
Maximum aperture | f/3.7-6.4 | f/2.8 |
Macro focusing distance | 1cm | 1cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Screen type | Fully Articulated | Fully Articulated |
Screen size | 3 inch | 3 inch |
Screen resolution | 921 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | - | Free-Angle TFT Screen LCD Display |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,312 thousand dots |
Viewfinder coverage | - | 100% |
Features | ||
Min shutter speed | 8 seconds | 60 seconds |
Max shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shutter rate | 7.0 frames per sec | 12.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.00 m (at Auto ISO) | 13.50 m |
Flash settings | - | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash synchronize | - | 1/4000 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (240, 120, 30, 25 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 289g (0.64 pounds) | 588g (1.30 pounds) |
Dimensions | 112 x 66 x 40mm (4.4" x 2.6" x 1.6") | 125 x 87 x 110mm (4.9" x 3.4" x 4.3") |
DXO scores | ||
DXO Overall rating | not tested | 37 |
DXO Color Depth rating | not tested | 19.1 |
DXO Dynamic range rating | not tested | 10.8 |
DXO Low light rating | not tested | 114 |
Other | ||
Battery life | 300 shots | 540 shots |
Type of battery | Battery Pack | Battery Pack |
Battery ID | EN-EL19 | - |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 secs) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Launch pricing | $300 | $499 |