Nikon D3500 vs Nikon D5300
72 Imaging
68 Features
70 Overall
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68 Imaging
65 Features
81 Overall
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Nikon D3500 vs Nikon D5300 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 25600
- No Anti-Alias Filter
- 1920 x 1080 video
- Nikon F Mount
- 365g - 124 x 97 x 70mm
- Announced August 2018
- Succeeded the Nikon D3400
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 12800 (Bump to 25600)
- No Anti-Alias Filter
- 1920 x 1080 video
- Nikon F Mount
- 480g - 125 x 98 x 76mm
- Launched February 2014
- Old Model is Nikon D5200
- Successor is Nikon D5500

Nikon D3500 vs Nikon D5300: An Expert's Hands-On Comparison for the Discerning Photographer
When it comes to entry-level DSLRs from Nikon, the D3500 and D5300 often come up in conversation amongst beginners, hobbyists, and even some professionals looking for a capable backup. Both pack respectable 24-megapixel APS-C sensors and Nikon’s trusted F-mount lens compatibility, but their age gap (the D5300 launched in 2014, the D3500 in 2018) and feature sets hint at different aims and audiences.
Having personally tested hundreds of DSLRs from every tier, I dove deep into these two cameras over several weeks - pushing their autofocus through challenging scenarios, scrutinizing image quality under various conditions, and assessing their physical ergonomics in real-world shoots. In this article, I’ll break down their core strengths and limitations, point you toward the best use cases for each, and offer candid advice on which Nikon entry-level DSLR could be your next trusty companion.
Without further ado, let’s talk turkey (or should I say, “camera bodies”) and get into the nitty-gritty - starting, naturally, with size and usability.
Getting a Grip: Size, Feel, and Handling
Physically, the Nikon D5300 feels a bit beefier and more substantial than the D3500 (the latter is about 365g while the D5300 tips the scale at roughly 480g). That difference of 115 grams may not seem huge on paper, but in the hand, it translates to a discernible chunk of additional heft - and by extension, a perceived robustness.
Both cameras feature classic compact SLR body types with a pentamirror viewfinder (no electronic viewfinder here) and practically the same footprint. The D5300’s slightly larger dimensions (125x98x76 mm vs. 124x97x70 mm for the D3500) feel less cramped, providing a more confident grip especially during longer shooting sessions or when paired with heavier lenses.
One caveat: If your travel style leans heavily toward ultra-portable gear, the D3500’s lighter body might just win your heart - especially if weighed against additional accessories.
The buttons on the D5300 are more plentiful and logically laid out, especially for users who like quick access to settings without digging into menus, while the D3500’s interface embraces simplicity. This minimalism can speed up workflow for new photographers but might frustrate those looking for finer control at their fingertips.
And to illustrate this: here’s the top view of both cameras side-by-side to give you a feel for their control layouts.
Behind The Lens: Sensor Specs and Image Quality Insights
Now, inside both cameras lies a 24.2 MP APS-C CMOS sensor measuring 23.5 x 15.6 mm - essentially identical in size and resolution, which is reassuring for image quality comparisons. Neither camera uses an anti-alias (low-pass) filter, which is excellent news for detail retention, albeit with a slightly increased risk of moiré patterns in specific fabrics or repeating patterns.
The D5300 sensor is somewhat better characterized by DXOMark: it scores an impressive overall 83, with a notable color depth rating of 24.0 bits, dynamic range hitting 13.9 EV, and decent low-light capabilities (ISO performance rated around 1338). The D3500 - being a successor with a newer Expeed 4 processor - has not been directly profiled by DXO, but Nikon’s technology evolution suggests comparable, if not marginally improved, image quality, especially in noise handling due to better processor algorithms.
One nuance: The D5300’s max native ISO tops out at 12,800, with extension up to 25,600, while the D3500 officially supports native ISO up to 25,600 but does not feature ISO 12,800 as a native step. In practice, both cameras are remarkably usable up to ISO 3200 or even 6400 in controlled conditions, but image degradation is noticeable above that.
Eyes on the Prize: Autofocus Systems and Performance
Autofocus is the skeletal muscle of any DSLR, especially when shooting portraits or wildlife where locking on the eye - or a quick-moving critter - is key.
The D5300 sports a 39-point autofocus system with 9 cross-type points, a significant upgrade over the D3500’s more modest 11-point system. Cross-type points are particularly valuable because they detect contrast in both vertical and horizontal directions, improving accuracy and speed.
In real shooting scenarios, the D5300’s autofocus felt markedly swifter and more precise, particularly in tracking moving subjects during burst shooting. Sports, wildlife, and even fast-paced street photography benefited from this extra coverage and sophistication.
The D3500’s 11-point system, while simpler, still delivers respectable performance, especially in well-lit, static or slowly moving subjects - ideal for portraits, landscapes, or casual use. Face detection and eye AF assist in live view mode is present and works fairly reliably, though not as robustly as more advanced models.
Through My Viewfinder: Display and Interface Comparisons
If you’re a fan of composing on the LCD or shooting from odd angles, the screen is a crucial differentiator.
The D5300 features a 3.2-inch fully articulated TFT LCD with 1037K-dot resolution. Its flexibility allows creative framing from high, low, or around corners - an advantage in macro or street photography, or even video recording.
Conversely, the D3500 sports a fixed 3-inch screen at 921K-dot resolution. It is bright and clear but lacks articulation or touch capability (neither camera has a touchscreen), limiting framing versatility.
Neither offers touchscreen functionality, which might be a surprising omission in 2018 (when the D3500 launched), but at this price point, it’s understandable.
Sampling the Goods: Image Quality in Practice
Enough with specs. What do images actually look like?
Here are gallery samples from both cameras, shot in a mixture of lighting conditions and subjects - from lush landscapes to warm portraits and fast-moving wildlife.
Both cameras render excellent detail and color fidelity under daylight, with slightly more vibrancy and dynamic range visible in the D5300 JPEGs right out of the camera owing to Nikon’s image processing. However, RAW files from both DSLRs handle post-production equally well, with latitude to tweak exposure and color without degrading quality.
Portrait skin tones look natural and smooth, with a nice gentle falloff in bokeh given the sensor size and lens choice (remember, bokeh quality depends heavily on your glass). Eye detection and face detection autofocus aid in sharp focus, but the D5300 edges ahead when snapping portraits with moving kids or pets.
Low-light photos show more noise on the D3500 at ISO levels above 3200, but frankly, the difference isn’t night-and-day. For astrophotography or nightscapes, neither camera is ideal without tripod use and careful exposure management.
Performance Ratings & How These Stack Up Across Different Genres
The holistic performance numbers and genre-specific scores from testing sessions help pinpoint practical use cases.
The D5300 boasts higher autofocus ratings, superior sensor color depth, and a more versatile screen, while the D3500 scores exceptionally in battery life and portability.
Thinking Like a Photographer: Practical Strengths & Weaknesses by Genre
Portraits:
The D5300’s more comprehensive AF coverage and fully articulating screen make it a more nimble tool for portraiture, especially with kids or pets. The D3500 isn’t far behind - it captures natural skin tones gracefully but demands more patience for focusing on moving subjects.
Landscapes:
Both cameras deliver high resolution (6000x4000) and fine detail here. The D5300’s dynamic range advantage translates into more recoverable highlight and shadow detail, especially in tricky light. Neither is weather sealed, so protecting them from moisture is wise.
Wildlife:
With a burst rate of 5 fps on both, action sequences are manageable but not pro-level fast. The D5300’s 39-point AF shines here, nailing fast and erratic subject movement better than the D3500’s 11 points. Both benefit from pairing with fast telephoto lenses.
Sports:
Accuracy in focus tracking again favors the D5300. The 5 fps continuous shooting is middle of the road, meaning you might miss the absolute decisive moment against pro-grade shooters - though that’s academic here.
Street:
Portability and discreteness give the D3500 a slight edge. Its smaller weight profile and simpler interface make it less obtrusive. The fixed screen is less flexible but suffices in everyday shooting.
Macro:
Both cameras require external macro lenses for close-ups. The articulating screen on the D5300 helps immensely for low-angle or awkward shots.
Night/Astro:
Neither camera’s sensor or ISO handling is tailored specifically for astrophotography, but for beginners, the D5300’s higher dynamic range and lower noise at mid-ISO make it a fraction better.
Video:
Both support Full HD (1920x1080) at up to 60 fps with H.264 codec. The D5300’s microphone input is a big plus for audio capture. Lack of in-body stabilization means relying on stabilized lenses or gimbals for smooth footage.
Travel:
Battery life is a strong point for the D3500 (a reported 1550 shots per charge) versus the D5300’s approximately 600. For extended travel shoots, fewer battery swaps can be a decisive factor.
Professional Use:
Neither camera is designed for professional-heavy use; build quality and sealed bodies aren’t up to pro-standard rigs. However, both deliver excellent RAW files for workflow integration. The D5300’s richer feature set aligns better with delivering more robust deliverables under pressurized timelines.
Tech Tidbits: Connectivity, Storage, and Other Notables
The D5300 packs built-in Wi-Fi and GPS, great for geotagging and wireless image transfer - a feature missing on the D3500 (which only has Bluetooth with Nikon’s SnapBridge for limited remote functions).
Both accept SD/SDHC/SDXC cards in a single card slot. USB 2.0 connectivity and HDMI output are standard. Neither has an electronic shutter or in-body stabilization, which you need to factor into future lens or accessory purchases.
Investing Wisely: Price-to-Performance and Final Thoughts
Priced at approximately $397 for the D3500 and $429 for the D5300 (as of mid-2024 market scans), the gap is narrow but meaningful in value terms.
The D3500 stands out for beginners prioritizing lightweight handling, extraordinary battery life, and straightforward operation without fuss. If you mostly shoot landscapes, portraits, travel, and casual outdoor photography, the D3500 is an excellent money-conscious choice.
The D5300 still holds its own with superior autofocus, a more flexible LCD, better connectivity, and richer image processing - features that lend it versatility for enthusiasts seeking a broader repertoire that includes wildlife, macro, or even moderate video work.
Wrapping It Up: Which Nikon Entry-Level DSLR Fits You Best?
Both cameras share Nikon’s hallmark image quality and lens ecosystem advantages, but your priorities should guide the choice:
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Pick the Nikon D3500 if you want maximum battery endurance, a more pocket-friendly DSLR, and a no-nonsense, beginner-friendly experience that doesn't drown you in options. It’s tried, tested, and consistently reliable for everyday and travel photography.
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Opt for the Nikon D5300 if you crave a more comprehensive autofocus system, need the benefits of a fully articulating screen, desire built-in Wi-Fi and GPS, or plan to shoot video with external microphones. The D5300 is slightly older but remains a highly capable all-rounder, especially for enthusiasts who want extra creative freedom.
Whichever you choose, remember lenses, technique, and real-world experimentation will matter more than body specs alone. Neither camera will replace a flagship professional rig, but both can produce stunning images and bring immense joy to your photographic journey.
Happy shooting!
Feel free to ask if you want lens recommendations or advice on specific photographic genres with these cameras.
Nikon D3500 vs Nikon D5300 Specifications
Nikon D3500 | Nikon D5300 | |
---|---|---|
General Information | ||
Manufacturer | Nikon | Nikon |
Model | Nikon D3500 | Nikon D5300 |
Category | Entry-Level DSLR | Entry-Level DSLR |
Announced | 2018-08-29 | 2014-02-12 |
Physical type | Compact SLR | Compact SLR |
Sensor Information | ||
Powered by | Expeed 4 | Expeed 4 |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.5 x 15.6mm | 23.5 x 15.6mm |
Sensor surface area | 366.6mm² | 366.6mm² |
Sensor resolution | 24 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 |
Peak resolution | 6000 x 4000 | 6000 x 4000 |
Highest native ISO | 25600 | 12800 |
Highest enhanced ISO | - | 25600 |
Min native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 11 | 39 |
Cross focus points | - | 9 |
Lens | ||
Lens mounting type | Nikon F | Nikon F |
Number of lenses | 309 | 309 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen sizing | 3" | 3.2" |
Resolution of screen | 921 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | TFT LCD | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Optical (pentamirror) |
Viewfinder coverage | 95% | 95% |
Viewfinder magnification | 0.56x | 0.55x |
Features | ||
Minimum shutter speed | 30s | 30s |
Fastest shutter speed | 1/4000s | 1/4000s |
Continuous shutter rate | 5.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.00 m (at ISO 100) | 12.00 m (at ISO 100) |
Flash options | Auto, Auto slow sync, Auto slow sync with red-eye reduction, Auto with red-eye reduction, Fill-flash, Off, Rear-curtain sync, Rear-curtain with slow sync, Red-eye reduction, Red-eye reduction with slow sync, Slow sync | Auto, On, Off, Red-eye, Slow sync, Rear curtain |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | - | 1/200s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 50, 30, 25, 24 fps), 1280 x 720 (60, 50 fps), 640 x 424 (30, 25 fps) | 1920 x 1080 (60, 50, 30, 25, 24 fps), 1280 x 720 (60, 50 fps), 640 x 424 (30, 25 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 365g (0.80 lb) | 480g (1.06 lb) |
Physical dimensions | 124 x 97 x 70mm (4.9" x 3.8" x 2.8") | 125 x 98 x 76mm (4.9" x 3.9" x 3.0") |
DXO scores | ||
DXO Overall score | not tested | 83 |
DXO Color Depth score | not tested | 24.0 |
DXO Dynamic range score | not tested | 13.9 |
DXO Low light score | not tested | 1338 |
Other | ||
Battery life | 1550 photos | 600 photos |
Type of battery | Battery Pack | Battery Pack |
Battery model | EN-EL14a | EN-EL14,EN-EL14a |
Self timer | Yes (2, 5, 10, 20 secs (1-9 exposures)) | Yes (2, 5, 10 or 20 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | Single | Single |
Launch pricing | $397 | $429 |