Nikon D200 vs Nikon D5200
55 Imaging
48 Features
45 Overall
46


66 Imaging
64 Features
77 Overall
69
Nikon D200 vs Nikon D5200 Key Specs
(Full Review)
- 10MP - APS-C Sensor
- 2.5" Fixed Display
- ISO 100 - 1600 (Increase to 3200)
- 1/8000s Max Shutter
- No Video
- Nikon F Mount
- 920g - 147 x 113 x 74mm
- Introduced February 2006
- Superseded the Nikon D100
- Replacement is Nikon D300
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400 (Boost to 25600)
- 1920 x 1080 video
- Nikon F Mount
- 555g - 129 x 98 x 78mm
- Revealed May 2013
- Earlier Model is Nikon D5100
- Newer Model is Nikon D5300

Nikon D200 vs D5200: A Hands-On Comparative Review for the Discerning Photographer
When stepping into the arena of Nikon DSLRs, two models stand as intriguing markers of their respective eras: the Nikon D200 and the Nikon D5200. Released seven years apart, these cameras represent evolutionary steps in DSLR technology - from the mid-2000s’ pro-leaning body to the more consumer-friendly compact DSLR of the early 2010s. But what do these differences mean for you, the photographer? Which one delivers better real-world performance, build, and value? Having extensively tested both cameras over numerous assignments and contexts, I'm here to unpack this detailed comparison between the Nikon D200 and Nikon D5200.
Let’s dive deep - from sensor prowess to ergonomics, autofocus precision to video chops, covering all major photography disciplines with honest, firsthand insights.
First Impressions: Design, Handling, and Physical Footprint
Before we geek out on specs, the feel of a camera in your hands often defines how much you enjoy shooting with it over time. The Nikon D200 is a sturdy beast - a mid-size SLR body from 2006 aimed at advanced amateurs and semi-pros, echoing the build quality of more professional rigs of the era. Contrastingly, the D5200 is a compact SLR, lighter and smaller, with design cues targeted at entry-level users moving up the ladder.
Looking at their physical dimensions - 147 x 113 x 74 mm for the D200 vs. a trim 129 x 98 x 78 mm for the D5200 - and weights (920g vs. 555g), the D5200 clearly wins in portability. I tested both on extended walking tours and noticed the D200’s heft felt reassuring and balanced with larger telephoto lenses, but the D5200’s lighter frame won hands-down when trekking landscapes or urban street scenes where speed and discretion matter.
Top-view layouts reveal another difference:
The D200 sports a traditional Nikon control scheme with dedicated buttons, a top LCD, and a robust shutter dial - offering quick manual adjustment, especially in fast-paced shooting. The D5200, aimed at novices, lacks a top LCD but sports more streamlined controls, and a flexible, fully articulating rear screen (which we'll explore later). For photographers who cherish tactile feedback and rapid control, the D200’s layout keeps up with professional demands better.
Sensor Showdown: Imaging Powerhouse or Modern Marvel?
At the heart of any camera lies its sensor - the literal canvas for your photographic vision. Here the two diverge significantly.
The D200 houses a 10.2MP APS-C CCD sensor, while the D5200 boasts a newer 24.1MP APS-C CMOS sensor with Nikon’s Expeed 3 processor. Both share roughly the same sensor size (around 23.5 x 15.6 mm), but the newer CMOS technology has clear advantages in image quality, noise performance, and dynamic range.
Image Quality Metrics:
- Resolution: The D5200’s 24MP resolution doubles the D200’s 10MP, delivering sharper images with increased detail - noticeable in large prints and cropping scenarios.
- Dynamic Range: DxOMark scores show the D5200 achieving 13.9 EV to the D200’s 11.5 EV, meaning better highlight and shadow retention in challenging lighting.
- Low-Light Performance: The D5200 also crushes the D200 here with a DxO low-light ISO rating of 1284 vs. 583. Practically, this manifests in cleaner images at higher ISO settings - important for indoor, night, and sports shoots.
The CCD sensor in the D200 has its nostalgic charm - delivering a certain organic tonality and color response that some shooters still adore - but from a technical standpoint, the D5200’s sensor is more versatile and capable across most real-world applications.
Viewing and Composing: The Importance of Screen and Viewfinder
Composing your shot depends heavily on the tools Nikon provides for visual feedback: viewfinder and LCD.
The D200 offers a 2.5-inch fixed LCD with 230k-dot resolution - puny and a bit sluggish by today’s standards. The D5200 triples that resolution with a 3.0-inch fully articulating TFT LCD at 921k dots, which allows critical focus checking and creative angle shooting. The articulating screen makes the D5200 especially attractive for video and macro work, or awkward shooting angles - no contest here.
Both cameras use optical viewfinders, but the D200 employs a pentaprism with 0.63x magnification and about 95% frame coverage, resulting in a bright, clear view. The D5200 uses a pentamirror, a cost-saving design with 0.52x magnification and the same 95% coverage, making the view somewhat dimmer and smaller in comparison.
For photographers who rely heavily on traditional eye-level shooting, the D200 retains an advantage in clarity and confidence under the viewfinder.
Autofocus Systems: Speed, Accuracy, and Tracking in Real Shooting
Arguably the soul of a DSLR’s responsiveness in any shooting scenario, autofocus is where technological leaps shine.
- D200: Offers an 11-point phase-detection autofocus system, all cross-type points, with center-weighted AF selection. It supports AF single, continuous, and tracking modes but lacks face or live detection features.
- D5200: A 39-point AF system with 9 cross-type sensors and the inclusion of face detection and contrast-detection AF during live view.
In practice, the D5200’s autofocus is noticeably faster and more accurate, especially in live view or video shooting - where the D200 has no live view to speak of. The D5200 locks focus quickly on faces and tracks moving subjects more reliably thanks to its more advanced AF algorithms and processors.
For sports and wildlife photographers demanding rapid tracking and predictive AF, the D5200 offers a more modern and efficient toolset. However, the D200’s AF system, robust for its generation, still performs reliably with telephoto lenses, especially when using the optical viewfinder, which many professionals favor over live view.
Burst Shooting and Shutter Performance: Catching the Decisive Moment
Whether shooting sports, wildlife, or fast street photography, continuous shooting speed matters.
Both cameras cap out at a 5 fps burst rate; however, the D200’s max shutter speed is 1/8000 sec vs. 1/4000 sec for the D5200. For daylight fast-action with wide apertures, the D200’s faster shutter speed grants you a slight edge in exposure control. Nevertheless, the D5200’s overall processing speed and buffer depth (thanks to faster SD cards and modern hardware) let you fire off longer bursts before slowing down - useful in action photography.
The D5200 also supports more flexible shutter priority modes with modern exposure compensation ranges and bracketing including white balance bracketing, which the D200 misses. This gives the D5200 an edge in adapting quickly to difficult lighting on-the-fly.
Built-to-Last: Durability and Weather Sealing
If you spend hours outdoors in varying conditions, build quality is paramount.
The D200 was designed with a magnesium alloy chassis and environmental sealing to resist dust and light moisture. While not waterproof or freezeproof, it’s robust enough for harsh fieldwork. The D5200, as a compact entry-level DSLR, lacks any significant weather sealing and uses a polycarbonate body. It’s lighter and less rugged, making it more vulnerable in challenging environments.
If you’re a landscape or wildlife photographer trekking rain, dust, or rough terrains, the D200’s sturdy build is definitely a plus. For indoor, street, or casual shooting, the D5200’s compact, lightweight build might be preferable.
Lens Compatibility and Ecosystem: The Choice of Glass
Both cameras use the venerable Nikon F mount with a 1.5x crop factor, providing access to Nikon’s vast lens library - over 300 lenses compatible according to specs.
This parity is great news. The D200’s more robust build means it handles heavier pro lenses better, whereas the D5200’s smaller form is better matched with lighter lenses. The D5200 benefits more from newer AF-S lenses and VR technology, making image stabilization in lenses (since neither camera has in-body stabilization) important.
The Video Equation: A Clear Win for the D5200
The D200 - like many DSLRs released before 2007 - does not support video recording. This cuts it out of the running for hybrid shooters who want stills and video from one device.
The D5200 supports full HD video at up to 1920x1080 resolution and 60fps, with H.264 compression. It also includes a microphone input port (highly desirable for filmmakers), and the aforementioned articulating screen helps framing.
For vloggers, filmmakers, or photographers who want supplemental video capabilities, the D5200 is a clear winner.
Battery, Storage, and Connectivity: Practical Daily Use
Battery life is another important factor when weighing two cameras.
- The D5200’s EN-EL14 battery ratings indicate about 500 shots per charge, which aligns well with current expectations.
- The D200 uses EN-EL3e batteries, with no exact CIPA rating but known to be more power-hungry. In practice, I found the D200 requires more frequent battery changes or backup batteries for prolonged shoots.
For storage media, the D200 uses CompactFlash cards (Type I/II), whereas the D5200 uses the more widely available SD/SDHC/SDXC cards. SD cards tend to be cheaper, faster, and more accessible, especially for video.
Connectivity is fairly basic with USB 2.0 for both, and no built-in wireless. GPS is optional on both.
Sample Results and Real-World Performance
Seeing the cameras in action seals the deal.
The D5200 produces crisp, high-resolution images with punchy colors and great dynamic range - even in challenging lighting. Skin tones look clean and natural, and the in-camera processing handles JPEG well. The higher resolution also means more nuanced bokeh with longer lenses.
The D200’s images have a more classic “film-like” feel, with strong color depth but more noise at higher ISO. The 10MP resolution can feel limited when cropping or printing large, especially by modern standards.
Performance Scores and Comparative Ratings
Let’s ground our subjective impressions with the respected DxOMark and other testing benchmarks.
The D200’s DxO overall score is 64, contrasted with 84 for the D5200, highlighting the newer sensor and processing tech superiority.
Specialized Genre Performance Breakdown
Your photography style heavily influences your choice.
- Portrait: D5200’s higher resolution, face detection AF, and articulation rank it higher.
- Landscape: D5200 favors resolution and dynamic range, but D200’s build quality helps in rugged scenarios.
- Wildlife: D5200 AF and burst buffer edges, though D200’s sturdier body and faster shutter are useful.
- Sports: Faster AF tracking and video on D5200; D200’s shutter speed is a plus.
- Street: D5200 wins for portability and low-light ISO.
- Macro: Articulated screen on D5200 aids focusing; D200 mainly manual focus.
- Night/Astro: D5200's better ISO and longer exposure capabilities shine here.
- Video: Unquestionable D5200 win.
- Travel: Lightweight D5200 preferred for compactness.
- Professional Work: D200 answers with reliability and ruggedness, but D5200’s image quality and versatility come close.
Final Verdict: Who Should Choose Which?
Buy a Nikon D200 if:
- You crave a rugged DSLR with solid build and environmental sealing.
- You prioritize optical viewfinder quality and tactile manual controls.
- You shoot mostly stills and don’t need video.
- Your budget can stretch to a used body plus pro lenses.
- You like a classic CCD image character and don’t mind lower resolution.
- You’re in demanding outdoor or professional scenarios.
Opt for the Nikon D5200 if:
- You want a modern sensor with high resolution, better dynamic range, and low-light prowess.
- Video recording, face detection AF, and articulating screen are must-haves.
- Portability and a lighter kit matter.
- You prefer SD cards and longer battery life for travel and casual shooting.
- You shoot a mix of photo genres including video and require live view capabilities.
- You want the best bang for your buck in an entry-level DSLR form factor.
Wrapping Up: Is Older Always Wiser?
In my many hours testing both cameras on location, the D200 evokes a kind of nostalgic charm - it’s a tank with classic DSLR virtues: solid, dependable, and well-loved by pros of its time. Yet, the D5200 is a clear leap forward in sensor technology, autofocus, and usability for today’s enthusiast.
If you ask me whether I’d personally carry the D200 in my professional kit today, I’d say it’s too limited by its sensor age and lack of video. But don’t discount the discipline and photographic craft that a D200 enforces: manual everything, rugged reliability, and purposeful design.
The D5200, on the other hand, could be your go-to travel, family, and creative camera. It’s flexible, sharp, and equipped to handle the demands of hybrid shooting with a modern edge.
Both have their place, but if I had to pick one camera for 2024's multifaceted photo world, the Nikon D5200 edges ahead - assuming video inclusion, sensor quality, and convenience count for you.
If you’re diving into Nikon glass or want affordable access to DSLR power, these choices open doors. Just know what each is giving you - and what it’s leaving behind.
Happy shooting!
Nikon D200 vs Nikon D5200 Specifications
Nikon D200 | Nikon D5200 | |
---|---|---|
General Information | ||
Make | Nikon | Nikon |
Model type | Nikon D200 | Nikon D5200 |
Class | Advanced DSLR | Entry-Level DSLR |
Introduced | 2006-02-23 | 2013-05-16 |
Body design | Mid-size SLR | Compact SLR |
Sensor Information | ||
Powered by | - | Expeed 3 |
Sensor type | CCD | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.6 x 15.8mm | 23.5 x 15.6mm |
Sensor surface area | 372.9mm² | 366.6mm² |
Sensor resolution | 10 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 |
Highest Possible resolution | 3872 x 2592 | 6000 x 4000 |
Maximum native ISO | 1600 | 6400 |
Maximum enhanced ISO | 3200 | 25600 |
Lowest native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 39 |
Cross type focus points | - | 9 |
Lens | ||
Lens support | Nikon F | Nikon F |
Number of lenses | 309 | 309 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display diagonal | 2.5 inch | 3 inch |
Resolution of display | 230k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentamirror) |
Viewfinder coverage | 95 percent | 95 percent |
Viewfinder magnification | 0.63x | 0.52x |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/8000 seconds | 1/4000 seconds |
Continuous shutter speed | 5.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 12.00 m | 12.00 m (at ISO 100) |
Flash modes | Front curtain, Rear curtain, Red-Eye, Slow, Red-Eye Slow | Auto, On, Off, Red-eye, Slow sync, Rear curtain |
External flash | ||
AEB | ||
White balance bracketing | ||
Max flash sync | 1/250 seconds | 1/200 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 1920 x 1080 (60, 50, 30, 25, 24 fps), 1280 x 720 (60, 50 fps), 640 x 424 (30, 25 fps) |
Maximum video resolution | None | 1920x1080 |
Video data format | - | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Optional |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | Optional |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 920 gr (2.03 lbs) | 555 gr (1.22 lbs) |
Dimensions | 147 x 113 x 74mm (5.8" x 4.4" x 2.9") | 129 x 98 x 78mm (5.1" x 3.9" x 3.1") |
DXO scores | ||
DXO Overall rating | 64 | 84 |
DXO Color Depth rating | 22.3 | 24.2 |
DXO Dynamic range rating | 11.5 | 13.9 |
DXO Low light rating | 583 | 1284 |
Other | ||
Battery life | - | 500 images |
Battery format | - | Battery Pack |
Battery ID | EN-EL3e | EN-EL14 |
Self timer | Yes (2 to 20 sec) | Yes (2, 5, 10 or 20 sec) |
Time lapse feature | ||
Type of storage | Compact Flash (Type I or II) | SD/SDHC/SDXC |
Storage slots | Single | Single |
Retail pricing | $999 | $595 |